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UFA GmbH

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1428:. UFA's many prize-winning TV films, light entertainment formats, popular soap operas, long-running TV series, sitcoms and non-fiction programs have made it the leader on the German television market. The company broadcasts over 2,800 hours of content each year. In early 1997, the holding society UFA Hamburg (today Cologne) merged with CLT in Luxemburg to form CLT-UFA. April 2000 saw a merger with Pearson TV and the creation of the RTL Group, in which Bertelsmann has held the majority (90.4%) since late 2001. All worldwide production activities of the RTL Group are consolidated in FremantleMedia, and UFA is the holding company of all FremantleMedia's production activities in Germany. UFAInteractive, a small subsidiary directly associated with the holding company, was created to fulfill UFA's need for constant innovation (e.g. program content for mobile devices and special-interest channels) as well as to assist the larger companies independently in an advisory function. 746: 1075: 851: 1189:
to sell all of its UFA shares for 21.25 million Reichsmark (equivalent to 95 million 2021 €) to Cautio Treuhand GmbH, a quasi-governmental holding company that answered to Goebbels. This move meant that UFA was effectively nationalized. Emil Georg von Stauß was named Chairman of the Supervisory Committee, Ludwig Klitzsch remained General Director, and Carl Opitz was named Press Officer. In May, an art committee headed by Carl Froelich – but in fact controlled by Goebbels – was founded. This committee proceeded to have a direct influence on UFA's production planning; it also severely curtailed the work of production head
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letting the national film industry regain its foothold. Thus the reorganization of Germany's film industry outside the Soviet zone was very slow, in spite of the "Lex UFI" law issued in September 1949 by the American and British military regime and the Dissolution Law (June 1953) issued by the German Bundestag. The status of UFA was furthermore controversial, with doubts about whether it should be allowed to resume operations at all because of its identification with Nazi film production. Motion pictures produced after the war in the Allied zones were, for a decade, made by other, fledgling companies.
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top of that, by occupying almost all of Europe, the Nazi regime also provided UFA with new sales markets, as well as placing distribution outlets in such "neutral" countries as the United States. By 1938, after taking over foreign film production facilities in France, Belgium and other countries, one third of the company's sales came from abroad. UFA's economic boom made it possible to further expand the so-called "star system," which had already been developed in the silent film era. The highest paid UFA stars in the Nazi era were
362: 487: 861: 1295:. The coordination of individual sub-groups of the UFI Corporation was the job of the newly appointed Reich Film Director-General. The production heads worked for the administrative director general and were responsible for the overall planning of annual programming and content design all the way up to the actual shooting of the film: these heads were also responsible for giving instructions to the film line producers and directors. It was subsequently fully nationalized in mid-1944. 879: 4888: 40: 1110:' propaganda machine, even though Hugenberg was removed from his post shortly thereafter (June 1933) under pressure from Hitler. In an act of anticipatory obedience to the Nazi regime, UFA management fired several Jewish employees on March 29, 1933. In the summer of 1933, the Nazi regime created the Film Chamber of the Reich, which adopted regulations officially excluding Jewish filmmakers from all German studios. 495: 147: 1420:
Fernsehproduktion. With the launch of private television in 1984, the Bertelsmann Group brought together its film and TV activities in a new holding – the UFA Film und Fernseh GmbH in Hamburg – which also held investments in radio and TV stations such as RTL and Premiere. They also established and marketed new film and sports rights.
435:'s Chief Representative, Manfred Köhnlechner, acquired the entire Universum Film AG holdings from Deutsche Bank, which had previously been the main UFA shareholder and which had determined the company's business policy as head of the shareholders' consortium. Köhnlechner bought UFA, which was heavily in debt, on behalf of 459:, and is responsible for all production activities of Bertelsmann and Fremantle in Germany. Until August 2013, eight subsidiaries operated under the UFA umbrella: UFA Fernsehproduktion, UFA Entertainment, Grundy UFA, Grundy Light Entertainment, UFA Cinema, teamWorx, Phoenix Film and UFA Brand Communication. 1345:
It was 1956 by the time Bavaria was outsourced and the remaining UFA re-privatized. A bank consortium led by Deutsche Bank was behind the founding of the new Universum-Film AG, whose production facilities included the Afifa-Kopierwerk and the ateliers in Berlin-Tempelhof. Its first Board Chairman was
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In 1936, Germany's first film institute was founded in the form of the UFA-Lehrschau set up by Hans Traub at the Babelsberg Film Complex. Goebbels systematically brought UFA and all other media companies under the control of his Propaganda Ministry. On March 18, 1937, the Hugenberg Company was forced
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The production companies belonging to UFA Berlin have been under the management of Wolf Bauer, Norbert Sauer and Axel Reick since autumn 1991. Using the rhombus logo again, this team developed UFA Film & TV Produktion into the largest production company in Germany, now written in capital letters
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In contrast, the main film-policy goal of the Allied occupying forces, under American insistence, consisted in preventing any future accumulation of power in the German film industry. The Western powers also had more interest in opening up the German film market for their own products rather than in
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UFA experienced a new commercial boom in the Nazi era, not least due to the government's protectionist measures, which freed the company from bothersome domestic and foreign competition, sometimes even incorporating their production facilities and staff (see also: National Socialist Film Policy). On
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were occupied by the Red Army. After the German Wehrmacht issued its unconditional surrender on May 7 & 9, 1945, the Military Government Law No. 191 initially halted and prohibited all further film production. On July 14, 1945, as a result of Military Government Law No. 52, all Reich-owned film
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At the time of its nationalization, among the production facilities belonging to UFA were 27 film studios, nine of which were in Neubabelsberg (Potsdam-Babelsberg), and seven of which were in Berlin-Tempelhof, including three that belonged to Carl Froelich-Film GmbH in name only. UFA also had two
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In addition, as a result of the nationalist German spirit that already dominated the company, UFA was perfectly suited to serve the goals of National Socialist propaganda in film. Hugenberg had been named Reich Minister of Economics immediately following the Nazi takeover of January 30, 1933, and
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In 1927, UFA found itself in serious financial trouble. After the stabilization of the German currency starting in November 1924, the German film industry in general entered a period of crisis: foreign sales stalled due to low profit margins, and the German market became profitable once again for
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The mission of UFA at the time of its founding was the production of films – feature films, documentaries, cultural films and weekly headline (newsreel) films – designed to function as propaganda for Germany abroad. However, after mounting tensions between the company's founding members, Deutsche
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On January 10, 1942, UFA officially became the subsidiary of UFA-Film GmbH (UFI), into which all German film production was merged. Other companies were dissolved or integrated into UFA at the time, including Bavaria Film, Berlin-Film, Terra Film and Tobis AG, which became additional production
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acquired UFA-Theater AG and continued operating the company with a license from Bertelsmann under the UFA's trademark rhombus logo. The right to the UFA name remains, however, with Bertelsmann. Under the management of Werner Mietzner, the company experienced a renaissance in productions at UFA
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An early step towards the founding of UFA was taken on January 13, 1917, with the creation of the Bild- und Filmamt (Bufa) by Germany's Supreme Army Command. Formed as a reaction to the perceived advantage of Germany's enemies in the realm of film propaganda, Bufa's task was to use film for
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directed the film and also wrote the screenplay. Additionally, the Soviets confiscated numerous UFA productions from the Babelsburg vaults and dubbed them into Russian for release in the USSR; and simultaneously began importing Soviet films to the same offices for dubbing into German and
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for roughly five million Deutschmarks. (Köhnlechner: "The question came up as to why not take the entire thing, it still had many gems.") Only a few months later, Köhnlechner also acquired the UFA-Filmtheaterkette, a movie theater chain, for almost eleven million Deutschmarks.
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was set up in Wiesbaden on the initiative of the German Federal Government and representatives of the film industry. In 1966, the foundation acquired the rights to UFA and Bavaria Film – and they have been administering, storing and restoring ever since. In 1972, the
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American film giants. The resulting concentration on a few large German film companies, which came together to unite production, distribution and presentation under one UFA's managers made severe miscalculations with regard to two large-scale productions,
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UFA had acquired the German rights for an early sound film system, Tri-Ergon, in 1924. The Tonbild Syndicate AG (Tobis) - with German, Swiss and Dutch backing - acquired the Tri-Ergon rights in 1928, and merged with Klangfilm (a partnership between
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was founded as a consolidation of private film companies on December 18, 1917 in Berlin. The company's starting capital was 25 million Reichsmark (equivalent to 62 million 2021 €): among the contributors were the German government, the
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UFA experienced a golden age in cinema from the 1920s to the 1940s. In this period, the company contributed significantly to the history of German film. The following are among UFA's most famous productions from those years:
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and owner of the Scherl-Gruppe, a powerful media corporation – bought the company. The new General Director was Ludwig Klitzsch; Hugenberg himself took over the chairmanship of the supervisory board; his deputy was banker
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were made available for film production. In 1926, the facilities were expanded by means of the construction of the largest studio hall in Europe at the time. In 1923, after Decla-Bioscop AG and others were taken over,
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Bank was able to prevail and implement their approach to film production as a business rather than for military objectives. Instead of propaganda films, UFA now produced elaborate entertainment films such as
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UFA Films Incorporated, plaintiff, against UFA Eastern Division Distribution Inc., National Surety Company and David Brill, defendants : memorandum in support of plaintiff's motion for a temporary
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On August 9, 2013, the company underwent a major restructuring based on the new strategic goal and concept of "One UFA". UFA's organizational structure was simplified down to three production units.
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Given that Germany had been – and continued to be – largely cut off from film imports due to World War I, the new company had ideal conditions for their conquest of the German market.
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The Soviet military government, which was in favour of a speedy reconstruction of the German film industry under Soviet supervision, incorporated the Babelsberg ateliers into
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Arno Hauke who, until then, had been the General Trustee for UFI assets in the British zone. The first film made by Universum-Film AG, a short documentary film called
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assets of UFI Holding were seized. All activities in the film industry were placed under strict licensing regulations and all films were subject to censorship.
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UFA was already in 1921 producing the lion's share of German feature films, and in that year it was privatized. Starting in 1922, large ateliers in
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was the first German feature film in the post-war era and the first so-called "Trümmerfilm" ("Rubble Film"). It was shot in 1945/46 by DEFA in the
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acquired Universum-Film AG and all other divisions of UFA-Theater AG. In order to prevent the sale of film rights belonging to the old UFA, the
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dubbing studios, a mixing studio, two animation studios, two ateliers for advertising films, one for cartoons and a small training atelier.
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In August 2013, UFA underwent an organizational restructuring that simplified the company down to three production divisions. Today,
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on December 18, 1917, as a direct response to foreign competition in film and propaganda. UFA was founded by a consortium headed by
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Hampicke, Evelyn (1996). "The Danish influence: David Oliver and Nordisk in Germany". In Elsaesser, Thomas; Wedel, Michael (eds.).
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e. V. (DLG), which had been founded in 1916. This agency was too much under the influence of heavy industry and, in particular, of
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In 1997, UFA and the Luxembourgish rival CLT established the joint venture CLT-UFA, which, following the takeover of British rival
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joint venture with Axel Springer, Heinrich Bauer Verlag, Lühmanndruck Harburger Zeitungsgesellschaft and Morgenpost Verlag.
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units. Film production in the captured nations was also brought under its aegis. Profits reached 155 million
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joint venture with Verlagsgesellschaft Madsack, Studio Gong Niedersachsen and Brune-Rieck-Beteiligungs.
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The following are among the most successful UFA directors in the silent era and early talkie period:
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649,828,997 in 2021) and 175 million ℛℳ in 1943 (equivalent to €715,085,619 in 2021).
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Nevertheless, UFA has recorded unsurpassed artistic successes with films such as Fritz Lang's
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and in Weissensee; and the Union-Theater (U.T. or U.T- Lichtspiele) chain of some 50 cinemas
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became head of all production operations and discovered and fostered many stars, including
1958: 1894: 1616: 8: 4381: 3992: 3861: 3841: 3654: 3139: 2398:(1). University of Texas Press, on behalf of the Society for Cinema & Media Studies. 2204: 1986: 1686: 1582: 968: 958: 906: 832: 528:. The Board Chairman of the new company was Deutsche Bank director Emil Georg von Stauß. 456: 452: 304: 297: 2065:
Bertelsmann - Zwei an der Kurbel Der Spiegel 31/1965 article from July 28, 1965 (German)
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in 1942. In 1969, after ten further feature films directed by leading artists such as
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are produced by the UFA. In 1930, the company enjoyed worldwide success with the film
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in 1924-1926. This situation was made even worse as the result of a gag contract (the
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in 2000. Now, UFA GmbH (UFA) works as a subsidiary of RTL Group's production division
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Prior to establishing the company, the General Staff had considered taking over the
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Exhibition and Museum for UFA Film Posters and Film Notices in the Pre-War Years
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UFA continued to sign production agreements with various independent producers:
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In 1942, as a result of the Nazi policy of "forcible coordination" known as the
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Gomery, Douglas (1976). "Tri-Ergon, Tobis-Klangfilm, and the Coming of Sound".
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Between two worlds: The Jewish presence in German and Austrian film, 1910–1933
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At this point, the UFA staff hierarchy was reorganized according to the Nazi
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Das UFA-Buch. Kunst und Krisen, Stars und Regisseure, Wirtschaft und Politik
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joint venture with Amperwelle Studio München Programmanbietergesellschaft,
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Three main film companies formed the nucleus of UFA from the end of 1917:
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ir, thus Decla) to form Decla-Bioskop: Taken over by UFA in October 1921.
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The UFA Story: A History of Germany's Greatest Film Company, 1918-1945
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The plans envisaged by the German General Staff – especially those of
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agreement) they had entered into in 1925 with the American companies
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Share of the Universum-Film AG, issued July 1929, signed by Hugenberg
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Interviews with Wolf Bauer in Die Zeit, Wirtschaftswoche and W&V
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Klappe zu, Der Spiegel 3/1964 article from January 15, 1964 (German)
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The UFA Story: A Story of Germany's Greatest Film Company 1918-1945
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Der deutsche Film im Spiegel der UFA. 25 Jahre Kampf und Vollendung
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From Caligari to Hitler: a psychological history of the German film
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Post-war period: Dissolution and Sovietization vs. re-privatization
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Between 1933 and 1942, the following were house directors at UFA:
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Fern-Andra Vertriebsgesellschaft, the film production company of
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Die UFA. Ein Beitrag zur Geschichte des deutschen Filmschaffens
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At first, nothing changed in UFA's production policy. In 1928,
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Ateliers in Potsdam-Babelsberg|Ateliers in Potsdam-Babelsberg
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Website of Universum Film GmbH, independent video provider
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Ateliers in Berlin-Tempelhof|Ateliers in Berlin-Tempelhof
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joint venture with Pressefunk Nordrhein-Westfalen and
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Traumfabrik und Staatskonzern. Die Geschichte der UFA.
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Anton Weber (1904–1979) – Filmarchitekt bei der UFA
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Grundy UFA (Grundy UFA Baleares, Magyar Grundy UFA)
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Hugenberg would later take over UFA in 1927. 478:are the four units responsible for production. 2442:CineGraph – Lexikon zum deutschsprachigen Film 1333:and the Jofa ateliers in Berlin-Johannisthal. 1113: 3130: 2869: 2774: 2654:Carl Froelich-Ateliers|Carl Froelich-Ateliers 2585:. Deutsches Historisches Museum, Berlin 1992. 2333:Die UFA, ein Traum - 100 Jahre deutscher Film 2590:Die UFA-Story. Geschichte eines Filmkonzerns 2583:Die UFA 1917–1945. Das deutsche Bildimperium 2414:A second life: German cinema’s first decades 1398:– feature film production at UFA was ended. 408:, UFA and all of its competitors, including 376: 999: 4953:Television production companies of Germany 2876: 2862: 2781: 2767: 2702:Konrad Wolf College of Film and Television 2578:. Zweitausendeins, Frankfurt am Main 1992. 1568:(directed by Fritz Lang; invention of the 1498:, renamed as Leonine Distribution in 2020) 612:More companies joined UFA not long after: 570:(Projektions Union), originally formed by 502: 4005:joint venture with Mediengruppe Dr. Haas. 2832:Media Vista Film & Audio Distributors 2469: 2228: 2168: 2141: 2117: 2105: 2044: 1733:; Germany's first feature film in color, 1503:Popular films from the 1920s to the 1940s 1494:Universum Film GmbH (since 2019 owned by 1267:Learn how and when to remove this message 1176:Learn how and when to remove this message 1062:Learn how and when to remove this message 950:, the first film thus distinguished) and 740: 637:who died in a mental institution in 1924. 124:Learn how and when to remove this message 4933:Mass media companies established in 1917 3993:Funk & Fernsehen Nordwestdeutschland 2456: 2435: 2410: 2156: 2129: 2086: 2074: 1944:, studio history and notable productions 1793: 1303:In late April 1945, the UFA ateliers in 1073: 877: 859: 849: 845: 744: 493: 485: 3939: 3937: 2368: 2330: 2216: 14: 4905: 4019: 4009: 2746:Documents and clippings about UFA GmbH 2515: 2494: 2389: 2307: 2192: 2180: 1994: 1452: 929:was replaced as head of production by 4043: 4025:joint venture with Broadcast Sachsen. 3999: 3985: 3951: 2857: 2762: 2372:Der Film der Weimarer Republik / 1929 1477:UFA Film- & Medienproduktion GmbH 355: 4948:Film production companies of Germany 4943:German companies established in 1917 4029: 3971: 3961: 3934: 3908: 3575: 3418: 3356: 2991: 2349: 2282: 2242:"100 Years of UFA – DW – 02/05/2018" 1208: 1205:State film monopoly: UFI (1942–1945) 1117: 1003: 62:adding citations to reliable sources 33: 2560:Die UFA und der frühe deutsche Film 1434: 1412:Friedrich Wilhelm Murnau Foundation 874:(1930), with UFA logo at lower left 24: 2835:Panorama Audio Visual Systems S.A. 2538: 1952:Film studios in Berlin-Tempelhof: 1591:The Three from the Filling Station 1102:was the highest-earning director. 975:The Three from the Filling Station 966:) or entertainment movies such as 25: 4979: 3529: 3452: 3393: 3260: 3176: 2900: 2697:DEFA Film Library and Online Shop 2619: 2495:Prawer, Siegbert Salomon (2005). 1665:Things Are Getting Better Already 1630:The Man in Search of His Murderer 378:Universum-Film Aktiengesellschaft 4887: 4886: 4830:Alliant International University 2315:. New York : Pandick Press. 1213: 1122: 1008: 145: 38: 2788: 2741:kress.de portrait of Wolf Bauer 2335:(in German). edition q Verlag. 2301: 2276: 2258: 2234: 2198: 1978: 1700:The Man Who Was Sherlock Holmes 1483:GRUNDY Light Entertainment GmbH 1386:– as well as such newcomers as 680:Deutsche Lichtbild-Gesellschaft 589:The entire German operation of 533:Deutsche Lichtbild-Gesellschaft 455:, which had been formed out of 49:needs additional citations for 4928:Companies based in Brandenburg 2677:UFA and German film chronology 2598:University of California Press 2555:. UFA-Buchverlag, Berlin 1943. 2548:. UFA-Buchverlag, Berlin 1943. 2478:University of California Press 2354:(in German). zweitausendeins. 2059: 2050: 2011: 1948:List of films featuring Berlin 1924: 1402:Bertelsmann (starting in 1964) 1106:made UFA openly available for 915:German National People's Party 678:from October 1920, previously 13: 1: 4958:Companies established in 1917 2883: 1966: 714:Rex-Film, founded in 1917 by 651:); merged in March 1920 with 389:board member. In March 1927, 4923:Film distributors of Germany 2574:, Michael Töteberg (Hrsg.): 2457:Kracauer, Siegfried (1947). 1461:UFA brand communication GmbH 948:Memory of the World Register 564:, a dominant German producer 7: 3339:Catchup and Video on Demand 3231:Catchup and Video on Demand 2750:20th Century Press Archives 2673:(independent of the studio) 2350:Bock, Hans-Michael (1992). 1935: 1646:(directed by Hanns Schwarz) 1114:Nationalization (1937–1941) 815:The Cabinet of Dr. Caligari 781:) and on Oberlandstraße in 729:contracted to UFA from 1925 702:Gloria-Film AG, founded by 10: 4984: 4968:Companies based in Potsdam 3616:Latin America & Brazil 2826:Lucifier Video Enterprises 2719:Wolf Bauer (film producer) 2710:Wolf Bauer (film producer) 2463:Princeton University Press 2419:Amsterdam University Press 2323: 1928: 1726:Women Are Better Diplomats 1547:Unchained camera technique 481: 26: 4882: 4822: 4786: 4755: 4709: 4671: 4631: 4568: 4512: 4468: 4461: 4441: 4410: 4351: 4306: 4258: 4248: 4133: 4091: 4084: 4073: 3903: 3653: 3636: 3615: 3517: 3445: 3386: 3248: 3167: 2891: 2848: 2796: 2603:Hans-Jürgen Tast (Hrsg.) 2562:. Sanssouci, Zürich 1963. 2470:Kreimeier, Klaus (1999). 2444:(in German). Cinegraph.de 2436:Hampicke, Evelyn (2015). 1668:(directed by Kurt Gerron) 699:, merged with UFA in 1922 328: 303: 291: 268: 244: 230: 220: 196: 173: 163: 153: 144: 4963:Bertelsmann subsidiaries 4684:McClelland & Stewart 4307:Berkley Publishing Group 3765:Production House Finland 2516:Taylor, Richard (1998). 1832:Friedrich Wilhelm Murnau 1531:(directed by Fritz Lang) 1222:This section includes a 1131:This section includes a 1017:This section includes a 1000:Nazification (1933–1937) 709:Heinrich Bolten-Baeckers 27:Not to be confused with 3920:The Walt Disney Company 2714:Internet Movie Database 2581:Rainer Rother (Hrsg.): 2283:Meza, Ed (2017-11-17). 1954:Oberlandstraße (Berlin) 1467:UFA Fernsehproduktion, 1284:in 1942 (equivalent to 1251:more precise citations. 1160:more precise citations. 1046:more precise citations. 517:Universum-Film AG (UFA) 508:psychological warfare. 503:Establishment from 1917 179:; 106 years ago 4811:PRH Publisher Services 4612:Associated publishers 3979:Westdeutscher Rundfunk 3789:The Apartment Pictures 3742:UFA Show & Factual 3326:La Chaîne du Père Noël 2838:Pissanos International 2814:Feelgood Entertainment 2369:Gandert, Gero (1993). 2331:Borgelt, Hans (1993). 1515:Dr. Mabuse the Gambler 1448:UFA Show & Factual 1086: 883: 875: 857: 821:Dr. Mabuse the Gambler 753: 741:Silent era (1918–1930) 499: 491: 472:UFA Show & Factual 447:, was restructured as 377: 177:December 18, 1917 4853:BMG Rights Management 3014:Antenne Niedersachsen 2805:Arcadia Entertainment 1794:Leading UFA directors 1652:My Wife, the Impostor 1356:came out: it starred 1077: 881: 864:Promotional photo of 863: 853: 846:Hugenberg (1927–1933) 748: 625:Continental-Kunstfilm 582:in Oberlandstraße in 497: 489: 4847:Arvato Entertainment 4794:Companhia das Letras 4699:New Canadian Library 4689:Douglas Gibson Books 4433:The Princeton Review 4382:Grosset & Dunlap 4324:New American Library 3857:Original Productions 3816:One Big Happy Family 3049:Hitradio RTL Sachsen 2820:JP Video Productions 2728:Wolf Bauer at UFA.de 2607:. Schellerten 2005, 1987:Siemens & Halske 1756:Die Feuerzangenbowle 1679:Friedrich Hollaender 1643:Bombs on Monte Carlo 1384:Wolfgang Liebeneiner 1360:and was directed by 994:Joseph von Sternberg 972:or the musical film 920:Emil Georg von Stauß 809:German Expressionism 749:UFA film set at the 593:(founded in 1906 by 383:Emil Georg von Stauß 58:improve this article 4938:German film studios 4644:Chatto & Windus 4049:joint venture with 4035:joint venture with 3991:joint venture with 3914:joint venture with 3862:Random House Studio 3842:Fremantle Australia 3401:RTL Télé Lëtzebuerg 1687:Triumph of the Will 1583:Josef von Sternberg 1544:; invention of the 1453:Former subsidiaries 969:Melody of the Heart 907:Metro-Goldwyn-Mayer 645:Deutsche Bioskop AG 141: 136:German film company 4873:Sächsische Zeitung 4800:Dorling Kindersley 4632:Vintage Publishing 4621:Everyman's Library 4362:Dial Young Readers 4109:Everyman's Library 4051:France Télévisions 3928:Hubert Burda Media 3888:No Pictures Please 3847:Eureka Productions 3808:Strong Productions 3762:Moskito Television 2799:Home Entertainment 2687:Filmmuseum Potsdam 2501:. Berghahn Books. 2195:, p. 4-5, 11. 2183:, pp. 130–31. 2120:, pp. 30, 68. 1997:, pp. 53, 54. 1863:Eduard von Borsody 1812:Ewald André Dupont 1474:UFA Filmproduktion 1322:Murderers Among Us 1305:Potsdam-Babelsberg 1224:list of references 1191:Ernst Hugo Correll 1133:list of references 1087: 1019:list of references 931:Ernst Hugo Correll 913:– Chairman of the 903:Paramount Pictures 884: 876: 858: 754: 621:Weissensee Studios 500: 498:UFA logo 1991–2013 492: 490:UFA logo 1917–1991 445:Pearson Television 370:media conglomerate 318:Show & Factual 139: 4900: 4899: 4818: 4817: 4667: 4666: 4589:William Heinemann 4457: 4456: 4392:Price Stern Sloan 4367:Dutton Children's 4347: 4346: 4067: 4066: 3924:Bauer Media Group 3678:Hare and Tortoise 3601: 3600: 3571: 3570: 3523: 3503: 3502: 3441: 3440: 3414: 3413: 3382: 3381: 3335: 3334: 3254: 3227: 3226: 3163: 3162: 3126: 3125: 3082:Sachsen Funkpaket 3065:Antenne Thüringen 2987: 2986: 2692:Studio Babelsberg 2588:Klaus Kreimeier: 2572:Hans-Michael Bock 2438:"Jules Greenbaum" 2272:. April 16, 2009. 2231:, pp. 69–70. 2132:, pp. 76–77. 2089:, pp. 35–39. 2077:, pp. 35–36. 2047:, pp. 22–25. 1942:Studio Babelsberg 1931:List of UFA films 1911:Viktor Tourjansky 1907:Robert A. Stemmle 1895:Reinhold Schünzel 1879:Gerhard Lamprecht 1867:Peter Paul Brauer 1782:Under the Bridges 1718:Viktor Tourjansky 1674:The Empress and I 1617:Der Kongreß tanzt 1565:Woman in the Moon 1464:UFA Entertainment 1348:Am Seidenen Faden 1277: 1276: 1269: 1186: 1185: 1178: 1085:visit UFA in 1935 1072: 1071: 1064: 953:Woman in the Moon 779:Babelsberg Studio 751:Tempelhof Studios 727:Ossi-Oswalda-Film 697:Arzén von Cserépy 580:Templehof Studios 342: 341: 270:Production output 134: 133: 126: 108: 16:(Redirected from 4975: 4890: 4889: 4679:Doubleday Canada 4543:Penguin Classics 4466: 4465: 4256: 4255: 4089: 4088: 4082: 4081: 4058: 4047: 4041: 4033: 4027: 4023: 4017: 4013: 4007: 4003: 3997: 3989: 3983: 3975: 3969: 3965: 3959: 3955: 3949: 3945:Axel Springer AG 3941: 3932: 3912: 3712:Element Pictures 3630: 3573: 3572: 3527: 3526: 3521: 3450: 3449: 3446:RTL Magyarország 3416: 3415: 3391: 3390: 3354: 3353: 3258: 3257: 3252: 3174: 3173: 3128: 3127: 3102:Radio Erzgebirge 3039:Radio Regenbogen 3029:105'5 Spreeradio 2989: 2988: 2898: 2897: 2878: 2871: 2864: 2855: 2854: 2817:Fiction Pictures 2783: 2776: 2769: 2760: 2759: 2734: 2708: 2631: 2630: 2628:Official website 2558:Hanspeter Manz: 2533: 2512: 2491: 2466: 2453: 2451: 2449: 2432: 2407: 2386: 2365: 2346: 2317: 2316: 2305: 2299: 2298: 2296: 2295: 2280: 2274: 2273: 2262: 2256: 2255: 2253: 2252: 2238: 2232: 2226: 2220: 2214: 2208: 2202: 2196: 2190: 2184: 2178: 2172: 2166: 2160: 2154: 2145: 2139: 2133: 2127: 2121: 2115: 2109: 2103: 2090: 2084: 2078: 2072: 2066: 2063: 2057: 2054: 2048: 2042: 2033: 2032: 2030: 2029: 2015: 1998: 1982: 1962: 1808:Wilhelm Dieterle 1692:Leni Riefenstahl 1445:UFA Serial Drama 1435:Production units 1376:William Dieterle 1372:Curtis Bernhardt 1335:Wolfgang Staudte 1309:Berlin-Tempelhof 1293:Führer principle 1272: 1265: 1261: 1258: 1252: 1247:this section by 1238:inline citations 1217: 1216: 1209: 1181: 1174: 1170: 1167: 1161: 1156:this section by 1147:inline citations 1126: 1125: 1118: 1067: 1060: 1056: 1053: 1047: 1042:this section by 1033:inline citations 1012: 1011: 1004: 986:Marlene Dietrich 911:Alfred Hugenberg 866:Marlene Dietrich 855:Alfred Hugenberg 783:Berlin-Tempelhof 688: 607: 584:Berlin-Tempelhof 544:Alfred Hugenberg 541: 513:Erich Ludendorff 468:UFA Serial Drama 391:Alfred Hugenberg 380: 367: 366: 365: 359: 354: 338: 335: 187: 185: 180: 149: 142: 138: 129: 122: 118: 115: 109: 107: 66: 42: 34: 21: 4983: 4982: 4978: 4977: 4976: 4974: 4973: 4972: 4903: 4902: 4901: 4896: 4878: 4867:Manager Magazin 4863:Relias Learning 4814: 4782: 4751: 4705: 4663: 4639:The Bodley Head 4627: 4564: 4520:Hamish Hamilton 4513:Penguin General 4508: 4453: 4449:Sasquatch Books 4437: 4423:Living Language 4406: 4343: 4302: 4244: 4129: 4092:Knopf Doubleday 4076: 4069: 4068: 4063: 4062: 4061: 4048: 4044: 4040: 4034: 4030: 4026: 4024: 4020: 4016: 4014: 4010: 4006: 4004: 4000: 3996: 3990: 3986: 3982: 3976: 3972: 3968: 3966: 3962: 3958: 3956: 3952: 3948: 3942: 3935: 3931: 3916:Leonine Holding 3913: 3909: 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1137:related reading 1127: 1123: 1116: 1108:Joseph Goebbels 1068: 1057: 1051: 1048: 1037: 1023:related reading 1013: 1009: 1002: 848: 743: 682: 635:Jules Greenbaum 601: 535: 505: 484: 476:UFA Documentary 406:Gleichschaltung 361: 360: 357:[ˈuːfa] 352: 347:, shortened to 332: 324: 287: 271: 264: 233: 223: 216: 212: 183: 181: 178: 137: 130: 119: 113: 110: 67: 65: 55: 43: 32: 23: 22: 15: 12: 11: 5: 4981: 4971: 4970: 4965: 4960: 4955: 4950: 4945: 4940: 4935: 4930: 4925: 4920: 4915: 4898: 4897: 4895: 4894: 4883: 4880: 4879: 4877: 4876: 4870: 4864: 4861: 4855: 4850: 4844: 4843: 4842: 4832: 4826: 4824: 4820: 4819: 4816: 4815: 4813: 4812: 4809: 4808: 4807: 4797: 4790: 4788: 4784: 4783: 4781: 4780: 4775: 4770: 4765: 4759: 4757: 4753: 4752: 4750: 4749: 4744: 4739: 4734: 4729: 4724: 4719: 4713: 4711: 4707: 4706: 4704: 4703: 4702: 4701: 4696: 4691: 4681: 4675: 4673: 4669: 4668: 4665: 4664: 4662: 4661: 4656: 4651: 4649:Harvill Secker 4646: 4641: 4635: 4633: 4629: 4628: 4626: 4625: 4624: 4623: 4618: 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3519:Atresmedia 3495:Muzsika TV 3292:Série Club 3214:RTL Lounge 2969:RTL Living 2954:Toggo Plus 2841:Star Video 2428:9053561838 2312:injunction 2294:2024-09-19 2251:2024-09-19 2028:2024-09-19 1967:References 1871:Karl Hartl 1859:Carl Boese 1820:Fritz Lang 1816:Karl Grune 1705:Karl Hartl 1556:Metropolis 1520:Fritz Lang 1471:, teamWorx 1331:Babelsberg 1195:Nazi Party 939:Metropolis 894:Metropolis 889:Nibelungen 796:Pola Negri 736:Hansa-Film 722:Fern Andra 457:Pearson TV 426:Babelsberg 399:Nazi Party 283:TV program 232:Key people 202:Babelsberg 184:1917-12-18 158:Subsidiary 84:newspapers 73:"UFA GmbH" 4913:RTL Group 4840:Brockhaus 4763:Alfaguara 4717:Blanvalet 4606:Doubleday 4478:BBC Books 4283:Riverhead 4218:Ten Speed 4104:Doubleday 4037:TF1 Group 3838:Australia 3819:Rakett TV 3801:Miso Film 3700:Man Alive 3655:Fremantle 3588:Europa FM 3583:Onda Cero 3565:(only HD) 3485:RTL Három 3425:RTL Radio 3374:Fun Radio 3250:Groupe M6 3240:Videoland 3209:RTL Crime 3071:Radio Ton 3024:Radio NRW 3004:104.6 RTL 2999:RTL Radio 2964:RTL Crime 2948:RTL Super 2942:Toggolino 2938:Super RTL 2885:RTL Group 2448:8 October 2005:Citations 1735:Agfacolor 1570:countdown 1406:In 1964, 1257:July 2020 1166:July 2020 1052:July 2020 899:Parufamet 777:(today's 770:, 1920). 716:Lupu Pick 711:' BB-Film 595:Ole Olsen 576:Frankfurt 453:Fremantle 449:RTL Group 431:In 1964, 422:Wien-Film 401:in 1933. 305:Divisions 298:Fremantle 261:TV series 226:Worldwide 192:, Germany 4918:UFA GmbH 4892:Category 4768:Bruguera 4727:Goldmann 4616:Andersen 4553:Ladybird 4428:Playaway 4387:Philomel 4372:Firebird 4288:Sentinel 4193:Broadway 4120:Schocken 4115:Pantheon 3825:Playroom 3792:Wildside 3786:Lux Vide 3745:Teamworx 3733:UFA GmbH 3687:Talkback 3536:Antena 3 3522:(18.65%) 3490:Sorozat+ 3480:RTL Gold 3434:RTL Gold 3406:RTL Zwee 3297:M6 Music 3140:Brigitte 3111:Oldie 95 3084:(31.9%) 3060:89.0 RTL 3034:Radio 21 2918:RTL Zwei 1936:See also 1604:Burglars 1353:Stefanie 1083:Goebbels 842:(1926). 830:(1924), 824:(1922), 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