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pen containing mordant and then dipped the textile in dye. The dye adhered to the cloth only where the mordant had been applied. This lengthy process had to be repeated for each color in the design. Small details were then painted by hand on the cloth after the dying process was completed.
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Palampore patterns were usually very complex and elaborate, depicting a wide variety of plants, flowers, and animals, including peacocks, elephants, and horses. Because a palampore was hand-created, each design is unique, but many featured a central
433:
Houghteling, Sylvia; Shibayama, Nobuko (2019). "Tools of the Master Dyer: Dye
Materials in Seventeenth and Eighteenth Century South Asian Painted Cotton Textiles at the Metropolitan Museum of Art".
695:
Raman, Alka (May 2022). "Indian cotton textiles and
British industrialization: Evidence of comparative learning in the British cotton industry in the eighteenth and nineteenth centuries".
246:
The Cyclopædia of India and of
Eastern and Southern Asia, Commercial Industrial, and Scientific: Products of the Mineral, Vegetable, and Animal Kingdoms, Useful Arts and Manufactures
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English printers began to copy palampore designs using block printing methods with a large-scale repeat to create fabric that could be used for curtains or bedding. In France, the
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Palampore made for Persia and the Mughal courts were more likely to be more formal and symmetrical in design. They depicted architectural structures, shrubs and tent interiors.
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Palampore were labour-intensive to produce, and the light fabric they were made from is fragile, therefore, the few examples that have survived are often quite valuable today.
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Palampore was popular in the Mughal and Deccan Courts. The borders of these pieces were block printed while the centre depicted intricate designs, made by hand.
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Palampores predated
European production of printed-textiles and influenced innovations in chemicals and techniques used in Europe, and improvements in quality.
662:
452:
Rosenfield, Yael; Shibayama, Nobuko (2020). "The Color Red: Madder Dyes as
Determinants of Provenance in a Group of Kalamkari Textiles".
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In a domestic setting, American and
European embroiderers cut around Indian printed cotton designs and attached them to quilts.
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and suggested that
English trends may have influenced what East India Company directors commissioned in India.
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Indian resist painted and dyed cotton panel produced for export in the 18th and early 19th century
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Threads of globalization: Fashion, textiles, and gender in Asia in the long twentieth century
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545:"The Indian Apprenticeship: The Trade of Indian Textiles and the Making of European Cottons"
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Laury, Elise
Schebler Roberts, Helen Kelley, Sandra Dallas, Jennifer Chiaverini, Jean Ray.
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A palampore made on India's
Coromandel Coast -- now at the National Gallery of Australia
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A palampore made on India's
Coromandel Coast -- now at the Metropolitan Museum of Art
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Palampores were mordant-painted and resist-dyed. A palampore was made using the
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for the export market during the eighteenth century and nineteenth century.
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551:, The World of South Asian Textiles, 1500-1850, Brill, pp. 309–346,
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136:
471:
Parekh, Radhi (2023). "When Indian Flowers Bloomed in Distant Lands".
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A palampore made in India -- now at the National Gallery of Australia
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fabric house produced designs inspired by palampores from the 1800s.
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Design historians have noted the similarities between palampores and
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Palempore with peacock design (detail), second half of 18th century,
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Pollard, Maura (September 1998). "Historic Bedcoverings in Brief".
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Trade, Temple & Court: Indian Textiles from the Tapi Collection
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17:
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Riello, Giorgio (2009), Riello, Giorgio; Roy, Tirthankar (eds.),
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Textiles of Southeast Asia: Trade, Tradition and Transformation
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Four Centuries of Quilts: The Colonial Williamsburg Collection
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East India Company and Trade in South India: Madras, 1746–1803
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Analysis indicates that some palampores were produced using
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Baumgarten, Linda; Ivey, Kimberly Smith (28 October 2014).
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Interwoven Globe: The Worldwide Textile Trade, 1500-1800
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root dye to create colours in the red and brown range.
614:"Kalamkar (or Palampore) - Indian (Eighteenth Century)"
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Barnes, Ruth; Cohen, Steven; Crill, Rosemary (2002).
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with a mound at the base where there may be animals.
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747:Martin, Hannah (November 2019). "Tree of Life".
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475:(112) – via Art & Architecture Source.
422:(117) – via Art & Architecture Source.
347:Greco, JoAnn (February 2004). "Fragile Beauty".
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355:(2) – via Art & Architecture Source.
107:technique, whereby an artist drew designs on
68:. Palampore were recorded as being traded in
44:or (Palempore) is a type of hand-painted and
661:: CS1 maint: multiple names: authors list (
418:Gupta, Mira (2023). "Lessons in Chemistry".
52:bed cover or hanging panel that was made in
732:Baumgarten, Linda (2017). "Made in India".
371:Filler, Martin (April 2001). "Palampores".
755:(10) – via Academic Search Complete.
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714:Riello, Giorgio (January 2014). "Cotton".
703:(2) – via Business Source Complete.
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315:Reddy, Moola Atchi (8 September 2023).
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75:The term palampore may come from
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489:Bogansky, Amy Elizabeth (2013).
249:. Bernard Quaritch. p. 830.
64:Palampores were produced on the
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294:. Manchester University Press.
495:. Metropolitan Museum of Art.
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268:The Metropolitan Museum of Art
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177:Palampores were exported to
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718:. Vol. 64, no. 1.
549:How India Clothed the World
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193:(now known as Sri Lanka).
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397:. Yale University Press.
224:Palampores at the V&A
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189:and what was then called
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143:worked in silk thread.
624:: 825–827. 29 July 1910.
321:. Taylor & Francis.
243:Balfour, Edward (1885).
16:Not to be confused with
697:Economic History Review
567:10.1163/j.ctv2gjwskd.19
91:"posh" (cover) or from
454:Textile Museum Journal
435:Textile Museum Journal
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72:in the 18th Century.
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800:Textile arts of India
592:. Tuttle Publishing.
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749:Architectural Digest
522:. India Book House.
135:Some palampores had
87:"palang" (bed) and
641:. Voyageur Press.
349:Art & Antiques
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805:Indian inventions
648:978-1-61060-536-6
599:978-1-4629-0698-7
558:978-90-04-17653-9
529:978-81-7508-354-7
502:978-1-58839-496-5
404:978-0-300-20736-1
328:978-1-000-93814-2
301:978-1-5261-6339-4
161:crewel embroidery
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264:"Palampore"
789:Categories
230:References
137:embroidery
77:palangposh
657:cite book
638:The Quilt
212:Braquenié
187:Indonesia
105:kalamkari
99:Technique
42:palampore
734:Selvedge
473:Selvedge
420:Selvedge
93:Palanpur
81:bedcover
18:Palampur
572:17 July
273:17 July
181:and to
118:with a
89:Persian
60:Origins
46:mordant
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200:Impact
191:Ceylon
179:Europe
147:Design
116:fabric
109:cotton
736:(76).
563:JSTOR
183:Dutch
120:kalam
113:linen
85:Hindi
83:from
70:Salem
54:India
684:(4).
663:link
643:ISBN
594:ISBN
574:2024
553:ISBN
524:ISBN
497:ISBN
399:ISBN
323:ISBN
296:ISBN
275:2024
129:chay
50:dyed
170:Use
139:of
111:or
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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