273:
with
Theseus on the night Theseus and Phaedra were married. Afterwards, Phaedra kills herself, leaving behind a note that states Hippolytus has raped her. Strophe confronts Hippolytus about the accusation, but he refuses to deny or confirm the allegation, though the subtext implies that he did not. Whilst in prison, Hippolytus speaks with a priest who eventually performs fellatio on Hippolytus. In the final sequence Theseus has returned home and disguises himself in a crowd. Strophe, unbeknownst to Theseus, has done the same. She publicly defends Hippolytus and Theseus responds by raping and killing her. The enraged mob rips Hippolytus limb from limb, and his father
24:
416:
469:
264:
affection. She confides in her daughter, Strophe, who likewise warns
Phaedra against pursuing an affair with Hippolytus. Phaedra approaches Hippolytus, regardless of the warnings she has heard. Hippolytus openly speaks about his multiple sexual partners and reinforces how he doesn't care for any of them and won't care for Phaedra. Phaedra confesses her love for him, but he spurns her, telling her she will only be hurt. She then proceeds to perform
263:
with socks that are lying about his room. He is described as 'fat' and his room is in disarray. Shortly thereafter
Phaedra, his step-mother, is talking to a doctor about Hippolytus's wellbeing. The doctor deduces Phaedra's romantic affection for her step-son and warns her against consummating her
272:
he asserts himself in the act. During the interaction
Hippolytus informs Phaedra that he has had sex with his step-sister, Strophe, and that Strophe, Phaedra's biological daughter, has also had sex with Theseus, Phaedra's husband and Hippolytus's father. It is later revealed that Strophe had sex
277:
him. Afterwards, when
Theseus sees the corpses, he realizes that it was Strophe who he had just raped and killed and expresses regret before cutting his own throat. The play ends as a vulture flies down to consume the corpse of Hippolytus.
98:
539:
574:
229:. The play explores the brutal nature of love, social relations, nihilism and belief through the example of an affair between a queen and her stepson.
569:
53:
510:
559:
554:
564:
453:
549:
323:
296:
75:
46:
503:
236:(the original focuses more on Phaedra), who is rendered lazy and cynical by his upbringing as the son of King
446:
584:
544:
529:
496:
579:
36:
439:
316:
40:
32:
233:
121:
57:
216:
162:
484:
427:
8:
534:
309:
125:
240:. Unlike classical drama, most of the violent action happens on stage rather than off.
220:
292:
394:
225:
172:
186:
480:
423:
376:
274:
208:
523:
476:
415:
369:
468:
333:
212:
111:
301:
362:
265:
182:
348:
237:
131:
269:
268:
on him. He is initially unresponsive, but when he reaches his
97:
260:
256:
219:, directed by the author. The play is a modern adaptation of
521:
45:but its sources remain unclear because it lacks
504:
447:
317:
215:. It was first performed in 1996 at London's
540:Plays based on ancient Greek and Roman plays
422:This article on a play from the 1990s is a
575:Adaptations of works by Seneca the Younger
511:
497:
454:
440:
324:
310:
96:
76:Learn how and when to remove this message
570:Modern adaptations of works by Euripides
255:The play opens with Hippolytus cleaning
331:
522:
305:
463:
410:
17:
13:
560:Plays based on classical mythology
14:
596:
555:Plays based on works by Euripides
565:Works based on Hippolytus (play)
467:
414:
22:
281:
550:Cultural depictions of Theseus
1:
483:. You can help Knowledge by
426:. You can help Knowledge by
102:Cover of the Methuen edition
7:
10:
601:
462:
409:
291:. London: Methuen (2001),
289:Sarah Kane: Complete Plays
386:
340:
192:
178:
168:
158:
143:
117:
107:
95:
90:
31:This article includes a
250:
60:more precise citations.
479:-related article is a
211:by British playwright
196:The palace of Theseus
147:15 May 1996
163:Gate Theatre, London
585:Postmodernism stubs
545:Phaedra (mythology)
530:Plays by Sarah Kane
232:It centres more on
33:list of references
492:
491:
435:
434:
404:
403:
200:
199:
169:Original language
86:
85:
78:
592:
580:1990s play stubs
513:
506:
499:
471:
464:
456:
449:
442:
418:
411:
326:
319:
312:
303:
302:
247:as "My comedy".
154:
152:
100:
88:
87:
81:
74:
70:
67:
61:
56:this article by
47:inline citations
26:
25:
18:
600:
599:
595:
594:
593:
591:
590:
589:
520:
519:
518:
517:
461:
460:
407:
405:
400:
382:
336:
330:
284:
253:
243:Kane described
159:Place premiered
150:
148:
138:
136:
134:
130:
128:
124:
103:
82:
71:
65:
62:
51:
37:related reading
27:
23:
12:
11:
5:
598:
588:
587:
582:
577:
572:
567:
562:
557:
552:
547:
542:
537:
532:
516:
515:
508:
501:
493:
490:
489:
472:
459:
458:
451:
444:
436:
433:
432:
419:
402:
401:
399:
398:
390:
388:
384:
383:
381:
380:
377:4.48 Psychosis
373:
366:
359:
356:Phaedra's Love
352:
344:
342:
338:
337:
329:
328:
321:
314:
306:
300:
299:
283:
280:
252:
249:
245:Phaedra's Love
204:Phaedra's Love
198:
197:
194:
190:
189:
180:
176:
175:
170:
166:
165:
160:
156:
155:
145:
144:Date premiered
141:
140:
119:
115:
114:
109:
105:
104:
101:
93:
92:
91:Phaedra's Love
84:
83:
41:external links
30:
28:
21:
9:
6:
4:
3:
2:
597:
586:
583:
581:
578:
576:
573:
571:
568:
566:
563:
561:
558:
556:
553:
551:
548:
546:
543:
541:
538:
536:
533:
531:
528:
527:
525:
514:
509:
507:
502:
500:
495:
494:
488:
486:
482:
478:
477:postmodernism
473:
470:
466:
465:
457:
452:
450:
445:
443:
438:
437:
431:
429:
425:
420:
417:
413:
412:
408:
397:
396:
392:
391:
389:
385:
379:
378:
374:
372:
371:
367:
365:
364:
360:
358:
357:
353:
351:
350:
346:
345:
343:
339:
335:
327:
322:
320:
315:
313:
308:
307:
304:
298:
297:0-413-74260-1
294:
290:
287:Kane, Sarah,
286:
285:
279:
276:
271:
267:
262:
258:
248:
246:
241:
239:
235:
230:
228:
227:
222:
218:
214:
210:
206:
205:
195:
191:
188:
184:
181:
177:
174:
171:
167:
164:
161:
157:
146:
142:
133:
127:
123:
120:
116:
113:
110:
106:
99:
94:
89:
80:
77:
69:
59:
55:
49:
48:
42:
38:
34:
29:
20:
19:
16:
485:expanding it
474:
428:expanding it
421:
406:
393:
375:
368:
361:
355:
354:
347:
288:
282:Bibliography
254:
244:
242:
231:
224:
217:Gate Theatre
203:
202:
201:
72:
63:
52:Please help
44:
15:
275:disembowels
58:introducing
535:1996 plays
524:Categories
387:Short film
334:Sarah Kane
234:Hippolytus
213:Sarah Kane
151:1996-05-15
122:Hippolytus
118:Characters
112:Sarah Kane
108:Written by
332:Works by
187:sexuality
363:Cleansed
266:fellatio
183:Violence
66:May 2020
349:Blasted
238:Theseus
226:Phaedra
193:Setting
179:Subject
173:English
149: (
132:Theseus
129:Strophe
126:Phaedra
54:improve
295:
270:climax
221:Seneca
137:Priest
135:Doctor
475:This
370:Crave
341:Plays
257:semen
207:is a
139:Crowd
39:, or
481:stub
424:stub
395:Skin
293:ISBN
261:snot
259:and
251:Plot
209:play
223:'s
526::
185:,
43:,
35:,
512:e
505:t
498:v
487:.
455:e
448:t
441:v
430:.
325:e
318:t
311:v
153:)
79:)
73:(
68:)
64:(
50:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
