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also argues that the six zones correspond to Sufism's different levels of consciousness. Both Alβ’Ith and Ben Ata are able to experience other levels of consciousness when they travel to each other's zones, but Alβ’Ith can perceive and experience the neighbouring zone far deeper than Ben Ata because she is from a higher zone/level of consciousness. Galin says that on the "Sufi ladder to enlightenment", those on higher rungs must pull up those on lower rungs. Thus Alβ’Ith can only move to Zone Two after she has pulled Ben Ata up to Zone Three.
1020:, Germany in May 1997 under the direction of Thomas Kalb (music) and Birgitta Trommler (stage), with libretto translated into German by Saskia M. Wesnigk. Lessing said that for the opera she expanded her allegory about gender relations: "There was room for two festivals: a woman's festival and a marriage festival. There are a lot of lyrics not in the novel." A new production of the opera, directed by Harry Silverstein with music conducted by Robert Kaminskas, premiered for the first time in English in the United States in June 2001 at the
423:
not want a righteous queen disturbing his military campaigns. Nevertheless, Alβ’Ith descends to Zone Four and they reluctantly marry. Ben Ata is not used to the company of women he cannot control, and Alβ’Ith has difficulty relating to this ill-bred man, but in time they grow accustomed to each other and gain new insights into each other's Zones. Alβ’Ith is appalled that all of Zone Four's wealth goes into its huge armies, leaving the rest of its population poor and underdeveloped; Ben Ata is astounded that Zone Three has no army at all.
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643:: "One of the many sins for which the 20th century will be held accountable is that it has discouraged Mrs. Lessing ... She now propagandizes on behalf of our insignificance in the cosmic razzmatazz." Lessing replied by saying: "What they didn't realize was that in science fiction is some of the best
456:
enters Zone Three unchallenged. He is not well received, but finds Alβ’Ith with a small band of followers who have moved to the frontier of Zone Two to be close to her. Ben Ata and Alβ’Ith reunite; he tells her of the reforms he has introduced in Zone Four and his taming of the "wild one" from Zone Five.
949:
is not a feminist parable, but added that while
Lessing often wrote about gender conflict, she has never done it "with more sweetness, compassion and wisdom" than she has in this novel. Leonard commended Lessing for considering both sides of the gender divide and for being both critical and forgiving
960:
also complemented
Lessing on her handling of sexual conflict. While the review was critical of Lessing's prose style, and called her descriptions of the Zone Four war economy "a silly cartoon sketch", it said that "there is a ... generosity about this work not quite like anything she has done".
430:
to the two Zones. Some of the women of Zone Four, led by Dabeeb, step in to help Alβ’Ith. Suppressed and downtrodden, these women relish being in the presence of the queen of Zone Three. But soon after the birth of Arusi, the
Providers order Alβ’Ith to return to Zone Three without her son, and Ben Ata
443:
When Arusi is old enough to travel, Dabeeb and her band of women decide to take him to Zone Three to see Alβ’Ith. This cross-border excursion is not ordered by the
Providers, and Ben Ata has grave misgivings about their decision. In Zone Three the women are shocked to find the deposed Alβ’Ith working
439:
who terrorise the inhabitants of her zone. But Ben Ata's marriage to Alβ’Ith has changed him, and he disbands most of his armies in Zone Four, sending the soldiers home to rebuild their towns and villages and uplift their communities. He also slowly wins over Vahshi's confidence and persuades her to
422:
The story opens when the
Providers, the invisible and unidentified rulers of all the Zones, order Alβ’Ith, queen of the peaceful paradise of Zone Three, to marry Ben Ata, king of the militarised and repressive Zone Four. Alβ’Ith is repulsed by the idea of consorting with a barbarian, and Ben Ata does
871:
Glover sees Alβ’Ith, Ben Ata and Vahshi as allegories for their respective zones, and the marriages between them as marriages between the zones, as stated by the title of the book. Author MΓΌge Galin says that Alβ’Ith functions according to the nature of Zone Three rather than as an individual. Galin
340:
belief system in which
Lessing had taken an interest in the mid-1960s. The zones are said to correspond to Sufism's different levels of consciousness, and symbolise the "Sufi ladder to enlightenment". Lessing was criticised for abandoning her traditional fiction and switching to science fiction in
867:
Literature academic Jayne
Ashleigh Glover says that while Zone Three on the surface appears to be a feminist utopia, Lessing shows that it is far from idyllic. The story narrators, the Chroniclers of Zone Three, question their zone's behaviour and attitudes, and warn of the dangers of stagnation.
459:
One day Alβ’Ith enters Zone Two and does not return. But the changes set in motion by the two marriages are now evident everywhere. The frontiers between Zones Three, Four and Five are open, and people and knowledge are flowing between them. Previously stagnant, the three Zones are now filled with
1033:
music critic John von Rhein found faults in the United States production. He said that the novel "falls flat as music theater", there is "no compelling dramatic narrative", and the music "drifts along innocuously". Von Rhein also complained that "score breaks no new stylistic ground, nor does it
988:
is not as romantic a novel as it could have been. She said that the fate of the book's mismatched lovers did not interest her and that their love came across as forced instead of passionate. What could have been an emotionally charged romance became "a calculated intellectual game". DeView also
856:
magazine reviewer Paul Gray calls, the "struggles between men and women and the dimensions of sex and love". Literary critic Diana Sheets says that the book is about overcoming gender differences and opening up new possibilities. She argues that the premise of the story is that "cosmic order is
455:
After five years of silence, the
Providers instruct Ben Ata to go and see Alβ’Ith in Zone Three. At the border, he is surprised to find a band of youths armed with crude makeshift weapons blocking his way. Clearly they want no more incursions from Zone Four. Ben Ata returns with a large army and
434:
Back in Zone Three, Alβ’Ith finds that her people have forgotten her, and her sister, Murtiβ’ has taken over as queen. Disturbed by the changes she sees in Alβ’Ith, Murtiβ’ exiles her to the frontier of Zone Two. Alβ’Ith, drawn by its allure, tries to enter Zone Two, but finds an unworldly and
864:, Lessing's "pessimistic view of human capabilities still keeps control in a benevolent power rather than in the hands of the individual". But after a push in the right direction, the individual triumphs: Alβ’Ith and Ben Ata initiate changes in both their own and their neighbouring zones.
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Alβ’Ith, upon returning to Zone Three, is shunned by its inhabitants for failing to attend to their zone's needs, and Zone Three's stasis manifests itself in xenophobia when Alβ’Ith brings back new perspectives, followed by visitors from Zone Four.
526:
as "the most surprising book had read", stating that it "changed life". Lessing later met Shah, who became "a good friend teacher". In the early 1970s
Lessing began writing inner space fiction, which included the novels
688:
Something happened when I wrote the book. I hit some other level. And is it a legend or a myth or a fairy tale or a fantasy? That isn't the word for what Iβve written, I think. You see, only I could have written
857:
ideally realized when men and women cross the gender divide and attempt genuine communicationβsexually, emotionally ... thereby setting the preconditions for the attainment of enlightened consciousness."
829:
series in that it reads like a fable and is set in a metaphysical, or "psychic" space, outside the rest of the series' "normal" space/time universe. The story concerns two ordained marriages that link the
936:. While she is still "passionate, opinionated and outraged" here, Pierson said Lessing has withdrawn from writing about the real world and chosen to "soar unsteady currents of whimsy, dreams mysticism".
978:
one of
Lessing's more accessible books because, in his opinion, her tendency to philosophise works better in fantasy than in other formats. Author Lucille deView was more critical of book. Writing for
581:
Lessing's switch to science fiction was not well received by readers and critics. By the late 1970s Lessing was considered "one of the most honest, intelligent and engaged writers of the day", and
407:
on earth". Adjacent Zones in the numerical sequence border each other, from Zone Six (the lowest) up to Zone One (the highest and purest), each with a terrain more mountainous than the previous.
2895:
Tiger, Virginia (1993). "'The words had been right and necessary': Doris Lessing's Transformations of Utopian and Dystopian Modalities in 'The Marriages Between Zones Three, Four, and Five'".
309:
Zone Five. The story is told from the point of view of the matriarchal utopian Zone Three, and is about gender conflict and the breaking down of barriers between the sexes. Lessing called the
684:
one of her better books, and said, "this book goes down into me pretty deep ... it will never happen again". In an interview published in 1996, Lessing spoke passionately of the novel:
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The marriages were ordained by the Providers because the zones had stagnated and the birth rate of both humans and animals had fallen. Author Thelma J. Shinn says that, as in
435:
inhospitable place and is told by invisible people that it is not her time yet. At the frontier of Zone Five, Ben Ata reluctantly marries Vahshi, a tribal leader of a band of
5738:
627:, as a framework that enables me to tell (I hope) a beguiling tale or two; to put questions, both to myself and to others; to explore ideas and sociological possibilities.
448:
near Zone Two. While Alβ’Ith is pleased to see her son, she too has misgivings about Dabeeb's action. The bumptious women's travels through Zone Three evoke feelings of
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367:, Germany in May 1997. The United States premiere in English was performed in Chicago in June 2001. These productions were not very well received by theatre critics.
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series, it represented a major shift of focus for the author. In her earlier books, Lessing had established a name for herself as a writer of realistic fiction; in
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Earth as seen by the Canopeans. Other critics, however, interpret Shikasta as an allegorical Earth with parallel histories that deviate from time to time.
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Several reviewers were impressed with the way Lessing tackled the subject of sexual politics in the book. Paul Gray remarked in a review in
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criticised Lessing's characters, saying that they "have the familiarity of childhood fairy tales with a little Walt Disney thrown in".
918:
academic Tom Sperlinger called the book "a legend" and listed it amongst his five recommended Lessing books that she has written since
431:
to marry Vahshi, queen of the primitive Zone Five. Alβ’Ith and Ben Ata have grown fond of each other, and are devastated by this news.
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was generally well received by critics, with some reviewers calling it one of Lessing's best works on the topic of gender conflict.
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complained that "our Grand Mistress of lumpen realism has gone religious on us". Reaction to the first two books in the series,
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had been with her for about ten years, but she "couldn't think of a way to do it". It was only when she was halfway through
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of Ben Ata and Alβ’Ith. Leonard said that Lessing had never written "a gentler book", adding, however, that her 1973 novel,
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1948:"The Metaphor of the Horse in Doris Lessing's The Marriages Between Zones Three, Four and Five: an Ecofeminist Question?"
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has been translated into several other languages including Dutch, French, German, Italian, Spanish, Swedish and Turkish.
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that she realised that she had "created a marvelous format" that she could use for other books, and it was this format,
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Lessing does not identify the Providers, but some reviewers and critics have assumed that they are the Canopeans in
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2379:"Libretto: The Making of the Representative for Planet 8, An Opera in Three Acts by Philip Glass and Doris Lessing"
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only deals with Zone Six, the innermost and least pure of the Zones, which one commentator described as "a kind of
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readers unfamiliar with Sufism were dismayed that Lessing had abandoned her "rational worldview". George Stade of
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Rountree, Cathleen (2008). "A Thing of Temperament: An Interview with Doris Lessing, London, May 16, 1998".
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924:(1962). Pierson found the book "enjoyable", despite the "dry and bookish sound" dialogue which felt like a
293:
The novel takes place in three of six metaphysical Zones that encircle the planet Shikasta (an allegorical
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811:(1974), saying that each revolves around conflicts between differing worldviews, namely the Zones in
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2548:(1986). "Doris Lessing: Fusion and Transcendence of the Female and the 'Great Tradition'".
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in Germany. The two-act opera for orchestra, chorus and soloists had its world premier in
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801:'s works in the way that both Lessing and Le Guin scrutinise societies. Sleight compared
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395:). These Zones, numbered One to Six, each represent different levels of spiritual being.
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657:. He's a great writer." Lessing said in 1983 that she would like to write stories about
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Dixson, Barbara (1990). "Structural Complexity in Doris Lessing's Canopus Novels".
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She's Such a Geek!: Women Write about Science, Technology & Other Nerdy Stuff
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1764:"Five Doris Lessing Books to Read (Even If You Didn't Like The Golden Notebook)"
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Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories
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called the "anatomy", which is "a combination of fantasy and morality". Author
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539:(1974), and in the late 1970s she turned to science fiction when she wrote
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was originally intended to be a single self-contained book, but Lessing's
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Worlds Within Women: Myth and Mythmaking in Fantastic Literature by Women
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1810:
1578:"On the Death of Idries Shah (excerpt from Shah's obituary in the London
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519:
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404:
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2213:"Philip Glass: The Marriages Between Zones Three, Four, and Five (1997)"
199:
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Dark Matter: A Century of Speculative Fiction from the African Diaspora
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4887:
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2746:
Putting Questions Differently: Interviews with Doris Lessing, 1964β1994
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2114:"Books of The Times: The Marriages Between Zones Three, Four, and Five"
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works for him because it comes across as a fable, like an instructive
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of our time. I also admire the classic sort of science fiction, like
514:
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282:(1979). It was first published in the United States in March 1980 by
6522:
2404:"Houston Grand Opera: The Making of the Representative for Planet 8"
2354:"Philip Glass: The Making of the Representative for Planet 8 (1988)"
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in the United Kingdom. The first paperback edition was published by
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I would so like it if reviewers and readers could see this series,
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called Lessing's science fiction "mythic tale" that are closer to
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in November 1980 the United Kingdom, and in the United States by
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4068:
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3790:
3660:
3530:
3389:
3341:
905:
711:
616:
544:
508:. In the mid-1960s Lessing had become interested in Sufism, an
505:
445:
333:
1646:
1424:
1422:
1420:
608:
5616:
5416:
5376:
5129:
4962:
4782:
4762:
4742:
4602:
4582:
4542:
3623:
3582:
3569:
1306:
1304:
928:. He added that readers familiar with Lessing's fortitude in
843:
670:
509:
436:
392:
337:
306:
294:
193:
2576:
Between East and West: Sufism in the Novels of Doris Lessing
2243:"Libretto: The Marriages Between Zones Three, Four and Five"
1900:(6 April 1980). "Doris Lessing moves to the realm of myth".
1027:
The German premiere was not well received by the press, and
738:
suggested that this kind of writing belongs to a genre that
2024:
2012:
1537:"The Four Levels of Detachment in Doris Lessing's Shikasta"
1417:
1108:
edition was released in the United Kingdom in June 2012 by
1051:
with story-libretto by Lessing. It was commissioned by the
1333:"Doris Lessing on Feminism, Communism and 'Space Fiction'"
1301:
410:
Three of the Zones in this spiritual landscape feature in
219:
6460:
The Memory Librarian: And Other Stories of Dirty Computer
2932:
Doris Lessing: Sufi Equilibrium and the Form of the Novel
1388:
1386:
2396:
2371:
1439:
1437:
1407:
1405:
1403:
1401:
1067:, Texas in July 1988, and received a lukewarm review by
2530:
International Association for the Fantastic in the Arts
2184:"Doris Lessing's 'Marriages' murky, shallow love story"
1920:"Graham Sleight's Yesterday's Tomorrows: Doris Lessing"
1952:
Current Writing: Text and Reception in Southern Africa
1783:
1697:
1634:
1383:
1220:
1218:
1216:
714:
Zone Three, which places the novel in the category of
6785:
2237:
2235:
2233:
2060:
2048:
2036:
1434:
1398:
387:, Lessing introduced six metaphysical Zones (akin to
297:), and concerns two ordained marriages that link the
2103:
2101:
2099:
2084:
2072:
1516:
391:) that encircle the planet Shikasta (an allegorical
2869:
Historical Dictionary of Science Fiction Literature
2455:"The Marriages Between Zones Three, Four, and Five"
1673:
1463:"Doris Lessing, Nobel Laureate, and the XX/YY Axis"
1230:
1213:
1196:"The Marriages Between Zones Three, Four, and Five"
2490:
2327:"DePaul can't make Glass' sci-fi 'Marriages' work"
2294:
2230:
2112:
1190:
1188:
1088:was first published in March 1980 in hardcover by
2985:The Marriages Between Zones Three, Four, and Five
2096:
1981:
1979:
1977:
1606:
1604:
1602:
1469:. IDEALS (University of Illinois). Archived from
1037:In 1988, Glass had adapted another book from the
22:The Marriages Between Zones Three, Four and Five
6811:
6054:The Marriages Between Zones Three, Four and Five
3120:The Marriages Between Zones Three, Four and Five
2993:The Marriages Between Zones Three, Four and Five
2701:The Marriages Between Zones Three, Four and Five
1128:The Marriages Between Zones Three, Four and Five
1086:The Marriages Between Zones Three, Four and Five
1008:by Lessing. It was commissioned by the state of
998:The Marriages Between Zones Three, Four and Five
892:The Marriages Between Zones Three, Four and Five
823:The Marriages Between Zones Three, Four and Five
705:The Marriages Between Zones Three, Four and Five
635:series followed, which included this comment by
597:The Marriages Between Zones Three, Four and Five
552:The Marriages Between Zones Three, Four and Five
412:The Marriages Between Zones Three, Four and Five
353:The Marriages Between Zones Three, Four and Five
315:The Marriages Between Zones Three, Four and Five
259:The Marriages Between Zones Three, Four and Five
5696:The Voyages of Lord Seaton to the Seven Planets
2430:"Reviews/Music; New Opera By Lessing And Glass"
2205:
1282:"Doris Lessing is the ideal Nobel Prize winner"
1185:
1974:
1807:Feminist Science Fiction, Fantasy & Utopia
1599:
1000:was adapted for the opera in 1997 by composer
707:is told largely from the point of view of the
3303:
3276:The Making of the Representative for Planet 8
3134:The Making of the Representative for Planet 8
3018:
2767:Future Present: Ethics And/As Science Fiction
2139:
2133:
1945:
1757:
1755:
1122:, were published in a single volume entitled
1044:The Making of the Representative for Planet 8
3317:
2833:
2346:
2030:
2018:
1568:
1566:
1564:
1310:
726:series in general falls under the banner of
3141:The Sentimental Agents in the Volyen Empire
2643:(1986). "An Interview with Doris Lessing".
2635:
2320:
2318:
2316:
2269:"Writers Enchanted by the Freedom of Opera"
1652:
757:". American screenwriter and film director
286:, and in the United Kingdom in May 1980 by
3310:
3296:
3032:
3025:
3011:
2976:
2862:
2834:Shinn, Thelma J.; Richard, Thelma (1986).
1939:
1892:
1890:
1888:
1795:
1761:
1752:
1323:
1321:
1319:
403:in which humans wait out the time between
27:
2177:
2175:
2173:
2171:
1612:"Doris Lessing: Biobibliographical Notes"
1561:
1552:
1490:
1488:
1456:
1454:
1452:
1112:. In December 1992 the five books in the
1092:in the United States, and in May 1980 by
749:placed Lessing's science fiction between
695:, but I think Anon wrote this other book.
270:. It is the second book in her five-book
5723:Man's Rights; Or, How Would You Like It?
2788:
2739:
2717:
2695:
2669:
2544:
2427:
2421:
2313:
1789:
1691:
1667:
1640:
1534:
1528:
1428:
1392:
1327:
945:magazine, that contrary to appearances,
900:, which he called a "disaster". He said
607:
467:
426:The marriage bears a son, Arusi, future
345:series. Notwithstanding this criticism,
5747:New Amazonia: A Foretaste of the Future
2292:
2286:
2107:
1914:
1908:
1896:
1885:
1703:
1572:
1316:
1249:
1247:
1245:
1126:by Vintage Books in the United States.
363:by Lessing, and premiered in German in
6812:
2763:
2601:
2515:
2181:
2168:
2066:
2054:
2042:
1485:
1449:
1443:
1411:
1364:"She's taken literature to new worlds"
1357:
1355:
1236:
1080:
1059:, the Amsterdam Music Theatre and the
954:, comes a close second. A reviewer in
574:developed, and she ended up writing a
6428:When the Tiger Came Down the Mountain
3291:
3006:
2998:Internet Speculative Fiction Database
2928:
2894:
2572:
2485:
2460:Internet Speculative Fiction Database
2447:
2324:
2266:
2260:
2090:
2078:
1860:
1854:
1837:"Doris Lessing in the Visionary Mode"
1831:
1825:
1726:
1679:
1522:
1496:"Marriages Between Zones 3 4 & 5"
1279:
1253:
1224:
1034:define the characters dramatically".
2772:Fairleigh Dickinson University Press
2518:Journal of the Fantastic in the Arts
2267:Smith, Dinitia (28 September 1995).
1985:
1535:Perrakis, Phyllis Sternberg (2004).
1361:
1273:
1242:
825:differs from the other books in the
476:literature festival in Germany, 2006
355:was adapted as an opera by composer
3226:The Grandmothers: Four Short Novels
1803:"Research & Literary Criticism"
1352:
932:may not appreciate her allegory in
838:Zone Four with the matriarchal and
805:to Le Guin's science fiction novel
699:
13:
6870:Novels about extraterrestrial life
6529:Battle of sexes in science fiction
5944:Ten Thousand Light-Years from Home
5921:The Kin of Ata Are Waiting for You
2921:
2791:Jung Journal: Culture & Psyche
2585:State University of New York Press
1709:"The Spacing Out of Doris Lessing"
1460:
496:she introduced her readers to the
460:enquiry, inspiration and renewal.
14:
6886:
6412:This Is How You Lose the Time War
2963:
1762:Sperlinger, Tom (17 April 2012).
1732:
1254:Stade, George (4 November 1979).
6795:
5790:NEQUA or The Problem of the Ages
5615:
5595:
5575:
5562:
5535:
5515:
5495:
5475:
5455:
5435:
5415:
5395:
5375:
5355:
5335:
5315:
5295:
5275:
5268:
5248:
5228:
5208:
5188:
5168:
5148:
5128:
5108:
5088:
5061:
5041:
5021:
5001:
4981:
4961:
4941:
4921:
4901:
4881:
4861:
4841:
4821:
4801:
4781:
4761:
4741:
4721:
4701:
4681:
4661:
4641:
4621:
4601:
4581:
4561:
4541:
4514:
4494:
4474:
4454:
4441:
4421:
4401:
4381:
4361:
4341:
4323:
4303:
4283:
4265:
4247:
4229:
4210:
4197:
4179:
4166:
4147:
4127:
4107:
4087:
4067:
4054:
4041:
4021:
4008:
3990:
3970:
3963:
3945:
3932:
3919:
3906:
3893:
3880:
3867:
3854:
3841:
3828:
3815:
3802:
3789:
3776:
3763:
3750:
3737:
3724:
3711:
3698:
3685:
3672:
3659:
3635:
3622:
3609:
3594:
3581:
3568:
3555:
3542:
3536:RenΓ©e Marie Gouraud d'Ablancourt
3529:
3516:
3503:
3490:
3477:
3464:
3451:
3438:
3425:
3401:
3388:
3364:
3340:
3219:Prisons We Choose to Live Inside
3078:Briefing for a Descent into Hell
2197:
2160:
1946:Glover, Jayne (1 January 2006).
894:as "a remarkable recovery" from
530:Briefing for a Descent into Hell
6845:Feminist science fiction novels
6589:How to Suppress Women's Writing
6476:Promises Stronger Than Darkness
6420:The Empress of Salt and Fortune
2646:Research in African Literatures
2602:Glover, Jayne Ashleigh (2007).
2558:Michigan State University Press
2428:Rockwell, John (11 July 1988).
2188:Madison Wisconsin State Journal
2182:deView, Lucille (11 May 1980).
1362:Lord, M. G. (15 October 2007).
1159:
850:Zone Five. It focuses on, what
486:in 1979, the first book in her
417:
225:PZ3.L56684 Map 1980 PR6023.E833
6835:British science fiction novels
6436:The Future of Another Timeline
5998:Houston, Houston, Do You Read?
5658:The Book of the City of Ladies
2478:
2293:Covello, Richard (Fall 2001).
1140:
992:
1:
6508:Gender in speculative fiction
6468:The Daughter of Doctor Moreau
6452:Dreams Bigger Than Heartbreak
6278:The Hundred Thousand Kingdoms
6093:Brightness Falls from the Air
1541:The Journal of BahΓ‘'Γ Studies
1178:
981:The Christian Science Monitor
512:belief system, after reading
463:
6619:The Geek Feminist Revolution
6518:Women in speculative fiction
6444:Victories Greater Than Death
6164:Chroniques du pays des mères
6038:Star Songs of an Old Primate
5929:The Word for World is Forest
5626:
5606:
5586:
5553:
5526:
5506:
5486:
5466:
5446:
5426:
5406:
5386:
5366:
5346:
5326:
5306:
5286:
5259:
5239:
5219:
5199:
5179:
5159:
5139:
5119:
5099:
5079:
5052:
5032:
5012:
4992:
4972:
4952:
4932:
4912:
4892:
4872:
4852:
4832:
4812:
4792:
4772:
4752:
4732:
4712:
4692:
4672:
4652:
4632:
4612:
4592:
4572:
4552:
4532:
4505:
4485:
4465:
4432:
4412:
4392:
4372:
4352:
4333:
4314:
4294:
4275:
4257:
4239:
4220:
4189:
4158:
4138:
4118:
4098:
4078:
4032:
4000:
3981:
3955:
2988:editions at FantasticFiction
2604:"A Complex and Delicate Web"
1986:Gray, Paul (21 April 1980).
1871:The New York Review of Books
1280:Payne, Tom (12 April 2008).
875:
615:, who introduced Lessing to
550:Lessing said that ideas for
472:Doris Lessing speaking at a
317:is generally referred to as
313:series "space fiction", but
7:
6825:1980 science fiction novels
6698:The Witch and the Chameleon
6132:The Gate to Women's Country
5967:The Girl Who Was Plugged In
5739:Das Maschinenalter entsteht
2905:Penn State University Press
2145:"Reading Between the Lines"
1554:10.31581/JBS-14.3-4.3(2004)
964:Reviewing the novel in the
815:, and Anarres and Urras in
669:, and charmed and coloured
665:, space rockets powered by
440:stop plundering Zone Five.
375:In the opening book of the
324:The novel is influenced by
16:1980 novel by Doris Lessing
10:
6891:
6875:Novels adapted into operas
6840:Fiction set around Canopus
3510:Elizabeth Burgoyne Corbett
2846:Greenwood Publishing Group
2296:"Chicago. (UNITED STATES)"
2141:Lehmann-Haupt, Christopher
1735:"Doris Lessing: Hot Dawns"
1124:Canopus in Argos: Archives
6761:
6735:
6676:
6653:
6573:The Language of the Night
6544:
6490:
6197:
6140:Her Smoke Rose Up Forever
6022:Up the Walls of the World
5990:Woman on the Edge of Time
5905:The Left Hand of Darkness
5781:
5706:
5687:
5668:
5649:
5642:
3651:
3417:
3380:
3356:
3332:
3325:
3262:
3235:
3210:
3185:
3106:The Memoirs of a Survivor
3041:
2929:Fahim, Shadia S. (1995).
1063:. The opera premiered in
972:Christopher Lehmann-Haupt
631:Further criticism of the
625:Canopus in Argos: Archive
543:, in which she used many
242:
229:
217:
205:
191:
176:
168:
160:
143:
124:
101:
80:
68:
60:
52:
42:
26:
6726:Our Opinions Are Correct
6503:Feminist science fiction
6389:All the Birds in the Sky
6254:Le GoΓ»t de l'immortalitΓ©
6230:Εoku: The Inner Chambers
3562:Charlotte Perkins Gilman
3319:Feminist science fiction
2819:10.1525/jung.2008.2.1.62
2811:10.1525/jung.2008.2.1.62
2764:Pinsky, Michael (2003).
2655:Indiana University Press
2031:Shinn & Richard 1986
2019:Shinn & Richard 1986
1311:Shinn & Richard 1986
1133:
720:feminist science fiction
370:
319:feminist science fiction
276:series, the first being
93:Feminist science fiction
33:US first edition cover (
6855:Novels by Doris Lessing
6565:Aurora: Beyond Equality
5974:The Holdfast Chronicles
5952:The Women Men Don't See
5883:Memoirs of a Spacewoman
3575:Rokeya Sakhawat Hussain
3085:A Ripple from the Storm
1670:, "Some Remarks", p. 8.
1653:Gray & Lessing 1986
480:When Lessing published
6865:Social science fiction
6762:Events and conventions
6743:Sense of Gender Awards
6318:Six Months, Three Days
6187:Brown Girl in the Ring
6179:The Fifth Sacred Thing
5806:Beatrice the Sixteenth
3757:Elisabeth Mann-Borgese
3445:Jane Wells Webb Loudon
3326:Writers by time period
3127:The Sirian Experiments
2723:The Sirian Experiments
1057:English National Opera
1024:in Chicago, Illinois.
984:, she complained that
970:, American journalist
952:Summer Before the Dark
732:Comparative literature
697:
673:, "ut we can't all be
629:
619:
602:The Sirian Experiments
477:
248:The Sirian Experiments
6830:Alfred A. Knopf books
6753:Lambda Literary Award
6612:We Have Always Fought
6604:To Write Like a Woman
5643:Notable works by date
5602:Benjanun Sriduangkaew
5302:Catherynne M. Valente
3926:Sally Miller Gearhart
2996:title listing at the
2842:Westport, Connecticut
2550:The Centennial Review
2358:Music Sales Classical
2217:Music Sales Classical
1902:The Los Angeles Times
916:University of Bristol
686:
621:
611:
536:Memoirs of a Survivor
471:
6581:More Women of Wonder
6397:The Stars Are Legion
6302:The Alchemy of Stone
6222:Parable of the Sower
6172:The Matter of Seggri
6062:The Vampire Tapestry
6030:The Eye of the Heron
5763:Unveiling a Parallel
4928:Justine Larbalestier
4236:Lois McMaster Bujold
4094:Chelsea Quinn Yarbro
3874:AngΓ©lica Gorodischer
3796:Françoise d'Eaubonne
3497:Mary E. Bradley Lane
3050:The Grass Is Singing
2939:, UK/New York City:
2803:Taylor & Francis
2749:. London: Flamingo.
2725:. London: Flamingo.
2703:. London: Flamingo.
2614:eResearch Repository
2573:Galin, MΓΌge (1997).
2150:Roswell Daily Record
2143:(21 November 1980).
2117:. The Home Section.
1958:on 24 September 2015
1576:(23 November 1996).
1022:Merle Reskin Theatre
967:Roswell Daily Record
842:Zone Three, and the
728:soft science fiction
305:Zone Three, and the
6850:Jonathan Cape books
6820:1980 British novels
6513:Single-gender world
6491:Genres and concepts
6214:Tales from Earthsea
6085:The Handmaid's Tale
5891:When I Was Miss Dow
5814:Moving the Mountain
5095:Kelly Sue DeConnick
5028:Charlie Jane Anders
4608:Nicoletta Vallorani
3731:Alice Eleanor Jones
3601:Miriam Allen DeFord
3458:Annie Denton Cridge
3099:The Four-Gated City
3071:The Golden Notebook
2623:on 16 February 2012
2155:Roswell, New Mexico
1866:"Paradise Regained"
1864:(20 October 1979).
1835:(11 January 1981).
1769:The Huffington Post
1707:(7 February 1982).
1694:, "Preface", p. 11.
1655:, pp. 337β338.
1580:The Daily Telegraph
1473:on 11 December 2012
1431:, pp. 460β461.
1287:The Daily Telegraph
1256:"Fantastic Lessing"
1081:Publication history
1053:Houston Grand Opera
930:The Golden Notebook
921:The Golden Notebook
692:The Golden Notebook
680:Lessing considered
389:cosmological planes
301:Zone Four with the
23:
6597:A Cyborg Manifesto
6014:Egalia's Daughters
5867:Life, Incorporated
5837:That Only a Mother
5215:Kiini Ibura Salaam
4048:Suzy McKee Charnas
3484:Bertha von Suttner
3371:Margaret Cavendish
3347:Christine de Pizan
3194:Through the Tunnel
3169:The Sweetest Dream
3148:The Good Terrorist
2945:St. Martin's Press
2941:Palgrave Macmillan
2741:Lessing, Doris May
2546:Friedman, Ellen G.
2434:The New York Times
2273:The New York Times
2192:Madison, Wisconsin
2119:The New York Times
2000:on 20 January 2011
1841:The New York Times
1739:Boston Book Review
1713:The New York Times
1622:on 12 October 2007
1338:The New York Times
1260:The New York Times
1118:series, including
1104:in August 1981. A
887:The New York Times
620:
588:The New York Times
572:fictional universe
478:
187:0-224-01790-X (UK)
21:
6783:
6782:
6549:critiques by year
6486:
6485:
6325:Ancillary Justice
6101:A Door into Ocean
5898:Aye, and Gomorrah
5875:A Wrinkle in Time
5677:The Blazing World
5638:
5637:
4628:Maureen F. McHugh
4310:L. Timmel Duchamp
4217:JoΓ«lle Wintrebert
4204:Octavia E. Butler
4186:Elizabeth A. Lynn
3900:Ursula K. Le Guin
3770:Madeleine L'Engle
3718:James Tiptree Jr.
3395:Marie-Anne Robert
3333:14thβ15th century
3285:
3284:
3162:Ben, in the World
3064:A Proper Marriage
2887:978-0-8108-4938-9
2864:Stableford, Brian
2781:978-0-8386-3924-5
2756:978-0-00-654850-8
2612:Rhodes University
2508:978-0-7910-7441-1
2497:. New York City:
2325:von Rhein, John.
2111:(27 March 1980).
1918:(February 2011).
1369:Los Angeles Times
1010:Baden-WΓΌrttemberg
908:tale. Writing in
884:, in a review in
797:comes closest to
789:. British writer
768:Lord of the Rings
255:
254:
144:Publication place
53:Cover artist
6882:
6800:
6799:
6798:
6791:
6537:
6405:
6365:The Obelisk Gate
6349:The Fifth Season
5959:The Dispossessed
5860:
5647:
5646:
5630:
5628:
5620:
5619:
5610:
5608:
5600:
5599:
5590:
5588:
5580:
5579:
5567:
5566:
5557:
5555:
5550:
5540:
5539:
5530:
5528:
5520:
5519:
5510:
5508:
5500:
5499:
5490:
5488:
5480:
5479:
5470:
5468:
5460:
5459:
5450:
5448:
5440:
5439:
5430:
5428:
5420:
5419:
5410:
5408:
5400:
5399:
5390:
5388:
5380:
5379:
5370:
5368:
5360:
5359:
5350:
5348:
5340:
5339:
5330:
5328:
5320:
5319:
5310:
5308:
5300:
5299:
5290:
5288:
5280:
5279:
5273:
5272:
5263:
5261:
5253:
5252:
5243:
5241:
5233:
5232:
5223:
5221:
5213:
5212:
5203:
5201:
5193:
5192:
5183:
5181:
5175:Sheree R. Thomas
5173:
5172:
5163:
5161:
5153:
5152:
5143:
5141:
5133:
5132:
5123:
5121:
5113:
5112:
5103:
5101:
5093:
5092:
5083:
5081:
5076:
5068:Barbara Kirchner
5066:
5065:
5056:
5054:
5046:
5045:
5036:
5034:
5026:
5025:
5016:
5014:
5006:
5005:
4996:
4994:
4986:
4985:
4976:
4974:
4966:
4965:
4956:
4954:
4946:
4945:
4936:
4934:
4926:
4925:
4916:
4914:
4906:
4905:
4896:
4894:
4886:
4885:
4876:
4874:
4868:Catherine Dufour
4866:
4865:
4856:
4854:
4846:
4845:
4836:
4834:
4826:
4825:
4816:
4814:
4806:
4805:
4796:
4794:
4786:
4785:
4776:
4774:
4766:
4765:
4756:
4754:
4748:Gabriela Bustelo
4746:
4745:
4736:
4734:
4726:
4725:
4716:
4714:
4706:
4705:
4696:
4694:
4686:
4685:
4676:
4674:
4666:
4665:
4656:
4654:
4646:
4645:
4636:
4634:
4626:
4625:
4616:
4614:
4606:
4605:
4596:
4594:
4586:
4585:
4576:
4574:
4566:
4565:
4556:
4554:
4546:
4545:
4536:
4534:
4529:
4519:
4518:
4509:
4507:
4499:
4498:
4489:
4487:
4479:
4478:
4469:
4467:
4461:Joan Slonczewski
4459:
4458:
4446:
4445:
4436:
4434:
4426:
4425:
4416:
4414:
4406:
4405:
4396:
4394:
4386:
4385:
4376:
4374:
4366:
4365:
4356:
4354:
4346:
4345:
4337:
4335:
4330:Charlotte Kerner
4328:
4327:
4318:
4316:
4308:
4307:
4298:
4296:
4290:Karen Joy Fowler
4288:
4287:
4279:
4277:
4270:
4269:
4261:
4259:
4254:Dubravka UgreΕ‘iΔ
4252:
4251:
4243:
4241:
4234:
4233:
4224:
4222:
4215:
4214:
4202:
4201:
4193:
4191:
4184:
4183:
4171:
4170:
4162:
4160:
4152:
4151:
4142:
4140:
4134:Samuel R. Delany
4132:
4131:
4122:
4120:
4112:
4111:
4102:
4100:
4092:
4091:
4082:
4080:
4074:Gerd Brantenberg
4072:
4071:
4059:
4058:
4046:
4045:
4036:
4034:
4026:
4025:
4013:
4012:
4004:
4002:
3995:
3994:
3985:
3983:
3975:
3974:
3968:
3967:
3959:
3957:
3950:
3949:
3937:
3936:
3924:
3923:
3911:
3910:
3898:
3897:
3885:
3884:
3872:
3871:
3859:
3858:
3846:
3845:
3833:
3832:
3820:
3819:
3809:Carol Emshwiller
3807:
3806:
3794:
3793:
3783:Marlen Haushofer
3781:
3780:
3768:
3767:
3755:
3754:
3742:
3741:
3729:
3728:
3716:
3715:
3703:
3702:
3690:
3689:
3677:
3676:
3664:
3663:
3642:L. Taylor Hansen
3640:
3639:
3627:
3626:
3614:
3613:
3599:
3598:
3586:
3585:
3573:
3572:
3560:
3559:
3547:
3546:
3534:
3533:
3521:
3520:
3508:
3507:
3495:
3494:
3482:
3481:
3469:
3468:
3456:
3455:
3443:
3442:
3430:
3429:
3406:
3405:
3393:
3392:
3369:
3368:
3345:
3344:
3330:
3329:
3312:
3305:
3298:
3289:
3288:
3270:Canopus in Argos
3253:Alfred and Emily
3027:
3020:
3013:
3004:
3003:
2980:
2975:
2974:
2972:Official website
2958:
2916:
2891:
2874:Lanham, Maryland
2859:
2830:
2785:
2760:
2736:
2714:
2692:
2666:
2632:
2630:
2628:
2622:
2616:. Archived from
2608:
2598:
2581:Albany, New York
2569:
2541:
2526:Orlando, Florida
2512:
2496:
2472:
2471:
2469:
2467:
2451:
2445:
2444:
2442:
2440:
2425:
2419:
2418:
2416:
2414:
2408:Dorislessing.org
2400:
2394:
2393:
2391:
2389:
2383:Dorislessing.org
2375:
2369:
2368:
2366:
2364:
2350:
2344:
2343:
2341:
2339:
2322:
2311:
2310:
2298:
2290:
2284:
2283:
2281:
2279:
2264:
2258:
2257:
2255:
2253:
2247:Dorislessing.org
2239:
2228:
2227:
2225:
2223:
2209:
2203:
2202:
2201:
2195:
2179:
2166:
2165:
2164:
2158:
2137:
2131:
2130:
2128:
2126:
2116:
2105:
2094:
2088:
2082:
2076:
2070:
2064:
2058:
2052:
2046:
2040:
2034:
2028:
2022:
2016:
2010:
2009:
2007:
2005:
1996:. Archived from
1983:
1972:
1971:
1965:
1963:
1954:. Archived from
1943:
1937:
1936:
1934:
1932:
1912:
1906:
1905:
1894:
1883:
1882:
1880:
1878:
1858:
1852:
1851:
1849:
1847:
1829:
1823:
1822:
1820:
1818:
1813:on 7 August 2010
1809:. Archived from
1799:
1793:
1787:
1781:
1780:
1778:
1776:
1759:
1750:
1749:
1747:
1745:
1730:
1724:
1723:
1721:
1719:
1701:
1695:
1689:
1683:
1677:
1671:
1665:
1656:
1650:
1644:
1638:
1632:
1631:
1629:
1627:
1618:. Archived from
1608:
1597:
1596:
1594:
1592:
1586:dorislessing.org
1570:
1559:
1558:
1556:
1532:
1526:
1520:
1514:
1513:
1511:
1509:
1492:
1483:
1482:
1480:
1478:
1458:
1447:
1441:
1432:
1426:
1415:
1409:
1396:
1390:
1381:
1380:
1378:
1376:
1359:
1350:
1349:
1347:
1345:
1331:(25 July 1982).
1329:Hazelton, Lesley
1325:
1314:
1308:
1299:
1298:
1296:
1294:
1277:
1271:
1270:
1268:
1266:
1251:
1240:
1234:
1228:
1222:
1211:
1210:
1208:
1206:
1200:FantasticFiction
1192:
1172:
1163:
1157:
1144:
1061:Kiel Opera House
1039:Canopus in Argos
1014:HeidelbergCement
911:HuffPost Culture
827:Canopus in Argos
817:The Dispossessed
808:The Dispossessed
724:Canopus in Argos
700:Genre and themes
560:Canopus in Argos
522:. She described
489:Canopus in Argos
378:Canopus in Argos
343:Canopus in Argos
311:Canopus in Argos
273:Canopus in Argos
243:Followed by
230:Preceded by
221:
195:
126:Publication date
74:Canopus in Argos
31:
24:
20:
6890:
6889:
6885:
6884:
6883:
6881:
6880:
6879:
6810:
6809:
6806:
6796:
6794:
6786:
6784:
6779:
6757:
6748:Otherwise Award
6731:
6682:
6680:
6678:
6672:
6649:
6557:Women of Wonder
6548:
6546:
6540:
6531:
6482:
6399:
6286:Who Fears Death
6193:
5937:When It Changed
5854:
5798:Sultana's Dream
5777:
5702:
5683:
5664:
5634:
5625:
5614:
5605:
5594:
5585:
5574:
5569:Floriane Soulas
5561:
5552:
5544:
5542:Nadia Chonville
5534:
5525:
5514:
5505:
5494:
5485:
5474:
5465:
5454:
5445:
5434:
5425:
5414:
5405:
5394:
5385:
5374:
5365:
5354:
5345:
5334:
5325:
5314:
5305:
5294:
5285:
5274:
5267:
5258:
5247:
5238:
5227:
5218:
5207:
5198:
5187:
5178:
5167:
5158:
5147:
5138:
5127:
5118:
5107:
5098:
5087:
5078:
5070:
5060:
5051:
5040:
5031:
5020:
5011:
5000:
4991:
4980:
4971:
4960:
4951:
4940:
4931:
4920:
4911:
4908:Virginia Bergin
4900:
4891:
4880:
4871:
4860:
4851:
4840:
4831:
4828:Heidrun JΓ€nchen
4820:
4811:
4800:
4791:
4780:
4771:
4760:
4751:
4740:
4731:
4728:Nicola Griffith
4720:
4711:
4700:
4691:
4680:
4671:
4660:
4651:
4640:
4631:
4620:
4611:
4600:
4591:
4580:
4571:
4568:Ninni Holmqvist
4560:
4551:
4540:
4531:
4523:
4521:Luce Basseterre
4513:
4504:
4493:
4484:
4473:
4464:
4453:
4440:
4431:
4420:
4411:
4400:
4391:
4388:Marleen S. Barr
4380:
4371:
4368:StΓ©phanie Nicot
4360:
4351:
4340:
4332:
4322:
4313:
4302:
4293:
4282:
4274:
4264:
4256:
4246:
4238:
4228:
4219:
4209:
4196:
4188:
4178:
4165:
4157:
4146:
4137:
4126:
4117:
4114:Eleanor Arnason
4106:
4097:
4086:
4077:
4066:
4053:
4040:
4031:
4028:Margaret Atwood
4020:
4007:
3999:
3989:
3980:
3969:
3962:
3954:
3944:
3931:
3918:
3913:Sheri S. Tepper
3905:
3892:
3879:
3866:
3853:
3840:
3827:
3814:
3801:
3788:
3775:
3762:
3749:
3744:Shirley Jackson
3736:
3723:
3710:
3697:
3692:Leslie F. Stone
3684:
3671:
3658:
3647:
3634:
3621:
3616:Aurora Bertrana
3608:
3593:
3580:
3567:
3554:
3541:
3528:
3515:
3502:
3489:
3476:
3471:Rhoda Broughton
3463:
3450:
3437:
3424:
3413:
3400:
3387:
3376:
3363:
3352:
3339:
3321:
3316:
3286:
3281:
3258:
3237:
3231:
3206:
3181:
3155:The Fifth Child
3037:
3031:
2970:
2969:
2966:
2961:
2955:
2924:
2922:Further reading
2919:
2888:
2878:Scarecrow Press
2856:
2782:
2757:
2733:
2711:
2689:
2626:
2624:
2620:
2606:
2595:
2509:
2481:
2476:
2475:
2465:
2463:
2453:
2452:
2448:
2438:
2436:
2426:
2422:
2412:
2410:
2402:
2401:
2397:
2387:
2385:
2377:
2376:
2372:
2362:
2360:
2352:
2351:
2347:
2337:
2335:
2332:Chicago Tribune
2323:
2314:
2291:
2287:
2277:
2275:
2265:
2261:
2251:
2249:
2241:
2240:
2231:
2221:
2219:
2211:
2210:
2206:
2196:
2180:
2169:
2159:
2138:
2134:
2124:
2122:
2106:
2097:
2089:
2085:
2077:
2073:
2065:
2061:
2053:
2049:
2041:
2037:
2029:
2025:
2017:
2013:
2003:
2001:
1984:
1975:
1961:
1959:
1944:
1940:
1930:
1928:
1916:Sleight, Graham
1913:
1909:
1895:
1886:
1876:
1874:
1859:
1855:
1845:
1843:
1830:
1826:
1816:
1814:
1801:
1800:
1796:
1788:
1784:
1774:
1772:
1760:
1753:
1743:
1741:
1733:Blume, Harvey.
1731:
1727:
1717:
1715:
1702:
1698:
1690:
1686:
1678:
1674:
1666:
1659:
1651:
1647:
1639:
1635:
1625:
1623:
1610:
1609:
1600:
1590:
1588:
1571:
1562:
1533:
1529:
1521:
1517:
1507:
1505:
1494:
1493:
1486:
1476:
1474:
1461:Sheets, Diana.
1459:
1450:
1442:
1435:
1427:
1418:
1410:
1399:
1391:
1384:
1374:
1372:
1360:
1353:
1343:
1341:
1326:
1317:
1309:
1302:
1292:
1290:
1278:
1274:
1264:
1262:
1252:
1243:
1235:
1231:
1223:
1214:
1204:
1202:
1194:
1193:
1186:
1181:
1176:
1175:
1164:
1160:
1145:
1141:
1136:
1090:Alfred A. Knopf
1083:
1049:three-act opera
1030:Chicago Tribune
995:
878:
740:literary critic
702:
466:
452:in the locals.
420:
373:
284:Alfred A. Knopf
264:science fiction
210:
186:
164:Print and ebook
161:Media type
156:
139:
133:March 1980 (US)
127:
120:
109:Alfred A. Knopf
97:
88:Science fiction
38:
35:Alfred A. Knopf
17:
12:
11:
5:
6888:
6878:
6877:
6872:
6867:
6862:
6857:
6852:
6847:
6842:
6837:
6832:
6827:
6822:
6805:
6804:
6781:
6780:
6778:
6777:
6771:
6765:
6763:
6759:
6758:
6756:
6755:
6750:
6745:
6739:
6737:
6733:
6732:
6730:
6729:
6721:
6720:
6713:
6706:
6704:Aqueduct Press
6701:
6694:
6686:
6684:
6674:
6673:
6671:
6670:
6667:Jirel of Joiry
6664:
6657:
6655:
6651:
6650:
6648:
6647:
6639:
6631:
6623:
6615:
6608:
6600:
6593:
6585:
6577:
6569:
6561:
6552:
6550:
6542:
6541:
6539:
6538:
6526:
6520:
6515:
6510:
6505:
6500:
6494:
6492:
6488:
6487:
6484:
6483:
6481:
6480:
6472:
6464:
6456:
6448:
6440:
6432:
6424:
6416:
6408:
6393:
6385:
6377:
6369:
6361:
6353:
6345:
6341:The Automation
6337:
6329:
6321:
6314:
6306:
6298:
6290:
6282:
6274:
6266:
6258:
6250:
6242:
6238:Bu Bu Jing Xin
6234:
6226:
6218:
6210:
6201:
6199:
6195:
6194:
6192:
6191:
6183:
6175:
6168:
6160:
6156:He, She and It
6152:
6144:
6136:
6128:
6125:Rachel in Love
6121:
6117:Lilith's Brood
6113:
6105:
6097:
6089:
6081:
6073:
6066:
6058:
6050:
6042:
6034:
6026:
6018:
6010:
6006:The Female Man
6002:
5994:
5986:
5982:The Female Man
5978:
5970:
5963:
5955:
5948:
5940:
5933:
5925:
5917:
5913:And Chaos Died
5909:
5901:
5894:
5887:
5879:
5871:
5863:
5848:
5840:
5833:
5826:
5818:
5810:
5802:
5794:
5785:
5783:
5779:
5778:
5776:
5775:
5767:
5759:
5751:
5743:
5735:
5727:
5719:
5710:
5708:
5704:
5703:
5701:
5700:
5691:
5689:
5685:
5684:
5682:
5681:
5672:
5670:
5666:
5665:
5663:
5662:
5653:
5651:
5644:
5640:
5639:
5636:
5635:
5633:
5632:
5612:
5592:
5582:Xiran Jay Zhao
5572:
5559:
5532:
5512:
5492:
5472:
5462:Becky Chambers
5452:
5442:Theresa Hannig
5432:
5412:
5402:Amal El-Mohtar
5392:
5372:
5352:
5342:Judith C. Vogt
5332:
5322:Kameron Hurley
5312:
5292:
5282:Nnedi Okorafor
5265:
5245:
5225:
5205:
5185:
5165:
5145:
5135:Fumi Yoshinaga
5125:
5105:
5085:
5058:
5038:
5018:
5008:Annalee Newitz
4998:
4978:
4958:
4938:
4918:
4898:
4878:
4858:
4848:Tananarive Due
4838:
4818:
4798:
4778:
4758:
4738:
4718:
4708:Nalo Hopkinson
4698:
4678:
4658:
4638:
4618:
4598:
4578:
4558:
4548:Rieko Matsuura
4538:
4511:
4501:Laura J. Mixon
4491:
4471:
4451:
4448:Montse Watkins
4438:
4418:
4398:
4378:
4358:
4338:
4320:
4300:
4280:
4262:
4244:
4226:
4207:
4194:
4176:
4173:Rachel Pollack
4163:
4144:
4124:
4104:
4084:
4064:
4061:Jutta Heinrich
4051:
4038:
4018:
4005:
3987:
3960:
3942:
3929:
3916:
3903:
3890:
3877:
3864:
3851:
3838:
3825:
3812:
3799:
3786:
3773:
3760:
3747:
3734:
3721:
3708:
3695:
3682:
3679:Stella Gibbons
3669:
3655:
3653:
3649:
3648:
3646:
3645:
3632:
3619:
3605:
3604:
3591:
3578:
3565:
3552:
3539:
3526:
3523:Auguste Groner
3513:
3500:
3487:
3474:
3461:
3448:
3435:
3421:
3419:
3415:
3414:
3412:
3411:
3398:
3384:
3382:
3378:
3377:
3375:
3374:
3360:
3358:
3354:
3353:
3351:
3350:
3336:
3334:
3327:
3323:
3322:
3315:
3314:
3307:
3300:
3292:
3283:
3282:
3280:
3279:
3272:
3266:
3264:
3260:
3259:
3257:
3256:
3249:
3241:
3239:
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1504:. 1 April 1980
1501:Kirkus Reviews
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2637:Gray, Stephen
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2499:Facts on File
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2493:Doris Lessing
2488:
2487:Bloom, Harold
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2194:. p. 84.
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2157:. p. 28.
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2121:. p. D19
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1833:Alter, Robert
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1792:, p. 92.
1791:
1790:Lessing 1996a
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1705:Leonard, John
1700:
1693:
1692:Lessing 1994c
1688:
1682:, p. 21.
1681:
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1668:Lessing 1994a
1664:
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1643:, p. 66.
1642:
1641:Rountree 2008
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1395:, p. 16.
1394:
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1312:
1307:
1305:
1289:
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1276:
1261:
1257:
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1248:
1246:
1239:, p. 17.
1238:
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1197:
1191:
1189:
1184:
1170:
1169:
1162:
1155:
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1150:
1143:
1139:
1131:
1129:
1125:
1121:
1120:The Marriages
1117:
1116:
1111:
1110:Fourth Estate
1107:
1103:
1102:Vintage Books
1099:
1098:Panther Books
1095:
1094:Jonathan Cape
1091:
1087:
1078:
1076:
1075:John Rockwell
1073:music critic
1072:
1071:
1066:
1062:
1058:
1054:
1050:
1046:
1045:
1040:
1035:
1032:
1031:
1025:
1023:
1019:
1015:
1011:
1007:
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987:
986:The Marriages
983:
982:
977:
976:The Marriages
973:
969:
968:
962:
959:
958:
953:
948:
947:The Marriages
944:
943:
937:
935:
934:The Marriages
931:
927:
923:
922:
917:
913:
912:
907:
903:
902:The Marriages
899:
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888:
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873:
869:
865:
863:
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854:
849:
845:
841:
837:
833:
828:
824:
820:
818:
814:
813:The Marriages
810:
809:
804:
803:The Marriages
800:
796:
795:The Marriages
792:
788:
784:
780:
779:
774:
770:
769:
764:
760:
759:Frank Pierson
756:
752:
748:
744:
743:Northrop Frye
741:
737:
733:
729:
725:
721:
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713:
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685:
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564:The Marriages
561:
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347:The Marriages
344:
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335:
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312:
308:
304:
300:
296:
291:
289:
288:Jonathan Cape
285:
281:
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275:
274:
269:
268:Doris Lessing
265:
261:
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251:
249:
245:
241:
238:
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232:
228:
224:
222:
220:LC Class
216:
212:
209:
208:Dewey Decimal
204:
201:
198:
196:
190:
184:
183:0-394-50914-5
181:
179:
175:
171:
167:
163:
159:
152:
150:United States
149:
148:
146:
142:
136:May 1980 (UK)
135:
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129:
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116:
115:Jonathan Cape
113:
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94:
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47:Doris Lessing
45:
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36:
30:
25:
19:
6807:
6724:
6717:Bitch Planet
6715:
6708:
6696:
6689:
6641:
6633:
6625:
6617:
6602:
6587:
6579:
6571:
6563:
6555:
6547:anthologies,
6474:
6466:
6458:
6450:
6442:
6434:
6426:
6418:
6410:
6395:
6387:
6379:
6371:
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6339:
6333:Scale-Bright
6331:
6323:
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6300:
6292:
6284:
6276:
6268:
6260:
6252:
6244:
6236:
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6198:21st century
6185:
6177:
6162:
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6115:
6107:
6099:
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5844:Angel Island
5842:
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5804:
5796:
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5782:20th century
5769:
5761:
5753:
5745:
5737:
5729:
5721:
5715:Frankenstein
5713:
5707:19th century
5694:
5688:18th century
5675:
5669:17th century
5656:
5650:15th century
5422:Hao Jingfang
4948:Kelly Robson
3997:Marge Piercy
3887:Kate Wilhelm
3861:Sonya Dorman
3848:Kate Wilhelm
3652:20th century
3432:Mary Shelley
3418:19th century
3381:18th century
3357:17th century
3274:
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3057:Martha Quest
3055:
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2896:
2868:
2836:
2794:
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2766:
2745:
2722:
2700:
2674:
2650:
2644:
2625:. Retrieved
2618:the original
2610:
2575:
2553:
2549:
2521:
2517:
2492:
2464:. Retrieved
2458:
2449:
2437:. Retrieved
2433:
2423:
2411:. Retrieved
2407:
2398:
2386:. Retrieved
2382:
2373:
2361:. Retrieved
2357:
2348:
2336:. Retrieved
2330:
2306:
2302:Opera Canada
2300:
2288:
2276:. Retrieved
2272:
2262:
2250:. Retrieved
2246:
2220:. Retrieved
2216:
2207:
2187:
2148:
2135:
2123:. Retrieved
2118:
2086:
2074:
2062:
2050:
2038:
2026:
2014:
2002:. Retrieved
1998:the original
1991:
1988:"Soul Mates"
1966:– via
1960:. Retrieved
1956:the original
1951:
1941:
1929:. Retrieved
1923:
1910:
1901:
1875:. Retrieved
1869:
1856:
1844:. Retrieved
1840:
1827:
1815:. Retrieved
1811:the original
1806:
1797:
1785:
1773:. Retrieved
1767:
1742:. Retrieved
1738:
1728:
1716:. Retrieved
1712:
1699:
1687:
1675:
1648:
1636:
1624:. Retrieved
1620:the original
1615:
1589:. Retrieved
1585:
1579:
1544:
1540:
1530:
1518:
1506:. Retrieved
1499:
1475:. Retrieved
1471:the original
1466:
1373:. Retrieved
1367:
1342:. Retrieved
1336:
1291:. Retrieved
1285:
1275:
1263:. Retrieved
1259:
1232:
1203:. Retrieved
1199:
1166:
1161:
1153:
1147:
1142:
1127:
1123:
1119:
1113:
1085:
1084:
1068:
1042:
1038:
1036:
1028:
1026:
1002:Philip Glass
997:
996:
985:
979:
975:
965:
963:
955:
951:
946:
940:
938:
933:
929:
919:
909:
901:
895:
891:
890:, described
885:
882:John Leonard
879:
870:
866:
861:
859:
851:
836:militaristic
826:
822:
821:
816:
812:
806:
802:
794:
776:
766:
736:Robert Alter
723:
704:
703:
690:
687:
681:
679:
667:anti-gravity
663:white dwarfs
648:
641:John Leonard
636:
632:
630:
624:
622:
600:
596:
592:
586:
580:
567:
563:
562:, that made
559:
555:
551:
549:
540:
534:
528:
523:
513:
493:
487:
481:
479:
458:
454:
442:
433:
425:
421:
418:Plot summary
411:
409:
405:incarnations
396:
382:
376:
374:
357:Philip Glass
352:
351:
346:
342:
323:
314:
310:
292:
277:
271:
258:
257:
256:
246:
233:
72:
18:
6776:(2013β2017)
6774:Sad Puppies
6677:Publishers,
6532: [
6400: [
6381:Winterglass
6273:(2009-2016)
6233:(2004-2020)
6109:Golden Days
5977:(1974-1999)
5855: [
5589: 1997
5556: 1989
5545: [
5529: 1987
5509: 1986
5502:Aline Valek
5489: 1985
5482:Tamsyn Muir
5469: 1985
5449: 1984
5429: 1984
5409: 1984
5389: 1983
5369: 1981
5349: 1981
5329: 1980
5309: 1979
5289: 1974
5262: 1974
5242: 1974
5222: 1973
5202: 1973
5195:Naomi Novik
5182: 1972
5162: 1972
5142: 1971
5122: 1970
5102: 1970
5082: 1970
5071: [
5055: 1969
5048:Lisa Yaszek
5035: 1969
5015: 1969
4995: 1968
4975: 1967
4955: 1967
4935: 1967
4915: 1966
4895: 1966
4875: 1966
4855: 1966
4835: 1964
4815: 1964
4795: 1963
4775: 1963
4768:Lola Robles
4755: 1962
4735: 1960
4715: 1960
4695: 1960
4675: 1960
4668:Neil Gaiman
4655: 1960
4648:Lucie Chenu
4635: 1959
4615: 1958
4595: 1958
4588:Mari Kotani
4575: 1958
4555: 1958
4535: 1957
4524: [
4508: 1957
4488: 1956
4481:Mary Gentle
4468: 1956
4450:(1955β2000)
4435: 1955
4415: 1955
4395: 1953
4375: 1952
4355: 1951
4336: 1950
4317: 1950
4297: 1950
4278: 1949
4272:Roz Kaveney
4260: 1949
4242: 1949
4223: 1949
4206:(1947β2006)
4192: 1946
4175:(1945β2023)
4161: 1944
4141: 1942
4121: 1942
4101: 1942
4081: 1941
4063:(1940-2021)
4050:(1939β2023)
4035: 1939
4017:(1937β2011)
4015:Joanna Russ
4003: 1936
3984: 1935
3977:Sophie Behr
3958: 1932
3952:Nancy Bogen
3941:(1931β2023)
3928:(1931β2021)
3915:(1929β2016)
3902:(1929β2018)
3876:(1928β2022)
3863:(1924β2005)
3850:(1928β2018)
3837:(1923β1997)
3824:(1921β2003)
3811:(1921β2019)
3798:(1920β2005)
3785:(1920β1970)
3772:(1918β2007)
3759:(1918β2002)
3746:(1916β1965)
3733:(1916β1981)
3720:(1915β1987)
3707:(1911β1987)
3705:C. L. Moore
3694:(1905β1991)
3681:(1902β1989)
3668:(1900β1941)
3644:(1897β1976)
3631:(1895β1985)
3618:(1892β1974)
3603:(1888β1975)
3590:(1884β1978)
3577:(1880β1932)
3564:(1860β1935)
3551:(1869β1954)
3549:Irene Clyde
3538:(1853β1941)
3525:(1850β1929)
3512:(1846β1930)
3499:(1844β1930)
3486:(1843β1914)
3473:(1840β1920)
3460:(1825β1875)
3447:(1807β1858)
3434:(1797β1851)
3410:(1772β1846)
3397:(1705β1771)
3373:(1623β1673)
3349:(1364β1430)
3211:Collections
2937:Basingstoke
2799:Oxfordshire
2657:: 329β340.
2560:: 452β470.
2479:Works cited
2413:14 November
2388:14 November
2338:21 December
2278:21 December
2252:21 December
2067:Glover 2007
2055:Glover 2007
2043:Glover 2007
2004:21 December
1931:27 December
1862:Vidal, Gore
1817:20 December
1744:21 December
1718:21 December
1547:(3β4): 73.
1508:27 December
1477:20 December
1444:Glover 2007
1412:Glover 2007
1237:Dixson 1990
993:Adaptations
926:translation
840:egalitarian
832:patriarchal
751:John Milton
718:utopias or
709:matriarchal
650:Blood Music
613:Idries Shah
533:(1971) and
520:Idries Shah
303:matriarchal
299:patriarchal
6814:Categories
6802:Literature
6691:Forerunner
6679:magazines,
6654:Characters
6373:Toxoplasma
6310:The Method
6206:The Fresco
5755:Iola Leroy
4888:Ann Leckie
4788:Hiroe Suga
4408:Pat Murphy
3939:Fay Weldon
3889:(1928β018)
3666:Karin Boye
3629:Anna Banti
3092:Landlocked
2721:(1994c) .
2699:(1994b) .
2677:. London:
2673:(1994a) .
2091:Galin 1997
2079:Galin 1997
1680:Galin 1997
1591:15 January
1523:Bloom 2003
1225:Galin 1997
1179:References
1018:Heidelberg
747:Gore Vidal
734:professor
675:physicists
566:possible.
547:concepts.
504:themes in
464:Background
450:xenophobia
365:Heidelberg
332:themes in
262:is a 1980
6661:L'Oiselle
6262:Choir Boy
6246:Fledgling
5830:Shambleau
4988:Sara Doke
4808:Jo Walton
3588:Rosa RosΓ
3176:The Cleft
3033:Works by
2907:: 63β80.
2827:169216684
2805:: 62β77.
2743:(1996a).
2627:14 August
2532:: 14β22.
1962:2 January
1846:2 January
1775:2 January
1047:, into a
876:Reception
682:Marriages
655:Greg Bear
524:The Sufis
515:The Sufis
498:spiritual
401:purgatory
326:spiritual
266:novel by
213:823/.9/14
102:Publisher
6683:podcasts
6681:comics,
6614:" (2013)
6599:" (1984)
6320:" (2011)
6174:" (1993)
6127:" (1987)
6072:" (1982)
5969:" (1974)
5954:" (1973)
5939:" (1972)
5900:" (1967)
5893:" (1966)
5839:" (1948)
5832:" (1933)
5629: ?
5609: ?
5382:Tang Fei
5255:Juli Zeh
3113:Shikasta
2913:42946021
2866:(2004).
2679:Flamingo
2675:Shikasta
2566:23738979
2538:43308052
2489:(2003).
2466:27 April
2439:23 April
2363:23 April
2309:(3): 34.
2222:23 April
1968:HighBeam
1877:30 April
1626:27 April
1375:30 April
1344:30 April
1293:30 April
1265:30 April
1205:27 April
1168:Shikasta
1149:Shikasta
1041:series,
897:Shikasta
862:Shikasta
848:barbaric
716:feminist
605:(1980):
593:Shikasta
568:Shikasta
556:Shikasta
541:Shikasta
502:mystical
494:Shikasta
483:Shikasta
397:Shikasta
384:Shikasta
381:series,
330:mystical
279:Shikasta
235:Shikasta
61:Language
6545:Essays,
6294:Lavinia
6046:Kindred
5822:Herland
5571:(1989-)
5362:Nghi Vo
3263:Related
3238:memoirs
2663:3819219
1115:Canopus
1065:Houston
974:called
880:Critic
773:Herbert
763:Tolkien
712:utopian
639:critic
633:Canopus
583:Western
510:Islamic
474:Cologne
338:Islamic
200:5171635
64:English
6788:Portal
6769:Wiscon
6736:Prizes
6669:(1934)
6663:(1909)
6646:(2021)
6638:(2006)
6630:(2000)
6622:(2016)
6607:(1995)
6592:(1983)
6584:(1979)
6576:(1979)
6568:(1976)
6560:(1975)
6525:(1982)
6523:LΓ‘adan
6498:Cyborg
6479:(2023)
6471:(2022)
6463:(2022)
6455:(2022)
6447:(2021)
6439:(2021)
6431:(2020)
6423:(2020)
6415:(2019)
6407:(2018)
6392:(2018)
6384:(2017)
6376:(2017)
6368:(2016)
6360:(2015)
6352:(2015)
6344:(2014)
6336:(2014)
6328:(2013)
6313:(2009)
6305:(2008)
6297:(2008)
6289:(2010)
6281:(2010)
6265:(2005)
6257:(2005)
6249:(2005)
6241:(2005)
6225:(2003)
6217:(2001)
6209:(2000)
6190:(1998)
6182:(1993)
6167:(1992)
6159:(1991)
6151:(1991)
6148:Beauty
6143:(1990)
6135:(1988)
6120:(1987)
6112:(1987)
6104:(1986)
6096:(1985)
6088:(1985)
6080:(1984)
6065:(1980)
6057:(1980)
6049:(1979)
6041:(1978)
6033:(1978)
6025:(1978)
6017:(1977)
6009:(1977)
6001:(1976)
5993:(1976)
5985:(1975)
5962:(1974)
5947:(1973)
5932:(1972)
5924:(1971)
5916:(1970)
5908:(1969)
5886:(1962)
5878:(1962)
5870:(1955)
5862:(1951)
5847:(1949)
5825:(1915)
5817:(1911)
5809:(1909)
5801:(1905)
5793:(1900)
5774:(1899)
5771:Arqtiq
5766:(1893)
5758:(1892)
5750:(1889)
5742:(1889)
5734:(1880)
5731:Mizora
5726:(1870)
5718:(1818)
5699:(1765)
5680:(1666)
5661:(1405)
5115:Li-Cam
3201:Flight
3042:Novels
2951:
2911:
2884:
2852:
2825:
2817:
2778:
2753:
2729:
2707:
2685:
2661:
2591:
2564:
2536:
2505:
2125:17 May
1106:Kindle
1055:, the
844:tribal
787:Asimov
783:Clarke
722:. The
671:quarks
617:Sufism
506:Sufism
446:stable
437:nomads
334:Sufism
307:tribal
250:
237:
81:Genres
69:Series
43:Author
6710:Janus
6536:]
6404:]
6357:Binti
6270:Wombs
6070:Souls
5859:]
5549:]
5075:]
4528:]
2909:JSTOR
2903:(1).
2897:Style
2823:S2CID
2815:JSTOR
2797:(1).
2659:JSTOR
2653:(3).
2621:(PDF)
2607:(PDF)
2562:JSTOR
2556:(4).
2534:JSTOR
2524:(3).
1925:Locus
1134:Notes
1004:with
793:said
653:, by
444:in a
393:Earth
371:Zones
359:with
336:, an
295:Earth
169:Pages
2949:ISBN
2882:ISBN
2850:ISBN
2776:ISBN
2751:ISBN
2727:ISBN
2705:ISBN
2683:ISBN
2629:2014
2589:ISBN
2503:ISBN
2468:2017
2441:2017
2415:2012
2390:2012
2365:2017
2340:2012
2280:2012
2254:2012
2224:2017
2127:2017
2006:2012
1993:Time
1964:2013
1933:2012
1879:2017
1848:2013
1819:2012
1777:2013
1746:2012
1720:2012
1628:2017
1593:2013
1510:2012
1479:2012
1377:2017
1346:2017
1295:2017
1267:2017
1207:2017
1012:and
942:Time
906:Sufi
853:Time
846:and
834:and
785:and
778:Dune
771:and
753:and
661:and
595:and
545:Sufi
500:and
428:heir
341:her
328:and
194:OCLC
185:(US)
178:ISBN
117:(UK)
111:(US)
2807:doi
1549:doi
1146:In
775:'s
765:'s
677:".
659:red
518:by
172:299
6816::
6534:fr
6402:fr
5857:fr
5627:b.
5607:b.
5587:b.
5554:b.
5547:fr
5527:b.
5507:b.
5487:b.
5467:b.
5447:b.
5427:b.
5407:b.
5387:b.
5367:b.
5347:b.
5327:b.
5307:b.
5287:b.
5260:b.
5240:b.
5220:b.
5200:b.
5180:b.
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