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The piece is at once a satire of the ridiculousness of operatic staging and an indirect satire of the government's tax policy. In Carey's play, Moore of
Moorehall, "a valiant knight, in love with Margery", is a drunk who pauses to deal with the dragon only between bouts of drinking and carousing with
151:
was taken out in 1573 by one George More of
Sheffield on behalf of the Sheffield Burgery (the 'free men' of Sheffield) against the Lord of the manor of Sheffield, George Talbot, the sixth Earl of Shrewsbury, in respect of his appropriation of the proceeds of Sheffield 'waste' land, which hitherto had
119:
More Hall is a 15th-century (or earlier) residence immediately below the gritstone edge of
Wharncliffe Crags—Wharncliffe being formerly known in the local vernacular as Wantley—The dragon was reputed to reside in a den, and to fly across the valley to Allman (Dragon's) Well on the Waldershelf ridge
454:
There is a representation of the dragon above More Hall on the opposite side of the valley to
Wharncliffe Crags. The snaking stone wall culminating in a carved dragon's head can be found at the southern edge of Bitholmes Wood (Grid Ref:SK 295 959). There is also a bas-relief frieze of a knight
374:, which had a much greater capacity for staging. Part of its satire of opera was that all the words were sung, including the recitatives and da capo arias. The play itself is very brief on the page, as it relied extensively on absurd theatrics, dances, and other non-textual entertainments.
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paid for
Sheffield's poor, civic works and the parish church. This had long been the practice under an agreement in 1297 by one of Talbot's predecessors, one Thomas Furnival, and had seemed secure after a successful petition some two decades previously to the newly enthroned
435:, in 1892. Wister described the story as a comic "burlesque" concerning the "true" story of the Dragon. It is a romantic story set at Christmastime in the early 13th century. The book was a surprise success, going through four editions over the next ten years.
488:, this pub is owned by John Bold, a local doctor, who is pursuing a dispute with the church authorities over the alleged misapplication of ecclesiastical revenues. The dragon is also mentioned in the first paragraph of the opening chapter of Sir
385:
The battle with the dragon takes place entirely offstage, and Moore only wounds the dragon (who is more reasonable than Moore in his dialogue) in its anus. The main action concerns the lavish dances and songs by the two sopranos and Moore.
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women. Margery offers herself as a human sacrifice to Moore to persuade him to take on the cause of battling the dragon, and she is opposed by
Mauxalinda, Moore's "cast-off mistress", who has interest in him now that a rival has appeared.
496:
where Scott writes "In that pleasant district of Merry
England which is watered by the River Don, there extended in ancient times a large forest...Here haunted of yore the fabulous Dragon of Wantley." In Chapter XXXVIII of
234:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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also performed the opera as part of their Summer
Festival in the Barber Institute of Fine Arts. It is being produced for two performances in Chicago's Haymarket Opera Company in October 2019 and the
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The topography of the ballad is accurate in its detail as regards
Wharncliffe Crags and environs, but the story, and its burlesque humour, has been enjoyed in places far from the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
791:
501:, David writes a letter to Mr. Spenlow in which David "addressed him...as if...he had been an Ogre, or the Dragon of Wantley." In Chapter III of
17:
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and delivers a fatal kick to the dragon's "arse-gut" - its only vulnerable spot, as the dragon explains with its dying breath.
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413:- Mary Bevan, Catherine Carby, Mark Wilde, John Savournin, The Brook Street Band, John Andrews. Resonus Classics 2022
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parody was a huge success and its initial run was 69 performances in the first season; a number which exceeded even
275:
Content in this edit is translated from the existing German
Knowledge article at ]; see its history for attribution.
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killing a dragon, said to be a representation of More and the Dragon of Wantley, in the entrance hall to
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with the full support of George Talbot's father (the previous—fifth—Earl of Shrewsbury, Francis Talbot).
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from which it appears to derive and has been used to make a number of points unrelated to it.
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A True Relation of the Dreadful Combat between More of More-Hall, and the Dragon of Wantley
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relates to a dispute over the alleged misappropriation of church tithes in Wharncliffe by
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Hallamshire: The History and Topography of the Parish of Sheffield in the County of York
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617:(Oxford World's Classics ed.). Oxford: Oxford University Press. p. 248.
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to the source of your translation. A model attribution edit summary is
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knight Moore of Moore Hall obtains a bespoke suit of spiked Sheffield
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393:) have produced two fully-staged productions, in 2012 and 2021. The
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from 1739 contains engravings showing how the work was performed.
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Mr. Secretary Walsingham and the policy of Queen Elizabeth
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The opera is now rarely performed. Isleworth Baroque (now
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was adapted (in English) into one of the more successful
115:"Dragon's Den" at Wharncliffe Crags in South Yorkshire.
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Church and Manor: A Study in English Economic History
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a machine-translated version of the German article.
558:by John Daniel Leader (1897) pp. 29, 31, & 36.
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792:The New Grove Dictionary of Music and Musicians
44:is a legend of a dragon-slaying by a knight on
786:by Joseph Hunter (1819), pp. 55 & 56.
269:accompanying your translation by providing an
214:Click for important translation instructions.
201:expand this section with text translated from
176:who was opposed by a local lawyer named More.
401:has announced performances in November 2023.
127:One member of the More family of More Hall,
812:The Dragon of Wantley (bowdlerised version)
665:"The Dragon of Wantley - a Fundamental Hit"
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281:{{Translated|de|The Dragon of Wantley}}
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77:to appear in London up to that point.
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309:"Moore fighting with ye Dragon" from
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166:Reliques of Ancient English Poetry
66:Reliques of Ancient English Poetry
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18:The Dragon of Wantley (opera)
607:Shrimpton, Nicholas (2014).
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399:Boston Early Music Festival
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311:George Bickham the Younger
226:Machine translation, like
37:(1737), published c. 1770.
737:"Town Hall Entrance Hall"
469:Chronicles of Barsetshire
366:The opera debuted at the
338:in 1737. The opera, with
203:the corresponding article
739:. Sheffield City Council
395:University of Birmingham
376:The Musical Entertainer
315:The Musical Entertainer
290:For more guidance, see
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759:The Railway Children
503:The Railway Children
347:John Frederick Lampe
615:by Anthony Trollope
457:Sheffield Town Hall
449:Sheffield Town Hall
174:Sir Francis Wortley
789:"Henry Carey", in
689:Drangon of Wantley
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360:The Beggar's Opera
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271:interlanguage link
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107:Inspirations
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86:Trojan Horse
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61:Thomas Percy
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721:28 November
671:21 November
649:10 February
427:Owen Wister
321:Henry Carey
137:Elizabeth I
129:George More
90:Falstaffian
875:1767 poems
870:1737 poems
854:Categories
780:. (1685).
612:The Warden
525:References
485:The Warden
477:Barchester
323:wrote the
154:Queen Mary
763:E. Nesbit
743:5 January
697:25 August
592:"History"
507:E. Nesbit
492:'s novel
421:A novel,
417:The novel
405:Recording
329:burlesque
285:talk page
237:Consider
205:in German
139:in 1583.
101:landscape
834:LibriVox
687:"2019 -
639:"2012 –
513:See also
471:novels,
363:(1728).
355:Augustan
343:composed
325:libretto
261:provide
135:against
63:'s 1767
885:Dragons
845:YouTube
494:Ivanhoe
467:In his
334:called
283:to the
265:in the
207:.
164:In his
149:lawsuit
122:Deepcar
621:
120:above
94:armour
82:dragon
75:operas
71:ballad
340:music
332:opera
327:to a
228:DeepL
54:comic
745:2017
723:2022
699:2019
673:2021
651:2019
619:ISBN
259:must
257:You
221:View
843:on
761:by
505:by
345:by
313:'s
230:or
48:in
856::
599:^
540:,
459:.
147:A
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