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original, due in part to the quick start of the demolition work, the narrower space available for the palace's relocation, the limits imposed by the presence of other pre-existing structures, the approximate cataloging of the parts to be reassembled, and the demand for a rapid completion of the renovation of Piazza
Venezia. The reconstruction, completed in 1913, involved some architectural changes; in particular, the characteristic and unusual trapezoidal plan, due to the course of the surrounding streets, was converted into a square and the size of the building was reduced through the elimination of an arch on each side. The courtyard was enclosed by two orders of arcades—supported by octagonal
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owned the building. Actual demolition of the
Palazzetto did not begin until nearly twenty years later, in 1909, at which time three sides of the building were torn down. Then, due to the interest of the press, Roman public opinion and the cultural world again called for the building's preservation. A solution was reached in late September 1910, and it was decided that the Palazzetto would be rebuilt a few hundred meters away, close to the Basilica of San Marco.
406:
Two years later, in 1888, all the buildings in Piazza San Marco and the surrounding area were demolished. However, the demolition of the
Palazzetto came to a standstill due to bureaucratic delays related to the various reconstruction projects, as well as grievances from the Austrian government, who
398:
replied that the eviction of the area and the demolition of squalid, unhealthy, and dilapidated buildings would restore dignity and healthiness to the square and the district. He also pointed out that none of the demolitions would cause the loss of valuable archaeological finds. Such judgment was
410:
Under the technical supervision of the architects
Camillo Pistrucci, Ludwig Baumann, and Jacques Oblatt, the Palazzetto was relocated from the southeast corner to the southwest corner of Palazzo Venezia. Materials recovered from the demolition were reused. The new building was different from the
476:
beneath the building, located about 15 metres (49 ft) under the pavement and accessed via a narrow walkway of Roman origin. The bunker is about 80 square metres (860 sq ft) and consists of nine rooms which could have accommodated no more than a couple of people. Its construction
485:
air raids, such as the so-called "Operation Dux". The refuge was never completed; there are no sewage or electrical systems, and construction of escape routes was never begun (though there may have been two planned: one towards the
Vittoriano and one towards the gardens of the Palazzetto).
382:. To achieve this, many buildings in the neighborhood around Piazza Venezia would need to be demolished, including the Palazzetto. In 1880, the first competition for the redevelopment of the square was held. Despite protests raised by politicians and intellectuals—including the deputy
315:, and the building became its diplomatic seat. During the earthquake of 5 October 1651, a large portion of the facade overlooking Piazza San Marco collapsed; the structure was shored up, but the damage was extensive. The building was partially restored and secured by the architect
149:
The building went through several alterations over the centuries until 1909, when it was demolished, and a slightly modified version was rebuilt a short distance from its original position to allow the enlargement of Piazza
Venezia as part of the construction of the
292:, which faced Capitoline Hill. During this period, the arches of the loggia of the Palazzetto were bricked up, in order to consolidate the structure. Thus, it began to have the characteristics of a distinctly separate building, and it gained the name
423:—and centered with a well sculpted by Antonio da Caravaggio. During the excavations for the demolition and relocation of the Palazzetto, some archaeological finds came to light; one of them, a marble slab representing a man and a woman lying on a
471:
Between 2010 and 2011, during renovation and cleaning works in some deposits of
Palazzo and Palazzetto Venezia, a wooden trap door was discovered. Subsequent investigations revealed the presence of an unfinished
257:
and
Titular of the basilica from 1491 to 1501; he moved his apartments to the north wing, facing the present Via del Plebiscito. Lorenzo Cybo de Mari was responsible for placing the marble bust of
319:. In 1770, the closing of the arches was completed at the request of the Venetian ambassador Nicolò Erizzo, who used the resulting closed space as a single room distributed on two levels.
791:
90:
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Francesco del Borgo: Architekt Pius' II und Pauls II. Palazzo
Venezia, Palazzetto Venezia und San Marco in "Römisches Jahrbuch für Kunstgeschicht" XXI
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280:
At the beginning of the 16th century, the
Palazzo San Marco began to decline, although it continued to be a papal seat as an alternative to the
351:, who therein established his Academy of Fine Arts of the Kingdom of Italy and received the support of the consul Giuseppe Tambroni and of
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The Pope used to appear on the portico that enclosed the garden during folk festivals or celebrations. Because of this, in folklore, the
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366:. During this period, the edifice was in poor conditions due to collapses and fires, the damage of which was only partially repaired.
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429:(couch) with two handmaids serving them food, was repurposed upside-down as the sill of a window overlooking Via degli Astalli.
347:, which aimed at converting the square into a covered market. The building was saved from destruction thanks to the interest of
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207:(porticoed garden) of the more famous Palazzo San Marco. The garden and palace were joined by a quadrangular tower which faced
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362:(1814–1815), the building returned to being the seat of the Austrian embassy, with some rooms accommodating scholars from the
211:. At the time, this tower was crowned with battlements, though was later replaced with a roof during the restoration of 1546.
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La storia del Palazzo di Venezia: dalle collezioni Barbo e Grimani a sede dell'ambasciata veneta e austriaca
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secretly began around 1942, and it would have become the twelfth bunker in Rome, with the aim of protecting
288:, who chose it as his summer residence. In 1537, he had the Palazzo connected via a hanging corridor to the
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in front of the Basilica of San Marco. This statue—which the people believed to be a portrait of
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In the late 19th century, urban planning in Rome called for the scenographic enhancement of the
230:, Palazzo San Marco (which included the Palazzetto) became the property of his nephew, Cardinal
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Barberini, Maria Giulia; De Angelis d'Ossat, Matilde; Schiavon, Alessandra (22 October 2015).
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The lapidarium of the Museum of Palazzo Venezia in the upper loggia of the Palazzetto
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296:. Under Paul III, the Palazzetto was frequently used: at least seventy
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On the death of Marco Barbo, the Palazzo San Marco passed to Cardinal
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assigned part of Palazzo San Marco (including the Palazzetto) to the
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464:. Since 1944, the building has also been the headquarters of the
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took on a symbolic value associated with the exercise of power.
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Following the fall of the Republic of Venice, upheld by the
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Tracce di pietra. La collezione di marmi di Palazzo Venezia
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331:(1797), the Palazzo became the diplomatic seat of the
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were held there, and in 1536 it hosted an audience of
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Palazzo Venezia. I Percorsi Originali dell'esperienza
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Palazzo Venezia. I Percorsi Originali dell'esperienza
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SocietĂ italiana per l'organizzazione internazionale
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226:After the sudden death of Pope Paul II, on 26 July
343:. It was to be demolished as part of a project by
339:(1806–1814), it passed into the possession of the
197:The Palazzetto originated in 1467, by the will of
177:The palace in its original location in a print by
620:Barberini, De Angelis d'Ossat & Schiavon 2015
238:moved his residence to the Palazzo, close to the
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466:Italian Society for International Organizations
445:In 1916, the Palazzetto became property of the
157:Since 2006, the building has been part of the
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284:. It was restored in 1527 at the behest of
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460:and its upper loggia houses the museum's
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222:Development as an independent building
775:"Foto di Palazzetto Venezia nel 1900"
508:"Tavola cronologica. Palazzo Venezia"
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456:Since 2006, it has been part of the
701:Christoph Luitpold Frommel (1984).
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392:Convent of Santa Maria in Aracoeli
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828:Renaissance architecture in Rome
682:Barberini, Maria Giulia (2008).
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657:Mattia Feltri (19 March 2013).
134:palace situated on one side of
659:"L'ultimo bunker di Mussolini"
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705:(in German). pp. 71–164.
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370:Demolition and reconstruction
833:Renaissance palaces in Italy
138:, in the historic center of
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790:Corrado Ricci (July 1910).
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686:. Rome: Campisano editore.
364:Academy of Fine Arts Vienna
201:, as the southern wing and
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323:First proposed demolition
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128:Palazzetto di San Marco
106:41.895417°N 12.481000°E
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329:Treaty of Campo Formio
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58:Via del Plebiscito 118
600:Touring Club Italiano
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796:, Bollettino d'Arte"
760:"Palazzetto Venezia"
596:"Palazzetto Venezia"
251:Lorenzo Cybo de Mari
242:of which he was the
111:41.895417; 12.481000
714:. Gangemi Editore.
433:Use in modern times
419:, and columns with
269:—became one of the
267:Alfonso V of Aragon
240:homonymous basilica
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45:Architectural style
40:General information
633:"La nostra storia"
584:. Museo del Corso.
578:"Piazza San Marco"
514:. Museo del Corso.
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417:composite capitals
399:also supported by
360:Congress of Vienna
313:Republic of Venice
255:Pope Innocent VIII
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124:Palazzetto Venezia
19:Palazzetto Venezia
777:. 7 February 2013
449:. In 1925, under
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388:Tower of Paul III
345:Giuseppe Valadier
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532:. 21 April 2013
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97:12°28′51.6″E
94:41°53′43.5″N
63:Town or city
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132:Renaissance
109: /
84:Coordinates
49:Renaissance
817:Categories
804:20 January
781:20 January
765:20 January
605:20 January
536:5 November
490:References
462:lapidarium
413:travertine
376:Vittoriano
358:After the
204:viridarium
192:viridarium
163:lapidarium
152:Vittoriano
126:(formerly
664:La Stampa
642:30 August
479:Mussolini
307:In 1564,
302:Charles V
731:See also
273:, named
576:AA.VV.
506:AA.VV.
282:Vatican
236:prelate
169:History
130:) is a
73:Country
55:Address
718:
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483:Allied
474:bunker
390:, the
234:. The
216:loggia
799:(PDF)
426:klinē
144:Italy
77:Italy
806:2020
783:2020
767:2020
716:ISBN
688:ISBN
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259:Isis
228:1471
190:The
183:1756
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