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176:) and last audience (coucher) of the day in his bedchamber. In imitation of Versailles, the bedroom is the largest chamber of Linderhof Palace. By facing north, however, the Linderhof bedroom inverts the symbolism of its Versailles counterpart, showing Ludwig's self-image as a "Night-King", because he had gotten into the habit of turning night into day and vice versa.
262:; he enjoyed sitting in the niche, sometimes reading there the whole night. Because Ludwig II used to sleep in the daytime and stay awake in the night, the mirrors created an unimaginable effect for him when they reflected the light of the candles a thousand times. The parallel placement of some mirrors evoke the illusion of a never ending avenue.
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lifting platform into the kitchen on the lower floor, where it was set with the next course and brought up again. This mechanism was installed so that Ludwig could dine alone here without being disturbed by servants. Yet the staff had to lay the table for at least four persons because it is said that the king used to talk to imaginary people like
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that, for Ludwig, was the perfect incorporation of his ideal of a God-given monarchy with total royal power. Such a monarchy could no longer be realised in Europe in the second half of the nineteenth century. The bedroom was important to the ceremonial life of an absolute monarch; Louis XIV of France
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Seven ovens were needed to heat the rooms. A waterfall and a shell-shaped barge were custom-made for use in the grotto. A rainbow projection device and a wave machine completed the illusion as the king was rowed around on the artificial lake while musicians played motifs from Tannhäuser. At the same
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The grotto was built under the direction of the opera set designer August Dirigl between 1875 and 1877. It is an iron construction whose partition walls were covered with impregnated canvas, which in turn was sprayed with a cement mixture from which the artificially created stalactites are made. The
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In 1884 the hut burned down, but was immediately rebuilt. In 1945 it fell victim to the flames again due to arson, although some of the furniture and furnishings were preserved. In the summer of 1990, Hunding's Hut was rebuilt at a new location closer to the palace. A reconstruction at the original
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was allowed to remain in the formal gardens although disturbing its symmetry. Historic pictures show a seat in it, where Ludwig used to take his "breakfast" at sunset hidden from view amongst the branches. Contrary to common understanding the tree did not give the palace its name. It came from a
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The position of the bed itself on steps in the alcove that is closed off by a gilded balustrade, like the baroque Munich model, gives it the appearance of an altar and thereby glorifies Ludwig II as he slept during the day. He often also spent the night waking and reading in this room, which was
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This room is located to the east and is flanked by the pink and blue cabinets. The pink cabinet, unlike the other cabinets, had a real function. The king used it as a robing room. The dining room is famous for its disappearing dumb-waiter called "Tischlein deck dich". The table disappeared on a
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The audience chamber is located to the west of the palace and is flanked by the yellow and lilac cabinets. The cabinets were only used as antechambers to the larger rooms. Ludwig II never used this room to hold an audience. This would have been against the private character of
Linderhof and the
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813:. Kundry recognizes him as the pure fool, now enlightened by compassion and freed from guilt through purifying suffering, and believes him to be the forever new king of the knights of the Grail, as which he is then proclaimed by the dying king Amfortas and the knights.
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in 1878 and so already in the time of Ludwig II it was possible to illuminate the grotto in changing colours. This is said to have been the first
Bavarian electricity plant as well as the first permanently installed power plant in the world. The king's desire for a
303:(an instrument combining piano and harmonium) in it. Only the curtains and the coverings on the furniture are real products of the Parisian Gobelin Manufactory. The scenes on the walls are painted on rough canvas in order to imitate real tapestries.
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fountain" consisting of three basins and the sculptures of water nymphs. In the middle arch of the niche you see the bust of Marie
Antoinette of France. These gardens are crowned by a round temple with a statue of Venus formed after a painting by
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These three structures, the "Venus Grotto", "Hunding's Hut" and "Gurnemanz
Hermitage" remind us another time of the operas of Richard Wagner. But besides that and the baroque architecture Ludwig was also interested in the oriental
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illuminated by numerous candles, among other a glass candelabra with 108 candles. The king was very well read about the legends and mythologies of the Middle Ages as well as about court life and the arts in the era of Louis XIV.
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The landscape garden covers an area of about 50 hectares (125 acres) and is perfectly integrated in the surrounding natural alpine landscape. There are several buildings of different appearance located in the park.
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Möbel für den Märchenkönig : Ludwig II. und die Münchner
Hofschreinerei Anton Pössenbacher = Furniture for the dream king : Ludwig II and the Munich court cabinet-maker Anton Pössenbacher
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while he was eating. For Ludwig II enjoyed the company of those people and admired them. You can find portraits of them in the cabinets, and scenes of their lives everywhere in the palace's rooms.
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The grotto is closed to visitors through 2024 for reconstruction and restoration, as the moisture-sensitive construction on a mountain slope was significantly damaged by rain and meltwater.
878:. Ludwig bought the pavilion after the bankruptcy of Strousberg. He had the furnishings made. The most notable piece of furniture is the peacock throne, a modern interpretation of the lost
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Aside from his magnificent palaces, the king owned a number of modest Alpine huts. He visited these regularly in a fixed annual cycle in spring and autumn. The most famous is the
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is a wooden pavilion containing the bust of Louis XVI. Twenty-four steps below it there is a fountain basin with a gilt sculpture "Amor shooting an arrow". A sculpture of "
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shot naked or half-clothed farm boys hanging lazily on the branches in the hut (in a film studio in Rome). The censors cut these and other scenes from the first version.
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From the outside, a simple wooden house with walls made of uniform, peeled tree trunks, the interior was inspired by
Richard Wagner's directions for the First Act of the
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The building is hidden under an artificial hill with a rock entrance. It is wholly artificial and was built for the king as an illustration of the First Act of Wagner's
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The gardens surrounding
Linderhof Palace are considered one of the most beautiful creations of historicist garden design, designed by Court Garden Director
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family called "Linder" that used to cultivate the farm (in German "Hof" = farm) that over centuries had been in the place where now
Linderhof palace is.
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and a corresponding stage design by Josef
Hoffman from 1876. In the middle of the hall there is the ash tree from which Siegmund pulled the sword
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The two tapestry chambers are almost identical and have no specific function. The western one is sometimes called "Music Room" because of the
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Versailles grounds. The symbol of the sun that can be found everywhere in the decoration of the rooms represents the French notion of
710:. In keeping with the theme, the painting by August von Heckel in the background of the main grotto depicts “Tannhäuser with Frau Venus”.
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Linderhof, in comparison to other palaces, has a rather private atmosphere. In fact, there are only four rooms that have a real function.
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that are subdivided into five sections that are decorated with allegoric sculptures of the continents, the seasons and the elements:
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chamber would have been much too small for it. He rather used it as a study where he thought about new building projects. That there
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form the southern part of the park and correspond to the cascade in the north. On the landing of the first flight there is the "
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Deriving from the romantic image of animated nature Ludwig was fascinated by trees. For this reason a tall, 300-year-old
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spurred the then young paint industry and, four years after Ludwig's death, the Baden Aniline and Soda Factory (
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The model for this room was not Louis XIV's bedchamber in Versailles but the bedroom of the Rich Rooms in
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of Bavaria and the only one which was actually completed and that he lived in most of the time from 1876.
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an audience chamber in Linderhof, however, reminds us of the demand of the king in an absolute monarchy.
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is characterized by a cascade of thirty marble steps. The bottom end of the cascade is formed by the
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Ludwig already knew the area around Linderhof from his youth when he had accompanied his father King
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Krückmann, Peter Oluf; Bayerische Verwaltung der Staatlichen Schlösser, Gärten und Seen (2000).
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Stylistically, however, the building and its decor take their cues from the mid-18th century
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The two console tables are of Meissen porcelain (which was the king's favorite china).
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Two mantelpieces clad with lapis-lazuli and decorated with gilded bronze ornaments.
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in front of the palace is dominated by a large basin with the gilt fountain group "
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Gurnemanz' Hermitage in the Ammer Forest (watercolor by Heinrich Breling, 1882)
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Siemens recalls pioneers of the first age of electricity at Linderhof Palace
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1141:(in German). München: Bayerische Verwaltung der Staatlichen Schlösser.
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Ludwig used to celebrate Germanic feasts in Hunding's Hut. In his 1972
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874:. Ludwig II wanted to buy it but was forestalled by the railroad king
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location could not be carried out for reasons of nature conservation.
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with ostrich feather bunches (as an oriental symbol of royal power).
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formal gardens with landscaped sections that are similar to the
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inlay work and shows the Bavarian coat of arms in glass mosaic.
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Buildings and structures in Garmisch-Partenkirchen (district)
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generators powered by a steam engine, had been installed by
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Hojer, Gerhard; Schmid, Elmar D.; Stephan, Manfred (1999).
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Censorship and alternate versions of Visconti's Ludwig film
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grotto is divided into two side grottos and a main grotto.
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An Indian ivory candelabra in the alcove with 16 branches.
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This wooden house was actually built in Morocco for the
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The small wooden building is inspired by Wagner's opera
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Eastern tapestry room with painted imitation tapestries
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Linderhof : König Ludwig II. und seine Schlösser
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606:fountain and at the top there is a Music Pavilion.
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621:with dolphins". The garden is decorated with four
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1011:"Le château de Linderhof – Connexion-Française"
826:forest contemplating. For this purpose, he had
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613:is formed by basin with the gilt figure of "
1028:McIntosh, Christopher (15 September 2012).
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675:Landscape garden and structures in the park
566:Linderhof's Linden or The Old "Königslinde"
218:. Unsourced material may be challenged and
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1237:Linderhof Palace, Ludwig's favorite castle
436:East view with the Eastern parterre garden
1232:(in German, English, French, and Italian)
1168:(in German). München: Edition Charivari.
1139:Schloss Linderhof : amtlicher Führer
987:König Ludwig II. von Bayern und die Kunst
484:Information board in the surrounding park
238:Learn how and when to remove this message
1090:Visconti: Einsichten in Fleisch und Blut
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854:The reconstructed structure at Linderhof
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140:Although Linderhof is much smaller than
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950:International Exhibition in Vienna 1873
404:Palace from the Baroque parterre garden
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985:Kobell, Louise von (25 January 2018).
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872:International Exhibition in Paris 1867
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702:. At the beginning of the first act,
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1195:(in German). Stuttgart: Arnoldsche.
258:This room was used by the king as a
216:adding citations to reliable sources
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1031:The Swan King: Ludwig II of Bavaria
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27:Building in Ettal, Bavaria, Germany
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132:was spent constructing Linderhof.
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1450:Historic house museums in Germany
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1092:, Kadmos, 2006, p. 75. See also:
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671:(The Embarkation for Cythera).
1247:Photo Tour of Linderhof castle
1114:(in German). Munich: Prestel.
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332:of Russia to King Ludwig II.
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116:on his hunting trips in the
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1440:Royal residences in Bavaria
1088:Alexander García Düttmann,
1034:. I.B.Tauris. p. 193.
1015:www.connexion-francaise.com
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819:King's House on Schachen
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1076:www.schlosslinderhof.de
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1285:47.57167°N 10.96056°E
1257:Linderhof tour review
1191:Schick, Afra (2003).
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424:Video of the fountain
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1331:Ludwig II of Bavaria
828:Gurnemanz' Hermitage
791:Gurnemanz' Hermitage
772:with magical power.
720:blue grotto of Capri
628:The crowning of the
500:in the Moorish Kiosk
448:Porcelain chandelier
212:improve this section
88:near the village of
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1251:more castle details
472:Passage in the park
136:Symbolic background
53:General information
1455:Gardens in Bavaria
1435:Palaces in Bavaria
1430:Castles in Bavaria
1425:Museums in Bavaria
1404:Falkenstein Castle
1290:47.57167; 10.96056
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228:February 2024
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210:Please help
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108:Stone façade
67:
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1376:Nymphenburg
1288: /
807:Good Friday
765:Die Walküre
733:“bluer blu”
572:linden tree
552:Renaissance
524:Dining room
343:Dining Room
100:Development
1419:Categories
1276:10°57′38″E
1273:47°34′18″N
1055:Siemens AG
972:References
890:in India.
811:Holy Lance
803:Holy Grail
741:indigo dye
704:Tannhäuser
699:Tannhäuser
372:Bedchamber
280:chalcedony
169:absolutism
142:Versailles
1355:Linderhof
1184:610990812
1112:Linderhof
708:Venusberg
496:Ludwig's
337:baldachin
326:malachite
301:aeolodion
199:does not
180:The rooms
146:Louis XIV
73:‹See Tfd›
1211:54044176
1157:76132813
1130:45539571
960:See also
884:emperors
798:Parsifal
623:majolica
542:The park
350:Louis XV
276:amethyst
161:Louis XV
76:German:
58:Location
1397:Planned
1389:(Death)
1378:(Birth)
886:of the
882:of the
625:vases.
604:Neptune
556:Baroque
391:Gallery
335:Throne
220:removed
205:sources
86:Bavaria
82:schloss
80:) is a
61:Germany
1369:Others
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724:dynamo
653:puttos
638:Adonis
157:Rococo
126:rococo
1061:(PDF)
664:Naiad
649:Flora
634:Venus
174:lever
130:marks
90:Ettal
1387:Berg
1207:OCLC
1197:ISBN
1180:OCLC
1170:ISBN
1153:OCLC
1143:ISBN
1126:OCLC
1116:ISBN
1036:ISBN
991:ISBN
770:Gram
737:BASF
658:The
651:and
643:The
636:and
619:Amor
615:Fama
598:The
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278:and
203:any
201:cite
356:or
214:by
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