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Princess Xijun

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before he died, he wanted to divorce her so that his grandson Cenzou (岑陬) could marry her. Although Xijun protested to the Han emperor at the prospect of such remarriage, which was considered improper in Han Chinese custom, the Han emperor replied that she should comply as the alliance with Wusun was deemed necessary to vanquish the Xiongnu. She duly married Cenzou, who became king after Liejiaomi died, and she had a daughter with him in 102 BC. She died the following year. A further princess named
121: 107:. Xijun was orphaned while still an infant. Her father was described as incestuous, cruel and depraved, and had to commit suicide after being implicated in a rebellion. Her mother was also executed the same year for practicing witchcraft. As daughter of disgraced parents, she would likely have a low status at the Han court. 715:(琵琶賦). Original text: 琵琶,傅玄《琵琶賦》曰: 漢遣烏孫公主嫁昆彌,念其行路思慕,故使工人裁箏、築,為馬上之樂。欲從方俗語,故名曰琵琶,取其易傳於外國也。 Translation: Pipa - Fu Xuan's "Ode to Pipa" says: "The Han Emperor sent the Wusun princess to marry Kunmi, and being mindful of her thoughts and longings on her journey, instructed craftsmen to modify the Chinese zither 439:
area with a retinue of 100 officials, eunuchs, servants and carriages. After her marriage, she was made Lady of the Right, a position subordinate to the Lady of the Left who was of Xiongnu origin. However, her husband was elderly, she rarely saw him and could not communicate with him. Shortly
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In 105 BC, Xijun's status was elevated and she was made a princess by Emperor Wu. The emperor wanted to send her off to marry the king (Kunmi or Kunmo) of the Wusun, Liejiaomi (猎驕靡), with the intention of forming an alliance with the Wusun and breaking up the confederacy of the
462:– the instrument was said to have been created on the order of the Han emperor so that music could be played on horseback to soothe her longings on the way to the Wusun. Pipa, however, is likely to be of non-Chinese origin. Her story is also often conflated with that of 723:
to make an instrument tailored for playing on horseback. Therefore the common use of the old term pipa came about because it was thus transmitted to a foreign country."
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speculated that pipa might have also been played during Wang Zhaojun's journey as in the story for Xijun.
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Princess Xijun's daughter was sent to the Han court in 64 BC. But when the daughter stopped at
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Biographical Dictionary of Chinese Women: Antiquity Through Sui, 1600 B.C.E–618 C.E
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The Princess of Wusun has been linked to a story about the invention of
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Southern Identity and Southern Estrangement in Medieval Chinese Poetry
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Southern Identity and Southern Estrangement in Medieval Chinese Poetry
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Liu Xijun was the daughter of the King of Jiangdu (in modern-day
484: 309: 300: 75:), was a princess of the Han dynasty sent to marry the King of 28: 554: 448: 423: 236: 214: 80: 76: 793: 617:
Lily Xiao Hong Lee; A.D. Stefanowska, eds. (26 March 2015).
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Wishing I could be a yellow swan, and return to my old home
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Ping Wang; Nicholas Morrow Williams, eds. (January 2015).
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Ping Wang; Nicholas Morrow Williams, eds. (January 2015).
735:"The pipa: How a barbarian lute became a national symbol" 422:
The Han princess Xijun was sent to marry the king of the
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Living here, I long for my land, and my heart aches
677:Trade, Commerce, and the State in the Roman World 540:My family married me off to the edge of the world 451:on the way, she decided to marry the king of the 886: 674:Wilson, Andrew; Bowman, Alan (27 October 2017). 759:(March 1955). "The Origin of the Short Lute". 653:. Hong Kong University Press. pp. 82–83. 543:Far away in the strange land of the Wusun king 794:Stephen H. West; Wilt L. Idema, eds. (2010). 877:. National Academy for Educational Research. 673: 800:. Hackett Publishing Company. p. 158. 827:. Hong Kong University Press. p. 85. 444:was sent to marry Cenzou after her death. 732: 680:. Oxford University Press. p. 452. 43: 887: 755: 642: 640: 384: 375: 99:), Liu Jian (劉建) and granddaughter of 797:Monks, Bandits, Lovers, and Immortals 749: 726: 694: 612: 610: 482:A poem credited to Xijun is given in 406: 395: 353: 316: 307: 298: 287: 278: 265: 256: 243: 234: 221: 212: 201: 190: 179: 166: 155: 135: 126: 117: 905:2nd-century BC Chinese women writers 847: 364: 342: 329: 146: 733:Millward, James A. (10 June 2011). 637: 13: 850:"The Poetry of Han Historiography" 607: 14: 936: 550:is my chamber, the felt my walls 119: 112: 895:Han dynasty imperial princesses 863: 580: 841: 814: 787: 667: 47:, 123?–101 BC), also known as 33: 24: 1: 900:2nd-century BC Chinese people 600: 910:2nd-century BC Chinese poets 7: 10: 941: 761:The Galpin Society Journal 623:. Routledge. p. 168. 72: 60: 707:quoting earlier work by 573: 477: 86: 848:Kern, Martin (2004). 925:People from Yangzhou 857:Early Medieval China 419:class=notpageimage| 859:. 10–11 (1): 23–65. 53:Princess of Jiangdu 687:978-0-19-250796-9 586:Yellow swan (黃鵠, 569: 568: 553:Meat is my food, 105:Emperor Wu of Han 81:marriage alliance 65:Princess of Wusun 932: 879: 878: 867: 861: 860: 854: 845: 839: 838: 818: 812: 811: 791: 785: 784: 757:Picken, Laurence 753: 747: 746: 745:on 13 June 2011. 741:. 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Index

Chinese
pinyin
Wade–Giles
Chinese
Chinese
Wusun
marriage alliance
Yangzhou
Jiangsu
Liu Fei
Emperor Wu of Han
Princess Xijun is located in Continental Asia

-100
INDO-
GREEKS

SAKAS
Sargat
Shule
SABEANS
MEROË
AKSUM
KUCHA
Tesinsky
WUSUN
Khotan
LOULAN
Ordos
culture

JIN
DONGHU
YUEZHI

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