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to a sick person. Since the wind had extinguished the candle, the layman went into a nearby shop asking for fire, so that the priest was left alone. At the sight of the lone priest bearing the blessed
Sacrament, several passers-by were moved, gathered around him and accompanied him, bearing a
839:, and became popular during the 17th century. Sangallo did not adopt any of these plans, instead deciding to reduce the area of the church, whose plan became a rectangle with its long side normal to Piazza Scossacavalli. Its nave was flanked by four large
1124:
presented to the church in 1589 by
Francesco Del Sodo (a member of the archconfraternity). The church was the burial place of several people, whose tombstones adorned the floor; among them were the son and mother-in-law of
1596:
1601:
822:
When
Antonio da Sangallo was commissioned to rebuild the church, his main problem was its shape; its width, facing Piazza Scossacavalli, was longer than its depth (along Borgo Vecchio). Drawings in the
1086:, had a statue (later replaced by a painting) of the saint above the altar and was the burial place for members of the Confraternity of the Blessed Sacrament. The third chapel, dedicated to the
901:(r. 1592–1605) and the confraternity) an upward swing. The facade was adorned with frescoes of sacred subjects, including "faked figures of yellow Saints made of golden metal" attributed to
741:
The church was demolished by 30 September 1937 for the construction of Via della
Conciliazione. Its art was given to the Capitolo di San Pietro and then to the Museo Petriano; some chapel
680:
and governor of the archconfraternity, died, leaving his inheritance to the association. Thanks to his legacy, two years later, the construction was finished. In 1601, an
708:
San
Giacomo underwent thorough restorations in the first half of the 17th century and the second half of the 18th. On 23 November 1777, the church was reconsecrated by
407:). A chapel hosting the stones was built, the origin of the church. The most probable reason for the name was the discovery, near the square, of a thigh from a Roman
1602:
The interior of the church on 6 March 1937 during its demolition (with the fountain of
Maderno in the background) in a picture in the archives of the Italian Senate
1616:
477:
borne by pilgrims coming to St. Peter's. These would have left their staffs in San
Giacomo before entering Saint Peter, exactly as they did after completing the
72:
791:
The church's artistic importance is primarily due to its design by
Antonio da Sangallo the Younger and its frescoes and paintings, particularly those by the
1651:
1636:
349:
657:. The association's duties and privileges increased; each year beginning in 1580, the brothers gave four poor parish girls a white dress and twenty-five
1641:
1009:
of the saint. This, the last chapel added to the church, was the original side door on the Borgo
Vecchio. The third chapel was dedicated to the
1105:
had the image painted on the facade of their palace in Borgo Sant'Angelo, and it was venerated by the local people because of a number of
621:
and an image of Christ with open arms. The confraternity was committed to provide a doctor and barber to the poor of the parish, and each
1631:
353:
In 1513 Pope Leo X acknowledged the
Confraternity of the Blessed Sacrament, which was entrusted with the care of San Giacomo in 1520.
920:, maintained its original single-nave plan until at least 1627. In 1662 the naves had become three, separated by two rows of square
1661:
1626:
1033:. It was also known as the "chapel of the stone", since the stone over which Jesus had reportedly been presented at the temple in
1646:
935:
in 1627, increasing to six in 1649. In 1726 the closing of its side gate along the Borgo Vecchio made room for another altar.
1580:
374:
767:. The two relics (of Isaac's sacrifice and the presentation of Jesus in the temple) were placed in the church of the
568:) was entrusted with the church's care. The confraternity originated in Borgo in 1509. On a windy evening of 1506, a
831:
plan, oriented along its long side with a side entrance, and octagonal and oval plans. The latter was adopted by
673:
279:
191:
1656:
1621:
1102:
836:
672:
Shortly after their assignment to San Giacomo, the brethren started to reconstruct it, choosing as architect
669:(r.1585–90) gave the archconfraternity the privilege of setting free each year a person condemned to death..
1070:
Carcano family, contained the stone reportedly used for Isaac's sacrifice. A Ricci painting of the birth of
45:
768:
388:
810:
832:
573:
772:
735:
719:
634:
1597:
The church on 6 March 1937 during its demolition in a picture in the archives of the Italian Senate
1083:
994:
203:
454:(r. 847-55). It is also mentioned in the main medieval catalogues of Roman churches, like that of
309:
were demolished. Many decorative elements still exist, since they were preserved from demolition.
1018:
855:
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676:, but due to lack of funds its facade was still unfinished in 1590. That year Ludovico Fulgineo,
546:
427:
329:
299:
295:
291:
854:
by Girolamo Franzini. Its facade appears almost square; at its center there was a portal with a
850:
The church's appearance in the mid-16th century, shortly before its completion, is known from a
1071:
709:
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was above the main altar, which was dedicated to Jesus the Redeemer; in 1662, a fresco of the
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by a student of Ricci of the presentation of Jesus. A 16th-century fresco depicting the
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Castagnoli, Ferdinando; Cecchelli, Carlo; Giovannoni, Gustavo; Zocca, Mario (1958).
1129:
and Battista Gerosa, son of the Oratory of San Sebastiano architect Antonio Gerosa.
595:. The Carmelites assigned it to a chapel in Santa Maria in Traspontina, and in 1513
328:, on the east side of Piazza Scossacavalli, its facade facing west and opposite the
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1121:
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were moved to the nearby church of Santi Michele e Magno. Above its altar was an
902:
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by Cristoforo Ambrogini (or Ambrogi). Several frescoes, depicting events in the
1006:
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603:
599:(r. 1513–21) acknowledged the association, which in 1520 moved to San Giacomo.
447:
214:
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1082:, and its walls were decorated with frescoes. The second chapel, dedicated to
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frame, were added at the base of the pilasters. At the slopes' edges were two
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and torches. The group grew, and on 3 September 1509 its members formed a
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1037:
was kept here; after the church's demolition, the stone and that of the
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in medieval Rome was the covered passage linking Saint Peter's with the
882:
867:
750:
630:
596:
481:, and this fact would explain also the late dedication to Saint James.
443:
262:
important for historical and artistic reasons. The church, facing the
1541:(in Italian). Vol. Borgo (III). Roma: Fratelli Palombi Editori.
1034:
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783:, during the early 1990s; the latter is now the church's main altar.
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1558:(in Italian). Vol. Borgo (IV). Roma: Fratelli Palombi Editori.
1120:
by Giovanni Battista Ciolli, and to the right of the entrance was a
700:
The church in Piazza Scossacavalli and the Borgo Vecchio during the
917:
893:. These elements gave the facade (which, since 1592, also bore the
863:
859:
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723:
1501:
1046:
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1520:
Cambedda, Anna (1990). "La demolizione della Spina dei Borghi".
1492:
580:), followed by a lay brother bearing a candle, was bringing the
1114:
1024:
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was changed. It was usually known in contemporary documents as
465:
According to some sources, the church could be identified with
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Piazza Scossacavalli with San Giacomo and the fountain of
525:) with the church's care, and in 1275 the church became a
294:
and his students. The church was demolished in 1937, when
1573:
Roma. Le chiese scomparse. La memoria storica della città
862:
opened by a round window. On its side were three rows of
843:, and Sangallo designed four rooms (two on each side) as
1056:
On the left side, the first chapel was dedicated to the
730:
were removed. In 1825 San Giacomo lost its status as a
1090:, contained a large sculpture of Christ on the cross.
282:
to build a new shrine. This was richly decorated with
749:. Elements of the facade, including the 17th-century
1570:
302:) was built and the piazza and central part of the
814:The church in a woodcut by Girolamo Franzini from
1483:
614:). It had a small figure on the left shoulder: a
1608:
1515:(in Italian) (3 ed.). Roma: Newton Compton.
866:with two pairs of niches, one over the other. A
1474:
357:The church's name gave birth to a legend. When
1617:4th-century establishments in the Roman Empire
1575:(in Italian). Roma: Fratelli Palombi Editori.
1524:(in Italian). Roma: Fratelli Palombi Editori.
1519:
726:and restored in 1810 and 1880, when the stone
54:and San Giacomo in an 18th-century etching by
1510:
422:The church had an ancient origin: during the
387:. The empress wanted to donate the stones to
32:
1553:
1536:
1652:Demolished buildings and structures in Rome
1637:Buildings and structures demolished in 1937
1479:(in Italian). M.A. and P.A. De Rossi, Roma.
947:1623 engraving of the reported altar from
691:
602:The members wore clothing made from white
399:) refused to move further despite urging (
270:and since the early 16th century hosted a
44:
1642:Destroyed Roman Catholic churches in Rome
1493:Ceccarelli, Giuseppe (Ceccarius) (1938).
816:Cose maravigliose dell'alma città di Roma
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1486:Borgo e S. Pietro nel 1300 –1600 –1925
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963:. On its vault were paintings of four
64:Click on the map for a fullscreen view
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1001:. The second chapel was dedicated to
827:indicate several solutions: a single-
653:(r. 1572–85) made the association an
1488:(in Italian). Roma: Federico Pustet.
1447:
1427:
1407:
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649:and finally to St. Peter's. In 1578
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983:), and its walls were adorned with
873:When the facade was completed high
629:of the crucified Christ. An annual
489:were brought to the church and its
375:presentation of Jesus at the Temple
34:Chiesa di San Giacomo Scossacavalli
27:Church of San Giacomo Scossacavalli
13:
1162:
1138:
1053:was on a bottom wall of the nave.
14:
1673:
1590:
1228:
16:Church in Rome, destroyed in 1937
1632:Renaissance architecture in Rome
1506:(in Italian). Bologna: Cappelli.
1504:Topografia e urbanistica di Roma
365:) returned from her trip to the
332:. Its south side paralleled the
1662:Helena, mother of Constantine I
1627:1937 disestablishments in Italy
993:attributed to a late-mannerist
889:were at the base of the second
805:
674:Antonio da Sangallo the Younger
280:Antonio da Sangallo the Younger
192:Antonio da Sangallo the Younger
1647:Churches of Rome (rione Borgo)
1113:. On the altar was an African-
1060:. Since 1573 this chapel, the
997:artist, are on display at the
786:
532:
440:San Salvatoris de Coxa Caballi
344:
1:
1132:
1029:after his birthplace) of the
955:On the right side, the first
870:was on one side of the roof.
688:was built behind the church.
625:in the church it exhibited a
545:in a 17th-century etching by
513:(r. 1198–1216) entrusted the
369:, she brought back two stone
1571:Lombardi, Ferruccio (1996).
286:, painted (among others) by
7:
1497:(in Italian). Roma: Danesi.
1477:Descrizione di Roma moderna
1017:" because of a painting by
938:
312:
256:San Giacomo a Scossacavalli
10:
1678:
1484:Borgatti, Mariano (1926).
1468:
837:Sant'Anna dei Palafrenieri
833:Giacomo Barozzi da Vignola
718:It was damaged during the
678:ecclesiastical referendary
574:Santa Maria in Traspontina
339:
317:The church was located in
50:Piazza Scossacavalli with
1074:was on its altar; on its
951:in a chapel of the church
736:Sons of Divine Providence
720:French occupation of Rome
704:flood of 15 February 1915
635:Santa Maria Sopra Minerva
467:San Salvatore de Bordonia
252:San Giacomo Scossacavalli
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26:
1475:Baronio, Cesare (1697).
1255:Castagnoli (1958) p. 242
1093:A Ricci painting of the
1013:. It was called "of the
858:, surmounted by a large
426:it was dedicated to the
1511:Delli, Sergio (1988) .
1019:Giovanni Battista Ricci
912:The church, without an
800:Giovanni Battista Ricci
692:Baroque and Modern Ages
547:Giovanni Battista Falda
330:Palazzo dei Convertendi
298:(the avenue leading to
296:Via della Conciliazione
292:Giovanni Battista Ricci
266:, was built during the
88:41.902361°N 12.461528°E
1246:Borgatti (1926) p. 156
952:
931:. The church had five
819:
753:portal decorated with
745:are on display at the
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523:Capitolo di San Pietro
522:
435:
404:
396:
389:Saint Peter's Basilica
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33:
1657:Henry Benedict Stuart
1556:Guide rionali di Roma
1554:Gigli, Laura (1994).
1539:Guide rionali di Roma
1537:Gigli, Laura (1992).
1495:La "Spina" dei Borghi
1424:Cambedda (1990) p. 51
1225:Cambedda (1990) p. 50
1101:was moved there. The
1031:Circumcision of Jesus
965:Doctors of the Church
959:was dedicated to the
946:
813:
769:Santi Michele e Magno
713:Henry Benedict Stuart
699:
540:
507:Porticus Sancti Petri
495:S. Jacobus de Portico
363:Constantine the Great
352:
21:Church in Rome, Italy
1622:4th-century churches
1444:Baronio (1697) p. 66
1159:Baronio (1697) p. 65
907:Cristoforo Ambrogini
572:coming from the old
300:St. Peter's Basilica
264:Piazza Scossacavalli
93:41.902361; 12.461528
818:, published in 1588
576:church (lying near
485:In 1250, relics of
274:which commissioned
166:Before 8th century;
84: /
1462:Gigli (1992) p. 18
1404:Gigli (1994) p. 32
1395:Gigli (1992) p. 16
1349:Gigli (1992) p. 14
1313:Gigli (1992) p. 12
1285:Gigli (1992) p. 10
1207:Delli(1988) p. 857
1109:attributed to her
1103:Ardicini cardinals
1039:sacrifice of Isaac
990:Life of the Virgin
953:
927:and surmounted by
835:for the church of
820:
802:and his students.
765:Bastione Ardeatino
763:storehouse at the
706:
578:Castel Sant'Angelo
550:
438:), and was called
355:
258:) was a church in
144:Parish (1275–1825)
1582:978-88-7621-069-3
1513:Le strade di Roma
1234:Lombardi (1996),
1193:Gigli (1992) p. 8
1147:Gigli (1992) p. 7
1011:Nativity of Jesus
981:Gregory the Great
899:Pope Clement VIII
655:archconfraternity
651:Pope Gregory XIII
582:sacramental bread
558:Blessed Sacrament
511:Pope Innocent III
456:Cencio Camerarius
450:(r. 687–701) and
409:equestrian statue
377:and one on which
268:early Middle Ages
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181:Destroyed in 1937
178:Functional status
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187:Architect(s)
173:Architecture
125:Denomination
79:12°27′41.5″E
38:(in Italian)
18:
1095:Last Supper
1088:Crucifixion
1084:San Giacomo
1021:(nicknamed
961:Virgin Mary
879:mixtilinear
787:Description
665:. In 1590,
533:Renaissance
509:). In 1198
444:papal bulls
424:Middle Ages
361:(mother of
345:Middle Ages
276:Renaissance
204:Renaissance
162:Consecrated
91: /
76:41°54′8.5″N
1611:Categories
1133:References
1118:tabernacle
1003:San Biagio
887:oriflammes
885:, and two
883:candelabra
868:bell-gable
845:sacristies
793:Piemontese
751:travertino
631:procession
597:Pope Leo X
491:dedication
278:architect
219:About 1520
150:Dedication
1564:0393-2710
1547:0393-2710
1530:0394-9753
1078:were the
1035:Jerusalem
977:Augustine
864:pilasters
796:mannerist
616:vermilion
592:compagnia
587:baldachin
570:Carmelite
487:St. James
448:Sergius I
436:Salvatore
367:Holy Land
288:mannerist
244:Brickwork
238:Materials
224:Completed
208:Mannerist
155:St. James
1236:sub voce
1107:miracles
1068:Milanese
985:frescoes
939:Interior
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860:fanlight
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798:painter
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710:Cardinal
633:went to
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313:Location
284:frescoes
104:Location
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1099:Madonna
1066:of the
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969:Ambrose
925:pillars
875:plinths
852:woodcut
775:of the
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682:oratory
645:in the
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608:Italian
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515:Chapter
471:bordone
458:and of
442:in the
432:Italian
401:Italian
397:cavalli
393:Italian
379:Abraham
340:History
290:artist
242:Stone,
136:History
114:Country
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1115:marble
973:Jerome
957:chapel
933:altars
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841:niches
825:Uffizi
771:, the
760:comune
732:parish
728:socles
722:under
641:, the
612:sacchi
527:parish
452:Leo IV
405:scossi
371:relics
359:Helena
141:Status
1076:vault
1047:Pietà
922:brick
891:order
781:Borgo
777:Dutch
702:Tiber
663:dowry
661:as a
659:scudi
639:Pigna
503:Tiber
475:staff
460:Paris
385:Isaac
382:bound
326:rione
323:Borgo
307:rione
304:Borgo
199:Style
118:Italy
1577:ISBN
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1526:ISSN
1072:Mary
979:and
914:apse
829:nave
469:; a
319:Rome
260:Rome
227:1592
108:Rome
905:or
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