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Maria Szymanowska

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Her professional piano career began in 1815, with performances in England in 1818, a tour of Western Europe 1823–1826, including both public and private performances in Germany, France, England (on multiple occasions), Italy, Belgium and Holland. A number of these performances were given in private
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Her Etudes and Preludes show innovative keyboard writing; the Nocturne in B flat is her most mature piano composition; Szymanowska's Mazurkas represent one of the first attempts at stylization of the dance; Fantasy and Caprice contain an impressive vocabulary of pianistic technique; her polonaises
225:. Wołowski's salon was frequently visited by outstanding artists and intellectuals of the time. Immersed in music from an early age, she attended concerts by famous musicians and, over time, played in front of them in her own house. She gave her first public recitals in Warsaw and Paris in 1810. 404:
Szymanowska composed around 100 piano pieces. Like many women composers of her time, she wrote music predominantly for instrumentation she had access to, including many solo piano pieces and miniatures, songs, and some chamber works. Her work is typically labeled, stylistically, as part of the
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While scholars have debated the reach of her influence on her compatriot Chopin, her career as a pianist and composer strikingly foreshadows his own, as well as the broader trend in 19th-century Europe of the virtuoso pianist/composer, whose abilities as a performer expanded her technical
480:. Beethoven, Hummel and Field dedicated compositions to her. Goethe is rumored to have fallen deeply in love with her. The salon she established in St. Petersburg drew especially prominent crowds, augmenting her status as a court musician. 439:
Because of her stature as a performance artist and because of her salon, Szymanowska developed a strong web of connections with some of the most notable composers, performing musicians, and poets of her day, including
386:. After years of touring, she returned to Warsaw for some time before relocating in early 1828, first to Moscow and then to St. Petersburg, where she served as the court pianist to the Empress of Russia 378:
and operatic freedom. She was one of the first professional piano virtuosos in 19th-century Europe and one of the first pianists to perform memorized repertoire in public, a decade ahead of
426:. Szymanowska's musical style is parallel to the compositional starting point of Frédéric Chopin; many of her compositions had an obvious impact on Chopin's mature musical language. 213:. The history of her early years and especially her musical studies is uncertain; she appears to have studied piano with Antoni Lisowski and Tomasz Gremm, and composition with 352:
From 1822 - 1823, Szymanowska toured in many cities in the 19th century Russian territories, including Moscow, Kiev, Riga and, St Petersburg. There she performed at the
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In the same year, she married Józef Szymanowski (d. 1832), with whom she had three children while living in Poland: Helena (1811–61), who married a Polish lawyer
236:, and Romuald (1812–40), who became an engineer. The children remained with Maria after her separation from Szymanowski in 1820. The marriage ended in divorce. 1186: 813: 879: 161:—largely piano pieces, songs, and other small chamber works, as well as the first piano concert etudes and nocturnes in Poland—typify the 387: 1191: 209:. Her father Franciszek Wołowski was a landlord and a brewer. Her mother Barbara Wołowska (née Lanckorońska) came from a noble Polish 1246: 1156: 1045: 399: 158: 1027: 374:
Her playing was very well received by critics and audiences alike, garnering her a reputation for a delicate tone, lyrical sense of
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roots, one of her ancestors being Salomon Ben Elijah (or Jacob ben Judah Leib/Jacob Leibowicz), the personal assistant of
154:. In the Russian imperial capital, she composed for the court, gave concerts, taught music, and ran an influential salon. 1241: 1201: 1221: 1211: 1176: 1166: 722: 289: 315: 297: 1206: 353: 293: 371:
for the royal family (June 11), and at several private houses for dukes of Hamilton, Kent and Northumberland.
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Elżbieta Zapolska, mezzo-soprano; Bart van Oort, fortepiano Broadwood 1825. Acte Préalable AP0260, 2012
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Swartz, Anne (1985). "Maria Szymanowska and the Salon Music of the Early Nineteenth Century."
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for royalty; in England alone during 1824, her performance schedule included concerts at the
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Three Generations of Mazurkas: Polish dances for Piano by Szymanowska, Chopin, Szymanowski
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Maria Szymanowska (Portrety KompozytorĂłw Polskich / Portraits of Polish Composers)
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and received the title of First Pianist. In St Petersburg, Maria met
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Chopin's Polish Ballade: Op. 38 as Narrative of National Martyrdom
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describes her playing and its historical significance as follows:
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pianists of the 19th century. She toured extensively throughout
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Conference papers from the 2014 Maria Szymanowska Symposium in
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16. (Centres Scientifique Ă  Paris: Varsovie-Paris, 2014).
723:"Maria Szymanowska, a great talent bordering on madness" 502:. Irena Poniatowska, ed. Bryn Mawr, PA: Hildegard, 1991. 518:. Maja Trochimczyk, ed. Bryn Mawr, PA: Hildegard, 1998. 510:. Sylvia Glickman, ed. Bryn Mawr, PA: Hildegard, 1991. 1078: 422:
follow the tradition of polonaise-writing created by
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Maria Szymanowska (1789--1831): Pianist and composer
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Alexander Kostrita, piano. Divine Art DDA25123, 2014
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Maria Szymanowska (1789-1831): Pianist and Composer
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Alla Polacca: Chopin et l'Ă©cole polonaise de piano
534:Alexander Kostrita, piano. Grand Piano GP685, 2015 413:and of Polish Sentimentalism. Szymanowska scholar 1001:Maria Szymanowska (1789-1831): A Bio-Bibliography 924:(Vol. 1). Indiana University Press. Pgs. 126-127. 814:"Szymanowska [nĂ©e WoĹ‚owska], Maria Agata" 616:. Nancy Fierro, piano. Ars Musica Poloniae, 1993. 613:Riches and Rags: A Wealth of Piano Music by Women 1197:People from the Russian Empire of Polish descent 1138: 716: 714: 662:, Oxford University Press, USA (2010), p. 120 588:. Carole Carniel, piano. Ligia Digital, 2005. 947:, ed. L. Macy. (Accessed February 13, 2007). 494:. Maria Szmyd-Dormus, ed. KrakĂłw: PWM, 1990. 407: 163: 811: 711: 530:Szymanowska: Complete Dances for Solo Piano 296:. Unsourced material may be challenged and 1187:Classical pianists from the Russian Empire 922:New historical anthology of music by women 877: 859: 793: 688:, Polish Music Center at USC (2006), p. 27 564:Maria Szymanowska: Ballades & Romances 232:, and twins Celina (1812–55), who married 50: 1063:Annales / AcadĂ©mie Polonaise des Sciences 1046:International Music Score Library Project 400:List of compositions by Maria Szymanowska 316:Learn how and when to remove this message 720: 675:, Oxford University Press (2008), p. 183 608:. Karina Wisniewska, piano. Denon, 2000. 555:, piano. Acte PrĂ©alable AP0281-83, 2013 327: 984:Women Composers. Music Through the Ages 973:Women Composers. Music Through the Ages 826:10.1093/gmo/9781561592630.article.27327 798:. Ann Arbor: University of Connecticut. 686:Maria Szymanowska: pianist and composer 548:Maria Szymanowska: Complete Piano Works 177:, who married the Polish Romantic poet 14: 1139: 957:Historical Anthology of Music by Women 844: 807: 805: 332:Szymanowska at the piano; portrait by 197:on 14 December 1789 into a prosperous 721:Chapelle, Elisabeth Zapolska (2011). 878:DobrzaĹ„ski, SĹ‚awomir (Summer 2002). 775:(in German). Sophie Drinker Institut 580:. Anna Ciborowska, piano. Dux, 2004. 294:adding citations to reliable sources 261: 189:Marianna Agata WoĹ‚owska was born in 802: 250:She is presumed to be unrelated to 243:during the summer 1831 epidemic in 134:, 14 December 1789 – 25 July 1831, 24: 1028:Maria Szymanowska - Bibliography." 952:Maria Agata Szymanowska, 1789-1831 931: 25: 1263: 1192:Composers from the Russian Empire 1017: 363:In 1824, Maria performed for the 1247:Polish women classical composers 1157:19th-century classical composers 1124: 1112: 1100: 1088: 1042:Free scores by Maria Szymanowska 794:Dobrzanski, Slawomir P. (2001). 266: 122: 1232:Polish women classical pianists 1217:Polish people of Jewish descent 1162:19th-century classical pianists 914: 871: 866:(DMA Diss.). U. of Connecticut. 853: 838: 629:(Maria Szymanowska's daughter; 483: 393: 257: 980:Maria Szymanowska (1789–1831). 969:Maria Szymanowska (1789–1831). 967:Sarah Hanks Karlowicz (1998). 920:Briscoe, J. R. (Ed.). (2004). 787: 765: 744: 691: 678: 665: 649: 577:Maria Szymanowska: Piano Works 522: 13: 1: 1172:19th-century Polish musicians 860:DobrzaĹ„ski, Slawomir (2001). 706:Academy of Sciences Publisher 642: 434: 431:possibilities as a composer. 56:Maria Szymanowska around 1830 1237:19th-century women composers 184: 7: 1252:19th-century women pianists 1070:Scores by Maria Szymanowska 937:ChechliĹ„ska, Zofia (2001). 812:ChechliĹ„ska, Zofia (2001). 620: 27:Polish composer and pianist 10: 1268: 1242:Polish classical composers 1202:Johann Wolfgang von Goethe 1004:. Lanham: Scarecrow Press. 978:Maria Anna Harley (1998). 474:Johann Wolfgang von Goethe 397: 365:Royal Philharmonic Society 343:Royal Philharmonic Society 29: 1222:Polish Romantic composers 1212:Polish classical pianists 1177:19th-century Polish women 1167:19th-century keyboardists 1037:Maria Szymanowska Society 939:Szymanowska , Maria Agata 868:(Quote from the abstract) 100: 86: 76: 66: 61: 49: 42: 989:Iwanejko, Maria (1959). 962:Nocturne in B-flat Major 673:Music in Chopin's Warsaw 360:and performed with him. 173:. She was the mother of 1033:5, no. 1 (Summer 2002). 367:in London (May 18), at 128:Marianna Agata WoĹ‚owska 72:Marianna Agata WoĹ‚owska 18:Maria Agata Szymanowska 950:Fierro, Nancy (1987). 553:SĹ‚awomir P. DobrzaĹ„ski 428: 424:Michal Kleofas OgiĹ„ski 408: 337: 164: 62:Background information 1207:Musicians from Warsaw 845:Swartz, Anne (2009). 684:SĹ‚awomir DobrzaĹ„ski, 605:Inspiration to Chopin 598:Jean-Pierre Armengaud 419: 358:Johann Nepomuk Hummel 331: 169:of the era preceding 120:Polish pronunciation: 1227:Polish salon-holders 1031:Polish Music Journal 1024:Dobrzanski, SĹ‚awomir 998:Kijas, Anna (2010). 902:on 18 September 2015 884:Polish Music Journal 491:Album per pianoforte 442:Ludwig van Beethoven 405:pre-romantic period 388:Alexandra Feodorovna 290:improve this section 239:Szymanowska died of 1072:in digital library 415:SĹ‚awomir DobrzaĹ„ski 230:Franciszek Malewski 211:LanckoroĹ„ski family 944:Grove Music Online 818:Grove Music Online 627:Celina Szymanowska 585:Szymanowska: Album 454:Gioacchino Rossini 338: 334:Aleksander Kokular 175:Celina Szymanowska 1052:Maria Szymanowska 1010:The Polish Review 992:Maria Szymanowska 708:, 1956, 186 pages 702:Maria Szymanowska 671:Halina Goldberg, 326: 325: 318: 252:Karol Szymanowski 215:Franciszek Lessel 121: 116:Maria Szymanowska 110: 109: 44:Maria Szymanowska 16:(Redirected from 1259: 1129: 1128: 1127: 1117: 1116: 1115: 1105: 1104: 1103: 1093: 1092: 1091: 1084: 995:. 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Index

Maria Agata Szymanowska
Szymanowski
Wołowski
Maria Szymanowska around 1830
Classical music
Pianist
composer
Piano

Warsaw
St. Petersburg
Russia
virtuoso
Europe
St. Petersburg
compositions
Frédéric Chopin
Celina Szymanowska
Adam Mickiewicz
Warsaw
Poland
Polish
Frankist Jewish
Jacob Frank
Lanckoroński family
Franciszek Lessel
JĂłzef Elsner
Karol Kurpiński
Franciszek Malewski
Adam Mickiewicz

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