399:(1979–81, 20 inches by 190 feet), eschewing text altogether in favor of an irregular rhythm of painted, hand-printed, and collaged figures, thus creating her "cast of characters." In 1983, Spero began using, in her large scroll paintings, an exuberantly vaginal female figure going by the name of Sheela-na-gig. The acknowledgement of Spero's international status as a preeminent figurative and feminist artist was signaled in 1987 by her traveling retrospective exhibitions in the United States and United Kingdom. By 1988, she developed her first wall installations. For these installations, Spero extended the picture plane of the scrolls by moving her printed images directly onto the walls of museums and public spaces.
151:. As both artist and activist, Nancy Spero had a career that spanned fifty years. She is known for her continuous engagement with contemporary political, social, and cultural concerns. Spero chronicled wars and apocalyptic violence as well as articulating visions of ecstatic rebirth and the celebratory cycles of life. Her complex network of collective and individual voices was a catalyst for the creation of her figurative lexicon representing women from prehistory to the present in such epic-scale paintings and collage on paper as
329:. Uniting text and image, printed on long scrolls of paper, glued end-to-end and tacked on the walls of A.I.R., Spero violated the formal presentation, choice of valued medium and scale of framed paintings. Although her collaged and painted scrolls were Homeric in both scope and depth, the artist shunned the grandiose in content as well as style, relying instead on intimacy and immediacy, while also revealing the continuum of shocking political realities underlying enduring myths. In a 2008 interview in
371:, made in 1968 of gouache and ink on paper. Spero uses the crimes and assaults on women from all eras and cultures to provide intense and emotional imagery for her art and text. Political violence, sexism, and life-threatening situations that women endure are subjects she explored throughout her career, but especially in the 1960s and 19702. These interests are evidence of Spero's conviction that "the personal and the political are indistinguishable." Spero was influenced by
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343:: "For me, the spoken words were part of the body, as if whatever I was trying to paint, and my own awareness of pain and anger—you can call it the destruction of the self—was an integral part, that duality. Things get split up right in the middle, which I was very much interested in at that moment in my life."
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Spero expressed her art once in this way: "I've always sought to express a tension in form and meaning in order to achieve a veracity. I have come to the conclusion that the art world has to join us, women artists, not we join it. When women are in leadership roles and gain rewards and recognition,
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Spero manifested a desire for women to be a part of the art conversation. Spero's most mature work lives along the lines of a peinture feminine. This is when a woman is the subject as well as the "artistic consciousness". Spero's open-ended, thought provoking compositions of ruthless uncomfortable
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which would have influence on her later work. Finding a more varied, inclusive and international atmosphere in Europe than in the New York art world of the time, Spero and her family moved to Paris, living there from 1959 to 1964. Spero's third son was born in Paris, and the artist had major solo
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Harnessing a capacious imaginative energy and a ferocious will, Spero continued to mine the full range of power relations. In 1987, following retrospective exhibitions in the United
Kingdom, the United States and Canada, the artist created images that leapt from the scroll surface to the wall
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Developing a pictographic language of body gestures and motion, a bodily hieroglyphics, Spero reconstructed the diversity of representations of women from pre-history to the present. From 1976 through 1979, she researched and worked on
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reports) with the historical repression of women. Spero re-presented previously obscured women's histories, cultural mythology, and literary references with her expressive figuration. Rarely exhibited,
321:, of which she was a founding member. It was during this period that Spero completed her "Artaud Paintings" (1969–70), finding her artistic "voice" and developing her signature scroll paintings, the
354:(1976, 20 inches x 125 feet), interweave oral testimonies with images of women throughout history, linking the contemporary governmental brutality of Latin American dictatorships (from
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depicting themes including mothers and children, lovers, prostitutes, and hybrid, human-animal forms. This collection of works has a more personal meaning for her, rather than political.
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Frizzell, Deborah, "Nancy Spero's
Installations and Institutional Incursions, 1987-2001; Dialogues Within the Museum, and Elsewhere," (Ph.D. Dissertation, Graduate Center of CUNY, 2004)
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form poetic reconstructions of the diversity of representations of women from the ancient to the contemporary world, validating a subjectivity of female experience.
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From 1956 to 1957, Spero and Golub lived and collaborated in Italy, while raising their three sons. Spero and Golub were equally committed to exploring a
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surface, refiguring representational forms of women over time and engaging in a dialogue with architectural space. Spero's wall paintings in
Chicago,
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is among the most sustained and powerful group of works in the genre of history painting that condemns war and its real and lasting consequences.
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was exploding. Affected by images of the war broadcast nightly on television and the unrest and violence evident in the streets, Spero began her
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painter, teacher and critic. Soon after her return to the United States in 1950, she married Leon Golub, and the two artists settled in
Chicago.
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140:(August 24, 1926 – October 18, 2009) was an American visual artist known for her political and feminist paintings and hand pulled prints .
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Walker, Joanna S., "Nancy Spero: An
Encounter in Three Parts. Performance, Poetry and Dance" (PhD Thesis, University College London, 2008)
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Walker, Joanna S., 'The body is present even if in disguise: tracing the trace in the art work of Nancy Spero and Ana
Mendieta',
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https://web.archive.org/web/20110109200439/http://www.tate.org.uk/research/tateresearch/tatepapers/09spring/joanna-walker.shtm
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exhibitions in Paris at
Galerie Breteau in 1962, 1964, and 1968. During this period, Spero painted a series titled
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Stiles, Kristine and Peter Selz eds., Nancy Spero. "Woman as
Protagonist: Interview with Jeanne Siegel", in
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Bowen, Carrie
Scozzaro, Jordy Byrd, Leah Sottile, E. J. Iannelli, Tiffany Harms, Luke Baumgarten, Michael.
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In 1974, Spero chose to focus on themes involving women and their representation in various cultures. Her
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Heartney, Eleanor; Posner, Helaine; et al. (2007). "Nancy Spero: Radical
History Painter".
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Spero and Golub returned to New York in 1964, where the couple remained to live and work. The
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Purdom, Judy, "Nancy Spero and Woman in Performance", in Florence, P. and Foster, N. (eds.),
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representation of the human form, with its narratives and art historical resonances, even as
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and inks on paper, executed rapidly, represented the obscenity and destruction of war. The
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Addressing the other woman : textual correspondences in feminist art and writing
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Nancy Spero died of heart failure in Manhattan on October 18, 2009. She is buried in
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then perhaps 'we' (women and men) can all work together in art world actions."
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Frizzell, Deborah, "Nancy Spero's Museum Incursions: Isis on the Threshold,"
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Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013).
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1283:(Spain: Santiago de Compostela, Centro Galego de Arte Contemporanea, 2005)
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Withers, Josephine (1991). "Nancy Spero's American-Born "Sheela-na-gig"".
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171:. Spero has had a number of retrospective exhibitions at major museums.
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was posthumously reanimated as a digital scroll in the online magazine
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subject matter was depicted in hangings and friezes. This is seen in
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601:"Nancy Spero and Leon Golub: A Politically Relevant Artistic Couple"
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Walker, Joanna S., Review of Nancy Spero's retrospective at MACBA,
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Codex Spero. Nancy Spero Selected Writing and Interviews 1950-2008
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Hiroshima Art Prize (awarded jointly to Spero and Golub) from the
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1065:"Hiroshima Art Prize | Hiroshima City Museum of Contemporary Art"
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Nancy Spero in der Glyptothek, Arbeiten auf Papier, 1981–1991
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Biography, interviews, essays, artwork images and video clips
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After the Revolution: Women Who Transformed Contemporary Art
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After the Revolution: Women Who Transformed Contemporary Art
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Nancy Spero: Weighing the Heart Against a Feather of Truth
694:. Museum Voor Moderne Kunst Arnhem NL. 2010. p. 246.
246:, Spero became intrigued by the format, style and mood of
719:. Manchester: Manchester University Press. p. 126.
1338:, exhib. cat., (Birmingham, U.K.: Ikon Gallery, 1998)
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Heresies: A Feminist Publication on Art and Politics
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Walker, Joanna S., 'An Encounter with Nancy Spero',
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Members of the American Academy of Arts and Letters
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576:"Life and Work of Nancy Spero, Feminist Printmaker"
1334:Macgregor, Elizabeth A. and Catherine de Zegher,
1196:Bird, Jon, Jo Anna Isaak, and Sylvere Lotringer,
2019:
965:"Nancy Spero, Artist of Feminism, Is Dead at 83"
1246:“Nancy Spero’s War Maypole: Take No Prisoners”
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339:, Spero says of her early identification with
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1147:!Women Art Revolution - Spotlight at Stanford
637:Cepeda, Gaby (December 2018). "Nancy Spero".
1621:Elizabeth A. Sackler Center for Feminist Art
1454:: Glyptothek am Koenigsplatz Muenchen, 1991)
1412:Walker, Joanna S., 'Nancy Spero 1926-2009',
1276:, exhib. cat. (Malmö: Malmö Konsthall, 1994)
949:: CS1 maint: multiple names: authors list (
825:"Nancy Spero - Gelonch-Viladegut Collection"
750:"Nancy Spero in Conversation with Phong Bui"
651:Richard Vine, "Where the Wild Things Were",
2063:American alumni of the École des Beaux-Arts
1799:Why Have There Been No Great Women Artists?
1599:New York School of Applied Design for Women
1482:exhibition at the Serpentine Galleries 2011
187:, where she grew up. After graduating from
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1510:, Christine König Galerie, Vienna, Austria
1385:Theories and Documents of Contemporary Art
1291:. Prestel Publishing Ltd. pp. 54–83.
556:Feminist art movement in the United States
502:Skowhegan School of Painting and Sculpture
183:in 1926. A year later her family moved to
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1363:Art:21 -- Art in the Twenty-First Century
1143:"Artist, Curator & Critic Interviews"
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491:Hiroshima City Museum of Contemporary Art
217:École nationale supérieure des Beaux-Arts
1587:American Association of University Women
1188:Otherworlds: The Art of Nancy Spero and
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363:was translated into book form in 2009.
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437:She was interviewed for the 2010 film
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1746:WACK! Art and the Feminist Revolution
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1324:(Munich and New York: Prestel, 2010)
1200:(London: Phaidon Press Limited, 1996)
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1687:The Women's Building (San Francisco)
1646:National Museum of Women in the Arts
1193:(London: Reaktion Books, Ltd., 2003)
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980:Searle, Adrian (October 20, 2009).
963:Cotter, Holland (October 19, 2009)
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2009:Feminist movements and ideologies
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1267:Nancy Spero: A Continuous Present
1089:"Nancy Spero: Becoming an Artist"
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199:who had returned from service in
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1220:Spero, The Paris Black Paintings
1651:New York Feminist Art Institute
1315:Nancy Spero, 1993 Emrys Journal
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1017:: Nancy Spero | Art21 Magazine"
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748:Bui, Phong (July–August 2008).
515:Nancy Spero: Becoming an Artist
286:from 1966 to 1970. These small
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2088:Burials at Green-Wood Cemetery
2068:American contemporary painters
2053:21st-century American painters
2043:20th-century American painters
1998:Women in the art history field
1682:Woman's Building (Los Angeles)
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1213:Institute of Contemporary Arts
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1666:Washington Women's Art Center
1397:Storr, Robert et Leon Golub,
1343:Nancy Spero: Works Since 1950
927:"Arts Happenings in November"
599:Ivry, Benjamin (2010-04-16).
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369:Helicopter, Victim, Astronaut
2113:New Trier High School alumni
1706:Exhibitions or installations
1107:"Nancy Spero: Collaboration"
829:Gelonch-Viladegut Collection
672:Gelonch-Viladegut Collection
350:(1974) and the long scroll,
305:, Spero was a member of the
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1831:Women Artists in Revolution
1671:Women Artists in Revolution
1176:. Roma Publications, 2008.
1125:"Nancy Spero: Paper Mirror"
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311:Women Artists in Revolution
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500:Skowhegan Medal from the
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1993:List of feminist artists
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1498:Interview with Phong Bui
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1252:v. 5, no. 1 (March 2009)
606:The Jewish Daily Forward
455:Elected a member of the
193:Art Institute of Chicago
2093:Jewish American artists
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1692:Women's Interart Center
1609:Venues or organizations
1371:Differential Aesthetics
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803:. Prestel. p. 60.
715:Lamm, Kimberly (2018).
657:, May 1997, pp. 98-111.
469:College Art Association
2038:Artists from Cleveland
1836:Women's Caucus for Art
1757:Films or documentaries
1631:Feminist Art Coalition
1475:Obituary, The Guardian
1341:Nahas, Dominique ed.,
1307:Jewish Women's Archive
1218:Breerette, Geneviève,
1113:. Art21. 22 June 2012.
480:Women's Caucus for Art
393:Notes in Time on Women
236:Abstract Expressionism
219:and at the Atelier of
157:Notes in Time on Women
1765:!Women Art Revolution
1566:Feminist art movement
1423:, Vol. 24 (July 2009)
1347:Everson Museum of Art
1322:Nancy Spero: The Work
1131:. MoMa. 5 April 2019.
1095:. Art21. 19 May 2008.
523:!Women Art Revolution
478:Honor Award from the
440:!Women Art Revolution
356:Amnesty International
307:Art Workers Coalition
280:Civil Rights Movement
189:New Trier High School
2078:American printmakers
1490:elles@centrepompidou
788:. New York: Prestel.
786:Nancy Spero The Work
209:Hyde Park Art Center
1897:Helen Frankenthaler
1641:Lesbian Art Project
1320:Lyon, Christopher,
1313:Julian, Linda ed.,
1257:Woman's Art Journal
1244:Frizzell, Deborah,
1239:Catherine de Zegher
1045:www.nationalwca.org
1041:"WCA Past Honorees"
428:Green-Wood Cemetery
278:was raging and the
1962:Carolee Schneemann
1722:Three Weeks in May
1470:Obituary, NY Times
1235:Inside the Visible
1172:Arkesteijn, Roel,
969:The New York Times
536:Spero as herself,
529:Spero as herself,
520:Spero as herself,
513:Spero as herself,
432:Brooklyn, New York
397:The First Language
381:Simone de Beauvoir
179:Spero was born in
161:The First Language
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2014:
1887:Mary Beth Edelson
1882:Elaine de Kooning
1730:The Sister Chapel
1502:The Brooklyn Rail
1373:, Ashgate, 2000.
1366:- Season 4 (2007)
1330:978-3-7913-4416-4
1298:978-3-7913-4755-4
1250:Cultural Politics
1241:, MIT Press, 1996
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1182:978-90-77459-28-7
754:The Brooklyn Rail
701:978-90-72861-45-0
508:Media appearances
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163:(1981). In 2010,
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1907:Nancy Graves
1902:Mary Garrard
1877:Judy Chicago
1872:Norma Broude
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986:The Guardian
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116:feminist art
72:(2009-10-18)
2033:2009 deaths
2028:1926 births
1972:Alma Thomas
1927:Lee Krasner
1917:Lila Katzen
1892:Suzi Ferrer
1841:Where We At
1794:(1972–1977)
1786:(1977–1992)
1733:(1974–1978)
1508:Nancy Spero
1480:Nancy Spero
1465:Nancy Spero
1438:Art Monthly
1428:Tate Papers
1414:Art Monthly
1336:Nancy Spero
1274:Nancy Spero
1209:Nancy Spero
1198:Nancy Spero
309:(1968–69),
276:Vietnam War
270:Later years
223:, an early
221:André Lhote
175:Early years
159:(1979) and
138:Nancy Spero
108:printmaking
23:Nancy Spero
2022:Categories
1977:June Wayne
1714:Womanhouse
1580:Precursors
1421:n.paradoxa
1190:Kiki Smith
1157:August 23,
1074:2018-03-11
1050:2018-03-11
1026:2018-03-11
936:2019-03-28
911:2019-03-28
834:2018-03-11
677:2022-09-10
612:2011-07-07
585:2024-05-10
562:References
301:and early
292:War Series
284:War Series
259:sarcophagi
205:Leon Golub
149:Leon Golub
130:Leon Golub
47:1926-08-24
1912:Eva Hesse
1001:Anon 2018
880:0046-3663
735:991340177
580:ThoughtCo
337:Phong Bui
232:modernist
90:Education
55:Cleveland
1947:Yoko Ono
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1151:Archived
1069:広島市現代美術館
945:cite web
931:Inlander
904:. News.
545:See also
303:feminist
299:activist
255:frescoes
248:Etruscan
240:Florence
155:(1976),
143:Born in
104:Painting
82:New York
1816:subRosa
1360:series
1349:, 1987)
1215:, 1987)
1167:Sources
1129:YouTube
1111:YouTube
1093:YouTube
1015:Protest
888:3178169
413:Toronto
409:Dresden
288:gouache
185:Chicago
112:collage
1809:Groups
1749:(2007)
1741:(1979)
1725:(1977)
1717:(1972)
1601:(1892)
1595:(1889)
1589:(1881)
1452:Munich
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533:, 2012
526:, 2010
517:, 2008
447:Honors
415:, and
405:Vienna
383:; and
341:Artaud
244:Ischia
225:Cubist
126:Spouse
84:, U.S.
61:, U.S.
1986:Lists
1673:(WAR)
1494:2010.
1356:from
1352:PBS,
884:JSTOR
496:1995
485:1995
474:2003
463:2005
451:2006
430:, in
417:Derry
252:Roman
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