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Lucian

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731: 2727: 430:. As a result of this, everything that is known about Lucian comes exclusively from his own writings. A variety of characters with names very similar to Lucian, including "Lukinos", "Lukianos", "Lucius", and "The Syrian" appear throughout Lucian's writings. These have been frequently interpreted by scholars and biographers as "masks", "alter-egos", or "mouthpieces" of the author. Daniel S. Richter criticizes the frequent tendency to interpret such "Lucian-like figures" as self-inserts by the author and argues that they are, in fact, merely fictional characters Lucian uses to "think with" when satirizing conventional distinctions between Greeks and Syrians. He suggests that they are primarily a literary 2326: 2864:, Lucian criticizes the historical methodology used by writers such as Herodotus and Ctesias, who wrote vivid and self-indulgent descriptions of events they had never actually seen. Instead, Lucian argues that the historian never embellish his stories and should place his commitment to accuracy above his desire to entertain his audience. He also argues the historian should remain absolutely impartial and tell the events as they really happened, even if they are likely to cause disapproval. Lucian names Thucydides as a specific example of a historian who models these virtues. 2763:. Though the account is satirical in tone, it seems to be a largely accurate report of the Glycon cult and many of Lucian's statements about the cult have been confirmed through archaeological evidence, including coins, statues, and inscriptions. Lucian describes his own meeting with Alexander in which he posed as a friendly philosopher, but, when Alexander invited him to kiss his hand, Lucian bit it instead. Lucian reports that, aside from himself, the only others who dared challenge Alexander's reputation as a true prophet were the 5175: 3253: 454: 51: 2519: 3053: 10051: 7028: 7013: 10431: 10061: 10071: 7043: 2109: 7095: 541: 477: 461: 509: 493: 525: 2704: 10443: 2124:, Lucian describes himself as a champion of philosophy and throughout his other writings he characterizes philosophy as a morally constructive discipline, but he is critical of pseudo-philosophers, whom he portrays as greedy, bad-tempered, sexually immoral hypocrites. Lucian was not known to be a member of any of the major philosophical schools. In his 2415:
After returning to Earth, the adventurers are swallowed by a 200-mile-long whale, in whose belly they discover a variety of fish people, whom they wage war against and triumph over. They kill the whale by starting a bonfire and escape by propping its mouth open. Next, they encounter a sea of milk, an
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of AD 165. The letter is historically significant because it preserves one of the earliest pagan evaluations of Christianity. In the letter, one of Lucian's characters delivers a speech ridiculing Christians for their perceived credulity and ignorance, but he also affords them some level of respect
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explaining that he wishes he had stayed with her so he could have lived eternally. They then discover a chasm in the Ocean, but eventually sail around it, discover a far-off continent and decide to explore it. The book ends abruptly with Lucian stating that their future adventures will be described
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Scholars have long interpreted the "Syrian" in this work as Lucian himself and taken this speech to mean that Lucian ran away to Ionia, where he pursued his education. Richter, however, argues that the "Syrian" is not Lucian himself, but rather a literary device Lucian uses to subvert literary and
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and his uncles owned a local statue-making shop. Lucian's parents could not afford to give him a higher education, so, after he completed his elementary schooling, Lucian's uncle took him on as an apprentice and began teaching him how to sculpt. Lucian, however, soon proved to be poor at sculpting
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Lucian lived in Athens for around a decade, during which time he gave up lecturing and instead devoted his attention to writing. It was during this decade that Lucian composed nearly all his most famous works. Lucian wrote exclusively in Greek, mainly in the Attic Greek popular during the Second
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In the treatise, Lucian satirizes the arbitrary cultural distinctions between "Greeks" and "Assyrians" by emphasizing the manner in which Syrians have adopted Greek customs and thereby effectively become "Greeks" themselves. The anonymous narrator of the treatise initially seems to be a Greek
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Over eighty works attributed to Lucian have survived. These works belong to a diverse variety of styles and genres, and include comic dialogues, rhetorical essays, and prose fiction. Lucian's writings were targeted towards a highly educated, upper-class Greek audience and make almost constant
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What blessings that book creates for its readers and what peace, tranquillity, and freedom it engenders in them, liberating them as it does from terrors and apparitions and portents, from vain hopes and extravagant cravings, developing in them intelligence and truth, and truly purifying their
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to help him recover. When Tychiades objects that such remedies do not work, the others all laugh at him and try to persuade him to believe in the supernatural by telling him stories, which grow increasingly ridiculous as the conversation progresses. One of the last stories they tell is
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and ruined the statue he had been working on. His uncle beat him, causing him to run off. Lucian fell asleep and experienced a dream in which he was being fought over by the personifications of Statuary and Culture. He decided to listen to Culture and thus sought out an education.
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in which the main narrator, a skeptic named Tychiades, goes to visit an elderly friend named Eukrates. At Eukrates's house, he encounters a large group of guests who have recently gathered together due to Eukrates suddenly falling ill. The other guests offer Eukrates a variety of
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that he had initially attempted to apply his knowledge of rhetoric and become a lawyer, but that he had become disillusioned by the deceitfulness of the trade and resolved to become a philosopher instead. Lucian travelled across the Empire, lecturing throughout Greece, Italy, and
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is a collection of short dialogues involving various courtesans. This collection is unique as one of the only surviving works of Greek literature to mention female homosexuality. It is also unusual for mixing Lucian's characters from other dialogues with stock characters from
2501:, who lived modestly while they were alive and are now living comfortably in the abysmal conditions of the Underworld, while those who had lived lives of luxury are in torment when faced by the same conditions. The dialogue draws on earlier literary precursors, including the 2209:'Nay, say not so, my dear Dinomachus,' I answered; 'the Gods may exist, and these things may yet be lies. I respect the Gods: I see the cures performed by them, I see their beneficence at work in restoring the sick through the medium of the medical faculty and their drugs. 2412:. Both armies include bizarre hybrid lifeforms. The armies of the Sun win the war by clouding over the Moon and blocking out the Sun's light. Both parties then come to a peace agreement. Lucian then describes life on the Moon and how it is different from life on Earth. 633:. Every major town had its own 'university' and these 'universities' often employed professional travelling lecturers, who were frequently paid high sums of money to lecture about various philosophical teachings. The most prestigious center of learning was the city of 2061:, but it is unlikely that Lucian could have afforded to pay the tuition at either of these schools. It is not known how Lucian obtained his education, but somehow he managed to acquire an extensive knowledge of rhetoric as well as classical literature and philosophy. 2040:"with no idea what he ought to do with himself". She describes "the Syrian" at this stage in his career as "still speaking in a barbarous manner and all but wearing a caftan in the Assyrian fashion". Rhetoric states that she "took him in hand and ... gave him 2792:
Sophist, but, as the treatise progresses, he reveals himself to actually be a native Syrian. Scholars dispute whether the treatise is an accurate description of Syrian cultural practices because very little is known about Hierapolis other than what is recorded in
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Lucian's Syrian identity received renewed attention in the early twenty-first century as Lucian became seen as what Richter calls "a sort of Second Sophistic answer to early twenty-first-century questions about cultural and ethnic hybridity". Richter states that
2602:, Lucian defends his other dialogues by comparing the venerable philosophers of ancient times with their unworthy contemporary followers. Lucian was often particularly critical of people who pretended to be philosophers when they really were not and his dialogue 3457:
admitted that he had, as a foolish youth, wasted time reading the works of Lucian, but, as an adult, had come to realize that Lucian was nothing more than an "Oriental without depth or character... who has no soul and degrades the most soulful language".
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in either 162 or 163. In around 165, he bought a house in Athens and invited his parents to come live with him in the city. Lucian must have married at some point during his travels because in one of his writings, he mentions having a son at this point.
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Many early modern European writers adopted Lucian's lighthearted tone, his technique of relating a fantastic voyage through a familiar dialogue, and his trick of constructing proper names with deliberately humorous etymological meanings. During the
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and flies to Heaven, where he receives a guided tour from Zeus himself. The dialogue ends with Zeus announcing his decision to destroy all philosophers, since all they do is bicker, though he agrees to grant them a temporary reprieve until spring.
2657:. The dialogues portray the gods as comically weak and prone to all the foibles of human emotion. Zeus in particular is shown to be a "feckless ruler" and a serial adulterer. Lucian also wrote several other works in a similar vein, including 3017:. In general, however, the Byzantine reception of Lucian was positive. He was perhaps the only ancient author openly hostile to Christianity to be received positively by the Byzantines. He was regarded as not merely a pagan, but an 262:
Lucian's works were wildly popular in antiquity, and more than eighty writings attributed to him have survived to the present day, a considerably higher quantity than for most other classical writers. His most famous work is
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During the time when Lucian lived, traditional Greco-Roman religion was in decline and its role in society had become largely ceremonial. As a substitute for traditional religion, many people in the Hellenistic world joined
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The novel begins with an explanation that the story is not at all "true" and that everything in it is, in fact, a complete and utter lie. The narrative begins with Lucian and his fellow travelers journeying out past the
2155:, Lucian rejects all philosophical systems as contradictory and concludes that life is too short to determine which of them comes nearest to the truth, so the best solution is to rely on common sense, which was what the 2032:, the personification of Rhetoric delivers a speech in which she describes the unnamed defendant, who is described as a "Syrian" author of transgressive dialogues, at the time she found him, as a young man wandering in 3470:("Lucian and Menippus"), Helm argued that Lucian's claims of generic originality, especially his claim of having invented the comic dialogue, were actually lies intended to cover up his almost complete dependence on 2784:). It is written in a faux-Ionic Greek and imitates the ethnographic methodology of the Greek historian Herodotus, which Lucian elsewhere derides as faulty. For generations, many scholars doubted the authenticity of 2305:
allusions to Greek cultural history, leading the classical scholar R. Bracht Branham to label Lucian's highly sophisticated style "the comedy of tradition". By the time Lucian's writings were rediscovered during the
3446:: "Laugh a great deal and take nothing seriously." Professional philosophical writers since then have generally ignored Lucian, but Turner comments that "perhaps his spirit is still alive in those who, like 2100:(180–192), the aging Lucian may have been appointed to a lucrative government position in Egypt. After this point, he disappears from the historical record entirely, and nothing is known about his death. 2616:
in which, instead of discussing the nature of love, the philosophers get drunk, tell smutty tales, argue relentlessly over whose school is the best, and eventually break out into a full-scale brawl. In
10224: 609:. Superstition had always been common throughout ancient society, but it was especially prevalent during the second century. Most educated people of Lucian's time adhered to one of the various 2788:
because it seemed too genuinely reverent to have really been written by Lucian. More recently, scholars have come to recognize the book as satirical and have restored its Lucianic authorship.
3462:, one of the leading scholars on Lucian in the early twentieth century, labelled Lucian as a "thoughtless Syrian" who "possesses none of the soul of a tragedian" and compared him to the poet 434:
used by Lucian to deflect accusations that he as the Syrian author "has somehow outraged the purity of Greek idiom or genre" through his invention of the comic dialogue. British classicist
2818:("Long-Livers") is an essay about famous philosophers who lived for many years. It describes how long each of them lived, and gives an account of each of their deaths. In his treatises 2899:, Lucian ridicules the common practice whereby Near Easterners collect massive libraries of Greek texts for the sake of appearing "cultured", but without actually reading any of them. 3105:
were especially popular and were widely used for moral instruction. As a result of this popularity, Lucian's writings had a profound influence on writers from the Renaissance and the
2254:, but whose ideology most closely resembled Cynicism. Demonax's main divergence from the Cynics was that he did not disapprove of ordinary life. Paul Turner observes that Lucian's 664:
calls it "a fine but rather apocryphal version of Lucian's education" and Karin Schlapbach calls it "ironical". Richter argues that it is not autobiographical at all, but rather a
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states he probably delivered as an address upon returning to Samosata at the age of thirty-five or forty after establishing his reputation as a great orator, Lucian's parents were
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Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration
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Lucian was born in the town of Samosata on the banks of the Euphrates on the far eastern outskirts of the Roman Empire. Samosata had been the capital of the kingdom of
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states, "A good deal of what Lucian says about himself is no more to be trusted than the voyage to the moon that he recounts so persuasively in the first person in
3610: 3224:ΜΕΝΙΠΠΟΣ: Εἶτα διὰ τοῦτο αἱ χίλιαι νῆες ἐπληρώθησαν ἐξ ἁπάσης τῆς Ἑλλάδος καὶ τοσοῦτοι ἔπεσον Ἕλληνές τε καὶ βάρβαροι καὶ τοσαῦται πόλεις ἀνάστατοι γεγόνασιν; 2076:
In around 160, Lucian returned to Ionia as a wealthy celebrity. He visited Samosata and stayed in the east for several years. He is recorded as having been in
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describes transgressors against the gods being punished for their sins, but Lucian embellished this idea by having cruel and greedy persons also be punished.
3131:(1509) displays Lucianic influences. Perhaps the most notable example of Lucian's impact in the fifteenth and sixteenth centuries was on the French writer 2309:, most of the works of literature referenced in them had been lost or forgotten, making it difficult for readers of later periods to understand his works. 2178:, he probably voices some of his own opinions through his character Tychiades, perhaps including the declaration by Tychiades that he does not believe in 6416:
Georgiadou, Aristoula; Larmour, David H. J. (1998), Bremer, J. M.; Janssen, L. F.; Pinkster, H.; Pleket, H. W.; Ruijgh, C. J.; Schrijvers, P. H. (eds.),
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There was a "Lucianic revival" in the twelfth century. The preeminent Lucianic author of this period, who imitated Lucian's style in his own works, was
243:. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an education in 204:
style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably
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have traveled to this point, and trees that look like women. Shortly after leaving the island, they are caught up by a whirlwind and taken to the
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for a decade, during which he wrote most of his extant works. In his fifties, he may have been appointed as a highly paid government official in
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Menippos: And for this a thousand ships carried warriors from every part of Greece, Greeks and barbarians were slain, and cities made desolate?
1828: 3021:. Even so, "Lucian the atheist gave way to Lucian the master of style." From the eleventh century, he was a part of the school curriculum. 2974:
as part of a monastic compendium. He was reassessed positively in the ninth century by the first generation of Byzantine humanists, such as
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Lucian is mentioned only sporadically between his death and the ninth century, even among pagan authors. The first author to mention him is
2204:'In other words, you do not believe in the existence of the Gods, since you maintain that cures cannot be wrought by the use of holy names?' 7076: 2408:, where they find themselves embroiled in a full-scale war between the king of the Moon and the king of the Sun over colonization of the 1649: 2463:, Lucian declares that his proudest literary achievement is the invention of the "satirical dialogue", which was modeled on the earlier 2258:
reads as a straightforward defense of Cynicism, but also remarks that Lucian savagely ridicules the Cynic philosopher Peregrinus in his
1569: 10493: 8798: 6441: 3438:. Nietzsche declaration of a "new and super-human way of laughing – at the expense of everything serious!" echoes the exact wording of 3216:'s famous verse "Was this the face that launched a thousand ships/And burnt the topless towers of Ilium?" is a paraphrase of Lucian: 2686:
are also mentioned in Lucian's other dialogues, but almost all of the courtesans themselves are characters borrowed from the plays of
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Nonetheless, at other times, Lucian writes approvingly of individual philosophies. According to Turner, although Lucian makes fun of
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has long been treated by scholars as a truthful autobiography of Lucian, its historical accuracy is questionable at best. Classicist
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Bartley, A. (2003) "The Implications of the Reception of Thucydides within Lucian's 'Vera Historia'", Hermes Heft, 131, pp. 222–234.
3145:, which was first published in 1532. Rabelais also is thought to be responsible for a primary introduction of Lucian to the French 2673:, the messenger of the gods, who frequently appears as a major character in the role of an intermediary who travels between worlds. 2140:
superficially appears to be a "eulogy of Platonism", but may, in fact, be satirical, or merely an excuse to ridicule Roman society.
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The Anecdote in Mark, the Classical World and the Rabbis: A Study of Brief Stories in the Demonax, The Mishnah, and Mark 8:27–10:45
1739: 2992:, Photios notes that Lucian "ridicules pagan things in almost all his texts", is never serious and never reveals his own opinion. 6329: 2213:, and his sons after him, compounded soothing medicines and healed the sick, – without the lion's-skin-and-field-mouse process.' 6538: 2396:. Blown off course by a storm, they come to an island with a river of wine filled with fish and bears, a marker indicating that 6135: 2159:
advocated. The maxim that "Eyes are better witnesses than ears" is echoed repeatedly throughout several of Lucian's dialogues.
7051: 2428:. They find sinners being punished, the worst of them being the ones who had written books with lies and fantasies, including 269:, a tongue-in-cheek satire against authors who tell incredible tales, which is regarded by some as the earliest known work of 6937: 6914: 6894: 6862: 6842: 6781: 6753: 6706: 6686: 6653: 6627: 6586: 6568: 6557:
Luck, Georg (2001), "Witches and Sorcerers in Classical Literature", in Flint, Valerie; Luck, Georg; Gordon, Richard (eds.),
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admired Lucian as a "very moral writer" and quoted him with reverence when discussing ethics or religion. Hume read Lucian's
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For unknown reasons, Lucian stopped writing around 175 and began travelling and lecturing again. During the reign of Emperor
1942: 8186: 6732: 284: 7191: 6716: 4573: 3317:(1759) displays the characteristically Lucianic theme of "refuting philosophical theory by reality". Voltaire also wrote 6676: 10251: 8808: 8498: 8191: 8125: 6822: 2015: 50: 17: 3760:
Empire of the Romans: From Julius Caesar to Justinian: Six Hundred Years of Peace and War, Volume II: Select Anthology
730: 10478: 8196: 8171: 7165: 6852: 6496: 4258: 6516: 6467: 10498: 10488: 10473: 10107: 10005: 8754: 8181: 8176: 6832: 2917:, are usually not considered genuine works of Lucian and are normally cited under the name of "Pseudo-Lucian". The 1368: 1194: 556: 368:
satirizes cultural distinctions between Greeks and Syrians and is the main source of information about the cult of
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rulers, and a late Hellenistic relief carving have confirmed Lucian's statement that the city's original name was
2246:, a Cynic philosopher and satirist of the third century BC. Lucian wrote an admiring biography of the philosopher 8648: 8508: 8503: 7780: 6953: 6648:, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 544–546, 6360:, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 862–865, 3300: 3182: 3057: 1858: 1823: 6884: 6762:
Richter, Daniel S. (2017), "Chapter 21: Lucian of Samosata", in Richter, Daniel S.; Johnson, William A. (eds.),
6696: 2166:, though he was by no means the only person of his time to voice such skepticism. Lucian rejected belief in the 10032: 8673: 8087: 7184: 6744:; Burstein, Stanley M.; Donlan, Walter; Roberts, Jennifer Tolbert; Tandy, David W.; Tsouvala, Georgia (2018) , 4428: 3363:
and he spent his entire career adapting the ideas behind Lucian's writings for a contemporary German audience.
3089:. By 1400, there were just as many Latin translations of the works of Lucian as there were for the writings of 2053:
Ionia was the center of rhetorical learning at the time. The most prestigious universities of rhetoric were in
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The Anatomy of Dance Discourse: Literary and Philosophical Approaches to Dance in the Later Graeco-Roman World
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as being nothing more than an account of a highly skilled Egyptian dancer. He also wrote about visual arts in
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describes the rise of Alexander of Abonoteichus, a charlatan who claimed to be the prophet of the serpent-god
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Lucian is not mentioned in any contemporary texts or inscriptions written by others and he is not included in
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Many 19th century and early 20th century classicists viewed Lucian's works negatively. The German classicist
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In the tenth century, Lucian was known in some circles as an anti-Christian writer, as seen in the works of
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Lucian's philosophical views are difficult to categorize due to his persistent use of irony and sarcasm. In
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Grewell, Greg (2001), "Colonizing the Universe: Science Fictions Then, Now, and in the (Imagined) Future",
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Hellenism in Byzantium: The Transformations of Greek Identity and the Reception of the Classical Tradition
3519: 3292: 3273:(1749), owned a complete set of Lucian's writings in nine volumes. He deliberately imitated Lucian in his 375:
Lucian had an enormous, wide-ranging impact on Western literature. Works inspired by his writings include
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later listed the temple at Hierapolis as one of the five most important pagan temples in the Near East.
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Lucian frequently made fun of philosophers and no school was spared from his mockery. In the dialogue
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Dialogues of the Dead. Dialogues of the Sea-Gods. Dialogues of the Gods. Dialogues of the Courtesans
2598:, Lucian points out the hypocrisies of representatives from all the major philosophical schools. In 2325: 10366: 8771: 8734: 8668: 8334: 8221: 3356: 3141: 2634:
in which, rather than flying to Heaven, Menippus descends to the underworld to consult the prophet
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as "truly holy and prophetic". Later, in the same dialogue, he praises a book written by Epicurus:
2144: 1813: 1061: 7001: 6977: 6875:, vol. 5, New York City, New York: The MacMillan Company & The Free Press, pp. 98–99 3283:(1743), he describes Lucian as "almost... like the true father of humour" and lists him alongside 2621:, the Cynic philosopher Menippus fashions a set of wings for himself in imitation of the mythical 2525:, the messenger of the gods, is a major recurring character throughout many of Lucian's dialogues. 10125: 10054: 9178: 8978: 8963: 8766: 8749: 8729: 8698: 8598: 8534: 8150: 8135: 8105: 8066: 7943: 7795: 7297: 7032: 2830:
is a major source of information about Greco-Roman dance. In it, he describes dance as an act of
2299: 2185: 1599: 952: 781: 31: 7108: 6717:"The Love of Wisdom and the Love of Lies: The Philosophers and Philosophical Voices of Lucian's 3085:. When they were rediscovered in the West around 1400, they immediately became popular with the 2358:), a fictional narrative work written in prose, he parodies some of the fantastic tales told by 10327: 10012: 9015: 8786: 8744: 8678: 8643: 8095: 8079: 7775: 7716: 7565: 7560: 6923: 3702: 3602: 3188: 3114: 2008: 1843: 1719: 1709: 1629: 1066: 855: 610: 256: 89: 7170: 6991: 6967: 6904: 6814: 6807: 6802: 6617: 6309: 3192:
are both based on descriptions of paintings found in Lucian's works. Lucian's prose narrative
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makes fun of people who believe in the supernatural and contains the oldest known version of "
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have come to embrace Lucian as "an early imperial paradigm of the 'ethno-cultural hybrid.'"
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Lucian wrote numerous dialogues making fun of traditional Greek stories about the gods. His
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suggests that Lucian acted out his dialogues himself as part of a comedic routine. Lucian's
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Lucian of Samosata from the Greek with the Comments and Illustrations of WIELAND and Others
3412:-Worship", which he used to describe the contemporary literature of French writers such as 2860: 2089:, which is attributed to Lucian, is written in a highly successful imitation of Herodotus' 1793: 1783: 1579: 1353: 1313: 1056: 741: 676:), or playful literary work, and a "complicated meditation on a young man's acquisition of 606: 7027: 7012: 5675: 3466:, who was known as the "mockingbird in the German poetry forest". In his 1906 publication 3132: 386: 8: 10463: 10321: 10288: 10267: 9667: 9637: 9025: 8920: 8915: 8352: 7667: 7580: 7550: 7504: 7267: 7118: 6210:
Babich, Babette (November 2011). "Nietzsche's Zarathustra and Parodic Style: On Lucian's
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as absurd, Lucian helped facilitate one of Renaissance humanism's most basic themes. His
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In Search of the Sorcerer's Apprentice: The Traditional Tales of Lucian's Lover of Lies
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Messis, Charis (2021), "The Fortune of Lucian in Byzantium", in Marciniak, Przemysław;
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This article is about the second-century satirist and rhetorician. For other uses, see
7153: 6727:, Groningen, The Netherlands: Barkhuis Publishing & Groningen University Library, 577:
and became part of the Roman province of Syria. The population of the town was mostly
10387: 10349: 10305: 10294: 10236: 10060: 9959: 9546: 9095: 8943: 8895: 8739: 8708: 8653: 8570: 8447: 8319: 8140: 7973: 7926: 7866: 7740: 7722: 7698: 7680: 7635: 7590: 7585: 7236: 7161: 7124: 7071: 6933: 6910: 6890: 6858: 6838: 6818: 6777: 6749: 6728: 6702: 6682: 6649: 6623: 6582: 6564: 6544: 6524: 6502: 6473: 6453: 6427: 6403: 6382: 6361: 6335: 6315: 6116: 5751: 5710: 4813: 4579: 4424: 4254: 3764: 3637: 3592: 3588: 3177: 3062: 3033: 2612: 2464: 2001: 1952: 1808: 1699: 1538: 1533: 1358: 1321: 1282: 1189: 940: 885: 820: 714: 594: 274: 56: 7130: 7100: 6501:, Greek Culture in the Roman World, Cambridge, England: Cambridge University Press, 1483: 10447: 9889: 9421: 9386: 9203: 9060: 8938: 8825: 8820: 8145: 8100: 7931: 7838: 7454: 7287: 7272: 7262: 7080: 6854:
Hellenism and Empire: Language, Classicism, and Power in the Greek World, AD 50–250
6769: 6741: 6563:, vol. 2, New York City and London: Continuum International Publishing Group, 6517:"Chapter Ten: Dying philosophers in ancient biography: Zeno the Stoic and Epicurus" 6395: 6239: 6227: 6108: 5698: 3666: 3553: 3537: 3498: 3447: 2219: 1972: 1917: 1803: 1473: 1299: 1018: 935: 928: 796: 247:. He may have become a travelling lecturer and visited universities throughout the 217: 4769:"The True, the False, and the Truly False: Lucian's Philosophical Science Fiction" 3570:
The Works of Lucian of Samosata. Complete with exceptions specified in the preface
3252: 2073:. In Gaul, Lucian may have held a position as a highly paid government professor. 749: 10332: 10134: 10093: 9904: 9662: 9450: 9263: 9005: 8871: 8803: 8130: 7728: 7710: 7704: 7618: 7595: 7469: 7380: 7340: 7277: 7136: 6637: 6558: 6349: 3631: 3479: 3376: 3360: 3198: 3157: 3118: 2971: 2909: 2884: 2654: 2417: 2373: 2282:
and that sort of foolery, but with straight thinking, truthfulness and frankness.
2279: 1937: 1853: 1669: 1528: 1438: 1403: 1343: 1238: 1184: 1141: 834: 578: 395: 288: 270: 205: 201: 9929: 9642: 6543:, Manchester, England and New York City, New York: Manchester University Press, 6402:(2nd ed.), Grand Rapids, Michigan: William B. Eerdmans Publishing Company, 9786: 9726: 9721: 9677: 9458: 9406: 9396: 9376: 9366: 9110: 9105: 9100: 7953: 7752: 7746: 7734: 7534: 7509: 7282: 7207: 7140: 7067: 6663: 3734: 3718: 3627: 3616: 3557: 3463: 3405: 3264: 3167: 3066: 2929: 2330: 1881: 1679: 1513: 1408: 1338: 1228: 1221: 1081: 1013: 622: 582: 400: 186: 125: 6581:. Cambridge, Massachusetts: Loeb Classical Library; Harvard University Press. 6521:
Writing Biography in Greece and Rome: Narrative Technique and Fictionalization
3996: 3994: 3992: 2945:
is usually dated to the third or fourth centuries based on stylistic grounds.
2669:. Throughout all his dialogues, Lucian displays a particular fascination with 2653:) consists of numerous short vignettes parodying a variety of the scenes from 10457: 10408: 10316: 10155: 10022: 9939: 9914: 9604: 9526: 9208: 9151: 9050: 9040: 9010: 8992: 8866: 8018: 7800: 7692: 7648: 7610: 7449: 7370: 6996: 6972: 6641: 6374: 6353: 6231: 6120: 3737:, although Daniel Ogden notes that this can only be true to a limited extent. 3525: 3454: 3393: 3324: 3241: 2555: 2550: 2531: 2388:. The novel is often regarded as the earliest known work of science fiction. 2343: 1982: 1967: 1818: 1619: 1478: 1453: 1418: 1265: 1233: 764: 754: 698: 645: 590: 279: 209: 137: 3430: 2594:, each of whom attempts to persuade the customers to buy his philosophy. In 2518: 10373: 10176: 10141: 9839: 9791: 9657: 9511: 9381: 9020: 8856: 8362: 8324: 8023: 6452:, Madison, Wisconsin: The University of Wisconsin Press, pp. 274–294, 6442:"The Phallic Lesbian: Philosophy, Comedy, and Social Inversion in Lucian's 3989: 3609:(1913, 1915, 1921, 1925, 1936); vol. 6 ed. K. Kilburn (1959); vol. 7–8 ed. 3319:
The Conversation between Lucian, Erasmus and Rabelais in the Elysian Fields
2963: 2796:
itself. Coins minted in the late fourth century BC, municipal decrees from
2542: 2380:, interplanetary warfare, and artificial life, nearly two millennia before 2348: 2335: 2320: 2192:
because he has never seen such things. Tychiades, however, still professes
2171: 2093:, leading some scholars to believe that Lucian may not be the real author. 1962: 1907: 1508: 1294: 1149: 1118: 986: 630: 547: 423: 273:. Lucian invented the genre of comic dialogue, a parody of the traditional 265: 248: 93: 5702: 10210: 9859: 9751: 9731: 9559: 9067: 9045: 9035: 9030: 8953: 8910: 8457: 8367: 8357: 8244: 8234: 7998: 7375: 7350: 4790: 4416: 3459: 3417: 3352: 3257: 3146: 3082: 2804:
and that the city was closely associated with the cults of Atargatis and
2385: 2381: 2306: 2251: 2148: 2090: 1987: 1947: 1922: 1433: 1428: 1112: 1102: 661: 376: 240: 213: 197: 76: 9564: 6886:
Jesus Outside the New Testament: An Introduction to the Ancient Evidence
6609: 3052: 786: 10283: 9796: 9766: 9761: 9746: 9632: 9599: 9268: 9238: 8905: 8633: 8467: 8309: 8304: 8294: 8279: 8264: 8254: 8229: 7605: 7360: 7315: 7047: 7036: 7021: 5066: 5064: 5062: 5060: 4987: 4985: 4983: 3364: 3098: 2959: 2826:, Lucian criticizes the teachings of master rhetoricians. His treatise 2764: 2679: 2587: 2579: 2546: 2425: 2421: 2369: 2167: 1639: 1518: 1503: 1498: 1277: 1199: 1160: 1074: 965: 861: 626: 6096: 5750:(paperback ed.). Oxford: Oxford University Press. pp. 9–10. 4874: 4872: 4870: 4868: 4866: 4864: 4862: 4433:
https://archive.org/details/stoicsandsceptic033554mbp/page/n6/mode/2up
2578:
puts famous philosophers up for sale, including Pythagoras, Diogenes,
9771: 9697: 9682: 9652: 9647: 9579: 9503: 9488: 9473: 9416: 9316: 8968: 8900: 8472: 8452: 8422: 8417: 8412: 8377: 8372: 8342: 8289: 8249: 8028: 7894: 7848: 7828: 7459: 7330: 7114: 3136: 3071: 2879:), Lucian describes the death of the controversial Cynic philosopher 2854: 2777: 2740: 2732: 2606:
portrays an imposter Cynic as the antithesis of true philosophy. His
2429: 2287: 2210: 2133: 1957: 1458: 1388: 1326: 1258: 1172: 1155: 1136: 1131: 917: 911: 890: 872: 618: 598: 574: 570: 369: 344:
Lucian often ridiculed public figures, such as the Cynic philosopher
236: 5124: 5057: 5033: 4980: 3359:
was the first person to translate the complete works of Lucian into
3335:(1780). Lucian appears as one of two speakers in Diderot's dialogue 2436:. After leaving the Island of the Blessed, they deliver a letter to 10299: 10217: 9821: 9811: 9801: 9776: 9554: 9521: 9483: 9426: 9341: 9326: 9183: 9173: 9090: 9085: 8482: 8477: 8437: 8432: 8407: 8387: 8314: 8269: 8259: 8115: 8013: 7948: 7876: 7484: 7089: 7085: 6871:
Turner, Paul (1967), "Lucian of Samosata", in Edwards, Paul (ed.),
6469:
Epicurus in Lycia: The Second-Century World of Diogenes of Oenoanda
6112: 4859: 3471: 3439: 3304: 3094: 2938: 2852:
eulogizes him as a great philosopher and portrays him as a hero of
2797: 2687: 2635: 2583: 2498: 2494: 2441: 2401: 2397: 2266: 2243: 2180: 2147:, he displays a temperamental inclination towards that philosophy. 2129: 2128:, he makes fun of members of every school. Lucian was critical of 2113: 2097: 2037: 1270: 1248: 1166: 972: 958: 769: 759: 722: 689: 614: 561: 467: 326: 322: 232: 193: 111: 103: 72: 10085: 9574: 7042: 6668:
Satire in the Middle Byzantine Period: The Golden Age of Laughter?
6619:
Lucian and the Latins: Humor and Humanism in the Early Renaissance
6379:
Selected Satires of Lucian, Edited and Translated by Lionel Casson
4835: 4448: 4446: 4444: 4442: 4440: 2108: 564:
showing locations associated with Lucian. Modern Turkey in yellow.
10169: 9964: 9954: 9899: 9894: 9879: 9869: 9854: 9849: 9736: 9624: 9614: 9493: 9468: 9463: 9436: 9431: 9411: 9401: 9391: 9356: 9346: 9336: 9288: 9278: 9253: 9218: 9213: 9188: 8841: 8623: 8284: 8274: 8033: 8003: 7993: 7988: 7968: 7963: 7843: 7790: 7499: 7489: 7479: 7474: 7464: 7176: 6596:
Marciniak, Przemysław (2016), "Reinventing Lucian in Byzantium",
3409: 3313: 3018: 2983: 2849: 2837: 2832: 2447: 2433: 2364: 2247: 2077: 2054: 1523: 1448: 1443: 1393: 1253: 1243: 1216: 979: 923: 866: 813: 774: 679: 515: 499: 9909: 9223: 7056: 5996: 5994: 5588: 5586: 3081:
In the West, Lucian's writings were mostly forgotten during the
10310: 9934: 9864: 9844: 9806: 9672: 9478: 9371: 9308: 9298: 9243: 8861: 8846: 8442: 8427: 8397: 8382: 8043: 8038: 7805: 7785: 7529: 7519: 7514: 7385: 7345: 7335: 7320: 5561: 5559: 5546: 5544: 4778: 4617: 4437: 3204: 3117:, Lucian provided literary precedent for writers making fun of 2781: 2760: 2710: 2670: 2622: 2591: 2564: 2522: 2503: 2193: 2163: 2058: 1932: 1927: 1468: 1423: 1204: 1179: 1107: 1041: 1007: 994: 905: 879: 634: 602: 531: 483: 252: 189: 107: 5654: 3693: 3681: 2242:
all display Cynic themes. Lucian was particularly indebted to
259:, after which point he disappears from the historical record. 9944: 9919: 9816: 9756: 9741: 9609: 9569: 9321: 9233: 9228: 9198: 9193: 9168: 8851: 8392: 8347: 8299: 7871: 7823: 7524: 7494: 7441: 7416: 7355: 7325: 6291:
Vol. 1 A-L: The Norman Colbeck Collection (UBC Press, 1987),
6287:“Beardsley (Aubrey Vincent)” in T. Bose, Paul Tiessen, eds., 6081:
Armstrong, A. Macc. "Timon of Athens – A Legendary Figure?",
5991: 5583: 4065: 4063: 3711: 3675: 3090: 2922: 2874: 2809: 2805: 2648: 2536: 2484: 2409: 2359: 2353: 2189: 2041: 2033: 1493: 1048: 1034: 677: 671: 665: 442:" and warns that "it is foolish to treat as autobiography." 244: 6805:, in Boardman, John; Griffin, Jasper; Murray, Oswyn (eds.), 6426:, Supplements to Mnemosyne, Leiden, The Netherlands: Brill, 5781: 5779: 5632: 5630: 5615: 5605: 5603: 5601: 5556: 5541: 5351: 5293: 5291: 3065:, based on a description of a painting by the Greek painter 2776:
is a detailed description of the cult of the Syrian goddess
2136:, because he regarded them as encouraging superstition. His 9949: 9924: 9874: 9361: 9351: 5642: 5517: 5493: 5426: 5402: 5303: 4653: 4651: 4649: 4543: 4541: 4539: 4537: 4535: 4533: 4167: 4094: 4084: 4082: 4080: 4078: 4050: 4048: 4046: 3690: 3672: 3442:'s final advice to the eponymous hero of Lucian's dialogue 3010: 3001: 2575: 2405: 2070: 1897: 693: 6889:, Grand Rapids, Michigan: Wm. B. Eerdmans Publishing Co., 6748:(4th ed.), Oxford, England: Oxford University Press, 6190: 6188: 6186: 6184: 6182: 6180: 6178: 6165: 6163: 6161: 6159: 6157: 6053: 6051: 6049: 6047: 5861: 5859: 5857: 5855: 5853: 5851: 5849: 5847: 5834: 5832: 5830: 5483: 5481: 5445: 5443: 5441: 5414: 5368: 5366: 4678: 4553: 4531: 4529: 4527: 4525: 4523: 4521: 4519: 4517: 4515: 4513: 4374: 4364: 4362: 4191: 4155: 4060: 3979: 3977: 3975: 3973: 3971: 3969: 3821: 3819: 3817: 3815: 3813: 3811: 3809: 3807: 3805: 3678: 3329:
Socrates Gone Mad; or, the Dialogues of Diogenes of Sinope
581:
and Lucian's native tongue was probably Syriac, a form of
6768:, vol. 1, Oxford, England: Oxford University Press, 6746:
Ancient Greece: A Political, Social, and Cultural History
5979: 5919: 5907: 5883: 5871: 5776: 5627: 5598: 5571: 5468: 5466: 5464: 5462: 5460: 5458: 5288: 4711: 4607: 4605: 4603: 4601: 4599: 4597: 4595: 4230: 4228: 4226: 4145: 4143: 4141: 4113: 4111: 4109: 3944: 3942: 3940: 3938: 3910: 3908: 2962:. He is made a character in the sixth-century letters of 2703: 2467:, but was comedic in tone rather than philosophical. The 2333:
depicting a battle scene from Book One of Lucian's novel
6448:, in Faraone, Christopher A.; McClure, Laura K. (eds.), 5969: 5967: 5965: 5963: 5950: 5948: 5946: 5803: 5676:"Interpretation and authenticity of the Lucianic Erotes" 5254: 5252: 5250: 5248: 5246: 4646: 4578:. Cambridge, MA: Harvard University Press. p. 235. 4463: 4461: 4324: 4322: 4320: 4318: 4316: 4314: 4312: 4310: 4308: 4306: 4304: 4271: 4269: 4267: 4224: 4222: 4220: 4218: 4216: 4214: 4212: 4210: 4208: 4206: 4075: 4043: 4033: 4031: 4029: 4027: 4025: 4023: 4021: 4006: 3906: 3904: 3902: 3900: 3898: 3896: 3894: 3892: 3890: 3888: 3875: 3873: 3871: 3869: 3867: 3792: 3790: 3788: 3786: 3784: 3782: 3780: 2511:, but also adds new elements not found in them. Homer's 2445:
in the upcoming sequels, a promise which a disappointed
6269: 6175: 6154: 6085:, 2nd Ser., Vol. 34, No. 1 (April 1987), pp. 7–11. 6044: 5844: 5827: 5529: 5505: 5478: 5438: 5363: 5339: 5100: 5088: 5045: 5021: 4997: 4968: 4956: 4944: 4920: 4896: 4884: 4823: 4668: 4666: 4636: 4634: 4632: 4510: 4386: 4359: 4349: 4347: 4345: 4343: 4341: 4339: 4337: 4302: 4300: 4298: 4296: 4294: 4292: 4290: 4288: 4286: 4284: 3966: 3802: 3623:(Cambridge/New York: Cambridge University Press, 2008). 3149:
and beyond through his translations of Lucian's works.
2907:
Some of the writings attributed to Lucian, such as the
2424:, other mythical men and animals, as well as Homer and 2368:
and also the not-so-fantastic tales from the historian
10266: 5729: 5727: 5455: 5315: 5221: 5219: 5217: 5204: 5202: 5187: 5163: 5153: 5151: 4732: 4592: 4398: 4138: 4128: 4126: 4106: 3935: 3564:, privately printed in an edition of 251 copies, 1894. 3196:
was the inspiration for William Shakespeare's tragedy
10419: 7059:– Library/Texts, Articles, Timeline, Maps, and Themes 6813:, Oxford, England: Oxford University Press, pp.  6472:, Ann Arbor, Michigan: University of Michigan Press, 6381:, New York City, New York: W. W. Norton and Company, 6063: 5960: 5943: 5931: 5895: 5815: 5791: 5764: 5243: 4701: 4699: 4697: 4695: 4693: 4485: 4473: 4458: 4264: 4203: 4179: 4018: 3885: 3864: 3852: 3777: 3687: 3528:. London: Longman, Hurst, Rees, Orme, and Brown. 1820 3474:, whom he argued was the true inventor of the genre. 2941:, but with fewer inset tales and a different ending. 2116:, an Athenian philosopher whom Lucian greatly admired 6622:, Ann Arbor Michigan: University of Michigan Press, 6519:, in De Temmerman, Koen; Demoen, Kristoffel (eds.), 6032: 5390: 5378: 5231: 5136: 5112: 5076: 5009: 4932: 4908: 4847: 4663: 4629: 4334: 4281: 3925: 3923: 3842: 3840: 3838: 3836: 3834: 3621:
Lucian: A Selection. Cambridge Greek and Latin Texts
3327:
drew inspiration from the writings of Lucian in his
2574:, Lucian creates an imaginary slave market in which 6311:
Lucian: Theme and Variation in the Second Sophistic
5724: 5327: 5276: 5214: 5199: 5148: 4123: 3954: 3669: 2290:and his historiography, which he viewed as faulty. 6909:, Cambridge, England: Cambridge University Press, 6806: 6523:, Cambridge, England: Cambridge University Press, 6334:, Cambridge, England: Cambridge University Press, 5264: 4690: 3501:. London: T Cadell. 1780 – via Google Books. 3287:and Jonathan Swift as a true master of satire. In 637:in Greece, which had a long intellectual history. 208:, all of his extant works are written entirely in 6415: 5130: 5070: 5039: 4991: 4878: 4841: 4796: 4784: 4623: 4452: 3920: 3831: 3733:Tychiades is commonly identified as an authorial 3351:, whose writings later served as inspiration for 3208:with the gravediggers echoes several scenes from 3013:for his negative remarks about Christians in the 10455: 6701:, Swansea, Wales: The Classical Press of Wales, 6488:Rocky Mountain Review of Language and Literature 2376:themes including voyages to the moon and Venus, 7412: 7063:A.M. Harmon, Introduction to Lucian of Samosata 6922: 6450:Prostitutes and Courtesans in the Ancient World 5745: 5660: 3450:, are prepared to flavor philosophy with wit." 3256:Monument commemorating Lucian of Samosata from 688:as entirely fictional, noting, "We recall that 337:make fun of various philosophical schools, and 287:". Lucian wrote numerous satires making fun of 6681:, London, England: A&C Black, p. 88, 6205: 6203: 3280:The Life and Death of Jonathan Wild, the Great 3047: 2767:(whom he lauds as heroes) and the Christians. 10252: 10101: 7192: 6540:Rhetoric and the Writing of History, 400–1500 4775:, Vol. 3, No. 3 (November 1976), pp. 227–239. 2009: 6837:, Oxford, England: Oxford University Press, 6725:Philosophical Presences in the Ancient Novel 2342:Lucian was one of the earliest novelists in 445: 7050:has original text related to this article: 6765:The Oxford Handbook of the Second Sophistic 6200: 5689:(1). Texas Tech University Press: 103–120. 4245: 4243: 3009:concludes that Lucian's soul is burning in 2836:("imitation") and rationalizes the myth of 2489:) is a satirical work centering around the 2286:Lucian had a generally negative opinion of 2151:identifies Lucian as a Skeptic, and in his 1650:A Dialogue Concerning Oratorical Partitions 27:2nd-century Syrian satirist and rhetorician 10259: 10245: 10108: 10094: 8078: 7199: 7185: 6879: 6830: 6723:, in Morgan, J. R.; Jones, Meriel (eds.), 6490:, vol. 55, no. 2, pp. 25–47 6016:. Champion Publishers. 1909. pp. 204–215 5636: 5621: 5577: 5565: 4657: 4100: 4088: 2016: 2002: 49: 6809:The Oxford History of the Classical World 6803:"27: The Arts of Prose: The Early Empire" 6595: 6536: 6494: 6094: 5925: 5913: 5889: 5877: 5785: 5609: 5592: 4575:Lucian Volume IV (Loeb Classical Library) 4249:James D. G. Dunn, John William Rogerson, 3983: 3626: 3420:, was inspired by his reading of Lucian. 3275:Journey from This World and into the Next 3244:called Lucian a "contemplative atheist". 2858:("boldness of speech"). In his treatise, 200:who is best known for his characteristic 6789: 6514: 6394: 6331:Syrian Identity in the Greco-Roman World 6307: 6029:. Ithaca; Cornell Press. 1979. pp. 7–11. 5838: 5550: 5357: 5309: 4758:, Vol. 3, No. 1 (March 1976), pp. 49–60. 4717: 4547: 4392: 4240: 3756: 3251: 3051: 2848:. Lucian's biography of the philosopher 2717:, whom Lucian satirizes in his treatise 2693: 2517: 2420:. There, Lucian meets the heroes of the 2324: 2222:, Lucian was strongly influenced by the 2107: 1740:Copia: Foundations of the Abundant Style 7113:– the successful travelling prophet of 6800: 6761: 6576: 6485: 6439: 6347: 6327: 6275: 6255:"Thomas Carlyle and Lucian of Samosata" 6194: 6169: 5865: 5648: 5535: 5523: 5511: 5499: 5487: 5449: 5432: 5408: 5181: 5169: 4810:The New Encyclopedia of Science Fiction 4738: 4684: 4611: 4559: 4507:, translated by H. W. and F. G. Fowler. 4404: 4380: 4161: 4149: 4117: 3948: 3879: 3858: 3796: 2966:. In the same century, portions of his 2600:The Fisherman, or the Dead Come to Life 2451:described as "the biggest lie of all". 705: 417: 14: 10456: 9132: 7173:at the Perseus Digital Library Project 6929:Suetonius: The Scholar and His Caesars 6870: 6714: 6674: 6661: 6465: 6373: 6252: 6209: 6057: 6000: 5937: 5901: 5821: 5809: 5797: 5770: 5472: 5420: 5297: 5142: 5118: 5106: 5094: 5082: 5051: 5027: 5015: 5003: 4974: 4962: 4950: 4938: 4926: 4914: 4902: 4890: 4853: 4829: 4640: 4571: 4491: 4479: 4467: 4368: 4353: 4328: 4275: 4234: 4197: 4185: 4173: 4069: 4054: 4037: 4012: 3914: 3825: 3247: 3220:ΕΡΜΗΣ: Τουτὶ τὸ κρανίον ἡ Ἑλένη ἐστίν. 3036:, Lucian influenced the Greek authors 2454: 702:3.1) is all too similar to Lucian's." 339:The Fisherman or the Dead Come to Life 10240: 10089: 9989: 9131: 8560: 8064: 7411: 7231: 7180: 6850: 6774:10.1093/oxfordhb/9780199837472.013.26 6694: 6635: 6615: 6348:Branham, Bracht (2010), "Satire", in 6133: 6069: 6038: 5985: 5973: 5954: 5396: 5384: 5372: 5345: 5333: 5321: 5270: 5258: 5237: 5225: 5208: 5193: 5157: 4705: 4672: 4132: 3846: 3270:The History of Tom Jones, a Foundling 2630:is a dialogue written in parallel to 1943:Rhetoric of social intervention model 9600:Illicitanus Limin/Portus Illicitanus 7232: 6906:Power and Eroticism in Imperial Rome 6902: 6857:, Oxford, England: Clarendon Press, 6796:, University of North Carolina Press 6556: 5733: 5673: 5282: 3960: 3929: 3236:Lucian, Dialogues of the Dead, XVIII 2682:; over half of the men mentioned in 2567:later adapted into a famous ballad. 2278:understanding, not with torches and 540: 10115: 6903:Vout, Caroline (22 February 2007), 6675:Moeser, Marion (15 December 2002), 3757:Matthews, John (23 February 2021). 2897:Against the Ignorant Book Collector 2743:, the subject of Lucian's treatise 573:until 72 AD when it was annexed by 24: 10194: 8561: 7206: 6793:Lucian and His Influence in Europe 6636:Marsh, David (2010), "Lucian", in 6314:, Leiden, The Netherlands: Brill, 3599:Lucian with an English translation 3494:The Works of Lucian from the Greek 3379:references Lucian in Chapter 5 of 3311:. According to Turner, Voltaire's 3307:all wrote adaptations of Lucian's 2541:), Lucian satirizes belief in the 2240:The Downward Journey or the Tyrant 476: 289:traditional stories about the gods 185:125 – after 180) was a Hellenized 25: 10525: 10494:Greek speculative fiction writers 6947: 6400:Backgrounds of Early Christianity 3005:encyclopedia. The authors of the 10441: 10429: 10069: 10059: 10050: 10049: 7101:Dickinson College Commentaries: 7093: 7041: 7026: 7011: 6281: 6246: 6127: 6101:Journal of the Warburg Institute 6088: 6075: 6019: 6006: 5739: 5666: 4251:Eerdmans Commentary on the Bible 3665: 3400: 2902: 2725: 2702: 2064:Lucian mentions in his dialogue 729: 696:'s vision of Elegy and Tragedy ( 539: 523: 507: 491: 475: 460: 459: 452: 239:in the remote Roman province of 10070: 6423:: Interpretation and Commentary 6419:Lucian's Science Fiction Novel 6300: 4802: 4761: 4744: 4723: 4565: 4497: 4410: 3727: 3605:), in 8 volumes: vols. 1–5 ed. 3301:Bernard Le Bovier de Fontenelle 2713:, invented by the oraclemonger 2690:and other comedic playwrights. 2675:The Dialogues of the Courtesans 2563:", which the German playwright 2312: 613:, of which the major ones were 508: 492: 6873:The Encyclopedia of Philosophy 6790:Robinson, Christopher (1979), 6560:Witchcraft and Magic in Europe 6328:Andrade, Nathanael J. (2013), 3750: 3658: 3581:Oxford: Clarendon Press. 1905. 3424:also served as the source for 3422:Kataplous, or Downward Journey 2892:on account of their morality. 640:According to Lucian's oration 524: 341:is a defense of this mockery. 13: 1: 7671: 7658: 7639: 7622: 7152:P. P. Fuentes González, art. 5131:Georgiadou & Larmour 1998 5071:Georgiadou & Larmour 1998 5040:Georgiadou & Larmour 1998 4992:Georgiadou & Larmour 1998 4879:Georgiadou & Larmour 1998 4842:Georgiadou & Larmour 1998 4797:Georgiadou & Larmour 1998 4785:Georgiadou & Larmour 1998 4752:“Lucian's True History as SF” 4624:Georgiadou & Larmour 1998 4453:Georgiadou & Larmour 1998 3744: 3573:. Vol. I. Translated by 3524:. Vol. I. Translated by 3497:. Vol. I. Translated by 3375:when he was on his deathbed. 3030:Norman–Arab–Byzantine culture 2739:100 AD depicting the goddess 2736: 2194:belief in the gods' existence 1913:List of feminist rhetoricians 692:too started as sculptor, and 182: 67: 8799:Funeral and burial practices 7984:Military of Mycenaean Greece 7125:Works of Lucian of Samostata 7002:Resources in other libraries 6978:Resources in other libraries 6740: 6644:; Settis, Salvatore (eds.), 6356:; Settis, Salvatore (eds.), 4000: 3712: 3227:Hermes: This skull is Helen. 2953: 2876:Περὶ τῆς Περεγρίνου Τελευτῆς 2265:Lucian also greatly admired 2042: 1903:Glossary of rhetorical terms 678: 666: 335:The Carousal, or The Lapiths 168:The Carousal, or The Lapiths 7: 7110:Alexander the False Prophet 7092:(public domain audiobooks) 6537:Kempshall, Matthew (2011), 6495:Kaldellis, Anthony (2007), 6444:Dialogues of the Courtesans 3636:. Oxford University Press. 3485: 3339:(1791), which was based on 3048:Renaissance and Reformation 2757:Alexander the False Prophet 2719:Alexander the False Prophet 2684:Dialogues of the Courtesans 2474:Dialogues of the Courtesans 2271:Alexander the False Prophet 1750:Language as Symbolic Action 360:Alexander the False Prophet 216:dialect popular during the 158:Alexander the False Prophet 152:Dialogues of the Courtesans 10: 10530: 8723:Greek Revival architecture 8065: 7149:– Harvard University Press 7057:Lucian of Samosata Project 6831:Schlapbach, Karin (2018), 6253:Jordan, Alexander (2020). 4812:, Publisher: Viking 1988, 3706: 3289:The Convent Garden Journal 2667:The Parliament of the Gods 2416:island of cheese, and the 2329:Illustration from 1894 by 2318: 2297: 2250:, who was a philosophical 672: 644:, which classical scholar 354:and the fraudulent oracle 311:The Parliament of the Gods 29: 10396: 10341: 10275: 10193: 10163:The Passing of Peregrinus 10124: 10045: 9996: 9990: 9985: 9830: 9707: 9696: 9623: 9545: 9502: 9449: 9307: 9159: 9150: 9146: 9127: 9076: 8991: 8929: 8891: 8884: 8834: 8794: 8785: 8707: 8584: 8580: 8556: 8522: 8491: 8333: 8220: 8164: 8131:Attalid kings of Pergamon 8086: 8077: 8073: 8060: 7939:Antigonid Macedonian army 7912: 7885: 7857: 7814: 7771: 7762: 7604: 7543: 7440: 7436: 7407: 7306: 7255: 7251: 7227: 7214: 6997:Resources in your library 6973:Resources in your library 6308:Anderson, Graham (1976), 6097:""Was This the Face...?"" 6095:Heckscher, W. S. (1938). 5748:Apuleius: A Latin Sophist 5746:Harrison, S. J. (2004) . 3763:. John Wiley & Sons. 3341:The Passing of Peregrinus 3293:Nicolas Boileau-Despréaux 2948: 2715:Alexander of Abonoteichus 2561:The Sorcerer's Apprentice 1660:De Optimo Genere Oratorum 446:Background and upbringing 356:Alexander of Abonoteichus 351:The Passing of Peregrinus 294:The Dialogues of the Gods 285:The Sorcerer's Apprentice 181:(Λουκιανὸς ὁ Σαμοσατεύς, 117: 99: 82: 63: 48: 41: 10479:Atticists (rhetoricians) 10384:The Wonders Beyond Thule 10367:Metiochus and Parthenope 10195:Pseudo-Lucianic writings 7077:Works by or about Lucian 6801:Russell, Donald (1986), 6515:Kechagia, Elena (2016), 6259:Scottish Literary Review 6232:10.1177/0392192112467410 3651: 3552:, with illustrations by 3357:Christoph Martin Wieland 3333:Conversations in Elysium 3142:Gargantua and Pantagruel 2867:In his satirical letter 2709:Statue of the snake-god 2372:. He anticipated modern 2293: 2162:Lucian was skeptical of 2103: 611:Hellenistic philosophies 538: 522: 506: 490: 474: 458: 231:family from the city of 55:Speculative portrait by 10499:Ancient Greek satirists 10489:Ancient Greek novelists 10474:People from Roman Syria 6924:Wallace-Hadrill, Andrew 6715:Ogden, Daniel (2007a), 6670:, Brill, pp. 13–38 6646:The Classical Tradition 6577:Macleod, M. D. (1961). 6466:Gordon, Pamela (1996), 6358:The Classical Tradition 6136:"Dialogues Of The Dead" 4773:Science Fiction Studies 4756:Science Fiction Studies 3713:Loukianòs ho Samosateús 2923: 2875: 2649: 2610:is a parody of Plato's 2596:The Banquet, or Lapiths 2537: 2485: 2354: 2300:List of works by Lucian 2269:, whom he describes in 1600:De Sophisticis Elenchis 412: 235:along the banks of the 32:Lucian (disambiguation) 10353:by Pseudo-Callisthenes 10328:Leucippe and Clitophon 10295:Chaereas and Callirhoe 10225:Judgment of the Vowels 8165:Artists & scholars 8080:List of ancient Greeks 7717:Second Athenian League 7566:Greco-Bactrian Kingdom 7391:Ancient Greek colonies 6695:Ogden, Daniel (2007), 6440:Gilhuly, Kate (2006), 6140:Loeb Classical Library 6003:, pp. xvii–xviii. 4572:Harmon, A. M. (1925). 3722: 3707:Λουκιανὸς ὁ Σαμοσατεύς 3611:Matthew Donald Macleod 3603:Loeb Classical Library 3355:. The German satirist 3261: 3239: 3189:Pallas and the Centaur 3183:The Calumny of Apelles 3135:, particularly in his 3115:Protestant Reformation 3078: 3058:The Calumny of Apelles 2846:On Behalf of Portraits 2526: 2507:in Book XI of Homer's 2339: 2284: 2216: 2117: 1720:De doctrina Christiana 1710:Dialogus de oratoribus 1630:Rhetorica ad Herennium 856:Captatio benevolentiae 684:" . Russell dismisses 227:, he was the son of a 10149:Dialogues of the Gods 10142:On the Syrian Goddess 9284:Sybaris on the Traeis 8009:Sacred Band of Thebes 7749:(c. 300 BC–c. 300 AD) 7263:Cycladic civilization 7133:, at sacred-texts.com 6932:, London: Duckworth, 6881:Van Voorst, Robert E. 6851:Swain, Simon (1996), 6616:Marsh, David (1998), 6598:Dumbarton Oaks Papers 5703:10.1353/hel.2011.0004 4767:Swanson, Roy Arthur: 4176:, pp. xiii, 349. 3723:Lucianus Samosatensis 3633:On the Syrian Goddess 3550:Lucian's True History 3309:Dialogues of the Dead 3255: 3218: 3210:Dialogues of the Dead 3194:Timon the Misanthrope 3103:Dialogues of the Dead 3087:Renaissance humanists 3055: 3038:Philagathus of Cerami 3015:Passing of Peregrinus 2976:Leo the Mathematician 2970:were translated into 2870:Passing of Peregrinus 2794:On the Syrian Goddess 2786:On the Syrian Goddess 2773:On the Syrian Goddess 2746:On the Syrian Goddess 2694:Treatises and letters 2644:Dialogues of the Gods 2572:Philosophies for Sale 2521: 2480:Dialogues of the Dead 2418:Island of the Blessed 2378:extraterrestrial life 2328: 2275: 2260:Passing of Peregrinus 2232:Timon the Misanthrope 2228:The Dream or the Cock 2198: 2126:Philosophies for Sale 2111: 2087:On the Syrian Goddess 1888:Communication studies 1730:De vulgari eloquentia 1590:Rhetoric to Alexander 428:Lives of the Sophists 365:On the Syrian Goddess 331:Philosophies for Sale 315:Dialogues of the Dead 163:Philosophies for Sale 145:Dialogues of the Gods 132:Dialogues of the Dead 10268:Ancient Greek novels 10184:How to Write History 8809:mythological figures 8530:Ancient Greek tribes 7655:Peloponnesian League 6134:Henderson, Jeffrey. 5674:Jope, James (2011). 5661:Wallace-Hadrill 1983 4200:, pp. xiii–xiv. 4072:, pp. xii–xiii. 3607:Austin Morris Harmon 3480:Postcolonial critics 3391:, and Chapter 13 of 2861:How to Write History 2236:Charon or Inspectors 2145:Skeptic philosophers 706:Education and career 607:Eleusinian Mysteries 557:class=notpageimage| 418:Biographical sources 362:. Lucian's treatise 10509:2nd-century writers 10484:Ionic Greek writers 10342:Other prose fiction 10322:Xenophon of Ephesus 10289:Heliodorus of Emesa 8921:Tunnel of Eupalinos 8916:Theatre of Dionysus 8540:Ancient Macedonians 8156:Tyrants of Syracuse 7668:Amphictyonic League 7268:Minoan civilization 7160:IV, 2005, 131–160. 7127:at sacred-texts.com 6289:Bookman's Catalogue 5988:, pp. 862–865. 5695:2011Helio..38..103J 5651:, pp. 191–192. 5595:, pp. 489–491. 5553:, pp. 183–184. 5526:, pp. 292–293. 5502:, pp. 289–292. 5435:, pp. 274–275. 5423:, pp. 301–311. 5411:, pp. 274–294. 5360:, pp. 139–140. 5312:, pp. 146–148. 5300:, pp. 314–333. 5133:, pp. 232–233. 5073:, pp. 178–232. 5042:, pp. 156–178. 4994:, pp. 156–177. 4687:, pp. 671–672. 4562:, pp. 333–334. 4421:Stoics And Sceptics 4383:, pp. 338–341. 4164:, pp. 331–332. 4001:Pomeroy et al. 2018 3426:Friedrich Nietzsche 3285:Miguel de Cervantes 3248:Early modern period 3214:Christopher Marlowe 3202:and the scene from 3107:Early Modern period 3042:Eugenius of Palermo 3032:of twelfth-century 2997:Arethas of Caesarea 2883:, who had publicly 2820:Teacher of Rhetoric 2780:at Hierapolis (now 2455:Satirical dialogues 2394:Pillars of Heracles 2157:Pyrrhonian Skeptics 1893:Composition studies 1824:Health and medicine 1690:Institutio Oratoria 897:Eloquentia perfecta 391:William Shakespeare 10504:2nd-century Romans 10469:2nd-century deaths 10404:Apollonius of Tyre 10276:Surviving romances 9595:Menestheus's Limin 9249:Pandosia (Lucania) 9137:Greek colonisation 8499:Athenian statesmen 8260:Diogenes of Sinope 8121:Kings of Macedonia 8111:Kings of Commagene 7979:Macedonian phalanx 7959:Hellenistic armies 7707:(c. 424–c. 395 BC) 7571:Indo-Greek Kingdom 7293:Hellenistic Greece 7154:Lucien de Samosate 7131:The Syrian Goddess 7031:Works by or about 7018:Lucian of Samosata 7016:Works by or about 4881:, pp. 53–155. 4750:Fredericks, S.C.: 4057:, pp. 94–115. 4015:, pp. xi–xii. 3828:, pp. xiii–3. 3428:'s concept of the 3382:The Confidence-Man 3349:Cyrano de Bergerac 3337:Peregrinus Proteus 3262: 3173:Gulliver's Travels 3137:set of five novels 3123:Desiderius Erasmus 3079: 3069:found in Lucian's 3026:Theodore Prodromos 2881:Peregrinus Proteus 2770:Lucian's treatise 2755:Lucian's treatise 2527: 2340: 2174:. In his dialogue 2170:, regarding it as 2118: 1978:Terministic screen 1760:A General Rhetoric 1290:Resignation speech 827:Studia humanitatis 809:Byzantine rhetoric 650:lower middle class 406:Gulliver's Travels 346:Peregrinus Proteus 229:lower middle class 179:Lucian of Samosata 18:Lucian of Samosata 10417: 10416: 10388:Antonius Diogenes 10350:Alexander Romance 10306:Daphnis and Chloe 10234: 10233: 10156:The Lover of Lies 10083: 10082: 10041: 10040: 9981: 9980: 9977: 9976: 9973: 9972: 9547:Iberian Peninsula 9479:Lipara/Meligounis 9445: 9444: 9123: 9122: 9119: 9118: 9096:Cypriot syllabary 8987: 8986: 8896:Athenian Treasury 8880: 8879: 8552: 8551: 8548: 8547: 8141:Ptolemaic dynasty 8101:Archons of Athens 8056: 8055: 8052: 8051: 7927:Athenian military 7908: 7907: 7741:League of Corinth 7723:Thessalian League 7699:Chalcidian League 7681:Acarnanian League 7591:Ptolemaic Kingdom 7403: 7402: 7399: 7398: 7117:and his oracular 7072:Project Gutenberg 6954:Library resources 6939:978-0-7156-1747-2 6916:978-0-521-86739-9 6896:978-0-8028-4368-5 6864:978-0-19-814772-5 6844:978-0-19-880772-8 6783:978-0-19-983747-2 6755:978-0-19-068691-8 6742:Pomeroy, Sarah B. 6708:978-1-905125-16-6 6688:978-0-8264-6059-2 6655:978-0-674-03572-0 6629:978-0-472-10846-6 6588:978-0-674-99475-1 6570:978-0-485-89002-0 6550:978-0-7190-7030-3 6530:978-1-107-12912-2 6508:978-0-521-87688-9 6479:978-0-472-10461-1 6459:978-0-299-21314-5 6433:978-90-04-10667-3 6409:978-0-8028-0669-7 6396:Ferguson, Everett 6388:978-0-393-00443-4 6367:978-0-674-03572-0 6341:978-1-107-01205-9 6321:978-90-04-04735-8 6083:Greece & Rome 5812:, pp. 15–16. 5757:978-0-19-927138-2 5624:, pp. 58–59. 5568:, pp. 82–84. 5375:, pp. 76–77. 5348:, pp. 79–80. 5324:, pp. 77–79. 5196:, pp. 43–44. 5109:, pp. 49–54. 5097:, pp. 45–49. 5054:, pp. 35–45. 5030:, pp. 35–37. 5006:, pp. 27–33. 4977:, pp. 27–28. 4965:, pp. 23–25. 4953:, pp. 22–23. 4929:, pp. 18–21. 4905:, pp. 17–18. 4893:, pp. 15–17. 4844:, pp. 51–52. 4832:, pp. 13–15. 4818:978-0-670-81041-3 4720:, pp. 23–25. 4585:978-0-674-99179-8 4505:The Lover of Lies 4371:, pp. 98–99. 4103:, pp. 81–82. 3770:978-1-4443-3458-6 3643:978-0-19-925138-4 3499:Francklin, Thomas 3468:Lukian und Menipp 3178:Sandro Botticelli 3133:François Rabelais 3063:Sandro Botticelli 2887:on a pyre at the 2885:immolated himself 2824:On Salaried Posts 2532:The Lover of Lies 2486:Νεκρικοὶ Διάλογοι 2465:Platonic dialogue 2461:Double Indictment 2440:given to them by 2346:civilization. In 2176:The Lover of Lies 2030:Double Indictment 2026: 2025: 1953:Rogerian argument 1700:Panegyrici Latini 792:The age of Cicero 595:Mysteries of Isis 387:François Rabelais 275:Socratic dialogue 176: 175: 57:William Faithorne 16:(Redirected from 10521: 10446: 10445: 10444: 10434: 10433: 10432: 10425: 10261: 10254: 10247: 10238: 10237: 10110: 10103: 10096: 10087: 10086: 10073: 10072: 10063: 10053: 10052: 9987: 9986: 9705: 9704: 9204:Heraclea Lucania 9157: 9156: 9148: 9147: 9129: 9128: 8889: 8888: 8821:Twelve Olympians 8792: 8791: 8582: 8581: 8558: 8557: 8146:Seleucid dynasty 8126:Kings of Paionia 8075: 8074: 8062: 8061: 7932:Scythian archers 7839:Graphe paranomon 7769: 7768: 7676: 7673: 7663: 7660: 7644: 7641: 7631: 7627: 7624: 7438: 7437: 7409: 7408: 7288:Classical Greece 7273:Mycenaean Greece 7253: 7252: 7229: 7228: 7201: 7194: 7187: 7178: 7177: 7143:, at attalus.org 7141:Lucius (The Ass) 7097: 7096: 7081:Internet Archive 7045: 7030: 7015: 6942: 6919: 6899: 6876: 6867: 6847: 6827: 6812: 6797: 6786: 6758: 6737: 6734:978-90-77922-378 6711: 6691: 6671: 6658: 6638:Grafton, Anthony 6632: 6612: 6592: 6573: 6553: 6533: 6511: 6491: 6482: 6462: 6436: 6412: 6391: 6370: 6350:Grafton, Anthony 6344: 6324: 6295: 6285: 6279: 6273: 6267: 6266: 6250: 6244: 6243: 6214:and Nietzsche's 6207: 6198: 6192: 6173: 6167: 6152: 6151: 6149: 6147: 6131: 6125: 6124: 6092: 6086: 6079: 6073: 6067: 6061: 6055: 6042: 6036: 6030: 6023: 6017: 6010: 6004: 5998: 5989: 5983: 5977: 5971: 5958: 5952: 5941: 5935: 5929: 5923: 5917: 5911: 5905: 5899: 5893: 5887: 5881: 5875: 5869: 5863: 5842: 5836: 5825: 5819: 5813: 5807: 5801: 5795: 5789: 5783: 5774: 5768: 5762: 5761: 5743: 5737: 5731: 5722: 5721: 5719: 5717: 5680: 5670: 5664: 5658: 5652: 5646: 5640: 5634: 5625: 5619: 5613: 5607: 5596: 5590: 5581: 5575: 5569: 5563: 5554: 5548: 5539: 5533: 5527: 5521: 5515: 5509: 5503: 5497: 5491: 5485: 5476: 5470: 5453: 5447: 5436: 5430: 5424: 5418: 5412: 5406: 5400: 5394: 5388: 5382: 5376: 5370: 5361: 5355: 5349: 5343: 5337: 5331: 5325: 5319: 5313: 5307: 5301: 5295: 5286: 5280: 5274: 5268: 5262: 5261:, pp. 3–13. 5256: 5241: 5235: 5229: 5223: 5212: 5206: 5197: 5191: 5185: 5179: 5173: 5167: 5161: 5155: 5146: 5140: 5134: 5128: 5122: 5116: 5110: 5104: 5098: 5092: 5086: 5080: 5074: 5068: 5055: 5049: 5043: 5037: 5031: 5025: 5019: 5013: 5007: 5001: 4995: 4989: 4978: 4972: 4966: 4960: 4954: 4948: 4942: 4936: 4930: 4924: 4918: 4912: 4906: 4900: 4894: 4888: 4882: 4876: 4857: 4851: 4845: 4839: 4833: 4827: 4821: 4808:Gunn, James E.: 4806: 4800: 4794: 4788: 4782: 4776: 4765: 4759: 4748: 4742: 4736: 4730: 4727: 4721: 4715: 4709: 4703: 4688: 4682: 4676: 4670: 4661: 4655: 4644: 4638: 4627: 4621: 4615: 4609: 4590: 4589: 4569: 4563: 4557: 4551: 4545: 4508: 4501: 4495: 4489: 4483: 4477: 4471: 4465: 4456: 4450: 4435: 4414: 4408: 4402: 4396: 4390: 4384: 4378: 4372: 4366: 4357: 4351: 4332: 4326: 4279: 4273: 4262: 4247: 4238: 4232: 4201: 4195: 4189: 4183: 4177: 4171: 4165: 4159: 4153: 4147: 4136: 4130: 4121: 4115: 4104: 4098: 4092: 4086: 4073: 4067: 4058: 4052: 4041: 4035: 4016: 4010: 4004: 3998: 3987: 3981: 3964: 3958: 3952: 3946: 3933: 3927: 3918: 3912: 3883: 3877: 3862: 3856: 3850: 3844: 3829: 3823: 3800: 3794: 3775: 3774: 3754: 3738: 3731: 3725: 3715: 3708: 3700: 3699: 3696: 3695: 3692: 3689: 3684: 3683: 3680: 3677: 3674: 3671: 3662: 3647: 3582: 3554:Aubrey Beardsley 3541: 3538:Internet Archive 3535: 3533: 3502: 3448:Bertrand Russell 3414:Honoré de Balzac 3373:Downward Journey 3297:François Fénelon 3267:, the author of 3237: 3097:. By ridiculing 2926: 2878: 2738: 2729: 2706: 2652: 2540: 2529:In his dialogue 2488: 2357: 2220:Everett Ferguson 2045: 2018: 2011: 2004: 1918:List of speeches 1765: 1755: 1745: 1735: 1725: 1715: 1705: 1695: 1685: 1675: 1665: 1655: 1645: 1635: 1625: 1615: 1605: 1595: 1585: 1575: 1565: 1369:Neo-Aristotelian 936:Figure of speech 797:Second Sophistic 733: 710: 709: 683: 675: 674: 669: 543: 542: 527: 526: 511: 510: 495: 494: 479: 478: 463: 462: 456: 358:in his treatise 218:Second Sophistic 184: 69: 53: 39: 38: 21: 10529: 10528: 10524: 10523: 10522: 10520: 10519: 10518: 10454: 10453: 10452: 10442: 10440: 10430: 10428: 10420: 10418: 10413: 10392: 10337: 10333:Achilles Tatius 10271: 10265: 10235: 10230: 10189: 10126:Works by Lucian 10120: 10114: 10084: 10079: 10037: 9992: 9969: 9832: 9826: 9709: 9700: 9692: 9663:Melaina Korkyra 9619: 9541: 9498: 9451:Aeolian Islands 9441: 9303: 9161: 9142: 9141: 9115: 9072: 8983: 8925: 8876: 8830: 8781: 8703: 8694:Wedding customs 8576: 8575: 8544: 8535:Thracian Greeks 8518: 8509:Olympic victors 8487: 8329: 8216: 8160: 8151:Kings of Sparta 8136:Kings of Pontus 8106:Kings of Athens 8082: 8069: 8048: 7944:Army of Macedon 7904: 7881: 7853: 7810: 7758: 7731:(370–c. 230 BC) 7729:Arcadian League 7713:(c. 400–188 BC) 7711:Aetolian League 7705:Boeotian League 7687:Hellenic League 7674: 7661: 7651:(c. 650–404 BC) 7642: 7636:Italiote League 7629: 7625: 7619:Doric Hexapolis 7609: 7600: 7596:Seleucid Empire 7539: 7432: 7431: 7395: 7302: 7278:Greek Dark Ages 7247: 7246: 7223: 7210: 7205: 7171:Works of Lucian 7094: 7086:Works by Lucian 7068:Works by Lucian 7008: 7007: 7006: 6983: 6982: 6962: 6961: 6957: 6950: 6945: 6940: 6917: 6897: 6865: 6845: 6825: 6784: 6756: 6735: 6709: 6689: 6664:Nilsson, Ingela 6656: 6630: 6589: 6571: 6551: 6531: 6509: 6480: 6460: 6434: 6410: 6389: 6368: 6342: 6322: 6303: 6298: 6286: 6282: 6274: 6270: 6251: 6247: 6208: 6201: 6193: 6176: 6168: 6155: 6145: 6143: 6142:. Section XVIII 6132: 6128: 6093: 6089: 6080: 6076: 6068: 6064: 6060:, p. xvii. 6056: 6045: 6037: 6033: 6025:Screech, M.A. 6024: 6020: 6012:Pattard, Jean. 6011: 6007: 5999: 5992: 5984: 5980: 5976:, pp. 2–3. 5972: 5961: 5953: 5944: 5936: 5932: 5924: 5920: 5912: 5908: 5900: 5896: 5888: 5884: 5876: 5872: 5864: 5845: 5837: 5828: 5820: 5816: 5808: 5804: 5796: 5792: 5784: 5777: 5769: 5765: 5758: 5744: 5740: 5732: 5725: 5715: 5713: 5678: 5671: 5667: 5659: 5655: 5647: 5643: 5637:Van Voorst 2000 5635: 5628: 5622:Van Voorst 2000 5620: 5616: 5608: 5599: 5591: 5584: 5578:Schlapbach 2018 5576: 5572: 5566:Schlapbach 2018 5564: 5557: 5549: 5542: 5534: 5530: 5522: 5518: 5510: 5506: 5498: 5494: 5486: 5479: 5471: 5456: 5448: 5439: 5431: 5427: 5419: 5415: 5407: 5403: 5395: 5391: 5383: 5379: 5371: 5364: 5356: 5352: 5344: 5340: 5332: 5328: 5320: 5316: 5308: 5304: 5296: 5289: 5281: 5277: 5269: 5265: 5257: 5244: 5240:, pp. 1–3. 5236: 5232: 5224: 5215: 5207: 5200: 5192: 5188: 5180: 5176: 5168: 5164: 5156: 5149: 5141: 5137: 5129: 5125: 5117: 5113: 5105: 5101: 5093: 5089: 5081: 5077: 5069: 5058: 5050: 5046: 5038: 5034: 5026: 5022: 5014: 5010: 5002: 4998: 4990: 4981: 4973: 4969: 4961: 4957: 4949: 4945: 4937: 4933: 4925: 4921: 4913: 4909: 4901: 4897: 4889: 4885: 4877: 4860: 4852: 4848: 4840: 4836: 4828: 4824: 4807: 4803: 4799:, Introduction. 4795: 4791: 4783: 4779: 4766: 4762: 4749: 4745: 4741:, pp. 30f. 4737: 4733: 4728: 4724: 4716: 4712: 4704: 4691: 4683: 4679: 4675:, pp. 1–2. 4671: 4664: 4658:Van Voorst 2000 4656: 4647: 4639: 4630: 4622: 4618: 4610: 4593: 4586: 4570: 4566: 4558: 4554: 4546: 4511: 4502: 4498: 4490: 4486: 4478: 4474: 4466: 4459: 4451: 4438: 4415: 4411: 4403: 4399: 4391: 4387: 4379: 4375: 4367: 4360: 4352: 4335: 4327: 4282: 4274: 4265: 4248: 4241: 4233: 4204: 4196: 4192: 4184: 4180: 4172: 4168: 4160: 4156: 4148: 4139: 4131: 4124: 4116: 4107: 4101:Schlapbach 2018 4099: 4095: 4089:Schlapbach 2018 4087: 4076: 4068: 4061: 4053: 4044: 4036: 4019: 4011: 4007: 3999: 3990: 3982: 3967: 3959: 3955: 3947: 3936: 3928: 3921: 3917:, p. xiii. 3913: 3886: 3878: 3865: 3857: 3853: 3845: 3832: 3824: 3803: 3795: 3778: 3771: 3755: 3751: 3747: 3742: 3741: 3732: 3728: 3686: 3668: 3664: 3663: 3659: 3654: 3644: 3628:Lightfoot, Jane 3567: 3531: 3529: 3518: 3491: 3488: 3403: 3377:Herman Melville 3331:(1770) and his 3250: 3238: 3235: 3228: 3226: 3225: 3221: 3199:Timon of Athens 3158:Sir Thomas More 3128:Encomium Moriae 3119:Catholic clergy 3050: 2956: 2951: 2924:Λούκιος ἢ ῎Oνος 2905: 2753: 2752: 2751: 2750: 2749: 2730: 2722: 2721: 2707: 2696: 2659:Zeus Catechized 2655:Greek mythology 2457: 2374:science fiction 2355:Ἀληθῆ διηγήματα 2323: 2317: 2302: 2296: 2215: 2205: 2106: 2085:Sophistic, but 2022: 1993: 1992: 1938:Public rhetoric 1876: 1875: 1866: 1865: 1814:Native American 1779: 1778: 1769: 1768: 1763: 1753: 1743: 1733: 1723: 1713: 1703: 1693: 1683: 1673: 1663: 1653: 1643: 1633: 1623: 1613: 1603: 1593: 1583: 1573: 1563: 1554: 1553: 1544: 1543: 1384: 1383: 1374: 1373: 1317: 1316: 1305: 1304: 1195:Funeral oration 1185:Farewell speech 1142:Socratic method 1098: 1097: 1088: 1087: 850: 849: 840: 839: 745: 744: 708: 567: 566: 565: 559: 553: 552: 551: 550: 544: 536: 535: 534: 528: 520: 519: 518: 512: 504: 503: 502: 496: 488: 487: 486: 480: 472: 471: 470: 464: 448: 420: 415: 396:Timon of Athens 385:, the works of 317:focuses on the 307:Zeus Catechized 277:. His dialogue 271:science fiction 212:(mostly in the 202:tongue-in-cheek 172: 87: 71: 59: 44: 35: 28: 23: 22: 15: 12: 11: 5: 10527: 10517: 10516: 10511: 10506: 10501: 10496: 10491: 10486: 10481: 10476: 10471: 10466: 10451: 10450: 10438: 10436:Ancient Greece 10415: 10414: 10412: 10411: 10406: 10400: 10398: 10397:Related topics 10394: 10393: 10391: 10390: 10381: 10370: 10363: 10354: 10345: 10343: 10339: 10338: 10336: 10335: 10324: 10313: 10302: 10291: 10279: 10277: 10273: 10272: 10264: 10263: 10256: 10249: 10241: 10232: 10231: 10229: 10228: 10221: 10214: 10207: 10199: 10197: 10191: 10190: 10188: 10187: 10180: 10173: 10166: 10159: 10152: 10145: 10138: 10130: 10128: 10122: 10121: 10113: 10112: 10105: 10098: 10090: 10081: 10080: 10078: 10077: 10067: 10057: 10046: 10043: 10042: 10039: 10038: 10036: 10035: 10030: 10025: 10020: 10015: 10010: 10009: 10008: 9997: 9994: 9993: 9983: 9982: 9979: 9978: 9975: 9974: 9971: 9970: 9968: 9967: 9962: 9957: 9952: 9947: 9942: 9937: 9932: 9927: 9922: 9917: 9912: 9907: 9902: 9897: 9892: 9887: 9882: 9877: 9872: 9867: 9862: 9857: 9852: 9847: 9842: 9836: 9834: 9828: 9827: 9825: 9824: 9819: 9814: 9809: 9804: 9799: 9794: 9789: 9784: 9779: 9774: 9769: 9764: 9759: 9754: 9749: 9744: 9739: 9734: 9729: 9724: 9719: 9713: 9711: 9702: 9694: 9693: 9691: 9690: 9685: 9680: 9675: 9670: 9665: 9660: 9655: 9650: 9645: 9640: 9635: 9629: 9627: 9621: 9620: 9618: 9617: 9612: 9607: 9602: 9597: 9592: 9587: 9582: 9577: 9572: 9567: 9562: 9557: 9551: 9549: 9543: 9542: 9540: 9539: 9534: 9524: 9519: 9514: 9508: 9506: 9500: 9499: 9497: 9496: 9491: 9486: 9481: 9476: 9471: 9466: 9461: 9455: 9453: 9447: 9446: 9443: 9442: 9440: 9439: 9434: 9429: 9424: 9419: 9414: 9409: 9404: 9399: 9397:Megara Hyblaea 9394: 9389: 9384: 9379: 9377:Hybla Gereatis 9374: 9369: 9367:Heraclea Minoa 9364: 9359: 9354: 9349: 9344: 9339: 9334: 9329: 9324: 9319: 9313: 9311: 9305: 9304: 9302: 9301: 9296: 9291: 9286: 9281: 9276: 9271: 9266: 9261: 9256: 9251: 9246: 9241: 9236: 9231: 9226: 9221: 9216: 9211: 9206: 9201: 9196: 9191: 9186: 9181: 9176: 9171: 9165: 9163: 9154: 9144: 9143: 9140: 9139: 9133: 9125: 9124: 9121: 9120: 9117: 9116: 9114: 9113: 9111:Attic numerals 9108: 9106:Greek numerals 9103: 9101:Greek alphabet 9098: 9093: 9088: 9082: 9080: 9074: 9073: 9071: 9070: 9065: 9064: 9063: 9058: 9053: 9048: 9043: 9038: 9033: 9028: 9023: 9013: 9008: 9003: 8997: 8995: 8989: 8988: 8985: 8984: 8982: 8981: 8976: 8971: 8966: 8961: 8956: 8951: 8946: 8941: 8935: 8933: 8927: 8926: 8924: 8923: 8918: 8913: 8908: 8903: 8898: 8892: 8886: 8882: 8881: 8878: 8877: 8875: 8874: 8869: 8864: 8859: 8854: 8849: 8844: 8838: 8836: 8832: 8831: 8829: 8828: 8823: 8818: 8813: 8812: 8811: 8801: 8795: 8789: 8783: 8782: 8780: 8779: 8774: 8769: 8764: 8759: 8758: 8757: 8755:Musical system 8747: 8742: 8737: 8732: 8727: 8726: 8725: 8714: 8712: 8705: 8704: 8702: 8701: 8696: 8691: 8686: 8681: 8676: 8671: 8666: 8661: 8656: 8651: 8646: 8641: 8636: 8631: 8626: 8621: 8616: 8611: 8606: 8601: 8596: 8590: 8588: 8578: 8577: 8574: 8573: 8568: 8562: 8554: 8553: 8550: 8549: 8546: 8545: 8543: 8542: 8537: 8532: 8526: 8524: 8520: 8519: 8517: 8516: 8511: 8506: 8501: 8495: 8493: 8489: 8488: 8486: 8485: 8480: 8475: 8470: 8465: 8460: 8455: 8450: 8445: 8440: 8435: 8430: 8425: 8420: 8415: 8410: 8405: 8400: 8395: 8390: 8385: 8380: 8375: 8370: 8365: 8360: 8355: 8350: 8345: 8339: 8337: 8331: 8330: 8328: 8327: 8322: 8317: 8312: 8307: 8302: 8297: 8292: 8287: 8282: 8277: 8272: 8267: 8262: 8257: 8252: 8247: 8242: 8237: 8232: 8226: 8224: 8218: 8217: 8215: 8214: 8209: 8204: 8199: 8194: 8189: 8187:Mathematicians 8184: 8179: 8174: 8168: 8166: 8162: 8161: 8159: 8158: 8153: 8148: 8143: 8138: 8133: 8128: 8123: 8118: 8113: 8108: 8103: 8098: 8096:Kings of Argos 8092: 8090: 8084: 8083: 8071: 8070: 8058: 8057: 8054: 8053: 8050: 8049: 8047: 8046: 8041: 8036: 8031: 8026: 8021: 8016: 8011: 8006: 8001: 7996: 7991: 7986: 7981: 7976: 7971: 7966: 7961: 7956: 7954:Cretan archers 7951: 7946: 7941: 7936: 7935: 7934: 7924: 7918: 7916: 7910: 7909: 7906: 7905: 7903: 7902: 7897: 7891: 7889: 7883: 7882: 7880: 7879: 7874: 7869: 7863: 7861: 7855: 7854: 7852: 7851: 7846: 7841: 7836: 7831: 7826: 7820: 7818: 7812: 7811: 7809: 7808: 7803: 7798: 7793: 7788: 7783: 7778: 7772: 7766: 7760: 7759: 7757: 7756: 7753:Achaean League 7750: 7747:Euboean League 7744: 7738: 7735:Epirote League 7732: 7726: 7720: 7714: 7708: 7702: 7696: 7690: 7684: 7683:(c. 500–31 BC) 7678: 7665: 7652: 7646: 7633: 7615: 7613: 7611:Confederations 7602: 7601: 7599: 7598: 7593: 7588: 7583: 7578: 7573: 7568: 7563: 7558: 7553: 7547: 7545: 7541: 7540: 7538: 7537: 7535:Lissus (Crete) 7532: 7527: 7522: 7517: 7512: 7507: 7502: 7497: 7492: 7487: 7482: 7477: 7472: 7467: 7462: 7457: 7452: 7446: 7444: 7434: 7433: 7430: 7429: 7424: 7419: 7413: 7405: 7404: 7401: 7400: 7397: 7396: 7394: 7393: 7388: 7383: 7378: 7373: 7368: 7363: 7358: 7353: 7348: 7343: 7338: 7333: 7328: 7323: 7318: 7312: 7310: 7304: 7303: 7301: 7300: 7295: 7290: 7285: 7283:Archaic Greece 7280: 7275: 7270: 7265: 7259: 7257: 7249: 7248: 7245: 7244: 7239: 7233: 7225: 7224: 7222: 7221: 7215: 7212: 7211: 7208:Ancient Greece 7204: 7203: 7196: 7189: 7181: 7175: 7174: 7168: 7150: 7144: 7134: 7128: 7122: 7106: 7103:True Histories 7098: 7083: 7074: 7065: 7060: 7054: 7039: 7024: 7005: 7004: 6999: 6994: 6988: 6984: 6981: 6980: 6975: 6970: 6964: 6963: 6952: 6951: 6949: 6948:External links 6946: 6944: 6943: 6938: 6920: 6915: 6900: 6895: 6877: 6868: 6863: 6848: 6843: 6828: 6824:978-0198721123 6823: 6798: 6787: 6782: 6759: 6754: 6738: 6733: 6712: 6707: 6692: 6687: 6672: 6659: 6654: 6642:Most, Glenn W. 6633: 6628: 6613: 6593: 6587: 6574: 6569: 6554: 6549: 6534: 6529: 6512: 6507: 6492: 6483: 6478: 6463: 6458: 6437: 6432: 6421:True Histories 6413: 6408: 6392: 6387: 6375:Casson, Lionel 6371: 6366: 6354:Most, Glenn W. 6345: 6340: 6325: 6320: 6304: 6302: 6299: 6297: 6296: 6280: 6278:, p. 333. 6268: 6245: 6212:Hyperanthropos 6199: 6197:, p. 864. 6174: 6172:, p. 863. 6153: 6126: 6113:10.2307/749995 6107:(4): 295–297. 6087: 6074: 6072:, p. 510. 6062: 6043: 6031: 6018: 6014:Rebelais Works 6005: 5990: 5978: 5959: 5957:, p. 544. 5942: 5930: 5928:, p. 218. 5926:Marciniak 2016 5918: 5916:, p. 212. 5914:Marciniak 2016 5906: 5894: 5892:, p. 217. 5890:Marciniak 2016 5882: 5880:, p. 210. 5878:Marciniak 2016 5870: 5868:, p. 327. 5843: 5826: 5814: 5802: 5790: 5788:, p. 209. 5786:Marciniak 2016 5775: 5763: 5756: 5738: 5723: 5665: 5653: 5641: 5626: 5614: 5612:, p. 491. 5610:Kempshall 2011 5597: 5593:Kempshall 2011 5582: 5570: 5555: 5540: 5538:, p. 289. 5528: 5516: 5514:, p. 292. 5504: 5492: 5490:, p. 336. 5477: 5475:, p. 114. 5454: 5452:, p. 277. 5437: 5425: 5413: 5401: 5389: 5377: 5362: 5350: 5338: 5326: 5314: 5302: 5287: 5285:, p. 141. 5275: 5263: 5242: 5230: 5213: 5198: 5186: 5174: 5172:, p. 275. 5162: 5147: 5135: 5123: 5111: 5099: 5087: 5075: 5056: 5044: 5032: 5020: 5008: 4996: 4979: 4967: 4955: 4943: 4931: 4919: 4907: 4895: 4883: 4858: 4846: 4834: 4822: 4801: 4789: 4777: 4760: 4743: 4731: 4722: 4710: 4689: 4677: 4662: 4645: 4628: 4616: 4614:, p. 288. 4591: 4584: 4564: 4552: 4550:, p. 332. 4509: 4496: 4494:, p. 181. 4484: 4482:, p. 180. 4472: 4470:, p. 125. 4457: 4436: 4409: 4407:, p. 339. 4397: 4395:, p. 331. 4385: 4373: 4358: 4333: 4280: 4278:, p. 107. 4263: 4239: 4237:, p. xiv. 4202: 4190: 4188:, p. 349. 4178: 4166: 4154: 4152:, p. 331. 4137: 4122: 4120:, p. 334. 4105: 4093: 4074: 4059: 4042: 4040:, p. xii. 4017: 4005: 4003:, p. 532. 3988: 3984:Kaldellis 2007 3965: 3963:, p. 229. 3953: 3951:, p. 670. 3934: 3919: 3884: 3882:, p. 671. 3863: 3861:, p. 329. 3851: 3830: 3801: 3799:, p. 328. 3776: 3769: 3748: 3746: 3743: 3740: 3739: 3735:self-insertion 3726: 3656: 3655: 3653: 3650: 3649: 3648: 3642: 3624: 3617:Neil Hopkinson 3614: 3596: 3565: 3558:William Strang 3547: 3526:Tooke, William 3516: 3487: 3484: 3464:Heinrich Heine 3406:Thomas Carlyle 3402: 3399: 3265:Henry Fielding 3249: 3246: 3233: 3168:Jonathan Swift 3156:inspired both 3067:Apelles of Kos 3049: 3046: 2980:Basil of Adada 2955: 2952: 2950: 2947: 2930:The Golden Ass 2904: 2901: 2895:In the letter 2731: 2724: 2723: 2708: 2701: 2700: 2699: 2698: 2697: 2695: 2692: 2497:and his pupil 2456: 2453: 2331:William Strang 2319:Main article: 2316: 2311: 2298:Main article: 2295: 2292: 2199: 2105: 2102: 2050:ethnic norms. 2024: 2023: 2021: 2020: 2013: 2006: 1998: 1995: 1994: 1991: 1990: 1985: 1980: 1975: 1970: 1965: 1960: 1955: 1950: 1945: 1940: 1935: 1930: 1925: 1920: 1915: 1910: 1905: 1900: 1895: 1890: 1885: 1882:Ars dictaminis 1877: 1873: 1872: 1871: 1868: 1867: 1864: 1863: 1862: 1861: 1851: 1846: 1841: 1836: 1831: 1826: 1821: 1816: 1811: 1806: 1801: 1796: 1791: 1786: 1780: 1776: 1775: 1774: 1771: 1770: 1767: 1766: 1756: 1746: 1736: 1726: 1716: 1706: 1696: 1686: 1680:On the Sublime 1676: 1666: 1656: 1646: 1636: 1626: 1616: 1606: 1596: 1586: 1576: 1566: 1555: 1551: 1550: 1549: 1546: 1545: 1542: 1541: 1536: 1531: 1526: 1521: 1516: 1511: 1506: 1501: 1496: 1491: 1486: 1481: 1476: 1471: 1466: 1461: 1456: 1451: 1446: 1441: 1436: 1431: 1426: 1421: 1416: 1411: 1406: 1401: 1396: 1391: 1385: 1381: 1380: 1379: 1376: 1375: 1372: 1371: 1366: 1361: 1356: 1351: 1346: 1341: 1336: 1335: 1334: 1324: 1318: 1312: 1311: 1310: 1307: 1306: 1303: 1302: 1297: 1292: 1287: 1286: 1285: 1275: 1274: 1273: 1263: 1262: 1261: 1256: 1251: 1241: 1236: 1231: 1229:Lightning talk 1226: 1225: 1224: 1214: 1209: 1208: 1207: 1197: 1192: 1187: 1182: 1177: 1176: 1175: 1170: 1158: 1153: 1146: 1145: 1144: 1134: 1129: 1124: 1123: 1122: 1110: 1105: 1099: 1095: 1094: 1093: 1090: 1089: 1086: 1085: 1078: 1071: 1070: 1069: 1059: 1054: 1053: 1052: 1045: 1038: 1026: 1021: 1016: 1014:Method of loci 1011: 1004: 997: 992: 991: 990: 983: 976: 969: 962: 950: 949: 948: 943: 933: 932: 931: 921: 914: 909: 902: 901: 900: 888: 883: 876: 869: 864: 859: 851: 847: 846: 845: 842: 841: 838: 837: 832: 831: 830: 818: 817: 816: 811: 801: 800: 799: 794: 784: 779: 778: 777: 772: 767: 762: 757: 750:Ancient Greece 746: 740: 739: 738: 735: 734: 726: 725: 719: 718: 707: 704: 623:Peripateticism 601:, the cult of 593:, such as the 583:Middle Aramaic 555: 554: 546: 545: 537: 530: 529: 521: 514: 513: 505: 498: 497: 489: 482: 481: 473: 466: 465: 457: 451: 450: 449: 447: 444: 436:Donald Russell 419: 416: 414: 411: 401:Jonathan Swift 348:in his letter 174: 173: 171: 170: 165: 160: 155: 148: 141: 134: 129: 126:A True History 121: 119: 115: 114: 101: 97: 96: 84: 80: 79: 65: 61: 60: 54: 46: 45: 42: 26: 9: 6: 4: 3: 2: 10526: 10515: 10512: 10510: 10507: 10505: 10502: 10500: 10497: 10495: 10492: 10490: 10487: 10485: 10482: 10480: 10477: 10475: 10472: 10470: 10467: 10465: 10462: 10461: 10459: 10449: 10439: 10437: 10427: 10426: 10423: 10410: 10409:Milesian tale 10407: 10405: 10402: 10401: 10399: 10395: 10389: 10385: 10382: 10380: 10376: 10375: 10371: 10369: 10368: 10364: 10362: 10358: 10355: 10352: 10351: 10347: 10346: 10344: 10340: 10334: 10330: 10329: 10325: 10323: 10319: 10318: 10317:Ephesian Tale 10314: 10312: 10308: 10307: 10303: 10301: 10297: 10296: 10292: 10290: 10286: 10285: 10281: 10280: 10278: 10274: 10270:and novelists 10269: 10262: 10257: 10255: 10250: 10248: 10243: 10242: 10239: 10227: 10226: 10222: 10220: 10219: 10215: 10213: 10212: 10208: 10206: 10205: 10201: 10200: 10198: 10196: 10192: 10186: 10185: 10181: 10179: 10178: 10174: 10172: 10171: 10167: 10165: 10164: 10160: 10158: 10157: 10153: 10151: 10150: 10146: 10144: 10143: 10139: 10137: 10136: 10132: 10131: 10129: 10127: 10123: 10119: 10111: 10106: 10104: 10099: 10097: 10092: 10091: 10088: 10076: 10068: 10066: 10062: 10058: 10056: 10048: 10047: 10044: 10034: 10031: 10029: 10026: 10024: 10021: 10019: 10016: 10014: 10011: 10007: 10004: 10003: 10002: 9999: 9998: 9995: 9988: 9984: 9966: 9963: 9961: 9958: 9956: 9953: 9951: 9948: 9946: 9943: 9941: 9938: 9936: 9933: 9931: 9928: 9926: 9923: 9921: 9918: 9916: 9913: 9911: 9908: 9906: 9903: 9901: 9898: 9896: 9893: 9891: 9888: 9886: 9883: 9881: 9878: 9876: 9873: 9871: 9868: 9866: 9863: 9861: 9858: 9856: 9853: 9851: 9848: 9846: 9843: 9841: 9838: 9837: 9835: 9829: 9823: 9820: 9818: 9815: 9813: 9810: 9808: 9805: 9803: 9800: 9798: 9795: 9793: 9790: 9788: 9785: 9783: 9780: 9778: 9775: 9773: 9770: 9768: 9765: 9763: 9760: 9758: 9755: 9753: 9750: 9748: 9745: 9743: 9740: 9738: 9735: 9733: 9730: 9728: 9725: 9723: 9720: 9718: 9715: 9714: 9712: 9706: 9703: 9699: 9695: 9689: 9686: 9684: 9681: 9679: 9676: 9674: 9671: 9669: 9666: 9664: 9661: 9659: 9656: 9654: 9651: 9649: 9646: 9644: 9641: 9639: 9636: 9634: 9631: 9630: 9628: 9626: 9622: 9616: 9613: 9611: 9608: 9606: 9603: 9601: 9598: 9596: 9593: 9591: 9588: 9586: 9583: 9581: 9578: 9576: 9575:Hemeroscopion 9573: 9571: 9568: 9566: 9563: 9561: 9558: 9556: 9553: 9552: 9550: 9548: 9544: 9538: 9535: 9532: 9528: 9525: 9523: 9520: 9518: 9515: 9513: 9510: 9509: 9507: 9505: 9501: 9495: 9492: 9490: 9487: 9485: 9482: 9480: 9477: 9475: 9472: 9470: 9467: 9465: 9462: 9460: 9457: 9456: 9454: 9452: 9448: 9438: 9435: 9433: 9430: 9428: 9425: 9423: 9420: 9418: 9415: 9413: 9410: 9408: 9405: 9403: 9400: 9398: 9395: 9393: 9390: 9388: 9385: 9383: 9380: 9378: 9375: 9373: 9370: 9368: 9365: 9363: 9360: 9358: 9355: 9353: 9350: 9348: 9345: 9343: 9340: 9338: 9335: 9333: 9330: 9328: 9325: 9323: 9320: 9318: 9315: 9314: 9312: 9310: 9306: 9300: 9297: 9295: 9292: 9290: 9287: 9285: 9282: 9280: 9277: 9275: 9272: 9270: 9267: 9265: 9262: 9260: 9257: 9255: 9252: 9250: 9247: 9245: 9242: 9240: 9237: 9235: 9232: 9230: 9227: 9225: 9222: 9220: 9217: 9215: 9212: 9210: 9207: 9205: 9202: 9200: 9197: 9195: 9192: 9190: 9187: 9185: 9182: 9180: 9177: 9175: 9172: 9170: 9167: 9166: 9164: 9158: 9155: 9153: 9152:Magna Graecia 9149: 9145: 9138: 9135: 9134: 9130: 9126: 9112: 9109: 9107: 9104: 9102: 9099: 9097: 9094: 9092: 9089: 9087: 9084: 9083: 9081: 9079: 9075: 9069: 9066: 9062: 9059: 9057: 9054: 9052: 9049: 9047: 9044: 9042: 9039: 9037: 9034: 9032: 9029: 9027: 9026:Arcadocypriot 9024: 9022: 9019: 9018: 9017: 9014: 9012: 9009: 9007: 9004: 9002: 8999: 8998: 8996: 8994: 8990: 8980: 8979:Zeus, Olympia 8977: 8975: 8972: 8970: 8967: 8965: 8964:Hera, Olympia 8962: 8960: 8957: 8955: 8952: 8950: 8947: 8945: 8942: 8940: 8937: 8936: 8934: 8932: 8928: 8922: 8919: 8917: 8914: 8912: 8909: 8907: 8904: 8902: 8899: 8897: 8894: 8893: 8890: 8887: 8883: 8873: 8870: 8868: 8867:Mount Olympus 8865: 8863: 8860: 8858: 8855: 8853: 8850: 8848: 8845: 8843: 8840: 8839: 8837: 8835:Sacred places 8833: 8827: 8824: 8822: 8819: 8817: 8814: 8810: 8807: 8806: 8805: 8802: 8800: 8797: 8796: 8793: 8790: 8788: 8784: 8778: 8775: 8773: 8770: 8768: 8765: 8763: 8760: 8756: 8753: 8752: 8751: 8748: 8746: 8743: 8741: 8738: 8736: 8733: 8731: 8728: 8724: 8721: 8720: 8719: 8716: 8715: 8713: 8710: 8706: 8700: 8697: 8695: 8692: 8690: 8687: 8685: 8682: 8680: 8677: 8675: 8672: 8670: 8667: 8665: 8662: 8660: 8659:Olympic Games 8657: 8655: 8652: 8650: 8649:Homosexuality 8647: 8645: 8642: 8640: 8637: 8635: 8632: 8630: 8627: 8625: 8622: 8620: 8617: 8615: 8612: 8610: 8607: 8605: 8602: 8600: 8597: 8595: 8592: 8591: 8589: 8587: 8583: 8579: 8572: 8569: 8567: 8564: 8563: 8559: 8555: 8541: 8538: 8536: 8533: 8531: 8528: 8527: 8525: 8521: 8515: 8512: 8510: 8507: 8505: 8502: 8500: 8497: 8496: 8494: 8490: 8484: 8481: 8479: 8476: 8474: 8471: 8469: 8466: 8464: 8461: 8459: 8456: 8454: 8451: 8449: 8446: 8444: 8441: 8439: 8436: 8434: 8431: 8429: 8426: 8424: 8421: 8419: 8416: 8414: 8411: 8409: 8406: 8404: 8401: 8399: 8396: 8394: 8391: 8389: 8386: 8384: 8381: 8379: 8376: 8374: 8371: 8369: 8366: 8364: 8361: 8359: 8356: 8354: 8351: 8349: 8346: 8344: 8341: 8340: 8338: 8336: 8332: 8326: 8323: 8321: 8318: 8316: 8313: 8311: 8308: 8306: 8303: 8301: 8298: 8296: 8293: 8291: 8288: 8286: 8283: 8281: 8278: 8276: 8273: 8271: 8268: 8266: 8263: 8261: 8258: 8256: 8253: 8251: 8248: 8246: 8243: 8241: 8238: 8236: 8233: 8231: 8228: 8227: 8225: 8223: 8219: 8213: 8210: 8208: 8205: 8203: 8200: 8198: 8195: 8193: 8190: 8188: 8185: 8183: 8180: 8178: 8175: 8173: 8170: 8169: 8167: 8163: 8157: 8154: 8152: 8149: 8147: 8144: 8142: 8139: 8137: 8134: 8132: 8129: 8127: 8124: 8122: 8119: 8117: 8114: 8112: 8109: 8107: 8104: 8102: 8099: 8097: 8094: 8093: 8091: 8089: 8085: 8081: 8076: 8072: 8068: 8063: 8059: 8045: 8042: 8040: 8037: 8035: 8032: 8030: 8027: 8025: 8022: 8020: 8019:Seleucid army 8017: 8015: 8012: 8010: 8007: 8005: 8002: 8000: 7997: 7995: 7992: 7990: 7987: 7985: 7982: 7980: 7977: 7975: 7972: 7970: 7967: 7965: 7962: 7960: 7957: 7955: 7952: 7950: 7947: 7945: 7942: 7940: 7937: 7933: 7930: 7929: 7928: 7925: 7923: 7920: 7919: 7917: 7915: 7911: 7901: 7898: 7896: 7893: 7892: 7890: 7888: 7884: 7878: 7875: 7873: 7870: 7868: 7865: 7864: 7862: 7860: 7856: 7850: 7847: 7845: 7842: 7840: 7837: 7835: 7832: 7830: 7827: 7825: 7822: 7821: 7819: 7817: 7813: 7807: 7804: 7802: 7799: 7797: 7794: 7792: 7789: 7787: 7784: 7782: 7779: 7777: 7774: 7773: 7770: 7767: 7765: 7761: 7754: 7751: 7748: 7745: 7742: 7739: 7736: 7733: 7730: 7727: 7724: 7721: 7718: 7715: 7712: 7709: 7706: 7703: 7700: 7697: 7694: 7693:Delian League 7691: 7688: 7685: 7682: 7679: 7669: 7666: 7656: 7653: 7650: 7649:Ionian League 7647: 7637: 7634: 7630: 560 BC 7620: 7617: 7616: 7614: 7612: 7607: 7603: 7597: 7594: 7592: 7589: 7587: 7584: 7582: 7579: 7577: 7574: 7572: 7569: 7567: 7564: 7562: 7559: 7557: 7554: 7552: 7549: 7548: 7546: 7542: 7536: 7533: 7531: 7528: 7526: 7523: 7521: 7518: 7516: 7513: 7511: 7508: 7506: 7503: 7501: 7498: 7496: 7493: 7491: 7488: 7486: 7483: 7481: 7478: 7476: 7473: 7471: 7468: 7466: 7463: 7461: 7458: 7456: 7453: 7451: 7448: 7447: 7445: 7443: 7439: 7435: 7428: 7425: 7423: 7420: 7418: 7415: 7414: 7410: 7406: 7392: 7389: 7387: 7384: 7382: 7379: 7377: 7374: 7372: 7371:Magna Graecia 7369: 7367: 7364: 7362: 7359: 7357: 7354: 7352: 7349: 7347: 7344: 7342: 7339: 7337: 7334: 7332: 7329: 7327: 7324: 7322: 7319: 7317: 7314: 7313: 7311: 7309: 7305: 7299: 7296: 7294: 7291: 7289: 7286: 7284: 7281: 7279: 7276: 7274: 7271: 7269: 7266: 7264: 7261: 7260: 7258: 7254: 7250: 7243: 7240: 7238: 7235: 7234: 7230: 7226: 7220: 7217: 7216: 7213: 7209: 7202: 7197: 7195: 7190: 7188: 7183: 7182: 7179: 7172: 7169: 7167: 7166:2-271-06386-8 7163: 7159: 7155: 7151: 7148: 7145: 7142: 7138: 7135: 7132: 7129: 7126: 7123: 7120: 7116: 7112: 7111: 7107: 7105: 7104: 7099: 7091: 7087: 7084: 7082: 7078: 7075: 7073: 7069: 7066: 7064: 7061: 7058: 7055: 7053: 7049: 7044: 7040: 7038: 7034: 7033:Pseudo-Lucian 7029: 7025: 7023: 7019: 7014: 7010: 7009: 7003: 7000: 6998: 6995: 6993: 6990: 6989: 6987: 6979: 6976: 6974: 6971: 6969: 6966: 6965: 6960: 6955: 6941: 6935: 6931: 6930: 6925: 6921: 6918: 6912: 6908: 6907: 6901: 6898: 6892: 6888: 6887: 6882: 6878: 6874: 6869: 6866: 6860: 6856: 6855: 6849: 6846: 6840: 6836: 6835: 6829: 6826: 6820: 6816: 6811: 6810: 6804: 6799: 6795: 6794: 6788: 6785: 6779: 6775: 6771: 6767: 6766: 6760: 6757: 6751: 6747: 6743: 6739: 6736: 6730: 6726: 6722: 6720: 6713: 6710: 6704: 6700: 6699: 6693: 6690: 6684: 6680: 6679: 6673: 6669: 6665: 6660: 6657: 6651: 6647: 6643: 6639: 6634: 6631: 6625: 6621: 6620: 6614: 6611: 6607: 6603: 6599: 6594: 6590: 6584: 6580: 6575: 6572: 6566: 6562: 6561: 6555: 6552: 6546: 6542: 6541: 6535: 6532: 6526: 6522: 6518: 6513: 6510: 6504: 6500: 6499: 6493: 6489: 6484: 6481: 6475: 6471: 6470: 6464: 6461: 6455: 6451: 6447: 6445: 6438: 6435: 6429: 6425: 6424: 6420: 6414: 6411: 6405: 6401: 6397: 6393: 6390: 6384: 6380: 6376: 6372: 6369: 6363: 6359: 6355: 6351: 6346: 6343: 6337: 6333: 6332: 6326: 6323: 6317: 6313: 6312: 6306: 6305: 6294: 6290: 6284: 6277: 6272: 6264: 6260: 6256: 6249: 6241: 6237: 6233: 6229: 6225: 6221: 6217: 6213: 6206: 6204: 6196: 6191: 6189: 6187: 6185: 6183: 6181: 6179: 6171: 6166: 6164: 6162: 6160: 6158: 6141: 6137: 6130: 6122: 6118: 6114: 6110: 6106: 6102: 6098: 6091: 6084: 6078: 6071: 6066: 6059: 6054: 6052: 6050: 6048: 6041:, p. 71. 6040: 6035: 6028: 6022: 6015: 6009: 6002: 5997: 5995: 5987: 5982: 5975: 5970: 5968: 5966: 5964: 5956: 5951: 5949: 5947: 5940:, p. 27. 5939: 5934: 5927: 5922: 5915: 5910: 5904:, p. 22. 5903: 5898: 5891: 5886: 5879: 5874: 5867: 5862: 5860: 5858: 5856: 5854: 5852: 5850: 5848: 5841:, p. 68. 5840: 5839:Robinson 1979 5835: 5833: 5831: 5824:, p. 16. 5823: 5818: 5811: 5806: 5800:, p. 15. 5799: 5794: 5787: 5782: 5780: 5773:, p. 14. 5772: 5767: 5759: 5753: 5749: 5742: 5736:, p. 49. 5735: 5730: 5728: 5712: 5708: 5704: 5700: 5696: 5692: 5688: 5684: 5677: 5669: 5663:, p. 79. 5662: 5657: 5650: 5645: 5639:, p. 59. 5638: 5633: 5631: 5623: 5618: 5611: 5606: 5604: 5602: 5594: 5589: 5587: 5580:, p. 82. 5579: 5574: 5567: 5562: 5560: 5552: 5551:Kechagia 2016 5547: 5545: 5537: 5532: 5525: 5520: 5513: 5508: 5501: 5496: 5489: 5484: 5482: 5474: 5469: 5467: 5465: 5463: 5461: 5459: 5451: 5446: 5444: 5442: 5434: 5429: 5422: 5417: 5410: 5405: 5399:, p. 77. 5398: 5393: 5387:, p. 76. 5386: 5381: 5374: 5369: 5367: 5359: 5358:Anderson 1976 5354: 5347: 5342: 5336:, p. 79. 5335: 5330: 5323: 5318: 5311: 5310:Anderson 1976 5306: 5299: 5294: 5292: 5284: 5279: 5272: 5267: 5260: 5255: 5253: 5251: 5249: 5247: 5239: 5234: 5228:, p. 88. 5227: 5222: 5220: 5218: 5211:, p. 44. 5210: 5205: 5203: 5195: 5190: 5183: 5178: 5171: 5166: 5160:, p. 42. 5159: 5154: 5152: 5145:, p. 57. 5144: 5139: 5132: 5127: 5121:, p. 54. 5120: 5115: 5108: 5103: 5096: 5091: 5085:, p. 46. 5084: 5079: 5072: 5067: 5065: 5063: 5061: 5053: 5048: 5041: 5036: 5029: 5024: 5018:, p. 34. 5017: 5012: 5005: 5000: 4993: 4988: 4986: 4984: 4976: 4971: 4964: 4959: 4952: 4947: 4941:, p. 22. 4940: 4935: 4928: 4923: 4917:, p. 18. 4916: 4911: 4904: 4899: 4892: 4887: 4880: 4875: 4873: 4871: 4869: 4867: 4865: 4863: 4856:, p. 15. 4855: 4850: 4843: 4838: 4831: 4826: 4819: 4815: 4811: 4805: 4798: 4793: 4787:, p. 46. 4786: 4781: 4774: 4770: 4764: 4757: 4753: 4747: 4740: 4735: 4726: 4719: 4718:Robinson 1979 4714: 4707: 4702: 4700: 4698: 4696: 4694: 4686: 4681: 4674: 4669: 4667: 4660:, p. 58. 4659: 4654: 4652: 4650: 4643:, p. 88. 4642: 4637: 4635: 4633: 4626:, p. 51. 4625: 4620: 4613: 4608: 4606: 4604: 4602: 4600: 4598: 4596: 4587: 4581: 4577: 4576: 4568: 4561: 4556: 4549: 4548:Ferguson 1993 4544: 4542: 4540: 4538: 4536: 4534: 4532: 4530: 4528: 4526: 4524: 4522: 4520: 4518: 4516: 4514: 4506: 4500: 4493: 4488: 4481: 4476: 4469: 4464: 4462: 4455:, p. 58. 4454: 4449: 4447: 4445: 4443: 4441: 4434: 4430: 4426: 4422: 4418: 4413: 4406: 4401: 4394: 4393:Ferguson 1993 4389: 4382: 4377: 4370: 4365: 4363: 4356:, p. 98. 4355: 4350: 4348: 4346: 4344: 4342: 4340: 4338: 4331:, p. 99. 4330: 4325: 4323: 4321: 4319: 4317: 4315: 4313: 4311: 4309: 4307: 4305: 4303: 4301: 4299: 4297: 4295: 4293: 4291: 4289: 4287: 4285: 4277: 4272: 4270: 4268: 4260: 4259:0-8028-3711-5 4256: 4252: 4246: 4244: 4236: 4231: 4229: 4227: 4225: 4223: 4221: 4219: 4217: 4215: 4213: 4211: 4209: 4207: 4199: 4194: 4187: 4182: 4175: 4170: 4163: 4158: 4151: 4146: 4144: 4142: 4135:, p. 46. 4134: 4129: 4127: 4119: 4114: 4112: 4110: 4102: 4097: 4091:, p. 81. 4090: 4085: 4083: 4081: 4079: 4071: 4066: 4064: 4056: 4051: 4049: 4047: 4039: 4034: 4032: 4030: 4028: 4026: 4024: 4022: 4014: 4009: 4002: 3997: 3995: 3993: 3986:, p. 31. 3985: 3980: 3978: 3976: 3974: 3972: 3970: 3962: 3957: 3950: 3945: 3943: 3941: 3939: 3932:, p. 16. 3931: 3926: 3924: 3916: 3911: 3909: 3907: 3905: 3903: 3901: 3899: 3897: 3895: 3893: 3891: 3889: 3881: 3876: 3874: 3872: 3870: 3868: 3860: 3855: 3848: 3843: 3841: 3839: 3837: 3835: 3827: 3822: 3820: 3818: 3816: 3814: 3812: 3810: 3808: 3806: 3798: 3793: 3791: 3789: 3787: 3785: 3783: 3781: 3772: 3766: 3762: 3761: 3753: 3749: 3736: 3730: 3724: 3720: 3716: 3714: 3704: 3703:Ancient Greek 3698: 3661: 3657: 3645: 3639: 3635: 3634: 3629: 3625: 3622: 3618: 3615: 3613:(1961, 1967). 3612: 3608: 3604: 3600: 3597: 3594: 3590: 3586: 3580: 3579:Fowler, F. G. 3576: 3575:Fowler, H. W. 3572: 3571: 3566: 3563: 3559: 3555: 3551: 3548: 3545: 3539: 3527: 3523: 3522: 3517: 3514: 3510: 3506: 3500: 3496: 3495: 3490: 3489: 3483: 3481: 3475: 3473: 3469: 3465: 3461: 3456: 3455:Eduard Norden 3451: 3449: 3445: 3441: 3437: 3433: 3432: 3427: 3423: 3419: 3415: 3411: 3407: 3401:Modern period 3398: 3396: 3395: 3394:Israel Potter 3390: 3389: 3385:, Book 26 of 3384: 3383: 3378: 3374: 3370: 3366: 3362: 3358: 3354: 3350: 3346: 3342: 3338: 3334: 3330: 3326: 3325:Denis Diderot 3322: 3320: 3316: 3315: 3310: 3306: 3302: 3298: 3294: 3290: 3286: 3282: 3281: 3276: 3272: 3271: 3266: 3259: 3254: 3245: 3243: 3242:Francis Bacon 3232: 3229: 3222: 3217: 3215: 3211: 3207: 3206: 3201: 3200: 3195: 3191: 3190: 3185: 3184: 3180:'s paintings 3179: 3175: 3174: 3169: 3165: 3164: 3159: 3155: 3150: 3148: 3144: 3143: 3138: 3134: 3130: 3129: 3124: 3120: 3116: 3110: 3108: 3104: 3100: 3096: 3092: 3088: 3084: 3077: 3074: 3073: 3068: 3064: 3060: 3059: 3054: 3045: 3043: 3039: 3035: 3031: 3027: 3022: 3020: 3016: 3012: 3008: 3004: 3003: 2998: 2993: 2991: 2990: 2985: 2981: 2977: 2973: 2969: 2965: 2961: 2946: 2944: 2940: 2936: 2935:Metamorphoses 2932: 2931: 2925: 2920: 2916: 2912: 2911: 2903:Pseudo-Lucian 2900: 2898: 2893: 2890: 2889:Olympic Games 2886: 2882: 2877: 2872: 2871: 2865: 2863: 2862: 2857: 2856: 2851: 2847: 2843: 2839: 2835: 2834: 2829: 2825: 2821: 2817: 2813: 2811: 2807: 2803: 2799: 2795: 2789: 2787: 2783: 2779: 2775: 2774: 2768: 2766: 2762: 2758: 2748: 2747: 2742: 2735:carving from 2734: 2728: 2720: 2716: 2712: 2705: 2691: 2689: 2685: 2681: 2676: 2672: 2668: 2664: 2660: 2656: 2651: 2650:Θεῶν Διάλογοι 2646: 2645: 2639: 2637: 2633: 2632:Icaromenippus 2629: 2628:Nektyomanteia 2624: 2620: 2619:Icaromenippus 2615: 2614: 2609: 2605: 2601: 2597: 2593: 2589: 2585: 2581: 2577: 2573: 2568: 2566: 2562: 2557: 2556:folk remedies 2552: 2551:framing story 2548: 2544: 2539: 2534: 2533: 2524: 2520: 2516: 2514: 2510: 2506: 2505: 2500: 2496: 2493:philosophers 2492: 2487: 2482: 2481: 2476: 2475: 2470: 2466: 2462: 2452: 2450: 2449: 2443: 2439: 2435: 2431: 2427: 2423: 2419: 2413: 2411: 2407: 2403: 2399: 2395: 2389: 2387: 2383: 2379: 2375: 2371: 2367: 2366: 2361: 2356: 2351: 2350: 2345: 2338: 2337: 2332: 2327: 2322: 2315: 2310: 2308: 2301: 2291: 2289: 2283: 2281: 2274: 2272: 2268: 2263: 2261: 2257: 2253: 2249: 2245: 2241: 2237: 2233: 2229: 2225: 2221: 2218:According to 2214: 2212: 2208: 2203: 2197: 2195: 2191: 2187: 2183: 2182: 2177: 2173: 2169: 2165: 2160: 2158: 2154: 2150: 2146: 2141: 2139: 2135: 2131: 2127: 2123: 2122:The Fisherman 2115: 2110: 2101: 2099: 2094: 2092: 2088: 2082: 2079: 2074: 2072: 2067: 2066:The Fisherman 2062: 2060: 2056: 2051: 2047: 2044: 2039: 2035: 2031: 2019: 2014: 2012: 2007: 2005: 2000: 1999: 1997: 1996: 1989: 1986: 1984: 1983:Toulmin model 1981: 1979: 1976: 1974: 1971: 1969: 1968:Talking point 1966: 1964: 1963:Speechwriting 1961: 1959: 1956: 1954: 1951: 1949: 1946: 1944: 1941: 1939: 1936: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1883: 1879: 1878: 1870: 1869: 1860: 1857: 1856: 1855: 1852: 1850: 1847: 1845: 1842: 1840: 1837: 1835: 1832: 1830: 1827: 1825: 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1802: 1800: 1797: 1795: 1792: 1790: 1787: 1785: 1784:Argumentation 1782: 1781: 1773: 1772: 1762: 1761: 1757: 1752: 1751: 1747: 1742: 1741: 1737: 1732: 1731: 1727: 1722: 1721: 1717: 1712: 1711: 1707: 1702: 1701: 1697: 1692: 1691: 1687: 1682: 1681: 1677: 1672: 1671: 1667: 1662: 1661: 1657: 1652: 1651: 1647: 1642: 1641: 1637: 1632: 1631: 1627: 1622: 1621: 1620:De Inventione 1617: 1612: 1611: 1607: 1602: 1601: 1597: 1592: 1591: 1587: 1582: 1581: 1577: 1572: 1571: 1567: 1562: 1561: 1557: 1556: 1548: 1547: 1540: 1537: 1535: 1532: 1530: 1527: 1525: 1522: 1520: 1517: 1515: 1512: 1510: 1507: 1505: 1502: 1500: 1497: 1495: 1492: 1490: 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1467: 1465: 1462: 1460: 1457: 1455: 1452: 1450: 1447: 1445: 1442: 1440: 1437: 1435: 1432: 1430: 1427: 1425: 1422: 1420: 1417: 1415: 1412: 1410: 1407: 1405: 1402: 1400: 1397: 1395: 1392: 1390: 1387: 1386: 1378: 1377: 1370: 1367: 1365: 1362: 1360: 1357: 1355: 1352: 1350: 1347: 1345: 1342: 1340: 1337: 1333: 1330: 1329: 1328: 1325: 1323: 1320: 1319: 1315: 1309: 1308: 1301: 1300:War-mongering 1298: 1296: 1293: 1291: 1288: 1284: 1281: 1280: 1279: 1276: 1272: 1269: 1268: 1267: 1266:Progymnasmata 1264: 1260: 1257: 1255: 1252: 1250: 1247: 1246: 1245: 1242: 1240: 1237: 1235: 1234:Maiden speech 1232: 1230: 1227: 1223: 1220: 1219: 1218: 1215: 1213: 1210: 1206: 1203: 1202: 1201: 1198: 1196: 1193: 1191: 1188: 1186: 1183: 1181: 1178: 1174: 1171: 1169: 1168: 1164: 1163: 1162: 1159: 1157: 1154: 1152: 1151: 1147: 1143: 1140: 1139: 1138: 1135: 1133: 1130: 1128: 1125: 1121: 1120: 1116: 1115: 1114: 1111: 1109: 1106: 1104: 1101: 1100: 1092: 1091: 1084: 1083: 1079: 1077: 1076: 1072: 1068: 1065: 1064: 1063: 1060: 1058: 1055: 1051: 1050: 1046: 1044: 1043: 1039: 1037: 1036: 1032: 1031: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1010: 1009: 1005: 1003: 1002: 998: 996: 993: 989: 988: 984: 982: 981: 977: 975: 974: 970: 968: 967: 963: 961: 960: 956: 955: 954: 951: 947: 944: 942: 939: 938: 937: 934: 930: 927: 926: 925: 922: 920: 919: 915: 913: 910: 908: 907: 903: 899: 898: 894: 893: 892: 889: 887: 884: 882: 881: 877: 875: 874: 870: 868: 865: 863: 860: 858: 857: 853: 852: 844: 843: 836: 835:Modern period 833: 829: 828: 824: 823: 822: 819: 815: 812: 810: 807: 806: 805: 802: 798: 795: 793: 790: 789: 788: 785: 783: 782:Ancient India 780: 776: 773: 771: 768: 766: 765:Attic orators 763: 761: 758: 756: 753: 752: 751: 748: 747: 743: 737: 736: 732: 728: 727: 724: 721: 720: 716: 712: 711: 703: 701: 700: 695: 691: 687: 682: 681: 668: 663: 659: 654: 651: 647: 646:Lionel Casson 643: 638: 636: 632: 628: 624: 620: 616: 612: 608: 604: 600: 596: 592: 591:mystery cults 586: 584: 580: 576: 572: 563: 558: 549: 533: 517: 501: 485: 469: 455: 443: 441: 437: 433: 429: 425: 410: 408: 407: 402: 398: 397: 392: 388: 384: 383: 378: 373: 371: 367: 366: 361: 357: 353: 352: 347: 342: 340: 336: 332: 328: 324: 321:philosophers 320: 316: 312: 308: 304: 300: 299:Icaromenippus 296: 295: 290: 286: 282: 281: 280:Lover of Lies 276: 272: 268: 267: 260: 258: 254: 250: 246: 242: 238: 234: 230: 226: 221: 219: 215: 211: 210:ancient Greek 207: 203: 199: 195: 191: 188: 180: 169: 166: 164: 161: 159: 156: 154: 153: 149: 147: 146: 142: 140: 139: 138:Lover of Lies 135: 133: 130: 128: 127: 123: 122: 120: 118:Notable works 116: 113: 109: 105: 102: 98: 95: 91: 85: 81: 78: 74: 66: 62: 58: 52: 47: 40: 37: 33: 19: 10383: 10378: 10374:A True Story 10372: 10365: 10356: 10348: 10326: 10315: 10304: 10293: 10282: 10223: 10216: 10209: 10202: 10182: 10177:A True Story 10175: 10168: 10161: 10154: 10147: 10140: 10133: 10117: 9870:Dionysopolis 9840:Abonoteichos 9792:Pantikapaion 9382:Hybla Heraea 8718:Architecture 8674:Prostitution 8402: 8363:Aristophanes 8222:Philosophers 8192:Philosophers 8024:Spartan army 7755:(280–146 BC) 7743:(338–322 BC) 7737:(370–168 BC) 7725:(374–196 BC) 7719:(378–355 BC) 7701:(430–348 BC) 7695:(478–404 BC) 7689:(499–449 BC) 7376:Peloponnesus 7298:Roman Greece 7157: 7109: 7102: 7046: Greek 6992:Online books 6985: 6968:Online books 6958: 6928: 6905: 6885: 6872: 6853: 6833: 6808: 6792: 6764: 6745: 6724: 6719:Philopseudes 6718: 6697: 6677: 6667: 6645: 6618: 6601: 6597: 6578: 6559: 6539: 6520: 6497: 6487: 6468: 6449: 6443: 6422: 6418: 6399: 6378: 6357: 6330: 6310: 6301:Bibliography 6288: 6283: 6276:Richter 2017 6271: 6262: 6258: 6248: 6226:(4): 58–74. 6223: 6219: 6215: 6211: 6195:Branham 2010 6170:Branham 2010 6144:. Retrieved 6139: 6129: 6104: 6100: 6090: 6082: 6077: 6065: 6034: 6026: 6021: 6013: 6008: 5981: 5933: 5921: 5909: 5897: 5885: 5873: 5866:Richter 2017 5817: 5805: 5793: 5766: 5747: 5741: 5714:. Retrieved 5686: 5682: 5668: 5656: 5649:Andrade 2013 5644: 5617: 5573: 5536:Andrade 2013 5531: 5524:Andrade 2013 5519: 5512:Andrade 2013 5507: 5500:Andrade 2013 5495: 5488:Richter 2017 5450:Gilhuly 2006 5433:Gilhuly 2006 5428: 5416: 5409:Gilhuly 2006 5404: 5392: 5380: 5353: 5341: 5329: 5317: 5305: 5278: 5273:, p. 1. 5266: 5233: 5189: 5182:Macleod 1961 5177: 5170:Gilhuly 2006 5165: 5138: 5126: 5114: 5102: 5090: 5078: 5047: 5035: 5023: 5011: 4999: 4970: 4958: 4946: 4934: 4922: 4910: 4898: 4886: 4849: 4837: 4825: 4809: 4804: 4792: 4780: 4772: 4763: 4755: 4746: 4739:Grewell 2001 4734: 4725: 4713: 4708:, p. 2. 4685:Russell 1986 4680: 4619: 4612:Andrade 2013 4574: 4567: 4560:Richter 2017 4555: 4504: 4499: 4487: 4475: 4420: 4412: 4405:Richter 2017 4400: 4388: 4381:Richter 2017 4376: 4250: 4193: 4181: 4169: 4162:Richter 2017 4157: 4150:Richter 2017 4118:Richter 2017 4096: 4008: 3956: 3949:Russell 1986 3880:Russell 1986 3859:Richter 2017 3854: 3849:, p. 1. 3797:Richter 2017 3759: 3752: 3729: 3710: 3660: 3632: 3620: 3598: 3569: 3549: 3536:– via 3530:. 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B. Clark 3460:Rudolf Helm 3418:George Sand 3353:Jules Verne 3343:. Lucian's 3258:Nordkirchen 3166:(1516) and 3147:Renaissance 3083:Middle Ages 2989:Bibliotheca 2808:. A Jewish 2386:H. G. Wells 2382:Jules Verne 2307:Renaissance 2202:Dinomachus: 2149:Edwyn Bevan 2091:Ionic Greek 1988:Wooden iron 1948:Rhetrickery 1923:Oral skills 1859:Composition 1794:Contrastive 1614:(c. 350 BC) 1604:(c. 350 BC) 1594:(c. 350 BC) 1584:(c. 350 BC) 1574:(c. 370 BC) 1434:Demosthenes 1414:Brueggemann 1349:Ideological 1200:Homiletics‎ 1113:Declamation 1103:Apologetics 953:Five canons 821:Renaissance 804:Middle Ages 662:Simon Swain 377:Thomas More 214:Attic Greek 198:pamphleteer 194:rhetorician 112:rhetorician 77:Roman Syria 10464:125 births 10458:Categories 10361:Iamblichus 10284:Aethiopica 9920:Polemonion 9797:Phanagoria 9767:Kimmerikon 9762:Kerkinitis 9747:Hermonassa 9737:Dioscurias 9633:Aspalathos 9580:Kalathousa 9555:Akra Leuke 9484:Phoenicusa 9269:Scylletium 9254:Poseidonia 9174:Brentesion 9061:Pamphylian 9056:Macedonian 8974:Samothrace 8959:Hephaestus 8906:Long Walls 8885:Structures 8826:Underworld 8772:Technology 8735:Literature 8669:Philosophy 8634:Euergetism 8523:By culture 8468:Thucydides 8310:Pythagoras 8305:Protagoras 8295:Parmenides 8280:Heraclitus 8265:Empedocles 8255:Democritus 8240:Anaximenes 8230:Anaxagoras 8182:Historians 7675: 595 7662: 550 7643: 800 7628: – c. 7556:Cappadocia 7361:Ionian Sea 7351:Hellespont 7316:Aegean Sea 7048:Wikisource 7037:Wikisource 7022:Wikisource 6216:Übermensch 6070:Marsh 2010 6039:Marsh 1998 5986:Marsh 2010 5974:Marsh 1998 5955:Marsh 2010 5716:1 December 5397:Marsh 1998 5385:Marsh 1998 5373:Marsh 1998 5346:Marsh 1998 5334:Marsh 1998 5322:Marsh 1998 5271:Ogden 2007 5259:Ogden 2007 5238:Ogden 2007 5226:Marsh 1998 5209:Marsh 1998 5194:Marsh 1998 5158:Marsh 1998 4706:Marsh 1998 4673:Marsh 1998 4429:1162748400 4133:Swain 1996 3847:Marsh 1998 3745:References 3589:volume III 3532:22 January 3509:volume III 3431:Übermensch 3365:David Hume 3345:True Story 3154:True Story 3099:plutocracy 3076:On Calumny 2968:On Slander 2960:Lactantius 2828:On Dancing 2765:Epicureans 2680:New Comedy 2663:Zeus Rants 2588:Chrysippus 2580:Heraclitus 2549:through a 2547:paranormal 2538:Φιλοψευδὴς 2426:Pythagoras 2422:Trojan War 2370:Thucydides 2207:Tychiades: 2168:paranormal 2153:Hermotimus 1844:Technology 1834:Procedural 1654:(c. 50 BC) 1640:De Oratore 1504:Quintilian 1499:Protagoras 1354:Metaphoric 1278:Propaganda 1161:Epideictic 1075:Sotto voce 1029:Persuasion 1024:Operations 966:Dispositio 862:Chironomia 627:Pyrrhonism 605:, and the 484:Hierapolis 303:Zeus Rants 291:including 100:Occupation 10448:Biography 10116:Works by 10006:in Epirus 9955:Trapezous 9900:Mesambria 9885:Eupatoria 9855:Apollonia 9850:Anchialos 9812:Theodosia 9782:Nymphaion 9772:Myrmekion 9742:Gorgippia 9698:Black Sea 9683:Tragurion 9668:Nymphaion 9653:Epidauros 9648:Epidamnos 9638:Apollonia 9615:Zacynthos 9537:Ptolemais 9531:Apollonia 9504:Cyrenaica 9494:Therassía 9489:Strongyle 9469:Ereikousa 9392:Leontinoi 9332:Apollonia 9209:Hipponion 9006:Mycenaean 8969:Parthenon 8901:Lion Gate 8804:Mythology 8767:Sculpture 8730:Astronomy 8664:Pederasty 8639:Festivals 8624:Education 8504:Lawgivers 8473:Timocreon 8453:Sophocles 8448:Simonides 8423:Philocles 8418:Panyassis 8413:Mimnermus 8378:Herodotus 8373:Euripides 8343:Aeschylus 8290:Leucippus 8250:Aristotle 8029:Strategos 7895:Synedrion 7849:Ostracism 7829:Areopagus 7781:Free city 7576:Macedonia 7460:Byzantion 7366:Macedonia 7331:Cyrenaica 7308:Geography 7242:Geography 7115:Asclepius 7052:Λουκιανός 6986:By Lucian 6121:0959-2024 5734:Vout 2007 5711:144874219 5283:Luck 2001 4820:, p. 249. 3961:Vout 2007 3930:Vout 2007 3593:volume IV 3585:volume II 3544:volume II 3513:volume IV 3505:volume II 3369:Kataplous 3347:inspired 3260:, Germany 3152:Lucian's 3072:ekphrasis 3028:. In the 2986:. In his 2954:Byzantine 2855:parrhesia 2842:Portraits 2778:Atargatis 2741:Atargatis 2733:Nabataean 2613:Symposium 2608:Symposium 2469:prolaliai 2448:scholiast 2430:Herodotus 2288:Herodotus 2211:Asclepius 2134:Platonism 1958:Seduction 1789:Cognitive 1777:Subfields 1704:(100–400) 1459:Isocrates 1399:Augustine 1389:Aristotle 1364:Narrative 1314:Criticism 1259:Philippic 1173:Panegyric 1156:Elocution 1137:Dialectic 1057:Situation 918:Facilitas 912:Enthymeme 891:Eloquence 873:Delectare 686:The Dream 658:The Dream 656:Although 642:The Dream 619:Platonism 599:Mithraism 575:Vespasian 571:Commagene 370:Atargatis 237:Euphrates 225:The Dream 220:period). 88:probably 10300:Chariton 10218:Timarion 10055:Category 10033:Theatres 9960:Tripolis 9895:Kerasous 9890:Heraclea 9822:Tyritake 9777:Nikonion 9688:Thronion 9610:Salauris 9565:Emporion 9522:Berenice 9512:Balagrae 9464:Euonymos 9437:Tyndaris 9422:Syracuse 9417:Selinous 9387:Kamarina 9342:Casmenae 9327:Akrillai 9244:Neápolis 9179:Caulonia 9160:Mainland 9091:Linear B 9086:Linear A 9016:Dialects 8993:Language 8787:Religion 8745:Medicine 8679:Religion 8644:Folklore 8629:Emporium 8604:Clothing 8599:Calendar 8483:Xenophon 8478:Tyrtaeus 8463:Theognis 8438:Polybius 8433:Plutarch 8408:Menander 8388:Hipponax 8315:Socrates 8270:Epicurus 8116:Diadochi 8014:Sciritae 7974:Hetairoi 7949:Ballista 7914:Military 7877:Gerousia 7867:Ekklesia 7834:Ecclesia 7816:Athenian 7764:Politics 7677:–279 BC) 7664:–366 BC) 7645:–389 BC) 7581:Pergamon 7551:Bithynia 7544:Kingdoms 7485:Pergamon 7427:Military 7422:Politics 7219:Timeline 7147:Contents 7137:Macrobii 7090:LibriVox 6926:(1983), 6883:(2000), 6666:(eds.), 6610:26497735 6398:(1993), 6377:(1962), 6220:Diogenes 6027:Rebelais 4503:Lucian, 3630:(2003). 3486:Editions 3472:Menippus 3444:Menippus 3440:Tiresias 3305:Voltaire 3277:and, in 3234:—  3176:(1726). 3095:Plutarch 2999:and the 2939:Apuleius 2913:and the 2816:Macrobii 2798:Seleucid 2688:Menander 2636:Tiresias 2584:Socrates 2499:Menippus 2495:Diogenes 2442:Odysseus 2402:Dionysus 2398:Heracles 2267:Epicurus 2252:eclectic 2244:Menippus 2186:phantoms 2181:daemones 2138:Nigrinus 2130:Stoicism 2114:Epicurus 2112:Bust of 2098:Commodus 2038:Anatolia 1829:Pedagogy 1809:Feminist 1580:Rhetoric 1570:Phaedrus 1564:(380 BC) 1514:Richards 1484:Perelman 1332:Pentadic 1327:Dramatic 1271:Suasoria 1249:Diatribe 1190:Forensic 1167:Encomium 1132:Demagogy 1001:Imitatio 973:Elocutio 959:Inventio 929:Informal 848:Concepts 775:Sophists 770:Calliope 760:Atticism 755:Asianism 723:Rhetoric 715:a series 713:Part of 690:Socrates 673:προλᾰλιά 667:prolalia 615:Stoicism 562:Anatolia 468:Samosata 327:Menippus 323:Diogenes 233:Samosata 190:satirist 108:satirist 104:Novelist 73:Samosata 10422:Portals 10204:Halcyon 10170:Toxaris 10075:Outline 10028:Temples 9965:Zaliche 9945:Thèrmae 9935:Sesamus 9905:Odessos 9880:Cytorus 9875:Cotyora 9625:Illyria 9590:Mainake 9585:Kypsela 9474:Hycesia 9432:Thermae 9412:Segesta 9402:Messana 9357:Helorus 9337:Calacte 9317:Akragas 9279:Sybaris 9264:Rhegion 9219:Krimisa 9169:Alision 9078:Writing 9051:Locrian 9041:Epirote 9011:Homeric 8944:Artemis 8931:Temples 8872:Olympia 8842:Eleusis 8777:Theatre 8762:Pottery 8689:Warfare 8684:Slavery 8619:Economy 8614:Cuisine 8609:Coinage 8586:Society 8571:Culture 8566:Society 8514:Tyrants 8353:Alcaeus 8335:Authors 8285:Hypatia 8275:Gorgias 8212:Writers 8034:Toxotai 8004:Sarissa 7994:Peltast 7989:Phalanx 7969:Hoplite 7964:Hippeis 7887:Macedon 7859:Spartan 7844:Heliaia 7791:Proxeny 7500:Larissa 7495:Kerkyra 7490:Eretria 7480:Miletus 7475:Ephesus 7470:Corinth 7465:Chalcis 7386:Taurica 7256:Periods 7237:History 7119:serpent 7079:at the 6815:652–676 6240:5727350 6146:30 July 5691:Bibcode 4431:p. 110 3619:(ed.), 3436:Overman 3410:Phallus 3314:Candide 3019:atheist 2984:Photios 2850:Demonax 2838:Proteus 2833:mimesis 2509:Odyssey 2471:to his 2459:In his 2438:Calypso 2434:Ctesias 2365:Odyssey 2362:in the 2344:Western 2280:squills 2256:Cynicus 2248:Demonax 2164:oracles 2078:Antioch 2055:Ephesus 2043:paideia 1874:Related 1849:Therapy 1839:Science 1804:Digital 1684:(c. 50) 1674:(46 BC) 1664:(46 BC) 1644:(55 BC) 1634:(80 BC) 1624:(84 BC) 1560:Gorgias 1529:Toulmin 1524:Tacitus 1474:McLuhan 1449:Gorgias 1444:Erasmus 1439:Derrida 1404:Bakhtin 1394:Aspasia 1359:Mimesis 1322:Cluster 1254:Eristic 1244:Polemic 1239:Oratory 1217:Lecture 980:Memoria 924:Fallacy 867:Decorum 814:Trivium 742:History 680:paideia 560:Map of 516:Ephesus 500:Antioch 10379:Lucian 10311:Longus 10135:Amores 10118:Lucian 10065:Portal 10013:People 10001:Cities 9940:Sinope 9925:Rhizos 9915:Phasis 9865:Bathus 9860:Athina 9845:Amisos 9807:Tanais 9802:Pityus 9727:Charax 9678:Pharos 9673:Orikon 9570:Helike 9560:Alonis 9527:Cyrene 9459:Didyme 9372:Himera 9347:Catana 9309:Sicily 9299:Thurii 9294:Terina 9259:Pixous 9214:Hydrus 9189:Croton 9021:Aeolic 8939:Aphaea 8862:Dodona 8847:Delphi 8816:Temple 8492:Others 8443:Sappho 8428:Pindar 8403:Lucian 8398:Ibycus 8383:Hesiod 8320:Thales 8088:Rulers 8067:People 8044:Xyston 8039:Xiphos 7900:Koinon 7806:Tyrant 7796:Stasis 7786:Koinon 7586:Pontus 7561:Epirus 7530:Sparta 7520:Rhodes 7515:Megara 7510:Thebes 7455:Athens 7381:Pontus 7346:Epirus 7336:Cyprus 7321:Aeolis 7164:  6959:Lucian 6956:about 6936:  6913:  6893:  6861:  6841:  6821:  6780:  6752:  6731:  6705:  6685:  6652:  6626:  6608:  6585:  6567:  6547:  6527:  6505:  6476:  6456:  6430:  6406:  6385:  6364:  6338:  6318:  6238:  6119:  5754:  5709:  5683:Helios 4816:  4582:  4427:  4257:  3767:  3640:  3560:, and 3388:Pierre 3361:German 3303:, and 3205:Hamlet 3163:Utopia 3034:Sicily 2972:Syriac 2949:Legacy 2943:Amores 2910:Amores 2802:Manbog 2782:Manbij 2761:Glycon 2711:Glycon 2671:Hermes 2665:, and 2623:Icarus 2592:Pyrrho 2590:, and 2565:Goethe 2523:Hermes 2513:nekyia 2504:nekyia 2238:, and 2224:Cynics 2190:ghosts 2059:Smyrna 1933:Pistis 1928:Orator 1854:Visual 1764:(1970) 1754:(1966) 1744:(1521) 1734:(1305) 1670:Orator 1610:Topics 1539:Weaver 1469:Lysias 1464:Lucian 1454:Hobbes 1429:de Man 1424:Cicero 1222:Public 1205:Sermon 1180:Eulogy 1108:Debate 1096:Genres 1042:Pathos 1008:Kairos 995:Hypsos 941:Scheme 906:Eunoia 886:Device 880:Docere 699:Amores 635:Athens 629:, and 603:Cybele 579:Syrian 532:Smyrna 382:Utopia 313:. His 309:, and 253:Athens 206:Syriac 187:Syrian 70:125 AD 43:Lucian 10023:Stoae 9991:Lists 9910:Oinòe 9833:coast 9831:South 9817:Tyras 9787:Olbia 9757:Kepoi 9710:coast 9708:North 9701:basin 9643:Aulon 9605:Rhode 9517:Barca 9407:Naxos 9362:Henna 9322:Akrai 9289:Taras 9274:Siris 9234:Medma 9229:Locri 9194:Cumae 9184:Chone 9162:Italy 9068:Koine 9046:Ionic 9036:Doric 9031:Attic 8852:Delos 8750:Music 8393:Homer 8348:Aesop 8300:Plato 8202:Poets 7872:Ephor 7824:Agora 7801:Tagus 7776:Boule 7525:Samos 7450:Argos 7356:Ionia 7341:Doris 7326:Crete 6606:JSTOR 6293:p. 41 6236:S2CID 5707:S2CID 5679:(PDF) 4423:1913 3719:Latin 3652:Notes 3091:Plato 2937:) of 2810:rabbi 2806:Hadad 2491:Cynic 2360:Homer 2294:Works 2188:, or 2104:Views 2034:Ionia 1724:(426) 1714:(102) 1552:Works 1519:Smith 1509:Ramus 1494:Plato 1489:Pizan 1419:Burke 1409:Booth 1344:Genre 1339:Frame 1082:Topos 1067:Grand 1062:Style 1049:Logos 1035:Ethos 1019:Modes 946:Trope 432:trope 319:Cynic 257:Egypt 245:Ionia 241:Syria 90:Egypt 9950:Tium 9717:Akra 9658:Issa 9352:Gela 9224:Laüs 9199:Elea 8857:Dion 8709:Arts 8699:Wine 8325:Zeno 7922:Wars 7162:ISBN 7158:DPhA 7139:and 6934:ISBN 6911:ISBN 6891:ISBN 6859:ISBN 6839:ISBN 6819:ISBN 6778:ISBN 6750:ISBN 6729:ISBN 6703:ISBN 6683:ISBN 6650:ISBN 6624:ISBN 6583:ISBN 6565:ISBN 6545:ISBN 6525:ISBN 6503:ISBN 6474:ISBN 6454:ISBN 6428:ISBN 6404:ISBN 6383:ISBN 6362:ISBN 6336:ISBN 6316:ISBN 6148:2024 6117:ISSN 5752:ISBN 5718:2015 4814:ISBN 4580:ISBN 4425:ISBN 4255:ISBN 3765:ISBN 3638:ISBN 3534:2021 3416:and 3186:and 3093:and 3040:and 3011:Hell 3007:Suda 3002:Suda 2982:and 2933:(or 2844:and 2822:and 2576:Zeus 2545:and 2432:and 2406:Moon 2400:and 2384:and 2132:and 2071:Gaul 2057:and 1898:Doxa 1694:(95) 1534:Vico 1283:Spin 694:Ovid 413:Life 399:and 333:and 325:and 196:and 83:Died 64:Born 10386:by 10377:by 10359:by 10331:by 10320:by 10309:by 10298:by 10287:by 8654:Law 7121:god 7088:at 7070:at 7035:at 7020:at 6770:doi 6228:doi 6218:". 6109:doi 5699:doi 3434:or 3371:or 3170:'s 3160:'s 3125:'s 3061:by 2919:Ass 2915:Ass 2046:". 2036:in 1973:TED 1819:New 1479:Ong 426:'s 403:'s 393:'s 379:'s 10460:: 7672:c. 7659:c. 7640:c. 7623:c. 7156:, 6817:, 6776:, 6640:; 6602:70 6600:, 6352:; 6263:12 6261:. 6257:. 6234:. 6224:58 6222:. 6202:^ 6177:^ 6156:^ 6138:. 6115:. 6103:. 6099:. 6046:^ 5993:^ 5962:^ 5945:^ 5846:^ 5829:^ 5778:^ 5726:^ 5705:. 5697:. 5687:38 5685:. 5681:. 5629:^ 5600:^ 5585:^ 5558:^ 5543:^ 5480:^ 5457:^ 5440:^ 5365:^ 5290:^ 5245:^ 5216:^ 5201:^ 5150:^ 5059:^ 4982:^ 4861:^ 4771:, 4754:, 4692:^ 4665:^ 4648:^ 4631:^ 4594:^ 4512:^ 4460:^ 4439:^ 4419:, 4361:^ 4336:^ 4283:^ 4266:^ 4242:^ 4205:^ 4140:^ 4125:^ 4108:^ 4077:^ 4062:^ 4045:^ 4020:^ 3991:^ 3968:^ 3937:^ 3922:^ 3887:^ 3866:^ 3833:^ 3804:^ 3779:^ 3721:: 3717:; 3709:, 3705:: 3701:; 3694:ən 3685:,- 3682:ən 3676:uː 3673:lj 3591:; 3587:; 3583:; 3577:; 3556:, 3542:; 3511:; 3507:; 3503:; 3397:. 3299:, 3295:, 3212:. 3139:, 3121:. 3109:. 3044:. 2978:, 2737:c. 2661:, 2638:. 2586:, 2582:, 2262:. 2234:, 2230:, 2226:. 2196:: 2184:, 717:on 625:, 621:, 617:, 597:, 585:. 409:. 389:, 372:. 329:. 305:, 301:, 297:, 192:, 183:c. 110:, 106:, 92:, 75:, 68:c. 10424:: 10260:e 10253:t 10246:v 10109:e 10102:t 10095:v 9533:) 9529:( 7670:( 7657:( 7638:( 7632:) 7621:( 7608:/ 7200:e 7193:t 7186:v 6772:: 6721:" 6591:. 6446:" 6242:. 6230:: 6150:. 6123:. 6111:: 6105:1 5760:. 5720:. 5701:: 5693:: 5672:* 4588:. 4261:. 3773:. 3697:/ 3691:i 3688:s 3679:ʃ 3670:ˈ 3667:/ 3646:. 3601:( 3595:. 3546:. 3540:. 3515:. 2921:( 2873:( 2647:( 2559:" 2535:( 2483:( 2352:( 2017:e 2010:t 2003:v 670:( 34:. 20:)

Index

Lucian of Samosata
Lucian (disambiguation)
Speculative portrait by William Faithorne
William Faithorne
Samosata
Roman Syria
Egypt
Roman Empire
Novelist
satirist
rhetorician
A True History
Lover of Lies
Dialogues of the Gods
Dialogues of the Courtesans
Syrian
satirist
rhetorician
pamphleteer
tongue-in-cheek
Syriac
ancient Greek
Attic Greek
Second Sophistic
lower middle class
Samosata
Euphrates
Syria
Ionia
Roman Empire

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