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212:, whose work often reflected the horrors of war, as well as the uncertainties of the Cold War and Nuclear age. It was at SAIC that he met the artist Nancy Spero, to whom he was married for nearly fifty years. Golub helped organize and showed in the seminal Momentum Exhibitions of 1948â1949, put together by SAIC and
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the artist created a process, repeated in exhibitions at several other museums, by which he enlarged images and details from his paintings and screened them on transparent sheets of vinyl, hung so that they surround the viewer. He was represented in many group exhibitions and was one of the few white
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In the mid-1970s, Golub was beset with self-doubt caused by a lack of interest in his work. Between the years of 1974 to 1976, Golub would cut up and destroy many works he produced up to this period and nearly abandoned painting. In the late seventies, however, over the course of three years he would
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was escalating, and he responded with his two series: Napalm and
Vietnam, works that show the vulnerability of the body while also demonstrating the power of modern weapons. Golub's work for his Vietnam paintings were at first titled Assassins, eventually being changed to not attribute the intention
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In the 1980s, Golub turned his attention to terrorism in a variety of forms, from the subversive operations of governments to urban street violence. Killing fields, torture chambers, bars, and brothels became inspiration and subject for work that dealt with such themes as violent aggression, racial
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Golub had a career breakthrough that same year when he was selected to exhibit five paintings at the Museum of Modern Art's "New Images of Man" show in New York City. His work was included alongside that of such established and rising artists as Willem de
Kooning, Francis Bacon and Jackson Pollock.
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opted to live in Paris, a move occasioned in part by the belief that Europe would be more receptive to their work dealing overtly with issues of power, sexual and political. During this period Golub's work increased in size because of larger available studio space and the inspiration of the French
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Golub, who always painted in a figural style, drew upon diverse representations of the body from ancient Greek and Roman sculpture, to photographs of athletic competitions, to gay pornography; often pulled directly from a huge database he assembled of journalistic images from the mass media. He
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students in protest over their exclusion from the Art
Instituteâs prestigious "Annual Exhibition by Artists of Chicago and Vicinity." He was also featured, along with Campoli, Halkin and Rosofsky, in the Art Instituteâs "Veteran's Exhibition" of 1948. The group included, in addition to Golubâs
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While Leon Golub's later works from the 1990s offer more fragmented (in his words "left-over") reincarnations of his early messages, it is his larger, carved works, vividly depicting power relations that have re-gained attention with the U.S.'s involvement in Iraq and
Afghanistan.
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produce more than a hundred portraits of public figures, with sixty of those portraits having been completed between
February and September 1976. His interest in creating these portraits would stem from a resemblance between a young Gerald Ford and a soldier from one of his works,
412:. As an older man he began to consider his own mortality, and moved toward themes of separation, loss, and death. Text appeared in many of the paintings combined with a series of symbolic references, including dogs, lions, skulls, and skeletons.
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thought. They believed that an observable connection to the external world and to actual events was essential if art was to have any relevance to the viewer or society. This is a view that informed Golub's work throughout his career.
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505:, in Reading, Vermont presented a major survey of approximately 70 Golub works from the Hall and Meyer Collections spanning Golubâs career from 1947 to 2003, which traveled to Kunstmuseum Schloss Derneburg in 2023.
301:, left more of the surface unpainted, and began to grind the paint directly into the canvas. While in Italy for the year of 1956, both Golub and Spero were profoundly influenced by the figurative works of
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DVD from
Kartemquin Films, Chicago, IL, 2006 (which includes Golub: Late Works are the Catastrophes; Woman As Protagonist: The Art of Nancy Spero; Artemis, Acrobats, Divas and Dancers: Nancy Spero in the
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From the nineties to his death, Golub's work shifted toward the illusionistic, with forms semi-visible, and appropriated graphic styles from ancient carvings, medieval manuscripts, and contemporary
405:(1981; Art Institute of Chicago) is representative of the subject from this period and Golub's technique, "the canvas painted, scraped and repainted many times to create a tense, skinlike surface."
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170:. Their son Philip Golub is Professor of International and Comparative Politics at the American University of Paris and was a longstanding contributing editor of the influential journal
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Murphy, Patrick T., "paintings, 1987-1992, curated by
Patrick T. Murphy; with an essay by Carrie Rickey", Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1992.
449:, the four windows depict the life of Joseph. These would be the only stained glass windows Leon Golub ever did. They were fabricated in New York by Victor Rothman and Gene Mallard.
260:, as examples of vanguard expressive figurative work in Europe and the United States. In later years, the Monster Roster would be regarded as forerunners to the more widely known
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article, "Is There a New
Chicago School?", and included him, Campoli and Westermann in the 1959 Museum of Modern Art (MoMA) exhibition,
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Golub, and the group, gained notice in the 1950s, when art historian and curator Peter Selz featured him, Campoli and Cohen in a 1955,
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likened his painting process to sculptural technique and employed a method of layering and scraping away paint, sometimes using a
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in London held a career retrospective which was "spun off" and presented as a three-floor career retrospective at the
Manhattan
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John
Corbett, Jim Dempsey, Jessica Moss, and Richard A. Born, University of Chicago Press: Smart Museum of Art, 2016.
960:, Museum of Contemporary Art, ed. Lynne Warren. New York: Thames and Hudson, 1996, p.16-20. Retrieved March 30, 2018.
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John Corbett, Jim Dempsey, Jessica Moss, and Richard A. Born, University of Chicago Press: Smart Museum of Art, 2016.
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1237:"Deutschlandweit grĂśĂte Ausstellung von Leon Golub nahe Hildesheim". Hildesheimer Allgemeine Zeitung, 22 May 2023
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inequality, gender ambiguity, oppression, and exclusion. Among the work produced in this period are the series
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377:. Some of these portraits were included in the display 'Leon Golub: Political Portraits' (2016) at the
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Lilly, Amy. "Leon Golubâs Still-Relevant Paintings Illustrate Human Horrors". Seven Days, 8 June 2022.
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200:(SAIC). The student body included a large number of vets, including Golubâs one-time flatmate
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Marzorati, Gerald, "A painter of darkness: Leon Golub and our times", New York, Viking, 1990.
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166:(August 24, 1926 â October 18, 2009). Their son Stephen Golub was an economics professor at
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Among the portraits were political and military leaders, dictators, and religious figures.
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Bird, Jon, âLeon Golub Powerplay: The Political Portraitsâ, London, Reaktion Books, 2016.
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by Nina Castelli Sundell, Cleveland Center for Contemporary Art, Cleveland, 1988. See:
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a film by Kartemquin Films, Chicago, IL, 1988 (previewed New York Film Festival, 1988)
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In 1996, Golub was given a commission to design a set of stained glass windows for
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in 1942. Then he was enlisted in the army. From 1947 to 1949, he studied under the
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Golub, Leon, âLeon Golub: Bite your Tongueâ, London, Serpentine Gallery, 2015.
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In Chicago, Golub became involved with other artists collectively dubbed the "
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a documentary film by Alain d'Aix et al., The RadioTelevision du Quebec, 1983
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Media Environment with Nancy Spero and Werner Wada, Rod Rodgers Dance Company
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Obalk, Hector, "Leon Golub: heads and portraits", Kyoto, Kyoto Shoin, 1990.
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Golub's work was seen in solo exhibitions throughout the world, among them
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Bird, Jon, âLeon Golub: Echoes of the Realâ, London, Reaktion Books, 2000.
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Born in Chicago in 1922, Golub received his B.A. in Art History from the
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Black Male: Representations of Masculinity in Contemporary American Art
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tradition of large-scale history painting. He also switched from using
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Leon Golubâs âRiotâ Revisits Political Art With a Sense of the Absurd
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Corbett, John and Jim Dempsey, Jessica Moss, and Richard A. Born.
271:'Interrogation III', acrylic on linen painting by Leon Golub, 1981
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of the soldiers. One of his longest works would include that of
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35:'White Squad V', acrylic on linen painting by Leon Golub, 1984
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Corbett, John. "Bleak House: Chicago's Monster Artists," in
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Schulze, Franz. "Art in Chicago: The Two Traditions," in
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University of Chicago Press: Smart Museum of Art, 2016.
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Monster Roster: Existentialist Art in Postwar Chicago,
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Monster Roster: Existentialist Art in Postwar Chicago,
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Monster Roster: Existentialist Art in Postwar Chicago,
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Program 5, TV Film Channel Four, London, England, 1987
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Spertus Institute for Jewish Learning and Leadership
127:(January 23, 1922 â August 8, 2004) was an American
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Members of the American Academy of Arts and Letters
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a film by Kartemquin Films, Chicago, Illinois, 2004
288:From 1959 through 1964, Golub and his wife, artist
162:He was married to and collaborated with the artist
866:State of the Art: Ideas & Images of the 1980s,
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1131:"Leon Golub Powerplay: The Political Portraits"
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1004:. London: Serpentine Gallery. pp. 12â13.
583:, Harvard University, Cambridge, Massachusetts
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1332:School of the Art Institute of Chicago alumni
1066:Encyclopedia of Violence, Peace, and Conflict
1042:Leon Golub Powerplay: The Political Portraits
465:, part of a series of paintings inspired by
461:In 2003, Golub revisited his 1959 painting,
854:Golub: The Late Works Are the Catastrophes,
776:University of North Carolina at Chapel Hill
1086:The Turning Point Art And Politics In 1968
810:Family Foundation, Los Angeles, California
637:, University of Illinois, Champaign-Urbana
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829:Ulrich Meyer and Harriet Horwitz, Chicago
593:Hiroshima City Museum of Contemporary Art
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1068:Second Edition, Academic Press, 2008.
1044:. London: Reaktion Books. p. 11.
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832:T.C. Williams II, Santa Fe, New Mexico
198:School of the Art Institute of Chicago
1119:. London: Reaktion Books. p. 71.
1029:. London: Reaktion Books. p. 57.
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419:(1991), a Grand Lobby project at the
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788:Vietnam National Museum of Fine Arts
670:Musei Civici di Udine, Friuli, Italy
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969:Adrian, Dennis. "Introduction," in
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770:University of Massachusetts Amherst
674:Museum of Contemporary Art, Chicago
485:, his first and only textile work.
229:, Evelyn Statsinger, Don Baum, and
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1367:20th-century American male artists
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764:University of California, Berkeley
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1302:American Figurative Expressionism
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1135:National Portrait Gallery, London
1084:Event, quote and source found in
724:, University of Chicago, Illinois
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379:National Portrait Gallery, London
1277:The Broad Art Foundation website
641:Los Angeles County Museum of Art
545:Bibliothèque nationale de France
527:Art Gallery of Western Australia
351:Leon Golub: Paintings, 1950-2000
159:in 1949 and 1950, respectively.
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1181:Magnolia Editions - Leon Golub.
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1159:at the Art Institute of Chicago
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1104:. London: Reaktion. p. 73.
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728:Smithsonian American Art Museum
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1282:Ronald Feldman Gallery website
1117:Leon Golub: Echoes of the Real
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794:Whitney Museum of American Art
436:Whitney Museum of American Art
353:includes several portraits of
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698:National Gallery of Australia
605:Indiana University Art Museum
244:, fantasy and mythology, and
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1327:University of Chicago alumni
1216:New York Times June 17, 2015
1201:Leon Golub: Bite Your Tongue
1002:Leon Golub: Bite your Tongue
818:Selected private collections
802:Selected private foundations
704:National Gallery of Victoria
680:Museum of Fine Arts, Houston
665:Montreal Museum of Fine Arts
493:From March to May 2015, the
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1203:The Guardian. March 3, 2015
990:. Retrieved April 13, 2018.
710:Nelson-Atkins Museum of Art
514:Selected public collections
501:in June 2015. In 2022, the
327:Artists and Writers Protest
217:aforementioned classmates,
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1362:21st-century American Jews
1357:20th-century American Jews
1337:Rutgers University faculty
823:Saatchi Collection, London
784:, British Columbia, Canada
716:Norton Simon Museum of Art
653:Metropolitan Museum of Art
611:Indianapolis Museum of Art
565:, Pittsburgh, Pennsylvania
335:The Collage of Indignation
1372:Neo-expressionist artists
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957:Art in Chicago 1945-1995
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742:, London, United Kingdom
533:Art Institute of Chicago
316:from Paris in 1964, the
157:Art Institute of Chicago
87:Art Institute of Chicago
1317:Jewish American artists
1190:Retrieved Nov. 6, 2009.
712:, Kansas City, Missouri
692:National Gallery of Art
539:Baltimore Museum of Art
361:, along with images of
312:When Golub returned to
1347:American male painters
754:, Nashville, Tennessee
752:Tennessee State Museum
746:Tel Aviv Museum of Art
718:, Pasadena, California
706:, Melbourne, Australia
607:, Bloomington, Indiana
599:Honolulu Museum of Art
563:Carnegie Museum of Art
421:Brooklyn Museum of Art
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208:, Theodore Halkin and
1322:Painters from Chicago
782:Vancouver Art Gallery
629:Kent State University
587:Galleria degli Uffizi
575:Des Moines Art Center
569:Cincinnati Art Museum
551:Blanton Museum of Art
509:Collections, selected
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190:University of Chicago
173:Le Monde diplomatique
145:University of Chicago
83:University of Chicago
1000:Golub, Leon (2015).
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758:Toledo Museum of Art
686:Museum of Modern Art
649:, Madison, Wisconsin
428:artists included in
878:The Mercenary Game,
722:Smart Museum of Art
635:Krannert Art Museum
523:, Fort Worth, Texas
503:Hall Art Foundation
471:Great Altar of Zeus
214:Institute of Design
1186:2008-07-20 at the
1115:Bird, Jon (2000).
1100:Bird, Jon (2000).
1040:Bird, Jon (2016).
1025:Bird, Jon (2000).
748:, Tel Aviv, Israel
730:, Washington, D.C.
694:, Washington, D.C.
647:Madison Art Center
595:, Hiroshima, Japan
529:, Perth, Australia
521:Amon Carter Museum
499:Hauser & Wirth
495:Serpentine Gallery
355:Nelson Rockefeller
333:, Golub organized
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168:Swarthmore College
1212:Cotter, Holland,
1064:Kurtz, Lester R,
1051:978-1-78023-582-0
1011:978-1-908617-26-2
483:Jacquard tapestry
479:Magnolia Editions
453:2001: renaissance
258:New Images of Man
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899:"Leon Golub"
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72:(2004-08-08)
1312:2004 deaths
1307:1922 births
1140:20 November
619:, Jerusalem
387:Mercenaries
359:Ho Chi Minh
318:Vietnam War
290:Nancy Spero
246:existential
164:Nancy Spero
117:Nancy Spero
1291:Categories
1074:0123695031
885:References
796:, New York
736:, Illinois
700:, Canberra
688:, New York
676:, Illinois
655:, New York
625:, New York
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535:, Illinois
425:World Wide
417:World Wide
323:Vietnam II
184:Early life
125:Leon Golub
47:1922-01-23
23:Leon Golub
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661:, Florida
613:, Indiana
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307:Roman art
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194:G.I. Bill
79:Education
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667:, Canada
601:, Hawaii
475:Pergamon
410:graffiti
303:Etruscan
299:acrylics
137:Illinois
103:Movement
97:Painting
59:Illinois
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790:, Hanoi
682:, Texas
547:, Paris
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467:friezes
447:Chicago
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129:painter
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423:. For
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373:, and
276:Career
178:France
113:Spouse
61:, U.S.
1142:2020
1070:ISBN
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1006:ISBN
906:2022
395:Riot
357:and
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67:Died
41:Born
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149:BFA
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