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Holy card

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212: 128: 69: 49: 544:, the magazine of the Swedish Evangelical Mission Covenant of America denomination, and based on an image of Jesus in a painting by the French artist Leon Augustin Lhermitte, Sallman's "Head of Christ" was painted in 1940. In half a century, it had been produced more than five hundred million times in formats ranging from large-scale copies for use in churches to wallet-sized ones that individuals could carry with them at all times. 354:
Holy cards are popular collectible items. They are small and inexpensive and can be stored safely in plastic sleeves in a binder. Holy card collecting is mostly popular in Catholic countries. Collectors base their collection on various criteria like a favorite saint, country of issue, issuer, etc.
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During the postwar revival of the 1940s and 1950s, as Protestants and Catholics downplayed denominational differences in order to present a united front against the menace of godless Communism, Sallman's Jesus became far and away the most common image of Jesus in American homes, churches, and
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Of these one stands out as having deeply impressed itself of the American religious consciousness: the "Head of Christ" by artist Warner Sallman (1892-1968). Originally sketched in charcoal as a cover illustration for the
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Special holy cards are printed for Catholics to be distributed at funerals by the family of the deceased that include the name and usually dates of birth and death of the deceased. These are a particular type of the
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of Roman Catholics, and in modern times, prayer cards have also become popular among Orthodox Christians and Protestant Christians, although with the latter, biblical themes are emphasized within them.
271:, which stages the event in a bourgeois home; above the fireplace, a print of Christopher carrying the Christ child is tacked to the wall, possibly as a more affordable alternative to a painting. 283:
made it possible to reproduce coloured images cheaply, leading to a much broader circulation of the cards. An early centre of their manufacture was in the environs of the
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workplaces. Thanks to Sallman (and the savvy marketing of his distributors), Jesus became instantly recognizable by Americans of all races and religions.
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Protestant prayer cards tended to emphasize biblical themes as opposed to devotional subjects (Leonard Primiano, personal communication, 2011).
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in Germany) produced large numbers of cards, and often a single design was printed by different companies in different countries.
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At the end of the nineteenth century, some Protestants also produced similar images of their own. They produced "Bible cards" or "
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instead of a prayer. Imagery here was always the servant of text, and as such these Protestant cards tended to be replaced by
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painting has been printed more than 500 million times, including pocket-sized cards for carrying in a
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Het hemels prentenboek: Devotie- en bidprentjes vanaf de 17e eeuw tot het begin van de 20e eeuw
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In recent years, holy cards have become increasingly popular among Orthodox Christians as well.
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era, "millions of cards featuring the Head of Christ were distributed through the USO by the
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One use of such cards is illustrated in an early 15th-c painting of the Annunciation by
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Being Religious, American Style: A History of Popular Religiosity in the United States
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Catalogue of an Exhibition of Manuscripts and Early Printing Originating in Germany
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Faith in Objects: American Missionary Expositions in the Early Twentieth Century
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pictures for the use of the faithful that usually depict a religious scene or a
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and Germany also became centres of the manufacture of holy cards, as did
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that emphasized message instead of imagery, and were illustrated with
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in Paris; the lithographed images made there were done in delicate
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The circulation of these cards is an important part of the visual
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Holy card collection, University of Dayton Special Collections
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to members of the American armed forces stationed overseas".
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were more commonly used. Some had elaborate borders of paper
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in the twentieth century. Catholic printing houses (such as
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colours, and proved extremely influential on later designs.
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American Jesus: How the Son of God Became a National Icon
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Andachtsbildchen: Kleinode privater Frömmigkeitskultur
509: 174:cards", with lithographed illustrations depicting 41:A German holy card from around 1910 depicting the 457:. John Rylands University Library. Archived from 669: 641:Dipasqua, Sandra & Calamari, Barbara (2004) 621:Encyclopedia of Catholic Devotions and Practices 198:-like images if they were illustrated at all. 222:is in the top right, between candle fixtures. 151:, which can also record other events such as 492: 580: 424:Encyclopedia of Mystics, Saints & Sages 387: 591:. Farrar, Straus and Giroux. p. 117. 497:. Hilversum: Gooi en Sticht. pp. 7–8. 260:surrounding the images; these were called 586: 549: 501: 415: 393: 210: 139:Most cards are circulated to assist the 126: 67: 47: 36: 14: 670: 587:Prothero, Stephen (15 December 2003). 516:. Greenwood Publishing Group. p.  630:. MĂĽnchen: Verlag Sankt Michaelsbund 562:. Stanford University Press. p.  555: 507: 421: 508:Lippy, Charles H. (1 January 1994). 206: 143:of the saints and images they bear. 398:. Palgrave Macmillan. p. 206. 103:. The reverse typically contains a 24: 688:Catholic Church in popular culture 613: 493:Verspaandonk, J. A. J. M. (1975). 133:Our Lady of Solitude of Porta Vaga 25: 699: 656: 312: 394:Hasinoff, Erin L. (2011-11-22). 99:in an image about the size of a 486: 473: 443: 274: 13: 1: 426:. HarperCollins. p. 68. 380: 349: 645:. New York: Harry N. Abrams 479:John Rylands Library (1969) 455:Guide to Special Collections 422:Illes, Judika (2011-10-11). 241:(1417) which belongs to the 7: 358: 107:, some of which promise an 10: 704: 556:Moore, Stephen D. (2001). 201: 29: 27:Christian devotional image 303:Maison de la Bonne Presse 30:Not to be confused with 122: 223: 136: 76: 65: 45: 626:Gärtner, Hans (2004) 214: 130: 71: 64:, with hand-colouring 51: 40: 285:Church of St Sulpice 243:John Rylands Library 218:by Robert Campin; a 135:from the Philippines 111:for its recitation. 559:God's Beauty Parlor 163:, or the making of 72:Prayer card of the 52:The earliest known 542:Covenant Companion 224: 137: 77: 74:Holy Face of Jesus 66: 46: 281:chromolithography 279:The invention of 262:dĂ©votes dentelles 235:Saint Christopher 227:Old master prints 207:Old master prints 149:in memoriam cards 16:(Redirected from 695: 607: 606: 584: 578: 577: 553: 547: 546: 536: 534: 515: 505: 499: 498: 490: 484: 477: 471: 470: 468: 466: 447: 441: 440: 419: 413: 412: 391: 21: 703: 702: 698: 697: 696: 694: 693: 692: 668: 667: 659: 616: 614:Further reading 611: 610: 599: 585: 581: 574: 554: 550: 532: 530: 528: 506: 502: 491: 487: 478: 474: 464: 462: 461:on 2 April 2010 449: 448: 444: 434: 420: 416: 406: 392: 388: 383: 365:Saint symbolism 361: 352: 315: 277: 209: 204: 131:Prayer card of 125: 35: 28: 23: 22: 15: 12: 11: 5: 701: 691: 690: 685: 683:Paper products 680: 666: 665: 658: 657:External links 655: 654: 653: 639: 624: 615: 612: 609: 608: 597: 579: 572: 548: 526: 500: 485: 472: 442: 432: 414: 404: 385: 384: 382: 379: 378: 377: 375:Andachtsbilder 372: 367: 360: 357: 351: 348: 333:Salvation Army 320:Head of Christ 314: 313:Recent history 311: 305:in France and 276: 273: 245:, Manchester. 208: 205: 203: 200: 165:religious vows 124: 121: 26: 9: 6: 4: 3: 2: 700: 689: 686: 684: 681: 679: 678:Christian art 676: 675: 673: 664: 661: 660: 652: 651:0-8109-4338-7 648: 644: 640: 637: 636:3-920821-45-9 633: 629: 625: 622: 618: 617: 605: 600: 598:9780374178901 594: 590: 583: 575: 573:9780804743327 569: 565: 561: 560: 552: 545: 543: 529: 527:9780313278952 523: 519: 514: 513: 504: 496: 489: 482: 476: 460: 456: 452: 446: 439: 435: 433:9780062098542 429: 425: 418: 411: 407: 405:9780230339729 401: 397: 390: 386: 376: 373: 371: 368: 366: 363: 362: 356: 347: 345: 340: 338: 334: 330: 326: 322: 321: 310: 308: 304: 300: 296: 292: 290: 286: 282: 272: 270: 269:Robert Campin 265: 263: 259: 255: 251: 246: 244: 240: 239:Laus Virginis 236: 232: 228: 221: 217: 213: 199: 197: 193: 189: 185: 181: 177: 176:Bible stories 173: 172:Sunday school 168: 166: 162: 158: 157:confirmations 154: 150: 144: 142: 134: 129: 120: 117: 112: 110: 106: 102: 98: 94: 90: 86: 82: 75: 70: 63: 59: 55: 50: 44: 39: 33: 19: 642: 627: 620: 602: 588: 582: 558: 551: 541: 538: 531:. Retrieved 511: 503: 494: 488: 480: 475: 463:. Retrieved 459:the original 454: 451:"Incunabula" 445: 437: 423: 417: 409: 395: 389: 353: 341: 329:World War II 318: 316: 293: 278: 266: 261: 247: 238: 225: 216:Annunciation 215: 169: 145: 138: 116:folk culture 113: 101:playing card 89:prayer cards 88: 84: 78: 342:During the 275:Lithography 264:in France. 184:calligraphy 161:ordinations 91:are small, 83:tradition, 58:Christopher 43:crucifixion 18:Prayer card 672:Categories 643:Holy Cards 619:Ball, Ann 381:References 350:Collecting 220:wood print 188:sermonette 141:veneration 109:indulgence 93:devotional 85:holy cards 327:. In the 317:The 1940 307:Ars Sacra 250:engraving 81:Christian 32:Mass card 638:(German) 533:30 April 359:See also 344:Cold War 335:and the 231:woodcuts 180:parables 153:baptisms 60:, 1423, 465:15 July 295:Belgium 254:etching 202:History 196:cartoon 79:In the 62:Buxheim 54:woodcut 649:  634:  595:  570:  524:  430:  402:  325:wallet 289:pastel 248:Later 192:tracts 105:prayer 299:Italy 97:saint 56:, St 647:ISBN 632:ISBN 593:ISBN 568:ISBN 535:2014 522:ISBN 467:2010 428:ISBN 400:ISBN 370:Icon 337:YMCA 258:lace 178:and 123:Uses 564:248 518:185 252:or 87:or 674:: 601:. 566:. 537:. 520:. 453:. 436:. 408:. 167:. 159:, 155:, 623:. 576:. 469:. 34:. 20:)

Index

Prayer card
Mass card

crucifixion

woodcut
Christopher
Buxheim

Holy Face of Jesus
Christian
devotional
saint
playing card
prayer
indulgence
folk culture

Our Lady of Solitude of Porta Vaga
veneration
in memoriam cards
baptisms
confirmations
ordinations
religious vows
Sunday school
Bible stories
parables
calligraphy
sermonette

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