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written and largely dismissible poetry. The juxtaposition of the lofty style with unexpected nouns such as 'dullness' provides an ironic contrast and makes the satiric point by the obvious disparity. In this, it works at the verbal level, with the language being carried by compelling rhythm and rhyme.
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has the defining characteristic of pride. Thus, Dryden subverts the theme of the defining characteristic by giving
Shadwell a negative characteristic as his only virtue. Dryden uses the mock-heroic through his use of the heightened language of the epic to treat the trivial subjects such as poorly
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and to the variety of comedy which the latter had commonly written. Shadwell's poetry was certainly not of the same standard as Jonson's, and it is possible that Dryden wearied of
Shadwell's argument that Dryden undervalued Jonson. Shadwell and Dryden were separated not only by literary ideas but
77:, 2) the preference of Dryden for comedy of wit and repartee and of Shadwell, the chief disciple of Jonson, for humors comedy, 3) a sharp disagreement over the true purpose of comedy, 4) contention over the value of rhymed plays, and 5) plagiarism." Shadwell fancied himself heir to
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and disliked by Dryden, although the poet does not use belittling techniques to satirize him. Multiple allusions in the satire to 17th-century literary works, and to classic Greek and Roman literature, demonstrate Dryden's complex approach and his mastery of the mock-heroic style.
73:), "Mac Flecknoe" is the outcome of a series of disagreements between Thomas Shadwell and Dryden. Their quarrel blossomed from the following disagreements: "1) their different estimates of the genius of
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The poem begins in the tone of an epic masterpiece, presenting
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The poem depicts
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Dryden and
Shadwell, The Literary Controversy and 'Mac Flecknoe' (1668–1679)
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Dryden and
Shadwell, The Literary Controversy and 'Mac Flecknoe' (1668–1679)
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Bust of Mac
Flecknoe, from an 18th-century edition of Dryden's poems
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Mac
Flecknoe; or, A satyr upon the True-Blue-Protestant Poet, T.S.
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Written about 1678, but not published until 1682 (see
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The Norton
Anthology of English Literature: Volume C
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The
Concise Oxford Chronology of English Literature
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62:—
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240:ISBN
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