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characteristic features such as his distinctive type of female head, with a prominent forehead, receding, softly rounded chin and strangely overcast, half-closed eyes. The bodies, however, are oddly boneless and retain the pointed, forward-stepping Late Gothic stance, and the colours are still dull
38:, and from 1468 owned a house on Johannisstrasse street in the city, implying a certain degree of wealth and fame. A number of altarpieces have been attributed to him, although only one bears his signature: the altarpiece of
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and seem to have been made specifically for a
Swedish market, as they include depictions of national Swedish saints. Some of these paintings are now in the
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96:), became stronger, particularly in the palette, with bright, clear colour combinations resembling those of the Westphalian
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Picture gallery images from Hermen Rode's altarpiece for St. Nicholas' church, Tallinn, at the Art Museum of
Estonia
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Gordon
Campbell (ed.), The Grove Encyclopedia of Northern Renaissance Art, Oxford University Press (2009)
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and thinly painted. Later, influences from the
Netherlands, especially from Bruges (
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Several of the altarpieces attributed to Rode are today found in different parts of
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236:(159 (June, 1916)). The Burlington Magazine Publications Ltd.: 115–117 1916.
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church and an altarpiece dedicated to St. Gertrude and St. Dorothy in
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One of Rode's most imposing works of art is his mature High Altar of
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261:(in Swedish). Nordisk familjeboks förlags aktiebolag. p. 578.
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In his importance he stands equally next to his fellow countryman
42:, executed 1484 for St. Catherine's church in Lübeck and today in
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76:. This painting includes the first known view of the skyline of
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Very little is known about Rode. He lived and worked in
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319:Lübeck's and Tallinn's altar multimedia exhibition
205:The Grove Encyclopedia of Northern Renaissance Art
85:The Grove Encyclopedia of Northern Renaissance Art
80:with its then eight church towers as background.
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22:(fl. c. 1468 – c. 1504) was a German
163:Altarpiece (Sorunda, Sweden), date unknown
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135:St. Luke's Altar (Lübeck), ca. 1484
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265:from the original on 18 April 2012
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228:"Herman Rode in Sweden Reviewed".
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203:Campbell, Gordon, ed. (2009).
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70:St. Nicholas' Church, Tallinn
354:16th-century German painters
344:15th-century German painters
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207:. Oxford University Press.
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255:Westrin, Th., ed. (1915).
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16:15th century German artist
44:St. Anne's Museum, Lübeck
151:(Tallinn), ca. 1478-1481
87:notes that it displays:
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74:Art Museum of Estonia
349:German male painters
364:Artists from Lübeck
339:16th-century deaths
334:15th-century births
149:St. Nicholas church
258:Nordisk familjebok
98:Master of Liesborn
285:"Falsterbo kyrka"
177:Hinrich Lipperade
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175:Portrait of
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112:Bernt Notke
20:Hermen Rode
328:Categories
185:References
116:Baltic Sea
26:painter.
295:July 16,
289:Archived
263:Archived
103:—
40:St. Luke
269:16 July
122:Gallery
59:Sorunda
242:860288
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78:Lübeck
51:Sweden
36:Lübeck
24:Gothic
238:JSTOR
297:2013
271:2013
209:ISBN
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