518:
609:
639:
131:
Mod A is the most important source of the compositions of Matteo da
Perugia, containing thirty attributed full works and two single parts by him. The Modena Codex also contains multiple works from the composers
128:. Despite its presumably Italian origins, many of the pieces set French texts. Most of the compositions in the Modena Codex date from ca. 1380–1420. Many of the works by Matteo da Perugia were added later.
646:
89:
divided into five gatherings. The first and last gatherings are decorated in a simpler style from the central gatherings and mostly contain the works of
264:
177:
185:
72:
780:
59:
The precise origin of Mod A is controversial, with Pavia/Milan, Pisa and
Bologna all being proposed. Firm evidence of ownership of the book by the
108:. While the codex contains some religious works, including 12 Mass movements, most of the texts and forms are secular, including forms such as
912:
364:
Stone, Anne. The
Manuscript Modena, Biblioteca Estense, Alpha.M.5.24: Critical Study and Facsimile Edition. Libreria Italiana Musicale, 2005.
902:
632:
389:
273:
The Motets of the
Manuscripts Chantilly, Musée condé, 564 (olim 1047) and Modena, Biblioteca Estense, a. M. 5, 24 (olim lat. 568)
907:
320:
452:
173:
334:
276:
249:
675:
79:
745:
382:
598:
282:
Günther, Ursula. "Unusual
Phenomena in the Transmission of Late Fourteenth-Century Polyphonic Music".
472:
467:
181:
137:
339:
Pirrotta, Nino. "Il codice
Estense lat. 568 e la musica francese in Italia al principio del '400."
346:
Plumley, Yolanda. "An 'Episode in the South'? Ars
Subtilior and the Patronage of French Princes."
868:
917:
612:
375:
881:
875:
822:
557:
157:
145:
104:
The manuscript contains 100 pieces, mostly by French and
Italian composers, all of which are
98:
93:, while the middle three gatherings contain works by a more varied group of composers in the
432:
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141:
133:
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109:
8:
850:
794:
773:
738:
153:
836:
829:
731:
462:
60:
49:
843:
815:
766:
717:
590:
507:
442:
330:
316:
90:
624:
268:
502:
425:
329:. The Norton Introduction to Music History. New York, W.W. Norton & Co., 1978.
161:
801:
696:
682:
533:
487:
124:. Most of the compositions display the intricate and complex rhythms that define
787:
703:
567:
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477:
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39:
32:
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only occurs in the early nineteenth century, although a 1495 catalogue of the
896:
668:
517:
437:
399:
64:
44:
752:
689:
260:
808:
724:
710:
572:
482:
35:
86:
105:
83:
289:
Günther, Ursula. "Sources, MS, VII: French
Polyphony 1300–1420" in
447:
169:
121:
117:
68:
367:
341:
Atti della Reale
Accademia di Scienze, Lettere e Arti de Palermo
492:
414:
348:
Early Music History: Studies in Medieval and Early Modern Music
53:
25:
257:
Poesie musicali dei secoli XIV, XV e XVI tratte da vari codici
42:. The manuscript is one of the most important sources of the
305:
294:
71:
might refer to it. It was rediscovered by the philologist
300:
Günther, Ursula and Anne Stone. "Matteo da Perugia" in
654:
246:
French Secular Compositions of the Fourteenth Century
313:
Modena Codex: New, Complete Edition with Commentary
894:
640:
383:
647:
633:
390:
376:
82:and modern additions, Mod A comprises 51
259:(Bologna: Romagnoli, 1868), online via
895:
628:
371:
311:Haring, Jos and Kees Boeke, editors.
913:15th-century illuminated manuscripts
353:Stoessel, Jason. "Arms, a Saint and
275:. Corpus mensurabilis musicae 39. :
22:Modena, Biblioteca Estense, α.m.5,24
13:
48:style of music. It is held in the
14:
929:
903:Medieval music manuscript sources
655:Medieval music manuscript sources
397:
608:
607:
516:
315:(Amsterdam: Olive Music, 2019).
277:American Institute of Musicology
250:American Institute of Musicology
31:) is an early fifteenth-century
355:Inperial sedendo fra più stelle
238:
225:
216:
207:
198:
1:
908:Music illuminated manuscripts
676:British Library, Add MS 29987
357:: The Illuminator of Mod A."
191:
24:; often referred to with the
746:Llibre Vermell de Montserrat
7:
10:
934:
304:(accessed July 27, 2012),
293:(accessed July 15, 2012),
860:
660:
583:
550:
525:
514:
473:Matheus de Sancto Johanne
468:Johannes Symonis Hasprois
407:
182:Matheus de Sancto Johanne
138:Antonio Zachara da Teramo
503:Antonio Zacara da Teramo
869:Ars cantus mensurabilis
882:The Berkeley Treatise
876:De Mensurabili Musica
604:Also music theorist*
558:Music of the Trecento
359:Journal of Musicology
343:IV (1944/45): 101–54.
306:(subscription access)
295:(subscription access)
158:Bartolomeo da Bologna
146:Jaquemin de Senleches
433:Conradus de Pistoria
420:Philippus de Caserta
166:Conradus de Pistoria
150:Guillaume de Machaut
142:Philippus de Caserta
134:Antonello da Caserta
851:Worcester Fragments
795:Robertsbridge Codex
774:Old Hall Manuscript
739:Laudario di Cortona
711:Florence Manuscript
325:Hoppin, Richard H.
255:Cappelli, Antonio,
154:Bartolino da Padova
837:Trinity Carol Roll
830:Squarcialupi Codex
463:Petrus de Goscalch
350:22 (2003): 103–68.
302:Grove Music Online
291:Grove Music Online
244:Apel, Willi, ed.,
67:family library in
61:Biblioteca Estense
50:Biblioteca Estense
890:
889:
844:Winchester Troper
816:Selden Carol Book
767:Montpellier Codex
732:King's Manuscript
718:Las Huelgas Codex
622:
621:
599:Renaissance music
443:Johannes Cuvelier
321:978-9-083-01800-3
284:Musica disciplina
178:Johannes de Janua
91:Matteo da Perugia
925:
823:Codex Speciálník
649:
642:
635:
626:
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611:
610:
520:
429:
426:Johannes Ciconia
392:
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369:
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361:31 (2014): 1–42.
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229:
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186:Andreas Servorum
162:Johannes Ciconia
99:Italian Trecento
73:Antonio Cappelli
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802:Roman de Fauvel
697:Engelberg Codex
683:Chantilly Codex
656:
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623:
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595:
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534:Chantilly Codex
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488:Jacob Senleches
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269:Günther, Ursula
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788:Puy Manuscript
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704:Eton Choirbook
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568:Medieval music
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458:Martinus Fabri
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327:Medieval Music
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40:medieval music
9:
6:
4:
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930:
919:
918:Ars subtilior
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669:Bamberg Codex
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438:Baude Cordier
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400:Ars subtilior
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335:0-393-09090-6
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231:Günther/Stone
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126:ars subtilior
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95:ars subtilior
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45:ars subtilior
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30:
27:
23:
19:
874:
867:
849:
842:
835:
828:
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793:
786:
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760:Modena Codex
759:
758:
753:Magnus Liber
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723:
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709:
702:
695:
690:Codex Faenza
688:
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561:
541:Modena Codex
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261:Google Books
256:
245:
239:Bibliography
227:
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103:
101:traditions.
94:
77:
58:
43:
28:
21:
18:Modena Codex
17:
15:
809:Rossi Codex
725:Ivrea Codex
573:Early music
52:library in
897:Categories
286:38 (1984).
192:References
106:polyphonic
78:Excluding
36:manuscript
560:(Italian
483:Rodericus
408:Composers
84:parchment
80:flyleaves
75:in 1868.
613:Category
591:Ars nova
562:ars nova
551:See also
222:Cappelli
213:Pirrotta
204:Stoessel
122:ballatas
118:virelais
114:rondeaus
110:ballades
781:Psalter
526:Sources
453:Egidius
448:Egardus
279:, 1965.
271:(ed.).
252:, 1970.
174:Egidius
170:Egardus
69:Ferrara
33:Italian
861:Theory
661:Scores
508:Trebor
493:Solage
415:Borlet
333:
319:
184:, and
120:, and
87:folios
54:Modena
26:siglum
29:Mod A
331:ISBN
317:ISBN
97:and
65:Este
16:The
263:at
38:of
899::
587:←
248:.
188:.
180:,
176:,
172:,
168:,
164:,
160:,
156:,
152:,
148:,
144:,
140:,
136:,
116:,
112:,
56:.
648:e
641:t
634:v
602:→
564:)
428:*
391:e
384:t
377:v
308:.
297:.
20:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.