92:"...it would be supposed from the nature of Photography that all pictures executed by its means must possess a similarity of style ; it is however a curious fact, that this is not the case, the works by one operator being perfectly distinct in character from those by another, even when the same description of apparatus and the same process has been used ; this may be observed, when two pictures have been taken by different exhibitors from the same view — the best Indian Photographs in the Exhibition, those by Capt. Tripe and Capt. Greenlaw, exemplify this in a marked manner. The views by Capt. Tripe excel in finish and delicacy — those by Capt. Greenlaw in boldness, freedom and effect, the former are perhaps the best photographs, but the latter are the best pictures. The Calotypes taken in Burmah and exhibited by Capt. Tripe are excellent ; remarkable for great distinctness and also for their unusual and beautiful tint. When all are so excellent it is difficult to particularize any as especially worthy of notice."
130:
46:
19:
126:. The Indian government requested that 50 sets of prints be produced and 20 were requisitioned by the Court of Directors of the East India Company. Of these, 7 complete sets are held in galleries, libraries and museums. Tripe returned to India and spent nearly two years printing the photographs, including painstaking retouching of clouds and skies, introducing an aesthetic quality into the documentary purpose.
216:
In 1863 Tripe returned to the army and was continually promoted, becoming colonel in August 1873. Whilst in Lower Burma in
February 1869 he made his two final series of photographs. Here he took photographs of landscapes made on glass negatives. Tripe left India in 1873 and retired from the Army in
149:
government, taking photographs of objects shown at the Madras exhibition and portraits of Madras residents. In 1858, he took photographs of subjects of architectural or antiquarian interest, and pictures useful from a practical, engineering perspective. He exhibited 50 photographs from this tour in
72:
army in 1838, and in 1840, became a lieutenant based in the south of India. He returned to
England in 1850, on a leave that was extended due to ill health until 1854. During this time he began to experiment with photography, and joined the
208:, and in June 1859 Tripe was ordered not to undertake any new work. At the end of that year he was told to close the business and sell off the equipment. One of his assistants, C. Iyahswamy, also became a talented photographer.
117:
as the secretary. Photography was becoming the preferred medium for creating a visual record for reasons of economy and accuracy. Tripe - already known as a photographer from his time in India, was chosen by
369:
81:, displaying 68 photographs of previously unphotographed temples. The jury declared these photographs the "Best series of photographic views on paper." He won a gold medal for his series of
77:
in 1853. He returned to
Bangalore, India, as a captain in June 1854. In December of that year he made his first photographs of India. In February of the following year he took part in the
429:
301:
Madras
Exhibition of Raw Products, Arts, and Manufactures of Southern India. Reports by the juries on the subjects in the thirty classes into which the exhibition was divided
408:
494:
489:
397:. Madras, Madras Literary Society and Auxiliary of the Royal Asiatic Society, Old College, Nungumbaukum. 9 May 1833 – via Internet Archive.
122:
to accompany an official expedition to Ava, Burma, to obtain representations of scenes and buildings. This visit resulted in the publication of
315:
285:
119:
356:
484:
464:
154:
in 1859. In March 1862 a series of his photographs were exhibited by
Professor Archer at a meeting of the Photographic Society showing
479:
185:
remain of special interest to scholars, as some of the sculptures are now damaged or missing. The rest are now divided between the
499:
333:
133:
Ye-nan-gyoung monastery. Kyoung, Burma (Myanmar). Views of Burma, No.8. State
Library Victoria, Melbourne, Australia.
469:
412:
439:
381:
151:
474:
56:) from the album 'Photographs of Madura: Part III', 1858, Linnaeus Tripe V&A Museum no. IS.40:2–1889
186:
182:
74:
29:(14 April 1822 – 2 March 1902) was a British pioneer of photography, best known for his photographs of
134:
234:
53:
434:
68:, to Mary (1786–1842) and Cornelius (1785–1860). He was the ninth of twelve children. He joined the
201:
129:
269:
299:
357:"Captain Linnaeus Tripe: Photographer of India and Burma]. African and Asian studies blog"
459:
454:
244:
110:
8:
309:
279:
102:
69:
394:
249:
194:
146:
88:
A further comment in the jury report noted the artistic qualities in Tripe's works:
61:
45:
177:
His photos of the "Elliot
Marbles", that is, sculpture removed to Madras from the
178:
171:
190:
448:
109:
to ratify a treaty transferring Pegu to
British rule. The mission was led by
239:
79:
Madras
Exhibition of Raw Products, Arts, and Manufactures of Southern India
229:
157:
114:
106:
205:
165:
82:
430:
Linnaeus Tripe and the
Inscriptions on the Great Pagoda in Tanjore
105:
a British mission in 1855 attempted to persuade the Burmese king,
161:
18:
384:, Linnaeus Tripe, British Library, retrieved 19 December 2013
65:
34:
30:
225:
Other important photographers of the 19th century in Burma:
145:
In March 1857, Tripe became official photographer to the
217:April 1874. He died in Devonport on 2 March 1902.
85:, illustrating Burmese architecture and ornament.
446:
60:Linnaeus Tripe was born in Plymouth Dock (now
354:
395:"Madras journal of literature and science"
314:: CS1 maint: location missing publisher (
284:: CS1 maint: location missing publisher (
495:British East India Company Army officers
128:
44:
17:
490:Military personnel from Plymouth, Devon
327:
325:
168:), the Elliot Marbles, &c., &c.
447:
440:Photographs in the V&A collection
331:
211:
322:
50:The East Gopuram of the Great Pagoda
370:Journal of the Photographic Society
13:
485:Photographers from Plymouth, Devon
465:19th-century English photographers
14:
511:
423:
375:
334:"Linnaeus Tripe's Views of Burma"
170:These photographs are now in the
480:Artists from Devonport, Plymouth
204:, control of India went to the
401:
387:
363:
348:
292:
262:
152:Photographic Society of Madras
75:Photographic Society of London
1:
435:Biography at V & A Museum
255:
150:the annual exhibition of the
40:
500:British Indian Army officers
382:Photos of the Elliot Marbles
304:. Madras. 1856. p. 187.
274:. Madras. 1856. p. 124.
7:
220:
10:
516:
187:Government Museum, Chennai
235:Willoughby Wallace Hooper
140:
54:Meenakshi Temple, Madurai
202:Indian Rebellion of 1857
164:), Ruakotta, Seringham (
101:After the second of the
96:
22:Linnaeus Tripe c. 1880s
470:Photography in Myanmar
372:, 15 March 1862, p. 12
137:
94:
57:
23:
132:
90:
48:
21:
475:Photography in India
355:Roy, Malini (2015).
332:Tsara, Olga (2007).
271:Report of the Juries
245:Philip Adolphe Klier
37:taken in the 1850s.
415:on 11 October 2012.
111:Major Arthur Phayre
359:. British Library.
212:Return to the army
183:Sir Walter Elliott
138:
103:Anglo-Burmese wars
70:East India Company
58:
24:
250:Max Henry Ferrars
195:Amaravati Marbles
507:
417:
416:
411:. Archived from
409:"Linnaeus Tripe"
405:
399:
398:
391:
385:
379:
373:
367:
361:
360:
352:
346:
345:
338:La Trobe Journal
329:
320:
319:
313:
305:
296:
290:
289:
283:
275:
266:
515:
514:
510:
509:
508:
506:
505:
504:
445:
444:
426:
421:
420:
407:
406:
402:
393:
392:
388:
380:
376:
368:
364:
353:
349:
330:
323:
307:
306:
298:
297:
293:
277:
276:
268:
267:
263:
258:
223:
214:
179:Amaravati Stupa
172:British Library
143:
99:
43:
12:
11:
5:
513:
503:
502:
497:
492:
487:
482:
477:
472:
467:
462:
457:
443:
442:
437:
432:
425:
424:External links
422:
419:
418:
400:
386:
374:
362:
347:
321:
291:
260:
259:
257:
254:
253:
252:
247:
242:
237:
232:
222:
219:
213:
210:
200:Following the
191:British Museum
142:
139:
124:Views of Burma
120:Lord Dalhousie
98:
95:
42:
39:
27:Linnaeus Tripe
9:
6:
4:
3:
2:
512:
501:
498:
496:
493:
491:
488:
486:
483:
481:
478:
476:
473:
471:
468:
466:
463:
461:
458:
456:
453:
452:
450:
441:
438:
436:
433:
431:
428:
427:
414:
410:
404:
396:
390:
383:
378:
371:
366:
358:
351:
343:
339:
335:
328:
326:
317:
311:
303:
302:
295:
287:
281:
273:
272:
265:
261:
251:
248:
246:
243:
241:
238:
236:
233:
231:
228:
227:
226:
218:
209:
207:
206:British Crown
203:
198:
196:
192:
188:
184:
180:
175:
173:
169:
167:
163:
159:
156:Poodoocotah (
153:
148:
136:
131:
127:
125:
121:
116:
112:
108:
104:
93:
89:
86:
84:
80:
76:
71:
67:
63:
55:
51:
47:
38:
36:
32:
28:
20:
16:
413:the original
403:
389:
377:
365:
350:
341:
337:
300:
294:
270:
264:
240:Felice Beato
224:
215:
199:
176:
155:
144:
123:
100:
91:
87:
78:
59:
49:
26:
25:
15:
460:1902 deaths
455:1822 births
230:John McCosh
160:), Madura (
449:Categories
256:References
158:Pudukottai
115:Henry Yule
107:Mindon Min
41:Early life
310:cite book
280:cite book
193:, as the
166:Srirangam
83:calotypes
62:Devonport
221:See also
189:and the
135:H98.41/8
162:Madurai
113:, with
147:Madras
141:Madras
344:: 55.
97:Burma
66:Devon
35:Burma
31:India
316:link
286:link
33:and
197:.
181:by
64:),
451::
342:79
340:.
336:.
324:^
312:}}
308:{{
282:}}
278:{{
174:.
318:)
288:)
52:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.