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488:. She was stated to have moved away from commercial art due to the inspiration she received from a classmate. The classmate had sketched the image of caged animal while on a field trip to the zoo and Gikow found the image to capture not the likeness of the creature but instead the tension and essence. Gikow found this to be what she wished to create.
508:. Due to this influence, she came to develop her more naturalistic style in which human figures are rendered with more detail, light sketchy lines, anatomically accurate proportions, and heavy, defining shading. A piece that demonstrates this transition from abstract to naturalistic is the 1969 lithograph
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due to civil war and pogroms against the Jewish community. Once in New York City, the Gikow family found themselves in poverty, rather than the middle-class comfort they enjoyed in
Ukraine. Ruth's skill was prominent even in youth, as she excelled in drawing in elementary school and entered
497:, are of a much more surreal style than her later paintings. Gikow's early prints experiment with color, shape, dimension, and tension as she employed a style leaning towards the abstract with vague human figures composed of layered shapes and an emphasis on bold colors.
457:, whose dedication and concentration inspired and challenged her own work. In the same year she held her first solo exhibition at the Weyhe Gallery in New York City in which she displayed her experimental prints to a positive audience. A young
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was abandoned, Gikow's murals were solely sought after by New York department stores wishing to commission wall paintings. Gikow became disillusioned with mural painting due to the commercial aspect of these commissions.
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Gikow became renowned for her large scale paintings which depict city settings and imagery. Although, her collection of works also encompass contemporary human figures from various walks of life besides urban crowds.
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With other associates, she founded the
American Serigraph Society in which she developed her technique with silk screen printing. Helfond was included in the 1940
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Originally, Gikow wished to work as a fashion or commercial artist, yet could not find work despite her qualifications due to the effects of the
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in 1935, where she was allowed to dedicate herself to her artwork full-time.
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to Boris, a photographer, and Lena Gikow. In 1920, the family emigrated to
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to the general public. Her work was also included in the 1947 and 1951
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Her earlier experiments with printing, such as her 1943 serigraph
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Associate member and became a full Academician in 1982.
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at age thirteen in which she furthered her artistic skills.
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653:. New York, United States: Maecenas Press. pp. 8–18.
600:"Ruth Gikow, Artist, 67, Dies: Caught The Moods Of People"
719:"Press release for "American Color Prints Under $ 10""
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Paula Hyman; Deborah Dash Moore, eds. (January 1998).
800:, Jewish Women's Archive, Retrieved 23 November 2014.
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Her work can be found many institutions, including:
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Art School, where she studied under school director
229:; January 6, 1915 - April 2, 1982) was an American
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347:Ruth Gikow was born on January 6, 1915, in the
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818:"Keith Sheridan Fine Prints - Ruth Gikow"
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464:In 1959 she was awarded a grant from the
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772:Dallas Museum of Fine Arts (1951).
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679:. December 15, 1961. Archived from
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567:. Taylor & Francis, 1997.
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673:"Art: Moments of Loneliness"
564:Jewish Women in America: A-L
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778:The Portal to Texas History
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649:Josephson, Matthew (1970).
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215:Руфь Борисовна Гикова
847:Ruth Gikow on ArtNet
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532:Museum of Modern Art
424:Federal Arts Project
404:José Clemente Orozco
371:and regional artist
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872:Cooper Union alumni
820:. Keithsheridan.com
446:exhibitions of the
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867:1982 deaths
862:1915 births
455:Jack Levine
377:Woolworth's
190:Jack Levine
167:Nationality
856:Categories
824:2013-06-02
731:25 January
704:2013-06-02
651:Ruth Gikow
583:References
555:Ruth Gikow
486:Depression
440:art prints
295:newspapers
241:Early life
207:Ruth Gikow
125:Ruth Gikow
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783:4 January
757:4 January
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181:, painter
506:Masaccio
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677:Time
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155:Died
143:Born
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