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Sholem Asch

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the play's inauthentic portrayal of Jewish tradition, especially Yankl's use of the Torah, which they said Asch seemed to be using mostly for cheap effects; they also expressed concern over how it might stigmatize Jewish people who already faced much anti-Semitism. The association with Jews and sex work was a popular stereotype at the time. Other intellectuals criticized the writing itself, claiming that the second act was beautifully written but the first and third acts failed to support it.
2045: 77: 36: 2074: 520:) in the winter of 1906 in Cologne, Germany. It is about a Jewish brothel owner who attempts to become respectable by commissioning a Torah scroll and marrying off his daughter to a yeshiva student. Set in a brothel, the play includes Jewish prostitutes and a lesbian scene. I. L. Peretz famously said of the play after reading it: "Burn it, Asch, burn it!" Instead, Asch went to Berlin to pitch it to director 412:). Frajda was Moszek's second wife; his first wife Rude Shmit died in 1873, leaving him with either six or seven children (the exact number is unknown). Sholem was the fourth of the ten children that Moszek and Frajda Malka had together. Moszek would spend all week on the road and return home every Friday in time for the Sabbath. He was known to be a very charitable man who would dispense money to the poor. 250: 179: 430:
where he loved to swim, where he was once cornered by boys wielding sticks and dogs, who demanded he admit to killing "Christ"–which Asch did not, at the time, know to be a name for Jesus–or they would rip his coat. He admitted to killing Christ out of fear, but they beat him and tore his coat anyway. Asch never lost his fear of dogs from that incident.
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Asch often wrote two kinds of characters: the pious Jew and the burly worker. This was inspired by his family, as his brothers dealt with peasants and butchers and fit in with the hardy outdoor Jews of Kutno, which Asch had much pride in. His older half-brothers, on the other hand, were pious Hasidim.
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on February 19, 1923, with a cast that included the acclaimed Jewish immigrant actor Rudolph Schildkraut. Its run was cut short on March 6, when the entire cast, producer Harry Weinberger, and one of the owners of the theater were indicted for violating the state's Penal Code, and later convicted on
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as "filthy," "immoral," and "indecent," while radical papers described it as "moral," "artistic," and "beautiful". Some of the more provocative scenes in the production were changed, but it wasn't enough for the Orthodox papers. Even Yiddish intellectuals and the play's supporters had problems with
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at his desk writing. Due to his controversies, his funeral in London was small. His house in Bat Yam is now the Sholem Asch Museum and part of the MoBY-Museums of Bat Yam complex of three museums. The bulk of his library, containing rare Yiddish books and manuscripts, as well as the manuscripts of
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to the House of Study, Sholem became aware of major social changes in popular Jewish thinking. New ideas and the Enlightenment were asserting themselves in the Jewish world. At his friend's house, Sholem would explore these new ideas by secretly reading many secular books, which led him to believe
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Asch reflected on cosmopolitan interests and concern for the people and conditions he encountered. His fiction can mostly be put into three categories: tales, novels and plays of Eastern European Jewish life (Polish mostly); tales and novels of Jewish life in America; five biblical novels: two on
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Many of Asch's father figures are inspired by his own father. Sholem was believed to have adopted much of his own philosophies from his father, such as his love for humanity and his concern for Jewish-Christian reconciliation. He summed up his father's faith as "love of God and love of neighbor".
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subjects. Despite accusations of conversion, Asch remained proudly Jewish; he had written the trilogy not as a promotion of Christianity but as an attempt to bridge the gap between Jews and Christians. Much of his readership and the Jewish literary community, however, did not see it that way. His
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Asch returned to Poland in 1923, visiting Germany frequently. The Yiddish literary circle hoped he would stay in Poland, because I. L. Peretz's death in 1915 had left them devoid of a head figure. Asch had no desire to take Peretz's place, moving to Bellevue, France after years and continuing to
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on his own time. Asch grew up in a majority Jewish town, so he grew up believing Jews were the majority in the rest of the world as well. In Kutno, Jews and gentiles mostly got along, barring some tension around religious holidays. He had to sneak through a majority gentile area to get to a lake
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One of Asch's major goals in his writing was to articulate Jewish life, past and present. He placed the Jew at the center of his every work, along with an awareness of the Jewish relationship with the outside world. Some of his most frequent recurring themes were: man's faith, goodness, and
814:(Jewish-Zionist pioneers in Palestine), and reflects his 1936 visit to that region. Asch visited Palestine again in 1936. Then, in 1939, he returned to Villa Shalom for the last time. He delayed leaving Europe until the last possible moment, then reluctantly returned to the United States. 787:). He then moved into a house outside of Nice and rebuilt it as the "Villa Shalom," with luxuries such as a study facing the sea, a swimming pool, a bowling green, and an orchard. In 1935, he visited America at the Joint Committee's request to raise funds for Jewish relief in Europe. 749: 934:
figures in the Hebrew Bible and three on New Testament figures. Smaller groupings included works on the Holocaust and modern Israel. His work was not easily categorized, and straddled the lines between romanticism and realism, naturalism and idealism.
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himself too worldly to become a rabbi. At age 17, his parents found out about this "profane" literature and sent him to live with relatives in a nearby village, where he became a Hebrew teacher. After a few months there, he received a more
593:: "This play libels the Jewish religion. Even the greatest anti-Semite could not have written such a thing". After a protracted battle, the conviction was successfully appealed. In Europe, the play was popular enough to be translated into 420:
Born into a Hasidic family, Sholem Asch received a traditional Jewish education. Considered the designated scholar of his siblings, his parents dreamed of him becoming a rabbi and sent him to the town's best religious school (or
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On his second sojourn in the US, Asch first lived in Stamford, Connecticut, then moved to Miami Beach, where he stayed until the early 1950s. He offended Jewish sensibilities with his 1939–1949 trilogy,
685:. After a series of pogroms in Lithuania in 1919, Asch visited the country as representative of the Joint Committee, and he suffered a nervous breakdown due to the shock of the horrors he witnessed. His 729:, Warsaw, and Moscow. Ever the traveller, Asch took many trips to the Soviet Union, Palestine and the United States. He always held painters in high regard and formed close friendships with the like of 450:. It is also where he began writing. He attempted to master the short story and wrote in Hebrew. What he wrote there would later be revised, translated into Yiddish, and ultimately, launch his career. 547:
in 1907. The audience mostly came for Kessler, and they booed the rest of the cast. The New York production sparked a major press war between local Yiddish papers, led by the Orthodox
589:. Weinberger, who was also a prominent attorney, represented the group at the trial. The chief witness against the play was Rabbi Joseph Silberman, who declared in an interview with 681:
Asch became increasingly active in public life and played a prominent role in the American Jewry's relief efforts in Europe for Jewish war victims. He was a founding member of the
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In the pursuit of a safe haven from the violence in Europe, he and his family moved to the United States in 1914, moving around New York City for a while before settling in
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A marked-up typescript translation of a report from Asch is located in "Letter from Acting Manager to Mr. Albert Lucas" (Item ID 221283) in the online JDC Archives at
446:, where he supported himself as a letter writer for the illiterate townspeople. It is in Włocławek where he became enamored with the work of prominent Yiddish writer 2174: 491: 1704: 1509: 868:, led Asch and his wife to leave the US in 1953, whereafter they split their time between London (where their daughter lived), continental Europe, and Israel. 200: 897:. Although many of his works are no longer read today, his best works have proven to be standards of Jewish and Yiddish literature. His sons were Moszek Asz/ 2274: 2234: 1950:
The #1 New York Times Best Seller: intriguing facts about the 484 books that have been #1 New York Times bestsellers since the first list, 50 years ago
1522: 501:, an idyllic portrait of traditional Polish-Jewish life. In January 1905, he released the first play of his incredibly successful play-writing career, 425:), where the wealthy families sent their children. There, he spent most of his childhood studying the Talmud, and would later study the Bible and the 2229: 2214: 857: 2259: 1233: 2012: 1987: 2254: 1848: 1618: 864:
a scathing criticism of Asch and his Christological trilogy that disgusted even some of Asch's strongest critics. Lieberman's book, and the
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opened on March 19, 1907 and ran for six months, and soon was translated and performed in a dozen European languages.
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generosity. He was repelled and intrigued by Christian violence, and inspired by Jewish martyrdom and survival.
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Asch was a celebrated writer in his own lifetime. In 1920, in honor of his 40th birthday, a committee headed by
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was published in English-language translation in 1918. In 1922, it was staged in New York City at the
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write regularly for Yiddish papers in the US and Poland. In Bellevue, he wrote his 1929–31 trilogy
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Congress for Jewish Culture. Feature-length (1:49) video on various aspects of his life and work.
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of 1908, which declared Yiddish to be "a national language of the Jewish people." He traveled to
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We Can Always Call Them Bulgarians: The Emergence of Lesbians and Gay Men on the American Stage
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Readings from the Bible - Old Testament: Compiled by Sholem Asch (Performed by Harry Fleetwood)
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Curtin, Kaier (1987). "The First Lesbian Character Ever Seen on an English-language Stage".
490:). In 1903, he married Mathilde Shapiro, the daughter of the Polish-Jewish teacher and poet 2169: 2164: 2138:
A bust of Sholem Asch by Jacob Epstein, from the collection of the Israel Museum, Jerusalem
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Joseph and His Brothers: From In the Beginning by Sholem Asch (Performed by Arna Bontemps)
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In the Beginning: Bible Stories for Children by Sholem Asch (Performed by Arna Bontemps)
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in 1908 and the United States in 1910, a place about which he felt deeply ambivalent.
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where he met I. L. Peretz and other young writers under Peretz's mentorship such as
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Sholem Asch: A Statement and Lecture at Columbia University, N.Y. October, 1952
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Asch's Diamonds, A New Essay Collection Gives an Oft-neglected Master His Due
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In 1930, when Asch was at the height of his fame and popularity, he moved to
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published a 12-volume set of his collected works. In 1932 he was awarded the
669: 540: 536: 521: 408:), a cattle-dealer and innkeeper, and Frajda Malka, née Widawska (born 1850, 381: 1407: 841:
not only dropped him as a writer but also openly attacked him for promoting
2095: 1453: 917:, and his great-grandson, David Mazower, is a writer and a BBC Journalist. 910: 842: 742: 734: 642: 463: 409: 2125: 1322: 906: 673: 634: 552: 370: 2101: 1861:"Sholem Asch, One Destiny: an Epistle to the Christians | Issue 22" 738: 2149:
Asch Wednesday 2021: A Celebration of the Life and Work of Sholem Asch
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The controversial Sholem Asch : an introduction to his fiction
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Nativity: Sholem Asch's Story of the Birth of Jesus (Performed by
909:(1902, Warsaw – 1964, United States), also a writer. His grandson 888:, in a house that the mayor had invited him to build, but died in 401: 1593:
Broadway Cast of ‘God Of Vengeance’ Arrested on Obscenity Charges
877: 694: 2145:. General Collection, Beinecke Rare Book and Manuscript Library. 1510:"Der Goṭ fun neḳome a drame in dray aḳṭen | Yiddish Book Center" 178: 2121:
Biographical article of Sholem Asch by Encyclopaedia Britannica
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The controversial Sholem Asch: an introduction to his fiction
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decoration and was elected honorary president of the Yiddish
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Mostly about Asch's controversial trilogy that began with
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In 1904, Asch released one of his most well-known works,
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Polish-American novelist, dramatist, essayist (1880-1957)
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Jewish Classical Literature: Read by Chaim Ostrowsky
1110:(Berlin: Paul Zsolnay Verlag, 1931), pp. 35–77. 689:(1919), chronicling the anti-Jewish and anti-Polish 834:long-standing employer, New York Yiddish newspaper 101:. Unsourced material may be challenged and removed. 1556: 2175:20th-century American dramatists and playwrights 2156: 1644:"'Indecent' Opens Yale Repertory Theater Season" 920: 478:(Jewish Enlightenment), Asch initially wrote in 365:; 1 November 1880 – 10 July 1957), also written 1542:trans. Isaac Goldberg (Boston: Stratford, 1918) 725:) describes early 20th century Jewish life in 1981:. Yale University Library Judaica Collection. 1392:. Beinecke Rare Book and Manuscript Library. 1952:, Berkeley: Ten Speed Press, 1992. pp. 21–27 1550: 1548: 1083:), 1922, play (translated into English 2021) 1051:, 1919 (translated into English 1926), novel 1045:, 1918 (translated into English 1938), novel 683:American Jewish Joint Distribution Committee 528:, who produced it at the Deutsches Theater. 2275:Yiddish-language dramatists and playwrights 1499:(Berlin: Paul Zsolnay Verlag, 1931), p. 67. 1433: 64:Learn how and when to remove these messages 2235:Jewish American dramatists and playwrights 1990:. All About Jewish Theater. Archived from 1438:. Bowling Green University Popular Press. 433:In his adolescence, after moving from the 248: 1545: 1467: 1465: 1463: 1224:One Destiny: An Epistle to the Christians 876:Asch spent most of his last two years in 854:House Committee on Un-American Activities 226:Learn how and when to remove this message 161:Learn how and when to remove this message 2230:American people of Polish-Jewish descent 2215:American male dramatists and playwrights 1702: 1696: 1616: 1232:, 1946, spent more than 6 months on the 747: 203:of all important aspects of the article. 2028: 2010: 1922: 1772: 1190:), 1938 (translated into English, 1939) 951:("The Village"), 1904 or earlier, story 852:leading to repeated questioning by the 14: 2260:Polish male dramatists and playwrights 2157: 1554: 1460: 1061:), 1919 (translated into English 1930) 654:Czernowitz Yiddish Language Conference 199:Please consider expanding the lead to 2255:Polish emigrants to the United States 1656:from the original on October 19, 2015 1387: 672:. In New York, he began to write for 663: 1799:"Oration honouring Dr. Michael Asch" 1641: 1429: 1427: 1425: 1423: 1421: 1419: 1417: 1383: 1381: 1379: 1377: 1375: 1373: 1371: 1369: 1367: 1365: 942: 172: 99:adding citations to reliable sources 70: 29: 2116:"Workbook" on the Asch-Howe Quarrel 1642:Gold, Sylviane (October 15, 2015). 871: 697:and Poland, is one of the earliest 354: 318:Szalom Asz, Shalom Asch, Shalom Ash 24: 2190:20th-century American male writers 1959: 1773:Mazower, David (7 December 2014). 893:some of his own works, is held at 453: 25: 2286: 2039: 1831:. Yiddish Book Center. 2011-02-28 1414: 1362: 1236:(1946–7) including one week at #1 637:that recounts the controversy of 376:, dramatist, and essayist in the 45:This article has multiple issues. 2205:20th-century Polish male writers 2072: 1985: 1703:Brantley, Ben (April 18, 2017). 1523:The Strange Story of Sholom Asch 862:The Christianity of Sholem Asch, 798:), is set in Germany during the 387: 177: 75: 34: 2195:20th-century American novelists 2180:20th-century American essayists 1939: 1926:East River: A Novel of New York 1916: 1895: 1874: 1853: 1842: 1821: 1791: 1766: 1742: 1737:http://search.archives.jdc.org/ 1729: 1668: 1635: 1610: 1234:New York Times Best Seller List 1065:Di Kishufmakherin fun Kastilien 937: 641:. It opened on Broadway at the 191:may be too short to adequately 86:needs additional citations for 53:or discuss these issues on the 2031:"Sholem Asch's Jewish Gospels" 2029:Goldman, Shalom (2018-12-24). 1750:"MoBY: Museums of Art - Visit" 1585: 1532: 1516: 1502: 1489: 1284: 557:. Orthodox papers referred to 535:The play was first brought to 201:provide an accessible overview 13: 1: 2210:20th-century Polish novelists 2046:Works by or about Sholem Asch 2011:Umansky, Ellen (2007-04-24). 1617:Cummings, Mike (2015-10-15). 1355: 921:Inspirations and major themes 415: 392:Asch was born Szalom Asz in 7: 2071:(public domain audiobooks) 1495:Schalom Asch, "Rückblick," 1106:Schalom Asch, "Rückblick," 1101:The Return of Khaym Lederer 645:in April 2017, directed by 10: 2291: 2185:20th-century American Jews 2126:Sara Blacher-Retter reads 1681:Internet Broadway Database 1097:Khaym Lederers Tsurikkumen 752:Sholem Asch as a young man 633:is a 2015 play written by 2245:Jewish American novelists 2240:Jewish American essayists 2004:The Columbia Encyclopedia 1603:) on March 7, 1923. 1563:. Boston, Massachusetts: 1120:) 1929–31, translated as 322: 314: 304: 285: 259: 247: 240: 2200:20th-century Polish Jews 2110:The Jewish Daily Forward 1849:Siegel (1976), p. 63 ff. 1390:Sholem Asch reconsidered 1043:Onkl Mozes (Uncle Moses) 2225:American male novelists 2220:American male essayists 2080:Sholem Asch Discography 1529:, November 4, 1943. p.7 1388:Stahl, Nanette (2004). 1165:, 1937, translated as: 1140:, 1934, translated as: 705:. In 1920, he became a 400:, to Moszek Asz (1825, 1264:A Passage in the Night 1202:1941, essay, 201 pages 1188:The Song of the Valley 961:), 1904 novel and play 808:The Song of the Valley 753: 709:of the United States. 492:Menahem Mendel Shapiro 362: 2270:Polish male novelists 2265:Polish male essayists 1540:The God of Vengeance, 1473:"YIVO | Asch, Sholem" 1242:, 1948, short stories 1208:, 1942, short stories 794:(1937, translated as 751: 551:and even the secular 512:Asch wrote the drama 458:In 1899, he moved to 2084:Smithsonian Folkways 2065:Works by Sholem Asch 2055:Works by Sholem Asch 1903:"One Destiny Part 2" 1882:"One Destiny Part 1" 1477:yivoencyclopedia.org 1434:Siegel, Ben (1976). 1070:The Witch of Castile 693:in mid-17th century 691:Chmielnicki Uprising 570:Provincetown Theatre 484:In a shlekhter tsayt 474:. Influenced by the 95:improve this article 1809:on November 9, 2018 1565:Alyson Publications 1206:Children of Abraham 979:Time of the Messiah 707:naturalized citizen 576:, and moved to the 526:Rudolph Schildkraut 472:Hersh Dovid Nomberg 380:who settled in the 2143:Sholem Asch Papers 1971:YIVO encyclopaedia 1710:The New York Times 1649:The New York Times 1525:, Bernard Lerner. 1240:Tales of My People 1184:Dos Gezang fun Tol 1157:The Calf of Papers 1027:The Way to Oneself 804:Dos Gezang fun Tol 790:Asch's next work, 754: 731:Isaac Lichtenstein 703:Yiddish literature 664:Later adult career 652:Asch attended the 2250:People from Kutno 2006:(sixth ed.). 1905:. Petahtikvah.com 1884:. Petahtikvah.com 1717:on April 19, 2017 1281: 1280: 1212:My Personal Faith 1077:Der Toyter Mensch 1001:Reb Shloyme Nogid 866:McCarthy Hearings 829:which dealt with 766:Polonia Restituta 699:historical novels 574:Greenwich Village 440:liberal education 344: 343: 254:Sholem Asch, 1940 236: 235: 228: 218: 217: 171: 170: 163: 145: 68: 16:(Redirected from 2282: 2076: 2075: 2050:Internet Archive 2034: 2020: 2015:. Archived from 2013:"Asch's Passion" 2007: 1995: 1982: 1974: 1953: 1943: 1937: 1936: 1934: 1933: 1920: 1914: 1913: 1911: 1910: 1899: 1893: 1892: 1890: 1889: 1878: 1872: 1871: 1869: 1868: 1863:. Kesher Journal 1857: 1851: 1846: 1840: 1839: 1837: 1836: 1825: 1819: 1818: 1816: 1814: 1805:. Archived from 1795: 1789: 1788: 1786: 1785: 1770: 1764: 1763: 1761: 1760: 1746: 1740: 1733: 1727: 1726: 1724: 1722: 1713:. 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Magnes 687:Kiddush ha-Shem 666: 456: 454:Young adulthood 418: 398:Congress Poland 390: 340: 300: 294: 290: 281: 275:Congress Poland 268: 267:1 November 1880 266: 265: 255: 243: 232: 221: 220: 219: 214: 208: 205: 198: 186:This article's 182: 167: 156: 150: 147: 104: 102: 92: 80: 39: 35: 28: 23: 22: 15: 12: 11: 5: 2288: 2278: 2277: 2272: 2267: 2262: 2257: 2252: 2247: 2242: 2237: 2232: 2227: 2222: 2217: 2212: 2207: 2202: 2197: 2192: 2187: 2182: 2177: 2172: 2167: 2153: 2152: 2146: 2140: 2135: 2123: 2118: 2113: 2107:, a review in 2102:Alyssa Quint, 2099: 2086: 2077: 2062: 2052: 2041: 2040:External links 2038: 2037: 2036: 2026: 2019:on 2010-01-12. 2008: 2000:"Asch, Sholem" 1996: 1994:on 2012-12-09. 1986:Bell, June D. 1983: 1975: 1961: 1958: 1955: 1954: 1938: 1915: 1894: 1873: 1852: 1841: 1820: 1790: 1765: 1741: 1728: 1695: 1667: 1634: 1609: 1584: 1577: 1544: 1531: 1515: 1501: 1488: 1459: 1444: 1413: 1398: 1360: 1359: 1357: 1354: 1353: 1352: 1342: 1332: 1318: 1308: 1298: 1286: 1283: 1279: 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Peretz 434: 432: 422: 419: 391: 366: 346: 345: 291:(1957-07-10) 289:10 July 1957 222: 209:January 2022 206: 190: 188:lead section 157: 148: 138: 131: 124: 117: 105: 93:Please help 88:verification 85: 61: 54: 48: 47:Please help 44: 18:Scholem Asch 2170:1957 deaths 2165:1880 births 1813:January 20, 1754:moby.org.il 1688:11 November 1567:. pp.  1323:Pete Seeger 1285:Discography 1270:The Prophet 1218:The Apostle 1033:Motke Ganev 1007:Motke Ganev 969:Coming Back 955:Mitn Shtrom 907:Nathan Asch 856:. 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