309:, was made in place of a catalog and sold at the show for 50 cents a copy. It immediately gave rise to a second show the following year, and another in 1968. The first show was excitedly reviewed (with illustrations!) in Artforum by Professor Whitney Halstead of the School of the Art Institute of Chicago (SAIC), thus fulfilling the artistsâ ambition to get their work to a wider audience. As a result, in 1968 Philip Linhares, the San Francisco Art Institute curator, offered them their first show outside Chicago. The next year, Walter Hopps, who had founded the Ferus Gallery in Los Angeles and was at the time the Curator of the Corcoran Gallery of Art in Washington DC, invited them to stage an exhibition.
323:⊠titled "Sixteen Americans" or "Thirteen Americans"... All of us were determined not to emulate such suave coolness, but didn't have a clue what would work. At our first get-together to discuss the show we were getting nowhere with this problem. This was also our first exposure to Karl in the flesh for the five of us. As frustration mounted from not solving the dilemma, group discussion disintegrated into smaller units, when Karl was heard saying plaintively, "Harry who? Who is this guy?" At which point some of us were hysterically incredulous that he didn't know about Harry Bouras, the exceptionally self-important artist who was the art critic for
294:, student-lead protests, counterculture, turbulent gender and racial relations, and the rapid extension of a capitalist consumer economy. Extremely acidic color choices outlined with thick black outlines, jazzy and psychedelic patterns with an adolescent sense of humor pervade the Hairy Whoâs paintings, drawings and sculptures. Across the spectrum of each individual style it was impossible not to distinguish each individual artist from another, although they complement each other what brings them together is the prevalence of figuration, and a treatment of the human face and form that often verges on the grotesque or the cartoonish.
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sexuality, social mores and standards of beauty, and nostalgia and obsolescence. New York gallerist Derek Eller, who has represented Wirsum since 2010, says that Wirsum had next to no presence in the city before that time: his sense is that âthe
Imagists were always out of sync with New York taste and styleâ. In the 1960s and 1970s this meant the sternly reductivist forms of Minimalism or Conceptualism; when figuration entered the New York mainstream, through Pop, it was via the mediating filter of contemporary mass media.
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The Hairy Who, by contrast, were looking at an array of narrative and vernacular forms such as cartoons, tattoos, Outsider art (including the drawings of the self-taught Joseph Yoakum, who worked in
Chicago) as well as the paintings and manuscripts of the Quattrocento, northern Renaissance painting,
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and Philip Hanson, are often incorrectly associated with the Hairy Who exhibitions, when in fact they showed at the Hyde Park Art Center between 1968-1971 in several other shows, such as "Non-Plussed Some", "False Image", "Chicago
Antigua" and "Marriage Chicago Style". In addition to the Hairy Who,
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Their sense of humor embraced idiosyncrasy and spontaneity with wordplay, puns, and inside jokes that often belied the transgressiveness of their subject matter. Ambiguous, provocative, but also strategic, their work transmitted progressive ideas that challenged prevailing notions of gender and
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and traditional arts of Africa, Oceania, and the Pre-Columbian
Americas. In their wide geographical and historical purview, they distanced themselves from the artistic vanguard (and its supporters) which tended to be fixated on its contemporary social and artistic moment.
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The Hairy Who's paintings were not only inspired by the commercial culture (advertisements, comics, posters, and sales catalogs) found on
Chicago's streets but like many Americans of their time, their work came to be during a moment of radical conflict, the
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Chicago private art dealer Karen Lennox said, "The Hairy Who sourced surrealism, Art Brut, and the comics. Pop art sourced the world of commercial advertising and popular illustration. One was very personal, the other anti-personal."
327:, the cultural FM station in Chicago. All of us found this very funny, including Karl, and as we bantered about variations of the situation, we realized the potential for the name, especially if we changed Harry to Hairy."
100:. They were given their name in 1959 by critic and Monster Roster member, Franz Schulze. The name was based on their existential, sometimes gruesome, semi-mystical figurative work. Many of them were mentored by
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Outside of
Chicago, any Chicago artist whose work is figurative and quirky is often called an Imagist. Chicago artists who paint strange and figurative works, but are not Imagists, include:
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For the first exhibition they collaborated on an arresting poster depicting a manâs heavily tattooed back, each tattoo designed by a different member of the group. A collaborative comic,
338:. âThe Hairy Who was an artist-designed, artist-named exhibition group while Chicago Imagism was a label was applied to a whole gaggle of artists by an outside critic,â Nichols says."
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In fact, Imagism as a style or school is elastic enough that abstract artists from
Chicago working in an organic or surrealist-influenced style during Imagism's heyday, such as
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The
Imagists were not a formal group, but rather a description of artists involved in shows curated by Baum in the mid-1960s and early 1970s. Several other artists, including
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The
Imagists had an unusually high proportion of female artists. There are three distinct groups which, outside of Chicago, are indiscriminately bundled together as Imagists:
330:"Nonetheless, there is an important distinction to be made between The Chicago Imagist and Hairy Who, says Thea Liberty Nichols, the Researcher of Prints and Drawings at the
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334:, who co-organized âHairy Who? 1966-1969â with Mark Pascale, the Curator of Prints and Drawings and Ann Goldstein, the Deputy Director and Chair, and Curator of
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in the forefront, the artists made their own way, staking out their time, their place, and their work as an unforgettable happening in art history."
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in 1966, 1967, and 1968. They named the exhibitions "Hairy Who?" but never intended to organize themselves together as a unified group.
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319:"At the time art show names were very cool, the less they said about the work the cooler (better). There had been a number of shows at
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exhibited many
Imagists, including Yoshida, in a show entitled "Don Baum Says 'Chicago Needs Famous Artists'". Gallery owner
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in DC ('69), they decided to break up and continued on working on their own individual practices, and/or joined other groups.
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239:. They developed a vibrant and vulgar approach to art making- and after only six exhibitions together: three at the
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Christine Newman, "When Jim Met Gladys", "Chicago" Magazine, Vol. 60 No. 2, February 2011, pp. 78-81,92,146-148,164
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819:, Museum of Contemporary Art, ed. Lynne Warren, New York: Thames and Hudson, 1996, p. 265. Retrieved May 1, 2018.
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Larry Finley, "Influential Figure in Chicago Art World: Teacher, Mentor to Artists in Imagism School of 1970s",
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gave Jim Nutt and Gladys Nilsson their first solo shows in 1970, and Roger Brown his first such show in 1971.
270:(a key figure in the Hairy Who's success), with the idea of a group show consisting of the three of them, and
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Dan Nadel, "Hairy Who's history of the Hairy Who." The Ganzfeld 3. New York: Monday Morning, 2003. p. 121-2.
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The naming of the exhibition was explained in an interview conducted by Dan Nadel with artist
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referred to Chicago Imagism as "the postwar tradition of fantasy-based art making." Senior
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artists chose when they decided to join forces and exhibit together in the mid-1960s."
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769:""The art of the Hairy Who would scratch your eyes out" â Art Agency, Partners"
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Monster Roster: Existentialist Art in Postwar Chicago, exhibition description
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The Monster Roster was a group of Chicago artists, several of whom served in
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200:"Neither a movement nor a style, Hairy Who was simply the name six
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834:, Chicago: Corbett vs Dempsey, 2006. Retrieved September 10, 2018
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The Interior of the Palm House on the Pfaueninsel Near Potsdam
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858:âImagist Show Is An Unlikely Collection across Generations,â
790:"Phyllis Kind, Art Dealer Who Took In Outsiders, Dies at 85"
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Garret Holg, "Art of the City: The Imagists -- and Beyond"
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247:('68), the School of Visual Art in New York ('69), and the
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The legacy of The Chicago Imagists is notably explored in
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JUMPIN' BACKFLASH: Original Imagist Artwork, 1966 - 1969
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Distinction between Chicago Imagism and New York Pop Art
112:. The group was recognized in a major exhibition at the
243:(in '66, '67, and '68), and three out of town, at the
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magazine editor Christine Newman said, "Even with the
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A Sunday Afternoon on the Island of La Grande Jatte
874:"Hairy Who & The Chicago Imagists | Pentimenti"
2093:Madonna and Child with the Infant John the Baptist
863:, November 17, 2006. Retrieved September 9, 2018.
621:"The Roster: Franz Schulze | Smart Museum of Art"
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2514:List of painters in the Art Institute of Chicago
1989:Ciphers and Constellations, in Love with a Woman
1880:Arrival of the Normandy Train, Gare Saint-Lazare
278:. Baum agreed, and also suggested they include
96:and were able to go to art school thanks to the
2207:The Sacred Grove, Beloved of the Arts and Muses
843:Allen, Jane and Derek Guthrie. âDavid Sharpe,â
2558:Artist groups and collectives based in Chicago
669:, Sunday, March 22, 1998, Section B, pp. 1, 14
2568:School of the Art Institute of Chicago alumni
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1858:The Advance-Guard, or The Military Sacrifice
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678:Smart Museum of Art, University of Chicago.
648:Richard Vine, "Where the Wild Things Were",
590:Ken Johnson, "ART IN REVIEW; Ray Yoshida,"
282:. The six artists, held exhibitions at the
207:The Hairy Who was a "group" made up of six
2431:Ryerson & Burnham Libraries collection
2425:Mosaic Fragment with Man Leading a Giraffe
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1781:London International Surrealist Exhibition
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1776:Exposition Internationale du Surréalisme
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1930:The Beheading of Saint John the Baptist
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49:Their work was known for grotesquerie,
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2236:The Seine at Port-Marly, Piles of Sand
926:Heavy Weather: Art Green Retrospective
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110:School of the Art Institute of Chicago
40:School of the Art Institute of Chicago
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2143:On the Bank of the Seine, Bennecourt
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2229:Santo Domingo el Antiguo Altarpiece
2003:The Combat of the Giaour and Hassan
828:Corbett, John. âAbstract Imagist,â
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466:Museum of Contemporary Art, Chicago
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2441:Chocolate Jar with Iron-Locked Lid
2280:(1999 painting by Ellen Gallagher)
788:Smith, Roberta (10 October 2018).
693:"Don Baum papers, circa 1940-2004"
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541:Hairy Who and the Chicago Imagists
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2494:Art Institute of Chicago Building
2185:Portrait of Mary Adeline Williams
2086:Lunch at the Restaurant Fournaise
1730:The Surrealist Group in Stockholm
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682:, 2016. Retrieved March 31, 2018.
262:and Jim Falconer approached the
699:. Archives of American Art. 2011
544:, directed by Chicago Filmmaker
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195:
2446:Randolph Street Gallery archive
2214:Saint George Killing the Dragon
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813:Boris, Staci. âPaul LaMantia,â
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2171:Portrait of Amédée de Pastoret
2164:Portrait of a Woman in a Chair
2064:Jesus Insulted by the Soldiers
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613:
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1974:Christ and the Virgin Diptych
1945:Bullfight â Death of the Bull
1675:Bureau of Surrealist Research
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108:printmaker who taught at the
53:and complete indifference to
2363:Large Interior Form, 1953â54
2271:Two Sisters (On the Terrace)
723:The Art Institute of Chicago
84:, and The Chicago Imagists.
38:artists associated with the
7:
2548:American surrealist artists
2356:Fountain of the Great Lakes
2334:Chicago Stock Exchange Arch
2221:Saint Martin and the Beggar
2178:Portrait of Madame Pastoret
2150:On the Threshold of Liberty
2057:Jacques and Berthe Lipchitz
1996:The Cliff Walk at Pourville
551:
336:Modern and Contemporary Art
245:San Francisco Art Institute
209:School of the Art Institute
10:
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2392:Table with Pink Tablecloth
922:, review by Jurek Polanski
749:, Monday, January 19, 2009
2486:
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2417:Other items in collection
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2317:
2136:Old Man with a Gold Chain
2018:The Denial of Saint Peter
1867:(Fred and Marcia Weisman)
1849:
1801:Paranoiac-critical method
1738:
1647:
1344:
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915:Artân: Painting in Pixels
878:pentimentiproductions.org
529:
57:art world trends. Critic
2458:Art Institute of Chicago
2385:The Solitude of the Soul
2318:Sculptures in collection
2108:Merahi metua no Tehamana
1843:Art Institute of Chicago
1685:Chicago Surrealist Group
1670:British Surrealist Group
816:Art in Chicago 1945-1995
625:smartmuseum.uchicago.edu
341:The Hairy Who included:
2157:Paris Street; Rainy Day
2020:(Hendrick ter Brugghen)
2010:Daniel-Henry Kahnweiler
1850:Paintings in collection
654:, May 1997, pp. 98-111.
536:Pentimenti Production's
307:The Portable Hairy Who!
249:Corcoran Gallery of Art
211:graduates, mentored by
2543:American art movements
2436:Thorne miniature rooms
2201:(Cecco del Caravaggio)
2192:The Races at Longchamp
1796:Abstract expressionism
1665:Birmingham Surrealists
1354:Maxime Moses Alexandre
1331:Radojica ĆœivanoviÄ Noe
996:Jacques-André Boiffard
719:"Hairy Who? 1966â1969"
558:Lowbrow (art movement)
266:exhibitions director,
264:Hyde Park Art Center's
1766:Surrealist techniques
1751:Surrealist automatism
1695:Fighting Cock Society
1434:Roger Gilbert-Lecomte
1419:Vratislav Effenberger
1359:Guillaume Apollinaire
910:PentimentiProductions
517:Eleanor Spiess-Ferris
118:University of Chicago
42:who exhibited at the
2095:(Correggio, Chicago)
2049:Improvisation No. 30
1959:Charing Cross Bridge
1938:Blue and Green Music
1894:The Basket of Apples
1746:Surrealist Manifesto
1700:The Firesign Theatre
1484:Comte de Lautréamont
697:Research collections
594:, September 17, 1999
377:The Chicago Imagists
284:Hyde Park Art Center
241:Hyde Park Art Center
44:Hyde Park Art Center
1981:Christ on the Cross
1887:At the Moulin Rouge
1865:American Collectors
1634:Marianne Van Hirtum
1609:Simon Watson Taylor
1071:Christian Dotremont
725:. 26 September 2018
114:Smart Museum of Art
46:in the late 1960s.
2563:History of Chicago
2115:The Millinery Shop
1932:(Giovanni di Paolo
1901:Bathers by a River
1111:Alberto Giacometti
1101:Gordon Onslow Ford
1036:Leonora Carrington
794:The New York Times
592:The New York Times
88:The Monster Roster
78:The Monster Roster
2553:Surrealist groups
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2308:The Yellow Christ
2294:White Crucifixion
2129:The Old Guitarist
2028:(Delaunay series)
1952:The Captive Slave
1809:
1808:
1786:Women surrealists
1756:Surrealist cinema
1604:Philippe Soupault
1236:BenjamĂn Palencia
747:Chicago Sun-Times
666:Chicago Sun-Times
546:Leslie Buchbinder
409:Christina Ramberg
219:.: Jim Falconer,
185:Evelyn Statsinger
104:, an influential
16:(Redirected from
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2509:Pratapaditya Pal
2471:Chicago Imagists
2301:Woman with a Fan
2071:The Kitchen Maid
2034:Figure with Meat
1967:The Child's Bath
1923:Bedroom in Arles
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1761:Surrealist music
1680:Chicago Imagists
1660:Les Automatistes
1599:Louis Scutenaire
1539:VĂtÄzslav Nezval
1379:Georges Bataille
1296:Dorothea Tanning
1281:JindĆich Ć tyrskĂœ
1256:Aminollah Rezaei
1151:Jacqueline Lamba
1141:Gerome Kamrowski
1086:Curt Echtermeyer
1041:Ithell Colquhoun
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507:Robert Lostutter
217:Whitney Halstead
189:H. C. Westermann
173:Seymour Rosofsky
36:representational
32:Chicago Imagists
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2264:Time Transfixed
1873:American Gothic
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1574:Raymond Queneau
1569:Jacques Prévert
1559:Rastko PetroviÄ
1519:Robert Melville
1499:Georges Limbour
1479:Philip Lamantia
1384:Monny de Boully
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1326:James F. Walker
1316:Albert Valentin
1306:Kristians Tonny
1276:Martin Stejskal
1251:Toni del Renzio
1231:Wolfgang Paalen
1226:MĂ©ret Oppenheim
1206:E. L. T. Mesens
1171:Georges Malkine
1106:Esteban Francés
1066:Ăscar DomĂnguez
1021:Jacques Brunius
1016:Emmy Bridgwater
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154:Theodore Halkin
146:Dominick Di Meo
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884:on 2016-03-24
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18:The Hairy Who
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2199:Resurrection
2198:
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2026:Eiffel Tower
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2017:
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1725:Refus Global
1720:Monty Python
1679:
1639:Roger Vitrac
1619:Dylan Thomas
1589:Marko RistiÄ
1579:Herbert Read
1464:Nelly Kaplan
1459:Alfred Jarry
1449:IrĂšne Hamoir
1444:Julien Gracq
1389:André Breton
1364:Louis Aragon
1271:André Souris
1196:Oscar Mellor
1181:André Masson
1061:Paul Delvaux
1031:Claude Cahun
991:Hans Bellmer
986:EugĂšne Atget
886:. Retrieved
882:the original
877:
868:
860:
852:
844:
839:
830:
824:
815:
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797:. Retrieved
793:
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772:. Retrieved
763:
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727:. Retrieved
722:
713:
701:. Retrieved
696:
687:
674:
664:
659:
649:
628:. Retrieved
624:
615:
586:
568:Outsider art
539:
533:
524:David Sharpe
521:
498:Richard Hull
488:
479:
470:Phyllis Kind
464:In 1969 the
463:
380:
361:Jim Falconer
340:
329:
318:
311:
306:
304:
300:
296:
288:
253:
206:
199:
142:George Cohen
102:Vera Berdich
94:World War II
91:
81:
77:
75:
62:
48:
31:
29:
27:Artist group
2520:Masterpiece
2250:The Dreamer
2080:(Delacroix)
1908:The Bathers
1514:DuĆĄan MatiÄ
1424:Paul Ăluard
1409:René Daumal
1404:René Crevel
1345:Writers and
1301:Karel Teige
1291:Yves Tanguy
1146:Wifredo Lam
1136:Frida Kahlo
1096:Leonor Fini
1026:Luis Buñuel
1001:Bill Brandt
976:Eileen Agar
459:Lynn Duenow
449:Errol Ortiz
444:Ray Yoshida
399:Roger Brown
383:Roger Brown
371:Karl Wirsum
280:Karl Wirsum
233:Karl Wirsum
213:Ray Yoshida
181:Nancy Spero
133:Fred Berger
71:Vietnam War
59:Ken Johnson
2537:Categories
2401:(RĂŒckriem)
2378:Solar Bird
2223:(El Greco)
2122:Nighthawks
1983:(ZurbarĂĄn)
1710:Grup d'Elx
1690:Dau al Set
1544:Paul Nougé
1529:Max Morise
1524:René Ménil
1336:Unica ZĂŒrn
1211:Lee Miller
962:Surrealism
888:2015-12-07
774:2019-05-21
729:2019-05-21
630:2019-02-06
579:References
404:Ed Paschke
387:Ed Paschke
150:Leon Golub
106:surrealist
51:Surrealism
2051:(Cannons)
2041:Haystacks
2012:(Picasso)
1910:(CĂ©zanne)
1705:The Goons
1549:Paul PÄun
1504:LĂ©o Malet
1469:Petr KrĂĄl
1439:Yvan Goll
1347:theorists
1221:Joan MirĂł
1156:Dora Maar
1091:Max Ernst
1046:Gala DalĂ
563:NaĂŻve art
346:Art Green
272:Art Green
254:In 1964,
221:Art Green
158:June Leaf
98:G.I. Bill
2399:Untitled
2372:(Kemeys)
2350:(Calder)
2341:Cubi VII
2278:Untitled
1655:Acéphale
1261:Kay Sage
981:Jean Arp
799:13 April
552:See also
424:Ed Flood
356:Jim Nutt
314:Jim Nutt
268:Don Baum
256:Jim Nutt
229:Jim Nutt
129:Don Baum
69:and the
55:New York
2487:Related
2328:(Rodin)
1739:Related
1246:Man Ray
969:Artists
573:Pop art
202:Chicago
67:Beatles
63:Chicago
2522:(game)
2466:People
1648:Groups
703:29 Jun
538:film,
530:Legacy
235:, and
2370:Lions
1311:Toyen
2326:Adam
1791:Dada
801:2020
705:2011
325:WFMT
321:MoMA
274:and
215:and
30:The
332:AIC
258:,
116:at
2539::
876:.
792:.
738:^
721:.
695:.
639:^
623:.
599:^
548:.
389:,
385:,
316::
231:,
227:,
223:,
80:,
1835:e
1828:t
1821:v
954:e
947:t
940:v
891:.
803:.
777:.
732:.
707:.
633:.
20:)
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