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215:, is a shepherd girl who has abilities that others do not have and therefore can not find a place for her personality in rural communities. She turns to nature for answers to her desires and questions. During the course of the text she falls in love with the boy Jon, and "Hurtful Day" describes her feelings when she is deceived by him. In the last song, "At the Brook", which is often compared with the last song of
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69:. It tells the story of Haugtussa, a young herding girl, and her first love affair with a boy, her first heartache. Both the lyrics, which brim over with imagery of gurgling brooks and tasty blueberries, and the music that mimics this imagery, intertwine the main character’s personal story and the mystic spring-like landscape that surrounds her, which may even motivate it.
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in May 1895, and was so inspired that he composed twelve songs in a month, four of which he rejected. He then spent three years completing the project. He first conceived it as a larger work with orchestra, but in 1898 decided to set just a cycle of eight songs for voice and piano, and gave them a
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F Major functions as a default tonic in the cycle, serving as the main key figure in the first, third and fourth songs, leaving the fifth to be constructed in C and the seventh in F Minor. A Major appears only once in the cycle, during the opening bars of the fourth song, which is strikingly
211:" and "Hurtful Day". Between them the climax is reached in the central love songs "The Tryst" and "Love", which have a cheerful, pastoral approach, and approached and transitioned from in, respectively, "Blueberry Slope" and "Kidlings' Dance". The main character, the
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opens and ends with the nature mysticism of "The
Enticement" and "At the Brook". The second extended stage includes the two melancholic portraits "
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to reflect
Garborg's poems, but by using only a few selected poems was able to give a true and complete new image to
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at the piano, on 2 November 1899. Grieg was not present at the recital, for he had a concert in
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in 1895 and published in 1898. Even though Grieg wrote a total of 181 songs, this is the only
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on the piano. From verse to verse, Grieg gradually changes this passage using different
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final polish before they were printed in
September that year. Grieg wanted
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What We Hear in Music: A Course of Study in Music
Appreciation and History
299:, piano. Recorded three times: 27 August 1940 and 26 April 1950, both for
98:, translated by John Paulsen and Grieg and published by Wilhelm Hansen in
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Positioning the songs of Grieg and
Debussy in standard vocal repertoire
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145:– Haugtussa is watching over her flock and sees a field of blueberries
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songs were also performed on 22 October 1898 by the
Norwegian-born
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639:(in Norwegian) (2 ed.). Oslo: Aschehoug. pp. 343–349.
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noticeable within the tonal design of the entire song cycle.
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175:– Haugtussa sits by the brook speaking to it of her sadness
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Ballade in the Form of
Variations on a Norwegian Folk Song
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391:, University of Nevada, Las Vegas, 2010, AAT 3460100
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The first to perform the complete cycle of songs in
90:, thus creating a new whole. They were released in
389:Conflict and meaning in Edvard Grieg's "Haugtussa"
55:in his entire output. The text was written by the
366:Haugtussa, Opus 67, "The best songs I've written"
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317:, piano. Recorded in Oslo around March 1956 for
595:Grieg: music, landscape and Norwegian identity
561:Grieg: music, landscape and Norwegian identity
527:Grieg: music, landscape and Norwegian identity
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442:. Cambridge University Press. p. 102.
845:Funeral March in Memory of Rikard Nordraak
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503:. Kessinger Publishing, LLC. p. 479.
163:– Haugtussa dances with her flock of goats
695:International Music Score Library Project
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157:– Haugtussa declares her love for the boy
1023:Grieg's Piano Concerto In A Minor (song)
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139:– A description of the slender Haugtussa
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1012:Edvard Grieg – mennesket og kunstneren
666:. University of Missouri. p. 62.
636:Edvard Grieg – mennesket og kunstneren
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63:, an excerpt from his book of poetry
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263:, with Grieg's colleague and friend
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476:. Boydell Press. pp. 203–205.
283:, to whom the cycle was dedicated.
22:Composer Edvard Grieg, portrait by
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1091:Classical song cycles in Norwegian
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321:. Released on the EP-disc 7EBN 1.
259:, wife of the Norwegian explorer
77:Edvard Grieg read Arne Garborg's
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1018:Grieg's music in popular culture
891:In the Hall of the Mountain King
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415:. Boydell Press. pp. 1–12.
173:At the Brook (Ved Gjætle-Bekken)
246:
1033:Norwegian romantic nationalism
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345:, piano. Recorded in 2021 for
331:, piano. Recorded in 1992 for
303:; and 22–30 November 1956 for
271:at the same time. Four of the
1:
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161:Kidlings' Dance (Killingdans)
126:The cycle is of eight songs:
106:by Eugen von Enzberg, and in
530:. Boydell Press. p. ?.
497:Faulkner, Anne Shaw (2005).
194:Haugtussa, The Mountain Maid
7:
1096:Song cycles by Edvard Grieg
592:Grimley, Daniel M. (2006).
558:Grimley, Daniel M. (2006).
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473:The songs of Edvard Grieg
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412:The songs of Edvard Grieg
368:at the Grieg Society.org
131:The Enticement (Det syng)
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693:by Edvard Grieg at the
387:Debra Siebert, D.M.A.:
137:Young Maiden (Veslemøy)
133:– Haugtussa is dreaming
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942:Edvard Grieg oil field
660:Lein, Melinda (2009).
470:Foster, Beryl (2007).
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354:Additional information
265:Agathe Backer-Grøndahl
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167:Hurtful Day (Vond dag)
39:, is a song cycle for
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631:Schjelderup-Ebbe, Dag
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816:String Quartet No. 1
778:Two Elegiac Melodies
741:List of compositions
374:Frode B. Bjerkevik:
325:Anne Sofie von Otter
333:Deutsche Grammophon
311:Aase Nordmo Løvberg
287:Selected recordings
222:Die schöne Müllerin
200:, published in 1898
1106:Songs in Norwegian
984:Distant relatives
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1101:1895 compositions
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449:978-0-521-72107-3
422:978-1-84383-343-7
364:Erling Dahl Jr.:
37:The Mountain Maid
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192:Music score of
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898:Morning Mood
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867:Piano Sonata
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852:Lyric Pieces
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811:Cello Sonata
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732:Edvard Grieg
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609:. Retrieved
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541:. Retrieved
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315:Robert Levin
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247:Performances
232:Dichterliebe
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61:Arne Garborg
49:Edvard Grieg
47:composed by
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1054:Troldhaugen
1028:Griegprisen
917:Vocal music
788:Concertante
767:Lyric Suite
611:20 December
577:20 December
543:20 December
253:Christiania
155:Love (Elsk)
1085:Categories
1042:(operetta)
957:Grieg Hall
830:Piano solo
748:Orchestral
396:References
301:RCA Victor
257:Eva Nansen
100:Copenhagen
53:song cycle
925:Haugtussa
884:Peer Gynt
756:In Autumn
691:Haugtussa
633:(1990) .
378:Haugtussa
273:Haugtussa
269:Stockholm
205:Haugtussa
88:Haugtussa
84:Haugtussa
79:Haugtussa
66:Haugtussa
57:Norwegian
32:Haugtussa
1071:Category
213:Veslemøy
209:Veslemøy
184:Contents
988:Nordahl
359:Sources
279:singer
277:Swedish
116:Leipzig
108:English
92:Nynorsk
59:writer
41:soprano
1049:(film)
993:Harald
975:(Wife)
966:Family
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104:German
96:Danish
26:(1891)
347:Decca
341:with
327:with
313:with
305:Decca
295:with
196:, by
122:Songs
45:piano
973:Nina
668:ISBN
641:ISBN
613:2015
600:ISBN
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532:ISBN
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417:ISBN
255:was
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