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156:, during the early 1990s, he worked on many projects such as exhibitions and their catalogues as well as on monographs on several authors, or themes and collections presented by the Angoulême Museum. He was also the director of the first run of its official magazine,
134:, transforming it into one of the first publications that would lead to serious academic criticism of comics in France and beyond. He integrated the publishing company into discussions on art and culture. His work as the organizer of the famous
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He was the founder and editor at Éditions de L'An 2, before this publishing house was integrated by Actes Sud. He is a lecturer at the École européenne supérieure des Arts et technologies de l'image. He is also a key member of
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Thierry
Groensteen has published countless articles and many books, all of which have been important or even broaching of some themes. He has penned, among other titles:
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Heer, Jeet; Worcester, Kent, eds. (2008). "Why Are Comics Still in Search of
Cultural Legitimization".
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Groensteen, Thierry (Spring 2010). "The
Monstrator, the Recitant, and the Shadow of the Narrator".
40:
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344:"The evolution of the cultural status of the comic strip: an Art-Form in search of Recognition".
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Mellor, David Alan, ed. (1997). "Comic Strip and
Newspaper Cartoons: The Dawn of a Revolution".
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contentious material about living people that is unsourced or poorly sourced.
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Heer, Jeet; Worcester, Kent, eds. (2008). "The
Impossible Definition".
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Popular
Culture and Mass Communication in Twentieth-Century France
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In 1984, Groensteen became the editor-in-chief of the old fanzine
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Comics and the City: Urban Space in Print, Picture and
Sequence
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Forging a new medium. The Comic Strip in the
Nineteenth Century
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428:. Jackson: University Press of Mississippi. pp. 124–131.
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Bande dessinée et narration (Système de la bande dessinée, 2)
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419:. Jackson: University Press of Mississippi. pp. 3–11.
52:; articles should not be based solely on such sources.
371:"Töpffer: the originator of the modern comic strip".
402:"A Few Words about The System of Comics and More…".
122:, whose work has found influence beyond that field.
348:. Lewinston: Edwin Mellen. 1992. pp. 207–219.
132:Schtroumpf : Les Cahiers de la bande dessinée
397:. Angoulême: Éd. de l'An 2. 2006. pp. 17–26.
324:, Jackson: University of Mississippi Press, 2013.
214:. Paris: Presses universitaires de France. 1999.
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357:. Thurn: Kunst der Comics. 1993. pp. 10–75.
375:. Bruxelles: VUBPress. 1998. pp. 105–114.
353:"Fully-painted artwork: seduction by images".
284:La bande dessinée: son histoire et ses maîtres
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366:. London: Philip Wilson. pp. 132–148.
189:Töpffer, l'invention de la bande dessinée
469:"Onze auteurs pour cent maîtres de la BD"
78:Learn how and when to remove this message
118:) is one of the leading French-speaking
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335:"The Schulz System. Why Peanuts work".
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511:Thierry Groensteen's personal website
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493:Jörn Ahrens, Arno Meteling (eds.),
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286:. Paris: Skira-Flammarion. 2009.
230:Lignes de vie. Le visage dessiné
337:Nemo: The Classic Comics Library
266:La Bande dessinée mode d'emploi
248:Un objet culturel non identifié
232:. Saint-Egrève: Mosquito. 2003.
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475:(in French). 6 November 2010
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380:"Gustave Doré's comics".
250:. : Éd. de l'An 2. 2006.
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410:(1): 87–93. Spring 2008.
388:(2): 111–120. Fall 2000.
191:. Paris: Hermann. 1994.
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426:A Comics Studies Reader
417:A Comics Studies Reader
546:Belgian comics writers
541:Belgian art historians
110:; born 18 April 1957,
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54:Please help by adding
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393:"A matter of lines".
339:. 31/32: 26–41. 1992.
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304:. Paris: PUF. 2011.
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141:As the director of
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