558:
Planalto do
Piratininga that the "bandeirante region" became a "Paulist Land" and, later, "the vital space of the Paulists." From the fixation to the soil, the São Paulo region emerged; of this, Paulistania; and then, its people, culture, experience history. Although administratively and politically, the boundaries and boundaries of this Paulistânia were being changed, reconfigured over time, to unfold in what are now the states of São Paulo, Paraná, Minas Gerais and Goiás, Mato Grosso do Sul and parts Mato Grosso, it can be assumed that the region formed by the "large territory invaded by the bandeiras and entradas" preserved an expressive cultural unit, unified by a common body of understandings, values and traditions in which everyone participated, in a reality in which the variations regional ones never came to threaten the essence of the whole.
600:', dirty and bad" man, slow, simple, backward, synonymous with the agrarian past to be overcome. In Candido, adjectives give way to less valuable nouns: the caipira culture is that of sociability marked by a certain form of moral conduct in everyday life, ratified by practices of solidarity predominantly based on obtaining the minimum vital for the subsistence of families, something coherent and consistent with the rusticity and lack inherited from its peripheral condition in the territorial and social formation. The rustic cuisine would then follow this line, based on the precarious, the transitory, the peripheral, the rustic, the simple, the improvised.
692:
165:
664:
they did not erase the common traits, claimed to be fundamental to caipira cuisine. Among them: the wide and varied use of corn as a fundamental ingredient, the predilection of pork meat over beef, the taste for chicken, preferably caipira chicken, the diversified use of vegetables, all of this giving the contours of an original and unique flavor. In it, corn and pork reign supreme. The provisional condition of certain stops, in the advance towards the interior, favored the cultivation of this grain, with a shorter cycle than cassava.
668:
conventionally called caiçara cuisine. But all this as if it were an additional seasoning to a base that imposes itself and only enriches the complexity of this caipira cuisine. From this common base, local variations emerge: such as the tutu of Minas beans in contrast to the paulists beans virado; pork rice, chicken rice with okra, rice with sausage, pequi rice, all of which come from the habit of mixing rice with locally produced meat or, in the case of pequi, with the fruit, to "enlarge" the food; the barreado of the
247:
554:, from 1946, who proposed that Paulistania was his term, a neologism created "to designate the living space of the old paulists", a noun to be used, from then on, to make reference to the region that, in his opinion, was "one of the fundamental cells of the territorial formation of Brazil." The author believed that, in addition to being useful, Paulistania was a name that came "against the geographical and historical understanding of the region of bandeirism."
63:
22:
704:
646:
sertanejo was the guarantor of the expansion of this country music. Setting itself up as a spokesperson for this musicality, the instrument spread throughout
Paulistania and, having its identification with the first inhabitants of the region as time passed, it reached the point of making the violeiro
561:
It can be said that, from the mid-eighteenth century, a sheet of
Caipira culture was spread and consolidated , with local variations, which included, in addition to the Captaincy of São Paulo, parts of the captaincies of Minas Gerais, Goiás, and even from Mato Grosso. Updating the geography, it would
663:
Paulistania is the space where the
Guarani and the Portuguese met, through the São Paulo flags and the establishment of human settlements, some temporary, others permanent, where both the reciprocal assimilation of the habits of the two social groups took place, as well as differences that, however,
639:
In this region and from this culture, a modality of popular music was born, Alberto Ikeda, author of the book "Música Na Terra
Paulista: From Viola Caipira À Guitarra Elétrica" considered it to be "the music of Paulistania". In the author's words, it is a musicality that is related to the historical
586:
people, the caipira culture is always ashamed and dissimulated, something that is neither made explicit nor celebrated. Writers Carlos
Alberto Dória and Marcelo Corrêa Bastos recall the well-known episode of "revolt of the inhabitants of Cunha", on the occasion of the publication of a book by Emilio
650:
Although caipira music is predominantly related to other expressions, some rhythms ended up also being fixed autonomously, as a musical genre in itself, predominantly for listening, as a popular musical expression of concert, with recognized and expressed authorship. These include: the cururu, the
557:
The necessary condition for the expansion of the geographic extension of
Portuguese America , the bandeirante expeditions, by themselves, did not become a sufficient condition for the creation of a Paulistania. It was from the bandeirante who, for historical reasons, left and did not return to the
542:
newspaper between 1917, and 1918, used
Paulistania as a synonym for São Paulo. The editor Heitor de Moraes gave Fontes the title: in Moraes ears, "Paulistania" sounded like "Paulist land", just as the Portuguese had their Lusitania and the Germanic peoples their Germania. The term Paulistania was
672:
coast; the various farofas and the many corn derivatives such as curau, pamonha, cakes and dumplings, viradinho, angus; scrambled foods whose basis is the use of leftovers from lunch or other meals; the empadas and empadões, like the goiano; but also the cambuquiras and preserves that are always
667:
Mentioning the authors' record regarding the nuances of caipira cuisine, exemplified in the assimilation of certain local products such as pequi in savanna areas, pinhão in mountainous areas and further south, or even fish and the more common use of cassava in areas coastal areas, in what is
651:
catira/cateretê and the xote, which are originally danced forms, with singing often improvised; the toada and moda de viola, only vocal genres, and the caipira pagode, initially a type of solo instrumental music, of great virtuosity, performed on the
543:
established thanks to a historiography of a conservative nature, linked to the provincial spirit of the
Paulists intellectuals, wanting to define a certain territory for the 'Paulist race', a certain territory, it was
595:
the fixation of this deleterious image of the caipira, through his character Jeca-Tatu, in Urupês. Even with the mitigating factor that it would not be his fault to be like this, Lobato's redneck is presented as a
562:
not be an exaggeration to say that the route of the
Caipira culture expanded and covered the areas that today correspond to several states, including the Missões Region, in the northwest of
740:"Os Parceiros do Rio Bonito" em diálogo com a literatura, a historiografia, a sociologia e a antropologia: reflexões sobre a obra de Antonio Cândido.
737:
578:
The basis of Paulistania is the caipira identity. But unlike other regional cultures, which manifest themselves with pride, such as those of the
769:"A culinária caipira da Paulistânia – a história e as receitas de um modo antigo de comer, de Carlos Alberto Dória e Marcelo Corrêa Bastos"
516:, later divided into the Captaincy of São Paulo, until reaching the administrative territories, these being parts of the states of
127:
99:
80:
35:
106:
226:
208:
186:
146:
49:
408:, from 1946, to describe what he would call "the living space of the old paulists". It was made up of the states of
179:
113:
263:
95:
84:
633:
291:
513:
807:
802:
682:
429:
797:
480:', which means "Land" in Latin. The name was created to be interpreted as "Land of the Paulists", as
41:
452:
The name "Paulistania" is a toponym-styled neologism composed of "Paulist" ("Paulo" composed by the
281:
173:
673:
present, although in different ways of preparation or with different ingredients here and there.
73:
120:
190:
696:
640:
formation of São Paulo, making it unique as a paulista. In addition to being a symbol, the
544:
286:
529:
473:
417:
409:
335:
321:
8:
393:
259:
433:
362:
313:
768:
579:
563:
669:
588:
525:
413:
344:
317:
708:
641:
535:
609:
592:
497:
267:
500:
in 2010. People from the region can be called both paulists and paulistanics.
791:
652:
461:
512:
expeditions on the way to the South American hinterland, giving rise to the
367:
509:
441:
421:
371:
358:
309:
331:
636:
be the successor of Caipira music, a "new style", due to its popularity.
587:
Willems, in which he portrayed the inhabitants of that small town in the
547:
who, from 1930 onwards, worked the most on the concept of a Paulistania.
521:
493:
437:
380:
305:
246:
349:
489:
481:
401:
376:
62:
647:
an individual of great importance in communication. where to live.
567:
485:
340:
517:
425:
353:
301:
632:" (old sertanejo), passing the false image that the university
583:
754:
Música Na Terra Paulista: Da Viola Caipira À Guitarra Elétrica
655:, and which started to be presented also in the sung version.
453:
591:
of São Paulo, using of that category. Perhaps it is due to
566:, a state strongly influenced by the drovers who left from
266:(completely extinct in the 20th century, influencing the
680:
608:
The traditional musical rhythm of Paulistania is the
87:. Unsourced material may be challenged and removed.
404:") was a proposal by Joaquim Ribeiro, in his work
270:and southern dialects of the Portuguese language)
722:
789:
440:, a field of influence and exploration by the
50:Learn how and when to remove these messages
251:Corresponding territories of Paulistania
227:Learn how and when to remove this message
209:Learn how and when to remove this message
147:Learn how and when to remove this message
766:
550:But it was Joaquim Ribeiro, in his work
172:This article includes a list of general
508:Paulistania would have emerged through
790:
658:
538:, in some chronicles written for the
738:Hugo Mateus Gonçalves Rocha (2017).
158:
85:adding citations to reliable sources
56:
15:
13:
756:(in Portuguese). pp. 151–152.
603:
178:it lacks sufficient corresponding
14:
819:
751:
31:This article has multiple issues.
702:
690:
472:), defines the native people of
245:
163:
61:
20:
773:Estudos Sociedade e Agricultura
723:Imprensa Nacional, ed. (1950).
72:needs additional citations for
39:or discuss these issues on the
760:
745:
731:
725:Congresso de História Nacional
716:
1:
676:
612:, also called in Portuguese "
620:" (Traditional sertanejo), "
447:
7:
628:", sometimes they call it "
10:
824:
767:Favareto, Arilson (2019).
573:
503:
496:". The term was coined by
552:Folklore dos Bandeirantes
406:Folklore dos Bandeirantes
244:
96:"Paulistania" region
514:Captaincy of São Vicente
488:, "Land of Germans" and
460:", which comes from the
634:sertanejo universitário
193:more precise citations.
520:, Mato Grosso do Sul,
484:, "Land of Lusitans",
292:Central-West of Brazil
624:" (root sertanejo), "
618:sertanejo tradicional
545:Alfredo Ellis Junior.
616:" (Caipira music), "
81:improve this article
659:Paulistania cuisine
282:Southeast of Brazil
241:
540:Correio Paulistano
434:Mato Grosso do Sul
400:lit, "land of the
314:Mato Grosso do Sul
239:
808:Regions of Brazil
803:Culture of Brazil
564:Rio Grande do Sul
418:Triângulo Mineiro
387:
386:
237:
236:
229:
219:
218:
211:
157:
156:
149:
131:
54:
815:
798:Cultural regions
781:
780:
764:
758:
757:
752:IKEDA, Alberto.
749:
743:
735:
729:
728:
720:
707:
706:
705:
695:
694:
693:
686:
524:, Minas Gerais,
249:
242:
238:
232:
225:
214:
207:
203:
200:
194:
189:this article by
180:inline citations
167:
166:
159:
152:
145:
141:
138:
132:
130:
89:
65:
57:
46:
24:
23:
16:
823:
822:
818:
817:
816:
814:
813:
812:
788:
787:
784:
765:
761:
750:
746:
736:
732:
721:
717:
713:
703:
701:
691:
689:
681:
679:
661:
630:velho sertanejo
610:sertanejo music
606:
604:Musical rhythms
593:Monteiro Lobato
576:
506:
498:Antônio Candido
450:
420:, the south of
416:, parts of the
375:
366:
357:
348:
339:
328:Largest cities
320:
316:
312:
308:
304:
289:
287:South of Brazil
284:
279:
250:
233:
222:
221:
220:
215:
204:
198:
195:
185:Please help to
184:
168:
164:
153:
142:
136:
133:
90:
88:
78:
66:
25:
21:
12:
11:
5:
821:
811:
810:
805:
800:
783:
782:
759:
744:
730:
727:. p. 492.
714:
712:
711:
699:
678:
675:
660:
657:
622:sertanejo raíz
614:música caipira
605:
602:
589:Paraíba Valley
575:
572:
505:
502:
449:
446:
385:
384:
329:
325:
324:
299:
295:
294:
276:
272:
271:
257:
253:
252:
235:
234:
217:
216:
171:
169:
162:
155:
154:
69:
67:
60:
55:
29:
28:
26:
19:
9:
6:
4:
3:
2:
820:
809:
806:
804:
801:
799:
796:
795:
793:
786:
779:(1): 207–214.
778:
774:
770:
763:
755:
748:
742:
741:
734:
726:
719:
715:
710:
700:
698:
697:South America
688:
687:
684:
674:
671:
665:
656:
654:
653:viola caipira
648:
645:
644:
637:
635:
631:
627:
626:moda de viola
623:
619:
615:
611:
601:
599:
594:
590:
585:
581:
571:
569:
565:
559:
555:
553:
548:
546:
541:
537:
536:Hermes Fontes
533:
531:
527:
523:
519:
515:
511:
501:
499:
495:
491:
487:
483:
479:
475:
471:
467:
463:
462:ancient Greek
459:
455:
445:
443:
439:
436:and parts of
435:
431:
427:
423:
419:
415:
411:
407:
403:
399:
395:
391:
382:
378:
373:
369:
364:
360:
355:
351:
346:
342:
337:
333:
330:
327:
326:
323:
319:
315:
311:
307:
303:
300:
297:
296:
293:
288:
283:
278:South America
277:
274:
273:
269:
265:
261:
258:
255:
254:
248:
243:
231:
228:
213:
210:
202:
192:
188:
182:
181:
175:
170:
161:
160:
151:
148:
140:
129:
126:
122:
119:
115:
112:
108:
105:
101:
98: –
97:
93:
92:Find sources:
86:
82:
76:
75:
70:This article
68:
64:
59:
58:
53:
51:
44:
43:
38:
37:
32:
27:
18:
17:
785:
776:
772:
762:
753:
747:
739:
733:
724:
718:
666:
662:
649:
642:
638:
629:
625:
621:
617:
613:
607:
597:
577:
560:
556:
551:
549:
539:
534:
507:
477:
476:state, and '
469:
465:
457:
451:
442:bandeirantes
422:Minas Gerais
405:
398:Paulistânia;
397:
389:
388:
359:Campo Grande
310:Minas Gerais
240:Paulistania
223:
205:
196:
177:
143:
134:
124:
117:
110:
103:
91:
79:Please help
74:verification
71:
47:
40:
34:
33:Please help
30:
522:Mato Grosso
510:bandeirante
494:Lithuanians
492:, "Land of
438:Mato Grosso
412:, parts of
390:Paulistania
306:Mato Grosso
191:introducing
792:Categories
677:References
670:paranaense
394:Portuguese
368:Uberlândia
260:Portuguese
174:references
107:newspapers
36:improve it
709:Geography
580:sertanejo
530:São Paulo
490:Lithuania
482:Lusitania
474:São Paulo
448:Etymology
410:São Paulo
402:Paulistas
332:São Paulo
322:São Paulo
275:Location
256:Language
199:July 2022
137:July 2022
42:talk page
568:Sorocaba
486:Germania
464:suffix "
456:suffix "
341:Curitiba
683:Portals
598:Mumbava
582:or the
574:Culture
504:History
350:Goiânia
268:caipira
264:Paulist
187:improve
121:scholar
643:violão
584:gaucho
526:Paraná
430:states
428:, the
414:Paraná
377:Cuiabá
318:Paraná
298:Parts
176:, but
123:
116:
109:
102:
94:
518:Goiás
470:ιστεσ
466:istes
454:Latin
426:Goiás
302:Goiás
128:JSTOR
114:books
528:and
424:and
262:and
100:news
468:" (
458:ist
432:of
83:by
794::
777:27
775:.
771:.
596:"'
570:.
532:.
478:ia
444:.
396::
383:)
381:MT
372:MG
363:MS
354:GO
345:PR
336:SP
45:.
685::
392:(
379:(
374:)
370:(
365:)
361:(
356:)
352:(
347:)
343:(
338:)
334:(
290:-
285:-
280:-
230:)
224:(
212:)
206:(
201:)
197:(
183:.
150:)
144:(
139:)
135:(
125:·
118:·
111:·
104:·
77:.
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
