181:, with aristocratic addressees, which led one critic to remark that he was "better acquainted with the Nobility than with the Muses". Flecknoe explains his taste for the epigram in a dedicatory epistle which is itself epigrammatic and paradoxical: “I write chiefly to avoid idleness, and print to avoid the imputation; and as others do it to live after they are dead, I do it only not to be thought dead whilst I can live.” Its lightness is the reason he chooses this form, “who love not to take pains in anything, and rather affect a little negligence than too great curiosity”. The separate section of “Epigrams Divine and Moral” in the 1670 edition is, however, indicative of a religious seriousness persisting from his first publication some 44 years before in the devotional
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202:, giving it as his opinion that "Flecknoe is by no means the despicable writer that we might suppose" from Dryden's vicious attack, accounted for it by supposing that Dryden was "offended at his invectives against the obscenity of the stage, feeling himself more notorious, if not more culpable than any of his rivals".
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against Dryden in a controversy about rhyme and blank-verse, and was taking his revenge 14 years later. More recently, Paul
Hammond accounts for it by the literary politics of the time and points out that many details in his depiction are drawn from the imagery of Flecknoe’s own poems.
88:. Andrew Marvell encountered him in Rome in 1645, from which period dates Marvell's satire "Flecknoe, an English Priest at Rome", although it was not published until 1681. His verse is charactised there as "hideous" and it is also mentioned that he performed on the
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One of Dryden's later editors conjectured that "the plan of the poem required a dead author and
Flecknoe suited the purpose". It might also have been that Dryden believed him to be author of a pamphlet signed "R. F." and published in 1668, in defence of
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while abroad. There was once a suggestion that he may have been the nephew of the Jesuit
William Flecknoe or Flexney of Oxford, though there is no evidence of this. Much of his early life seems to have been spent outside England. He attended
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in the
Netherlands until 1636, when he returned to England, but he was disappointed to find little acceptance among English Catholics, who were not favourably disposed towards Jesuits: "he is none of ours" said the outspoken Catholic priest
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He also took a moral stance in his prose works on
English drama, and it may have been one of those that prompted Dryden to make him an object of satire in his
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has a claim to be the first
English opera, though the musical score (also composed by himself) is now lost. He also wrote a masque,
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Shortly after
Flecknoe's return to England in 1636 his first play, now lost, was performed in London, possibly by
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198:. The attack is unexpected, since Flecknoe had written an epigram in Dryden's praise and both were Catholics.
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338:, with omissions and additions, 1673; described as “being rather a new work than a new impression of the old”
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194:(1682), where he is depicted as the dying Monarch of Nonsense, bequeathing his title to the playwright
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from 1619 to 1624, where he may have taken part in the annual drama productions: in 1623 the play was
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The idea of His
Highness Oliver, late Lord Protector, with certain brief reflexions on his life
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Sir
William Davenant’s voyage to the other world, with his adventures in the poets Elizium
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dramatist, poet and musician. He is remembered for being made the butt of satires by
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Hierothelamium or the
Heavenly Nuptialls of Our Blessed Saviour With a Pious Soule
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Little is known of Flecknoe's life. He was probably of English birth, from
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He provides information about his travels in his collection of letters,
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Relation of Ten Years' Travels in Europe, Asia, Affrique, and America
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Relation of Ten Years' Travels in Europe, Asia, Affrique, and America
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Euterpe Revived, epigrams made in the years 1672,3,4, in three books
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Sources for the bibliographical material are Acton F. Griffith,
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Poetry and Poets, being a collection of the choicest anecdotes
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Ariadne deserted by Theseus and found and courted by Bacchus
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Miscellania or poems of all sorts with divers other pieces
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A collection of the choicest epigrams and characters
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The Idea of his Highness Oliver, Late Lord Protector
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Bibliographical Dictionary of the English Catholics
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The Diarium... in burlesque rhyme or drolling verse
573:Bibliotheca Anglo-Poetica: a descriptive cataloque
433:The Concise Oxford Companion to English Literature
364:, edited by Nigel Smith, Pearson Education 2003,
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551:, "Of his sea-voyage from Lisbon to the Brasils"
146:, the plot and subplot of which were taken from
132:Ariadne...a dramatick piece for recitative music
638:17th-century English dramatists and playwrights
394:Wiggins, Martin (Summer 2016). "None of Ours".
115:in Western Asia and of a voyage to and stay in
60:and may have been ordained a lay-priest by the
524:The chapter "Flecknoe and Mac Flecknoe" in
402:. London: Shakespeare Globe Trust: 50–51.
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282:Heroick Portraits…dedicate to his Majesty
658:English male dramatists and playwrights
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260:, privately printed 1656, reissued 1665
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247:A Short Discourse of the English Stage
326:, rearranged with new additions, 1670
288:Erminia or The Fair and Vertuous Lady
276:The Marriage of Oceanus and Brittania
140:Erminia or The Fair and Vertuous Lady
136:The Marriage of Oceanus and Brittania
173:Much of Flecknoe's later poetry was
16:English dramatist, poet and musician
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609:Works by or about Richard Flecknoe
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648:17th-century English male writers
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526:The Making of Restoration Poetry
300:The Life of Tommaso the Wanderer
581:The Literary History of England
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241:, 1654; reissued in 1664 as
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362:The Poems of Andrew Marvell
294:A Farrago of several pieces
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314:, a poetical fiction, 1668
290:, tragi-comedy, 1661, 1665
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130:In the field of drama his
600:Works by Richard Flecknoe
306:The Demoiselles Ă La Mode
158:. One other production,
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75:. After ordination as a
152:Les Précieuses Ridicules
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22:(c. 1600 – 1678) was an
500:Omniana (1812) 1:105-06
318:Epigrams of all sorts 1
284:(prose and verse), 1660
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264:Enigmatical Characters
324:Epigrams of all sorts
102:Queen Henrietta's Men
547:4 March 2016 at the
266:, 1658, revised 1665
56:heritage. He was a
663:English male poets
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455:John Hawkesworth,
156:L'École des Femmes
604:Project Gutenberg
208:Sir Robert Howard
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113:Ottoman dominions
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183:Hierothelamium
168:Love's Kingdom
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421:Online text
166:England as
164:Restoration
32:John Dryden
622:Categories
489:lines 1-64
349:References
179:Ben Jonson
577:pp.109-10
408:1366-2317
40:in 1682.
545:Archived
530:p.168-80
366:pp.166-8
330:Epigrams
127:(1659).
58:Catholic
611:at the
445:Ricorso
148:Molière
123:in his
62:Jesuits
24:English
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332:, 1671
320:, 1669
302:, 1667
296:, 1666
272:, 1659
254:, 1656
235:, 1654
229:, 1653
223:, 1626
117:Brazil
81:Watten
477:p.122
96:Works
54:Irish
579:and
540:See
404:ISSN
154:and
90:lute
44:Life
602:at
150:’s
34:in
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