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As is the case with symphonies 6 and 8, the double bass has an extensive solo in the trio of the menuet. Like the previous symphony, the finale contains passages for almost all the instruments, but here it is intensified even more with solos and
97:, and exhibits many concertante features; indeed, the principal players of each of the string sections have solos, while the winds are given fairly difficult parts. The work is in four movements:
301:. London: Universal Edition & Rockliff (1955): 626. "2 fl., 2 ob., 1 fag., 2 cor., vln. I concertante, vln. II concertante, vcl. concertante, violone (cb.) solo, str., 'Basso Continuo' (
260:. London: The Tantivy Press (1976): 52. "The first three symphonies to be composed for the Prince were almost certainly the "Morning," "Noon" and "Evening" trilogy."
66:
The symphony was composed in May or June 1761, paired together with the other two of the Day
Trilogy, Nos. 6 and 8, and under the patronage of Prince
228:
with solo violin and solo cello with prominent obbligato flute parts coloring the accompanying orchestration. The movement ends with an extended
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often exchanging every other bar. The recapitulation is notably accentuated with horn fanfares.
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The Esterházy Palace on Vienna's
WallnerstraĂźe, where this symphony premiered.
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201:, the slow introduction to the opening movement here is a ceremonial march.
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55:
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274:. Grand Rapids, Michigan: Wm. B. Eerdmans Publishing Co. pp. 42, 44.
213:
332:(Volume 2). Bloomington and London: Indiana University Press (2002) (
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The first movement begins with a fanfare style, ten bar passage in
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to give way for the main Adagio section. The Adagio follows in
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212:. The second andante movement begins with an extended "
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208:, followed by the allegro part of the movement in
58:, sometimes called "Le midi", meaning "The Noon."
272:Playing Before the LORD- The Life of Joseph Haydn
1135:
376:
362:
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355:
324:
322:
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258:The Music of Joseph Haydn: The Symphonies
33:
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220:featuring a solo violin, which ends in
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317:
19:This article is about the symphony by
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13:
14:
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232:for the solo violin and cello.
308:
299:The Symphonies of Joseph Haydn
288:
263:
250:
140:Recitativo: Adagio in G major,
61:
29:Symphony No. 7 (Michael Haydn)
1:
243:
7:
10:
1170:
1144:Symphonies by Joseph Haydn
18:
1016:
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920:
792:
651:
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330:The Symphonic Repertoire
270:Stapert, Calvin (2014).
16:Symphony by Joseph Haydn
1149:Compositions in C major
68:Paul II Anton Esterházy
195:Unlike the sunrise of
39:
23:. For the symphony by
37:
295:H. C. Robbins Landon
50:, Hoboken I/7, is a
73:It is scored for 2
950:(In nomine Domini)
820:(Tempora mutantur)
752:(The Schoolmaster)
314:Hodgson, 1976: 52.
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1154:1761 compositions
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1019:London symphonies
177:Finale: Allegro,
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923:Paris symphonies
708:(Maria Theresia)
568:(Hermannstädter)
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1128:Classical Music
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44:Symphony No. 7
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537:(Philosopher)
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340:), pp. 72–75.
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281:9780802868527
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25:Michael Haydn
22:
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700:(Palindrome)
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594:(Hornsignal)
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384:Joseph Haydn
329:
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56:Joseph Haydn
43:
41:
21:Joseph Haydn
871:(La chasse)
62:Composition
1138:Categories
1092:(Drumroll)
1071:(Military)
1035:(Surprise)
958:(La Reine)
934:(The Bear)
687:(Farewell)
586:(Alleluia)
437:(Le matin)
378:Symphonies
338:025333487X
244:References
214:recitative
160:and Trio,
1048:(Miracle)
942:(The Hen)
671:(Mercury)
453:(Le soir)
445:(Le midi)
305:cembalo)"
1100:(London)
1007:(Oxford)
848:(Laudon)
679:(Trauer)
198:Le matin
158:Menuetto
95:continuo
52:symphony
1079:(Clock)
230:cadenza
226:G major
222:B minor
218:C minor
210:D major
206:C major
121:Allegro
91:strings
83:bassoon
48:C major
1114:Portal
775:(Fire)
632:(Echo)
336:
278:
238:tuttis
102:Adagio
75:flutes
27:, see
978:88–92
793:61–81
652:41–60
523:21–40
216:" in
87:horns
79:oboes
1098:104
1090:103
1077:101
1069:100
393:A–20
334:ISBN
303:i.e.
276:ISBN
93:and
85:, 2
77:, 2
42:The
1085:102
1046:96
1033:94
1005:92
956:85
948:84
940:83
932:82
869:73
846:69
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677:44
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566:27
558:26
535:22
380:by
54:by
46:in
1140::
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1041:95
1028:93
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990:89
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969:87
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912:81
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882:75
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841:68
836:67
831:66
826:65
805:62
800:61
768:58
763:57
758:56
745:54
732:52
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693:46
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494:16
489:15
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469:11
464:10
451:8
443:7
435:6
319:^
297:,
123:,
119:–
104:,
89:,
81:,
70:.
1116::
459:9
430:5
425:4
420:3
415:2
410:1
405:B
400:A
370:e
363:t
356:v
284:.
185:4
168:4
148:4
131:4
112:4
31:.
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