285:, who came to England in 1714 and from whom Thomas Arne may have had violin lessons. The concertos are in seven parts, written for four violins, viola, 'cello and harpsichord. Two (No. 2 in C major and No. 3 in C minor) have three movements (allegro-largo-allegro) and the others are in four movements (an opening adagio followed by alternating fast and slow movements). The fast movements are characterized by lively dance rhythms: while these are Italian in texture, they distinctly echo the English country dances with which Hebden would have been familiar with from his days in Yorkshire.
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These six concertos were discovered only fairly recently. In 1980, Ruzena Wood, then repertoire consultant for the group
Cantilena, had become interested in Hebden after studying his First Sonata for Flute and Keyboard. She began searching to find if he had written any music for strings. Finally,
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The latter were probably begun around 1745 and published in about 1749 in an edition of approximately 500. Subscribers included the Earl and
Countess of Burlington as well as other aristocracy; a number of academics and organists; taverns such as The Devil and The Globe in
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Hebden was principally an orchestral player and as such his social status and his income would have been low. He might, had he chosen, have supplemented his income considerably by composing popular songs, as did a number of his fellow musicians. Hebden was a professional
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Hebden's
Concertos are in the baroque style, and in them he adheres to the 18th century convention of writing happy music in sharp keys and sad music in flat keys. They are most influenced by the Italian composer and violinist, Geminiani, a follower of
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It appears that Hebden had greater aspirations for his talent and channeled his creativity in a highly disciplined manner into more serious works. Only two were published: Six Solos for German Flute and the Six
Concertos for Strings.
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and, in the 1730s, composed music for a small local professional orchestra containing "all the best Hands in Town." They gave many concerts at the
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in 1745, he became the principal cellist and bassoonist. It is also known that he played in a performance of
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for whom Handel wrote his famous trumpet solos; several composers including Arne and
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https://www.chandos.net/chanimages/Booklets/CH8339.pdf
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