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118:. There they lived a quiet life, as he wrote in a letter, "We live here like hermits: we see nobody, we know nobody, and we go nowhere. I work a great deal," but even without distraction he had considerable difficulty in composing his first piano sonata, especially concerning its form. The original idea for it was to be a
430:
Lee-Ann Nelson, via her 2006 dissertation, noted that
Rachmaninoff's revisions are always cuts, with the material simply excised and discarded. The hypothesis is that the frequency of negative responses to many of his pieces, not just the response to the first symphony, led to a deep insecurity,
239:. With their input, he shortened the original 45-minute-long piece to around 35 minutes. He completed the work on April 11, 1908. Igumnov gave the premiere of the sonata on October 17, 1908, in Moscow, and he gave the first performance of the work in
75:; although Rachmaninoff abandoned the idea soon after beginning composition, traces of this influence can still be found. After numerous revisions and substantial cuts made at the advice of his colleagues, he completed it on April 11, 1908.
438:
Today the sonata remains less well-known than
Rachmaninoff's second sonata, and is not as frequently performed or recorded. Champions of the work tend to be pianists renowned for their large repertoire. It has been recorded by
212:, had been dropped). Writing to Morozov before he left in May 1907, he expressed his doubt in the musicality of the sonata and deprecated its length, even though at this time he had completed only the second movement.
98:
and ambitious climaxes within their own structure, all the while building towards a prodigious culmination. Although this first sonata is a substantial and comprehensive work, its successor,
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379:. Lacking significant thematic content, the movement serves rather to exploit the piano's character, not without expense of sonority. This movement features quotations of the
356:
provides technical difficulty in following long melodic lines, navigating multiple overlapping voices, and coherently performing the detailed climax, which includes a small
383:
plainchant, particularly in the recapitulation's climax. The very first measures of the first movement are revisited, and then dissolves into the enormous ending climax, a
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427:(Op. 22, 1903), was "filled to overflowing", one critic called the sonata dry and repetitive, however redeeming the interesting details and innovative structures were.
435:
on a formal basis. Unlike other pieces, such as the second piano sonata and the fourth piano concerto, no uncut version of this piece is currently known to be extant.
202:, although Diaghilev hated his music. Begrudgingly, Rachmaninoff decided to attend only for the money, since he would have preferred to spend time on this and his
102:(Op. 36), written five years later, became the better regarded of the two. Nonetheless, it, too, was given serious cuts and opinions are mixed about those.
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which reflect those characters. However, the idea was abandoned shortly after composition began, although the theme is still clear in the final version.
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In
November 1906, Rachmaninoff, with his wife and daughter, moved to Dresden primarily to compose a second symphony to diffuse the critical failure of
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particularly with regard to length. The musicologists
Efstratiou and Martyn argued against, for instance, the cuts made to the
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Rachmaninoff played early versions of the piece to Oskar von
Riesemann (who later became his biographer), who did not like it.
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had fallen on this all-Rachmaninoff programme of
October 17, 1908. Although the concert, which also included Rachmaninoff's
83:
on
October 17, 1908. It received a lukewarm response there, and remains one of the least performed of Rachmaninoff's works.
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before settling in the home key of F major. Although the shortest in length and performance time, the second movement
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expressed interest upon first hearing it in Moscow, and following his suggestion
Rachmaninoff cut about 110
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Rachmaninoff's Second Piano Sonata op. 36: Towards the
Creation of an Alternative Performance Version
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replete with full-bodied chords typical of
Rachmaninoff, which decisively ends the piece in D minor.
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Juxtaposed in the intro is a motif revisited throughout the movement: a quiet, questioning
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330:. This densely thematic expression is taken to represent the turmoil of Faust's mind.
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90:, and takes about 35 minutes to perform. The sonata is structured like a typical
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53:, completed in 1908. It is the first of three "Dresden pieces", along with the
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as well, although Rachmaninoff missed all three of these performances.
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applied to his sprawling work. At this time he was invited, along with
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The sonata had a mediocre evaluation after Igumnov's premiere in
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Sergei Rachmaninoff: Sonata No. 1 and Other Works for Solo Piano
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and part of an opera, which were composed in the quiet city of
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had died several months previously, and the burden of heading
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133:
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to perform an early version of the sonata to contemporaries
30:
river, providing a quiet environment for Rachmaninoff (1900)
27:
833:
Rachmaninoff: The Illustrated Lives of the Great Composers
122:
sonata based on the main characters of the tragic play
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888:
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375:Ending the sonata is the furious third movement
829:
978:
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658:"Rachmaninov – Sonata no.1 in D minor, op.28"
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1583:Music written in all major and/or minor keys
16:Composition for piano by Sergei Rachmaninoff
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913:Rachmaninoff: Composer, Pianist, Conductor
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348:In key, the movement pretends to start in
1099:
942:International Music Score Library Project
760:Milstein, Nathan; Solomon Volkov (1990).
519:. Lugansky performs the piece regularly.
259:The opening of the sonata's 1st movement.
114:, but also to escape the distractions of
728:Sergei Rachmaninoff: A Lifetime in Music
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18:
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333:The movement closes quietly in D major.
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725:Bertensson, Sergei; Jay Leyda (2001).
685:
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219:from the Paris concert, he stopped in
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591:Rachmaninoff: Life, Works, Recordings
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263:The piece is structured as a typical
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867:"The Rachmaninov Lover's Home Page"
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1674:Piano music by Sergei Rachmaninoff
545:The Master Musicians: Rachmaninoff
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158:Rachmaninoff enlisted the help of
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315:revisited in the later movements.
273:(moderately quick), the second a
140:, and indeed it nearly parallels
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1611:
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1379:Variations on a Theme of Corelli
686:Nelson, Lee-Ann (October 2006).
570:
65:. It was originally inspired by
1432:Morceau de Fantaisie in G minor
1342:Variations on a Theme of Chopin
1183:Rhapsody on a Theme of Paganini
1084:Piano Concerto No. 4 in G minor
1079:Piano Concerto No. 3 in D minor
1074:Piano Concerto No. 2 in C minor
950:Piano.ru – Sheet music download
858:
830:Matthew-Walker, Robert (1984).
424:Variations on a Theme of Chopin
303:The substantial first movement
267:: the first movement is a long
1578:Sergei Rachmaninoff recordings
1214:Liturgy of St. John Chrysostom
823:
788:
753:
697:(MMus). University of Pretoria
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279:(very slow), and the third an
265:sonata in the Classical period
250:
1:
1347:Piano Sonata No. 1 in D minor
795:von Riesemann, Oskar (1934).
522:
194:the following spring held by
162:, one of his classmates from
105:
798:Rachmaninoff's Recollections
393:
7:
958:Chubrik.ru – Audio download
10:
1700:
1557:Conservatoire Rachmaninoff
1291:Suite No. 2 for two pianos
1286:Suite No. 1 for two pianos
903:
130:Johann Wolfgang von Goethe
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1570:
1549:
1313:
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1199:
1131:Symphony No. 3 in A minor
1119:Symphony No. 2 in E minor
1114:Symphony No. 1 in D minor
1092:
1063:Piano Concerto No. 1 in F
1055:
1009:
1000:
542:Norris, Geoffrey (1993).
1419:Piece (Canon) in D minor
916:. London: Scolar press.
737:Indiana University Press
1684:Compositions in D minor
1360:Piano Sonata No. 2 in B
1281:Cello Sonata in G minor
910:Martyn, Barrie (1990).
763:From Russia to the West
419:Russian classical music
415:Nikolai Rimsky-Korsakov
326:, followed by a solemn
200:France–Russia relations
180:Nikolai Rimsky-Korsakov
151:which is made of three
656:Brisson, Eric (2008).
588:Harrison, Max (2006).
495:, Santiago Rodriguez,
322:answered by a defiant
260:
31:
1562:Rachmaninoff (crater)
1322:Morceaux de fantaisie
631:. Mineola, New York:
307:presents most of the
258:
170:, to discuss how the
166:'s class back in the
79:gave the premiere in
22:
1336:Six moments musicaux
1003:List of compositions
739:. pp. 131–152.
733:Bloomington, Indiana
497:Alexander Romanovsky
215:On returning to his
206:(his opera project,
1438:Fughetta in F major
1425:Four Improvisations
1235:Three Russian Songs
1032:Francesca da Rimini
994:Sergei Rachmaninoff
865:Wiens, Tom (2008).
844:. pp. 59, 62.
509:Rustem Hayroudinoff
168:Moscow Conservatory
55:Symphony No. 2
51:Sergei Rachmaninoff
1537:Prelude in F major
1144:Scherzo in D minor
1025:The Miserly Knight
938:Piano Sonata No. 1
809:. pp. 138–9.
772:Barrie and Jenkins
633:Dover Publications
602:. pp. 132–5.
556:. pp. 87–88.
513:Alexis Weissenberg
445:Vladimir Ashkenazy
441:Eteri Andjaparidze
400:Konstantin Igumnov
261:
233:Konstantin Igumnov
190:, to a concert in
184:Alexander Scriabin
176:Alexander Glazunov
112:his first symphony
100:Piano Sonata No. 2
77:Konstantin Igumnov
35:Piano Sonata No. 1
32:
1669:1908 compositions
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1545:
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1329:Morceaux de salon
1259:Morceaux de salon
1139:
1138:
923:978-0-859-67809-4
851:978-0-7119-0253-4
816:978-0-8369-5232-2
781:978-0-7126-4549-2
473:Valentina Lisitsa
457:Sergio Fiorentino
328:chord progression
324:authentic cadence
309:thematic material
172:sonata rondo form
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1532:Preludes, Op. 32
1475:Preludes, Op. 23
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1403:Lento in D minor
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1297:Russian Rhapsody
1190:Symphonic Dances
1176:Isle of the Dead
1169:Caprice bohémien
1155:Prince Rostislav
1149:Suite in D minor
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305:Allegro moderato
290:Allegro moderato
270:Allegro moderato
196:Sergei Diaghilev
188:Feodor Chaliapin
136:, Gretchen, and
92:Classical sonata
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505:Daniil Trifonov
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217:Ivanovka estate
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69:'s tragic play
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877:on 2008-07-10
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1443:Three Pieces
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1598:Romanticism
1593:Villa Senar
1409:Four Pieces
1046:Monna Vanna
895:Martyn 1990
465:Ruth Laredo
251:Composition
209:Monna Vanna
142:Franz Liszt
45:. 28, is a
1663:Categories
1391:Étude in F
1314:Solo piano
1100:Symphonies
1093:Orchestral
881:2008-08-10
667:2008-02-03
662:Pianopedia
523:References
489:John Ogdon
453:Ä°dil Biret
296:, ends in
198:to soothe
106:Background
1228:The Bells
1125:The Bells
807:Macmillan
600:Continuum
394:Reception
381:Dies irae
237:Lev Conus
153:movements
88:movements
1616:Category
1467:♯
1457:Preludes
1394:♯
1374:, Op. 39
1363:♭
1355:, Op. 33
1242:Vocalise
1162:The Rock
1066:♯
1056:Concerto
1039:SalammbĂ´
871:ChinaTom
803:New York
635:. 2001.
149:Symphony
1571:Related
1251:Chamber
904:Sources
842:Omnibus
688:"2.2.2"
370:D minor
358:cadenza
350:D major
343:F major
298:D major
294:D minor
245:Leipzig
144:'s own
120:program
63:Germany
59:Dresden
39:D minor
24:Dresden
1639:Portal
1221:Spring
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838:London
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768:London
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701:24 May
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596:London
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411:Moscow
313:motifs
241:Berlin
235:, and
221:Moscow
186:, and
116:Moscow
96:themes
81:Moscow
67:Goethe
1626:Audio
1470:minor
1397:major
1366:minor
1276:No. 2
1268:No. 1
1200:Vocal
1069:minor
1018:Aleko
1010:Opera
691:(PDF)
354:Lento
339:Lento
320:fifth
276:Lento
192:Paris
147:Faust
134:Faust
125:Faust
72:Faust
918:ISBN
846:ISBN
811:ISBN
776:ISBN
741:ISBN
703:2018
637:ISBN
604:ISBN
558:ISBN
515:and
404:bars
368:(in
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311:and
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128:by
49:by
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