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1174:. Ć lomoviÄ, his brother and father were soon arrested, and, like many other Jews in occupied Serbia, killed by the Nazi Germans in 1942 in Belgrade. After the war the paintings were appropriated by the Yugoslav authorities. They have been shown officially only once, in 1989 in Belgrade and Zagreb under the name "Slomovic Collection." A legal battle is currently (2014) underway to determine the ownership of the Belgrade collection, including the Ć lomoviÄ heirs, the Vollard beneficiaries, and the Serbian government.
1136:
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38:
470:. Vollard was especially concerned with promoting the work of marginal artists, artists rejected by the official salons. His success in the sale of paintings allowed him to subsidize editions of prints purely out of personal interest, since they rarely brought him profits. He was also concerned about the quality of the productions, always trying to have the best materials and the best technicians: for
777:, on which Rouault worked with acid and etching tools, achieving unique tones and values in the history of engraving. The final result did not satisfy Vollard, however, who considered it unsaleable; Rouault had to sue his heirs to get the plates, and the series was finally published in 1948. In the 1920s, Vollard resumed publishing original prints, publishing works by
1162:. Ć lomoviÄ had amassed a collection of about 600 works, most of them prints or drawings, with a few important oil paintings, by a combination of exchange, gift, purchase, and donation. Vollard had put him in direct contact with the most prominent artists of the day and often asked him to act as agent for art selling or purchasing purposes.
758:, due to the difficulty in finding quality materials, he had to resort to photoengraving for some of his editions. Even so, he achieved quality results, especially thanks to the collaboration of Georges Rouault. Vollard's first collaboration with this artist took place in 1912, when Rouault offered him to edit a
1177:
The Paris works were discovered in 1979 when the bank was allowed to open its vault to recover unpaid storage fees. An 11-year legal dispute ensued by the heirs of both
Vollard and Ć lomoviÄ, which delayed their resale. A court in Amiens, France, ruled in 1996 that the paintings stored in Paris were
235:
who is regarded as one of the most important dealers in French contemporary art at the beginning of the twentieth century. He is credited with being a major supporter and champion of the contemporary artists of his period, providing exposure and emotional support to numerous then-unknown artists,
1169:
in Paris. Returning home with about 450 works, he exhibited them in Zagreb, Croatia, in 1940. With the advance of German armies in Serbia, he went into hiding, along with his brother Egon, and his father and mother Roza. They placed the paintings in crates behind the wall of a farmhouse in the
649:
Another field of publishing for
Vollard was the illustrated book for bibliophiles, of which he promoted twenty-two projects between 1900 and 1939. Vollard always selected the artist, whom he sometimes let select the text he would like to illustrate. His first edition was
351:
Much has been made of his physical appearance and countenance (grimly described as a "large, gruff, boorish fellow" with "downcast eyes..."); however, he was also a very shrewd businessman who made a fortune with the "buy low, sell high" mantra. His clients included
509:
stands out, an expert printmaker who knew how to remain in the shadow of the artists but whose technical work was indispensable to achieve the quality levels of the albums published by
Vollard, with whom he collaborated for thirty years.
521:
exhibited at the Café Volpini in 1889, which Clot printed again in 1894. But from then on he devoted himself above all to directly commissioning artists to provide him with prints: such was the case of his first album,
862:, centered on the relationship between a sculptor, his model and his work, an autobiographical reference in which the model is Marie-ThérÚse Walter, his partner at the time; another group revolves around the theme of
1116:. Post-war, on 19 April 1949, the London prize court agreed to the release of the pieces to Fabiani, who returned the works to Vollard's sisters. In gratitude, the sisters donated all of the lithographs by
773:(1916-1927) is one of the most original and creative series of prints of the early 20th century, in which the artist combined different techniques: the drawing was transferred to copper plates by means of
1158:, a young Serb with Jewish origins (b. 1915), had connections with Vollard, Fabiani, and Lucien Vollard from about 1938. He had often stated his wish to create a museum of French art collected by him in
953:
836:. In the 1920s, Picasso's relationship with Vollard grew close: a series of etchings made by Picasso in 1927 on the theme of the artist and his model was acquired by the dealer to illustrate
957:
985:
Vollard was depicted in numerous portraits in his lifetime, as a result of his relationships with many artists of the period and his influence on their careers. The first of these was
517:
for collectors, made by the best artists of the day. His first editions were based on prints purchased from artists that had already been printed or published, for example the
Gauguin
846:, published in 1931. It was then that Vollard commissioned a series of prints that the artist produced between 1930 and 1937, and which was published in 1939: the
310:
During his studies, Vollard converted himself into an "amateur-merchant" by becoming a clerk for an art dealer, and in 1893 established his own art gallery, at
1009:
painted by Pablo
Picasso in 1910. Picasso opined that, "they all did him through a sense of competition, each one wanting to do him better than the others".
530:, produced in 1895 in Clot's workshop, of which one hundred numbered impressions were published and signed by the artist. The following year he published
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314:, then the center of the Parisian market for contemporary art. There Vollard mounted his first major exhibitions, buying almost the entire output of
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1057:
874:, considered one of the best of the series; there are also three portraits of Vollard. At the same time, in 1931 he illustrated for the publisher
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145:
1624:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Vollard (see index)
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1067:, who was instructed to divide his collection between his heirs: Madelaine de Galea, an alleged mistress; and his brother Lucien.
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368:. A digital archive consisting of materials from the GalĂ©rie Vollard (1893â1939) and the archives of his publishing house
1619:
81:
1987:
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1235:
664:, also by Bonnard. Made in lithography, for the next edition he opted for the woodcut, more appreciated by collectors:
1940:
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Karrels, Nancy Caron (November 2015). "Reconstructing a
Wartime Journey: The Vollard-Fabiani Collection, 1940â1949".
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55:
88:
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858:âof diverse subject matter, divided into several sequences; the largest (about forty) revolve around the theme
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on which he was working; Vollard bought it in exchange for illustrating a book written by the dealer himself,
397:
exhibition, in 1930 Vollard commissioned
Picasso to produce a suite of 100 etchings which became known as the
1613:
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670:, illustrated by Maurice Denis, was a sales success. Among his subsequent editions, the following stand out:
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344:". These were followed by a second CĂ©zanne exhibition (1898), the first Picasso exhibition (1901) and a
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1032:, where he had stored 10,000 artworks. Nearing the junction to Pontchartrain, on a very wet road, his
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927:
594:. In the second album, in 1897, some of these artists repeated, and participated for the first time
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in Paris and in London in June 2010, totaling 30 million euros in proceeds. These included a 1905
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in New York City in the United States, where prices were likely higher. The paintings left on the
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1992:
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838:
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357:
318:, some 150 canvases, to create his first exhibition in 1895. This was followed by exhibitions of
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He was also an avid art collector and publisher, especially of print series by leading artists.
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1960:
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Beginning in 1940, Ć lomoviÄ put about 200 works in storage in a bank vault, at a branch of the
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In 1890 Vollard opened a gallery in Paris, where he exhibited the work of artists such as
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to the
National Gallery of Canada. The remaining works soon started appearing on the
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830:, which gave rise to one of the best known series of prints made in the century: the
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1044:, there he lay with his chauffeur until found dead, aged 73, the following morning.
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on 3 October. Designated "enemy property", the paintings were stored at the
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2012:
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926:(published in 1942), again commissioned by Vollard, a set of thirty-one
372:(1895â1939) was published online by the Wildenstein Plattner Institute.
1972:
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With war approaching, Vollard set out in July 1939 from his cottage in
896:, an etching with engraving, where he takes up again the figure of the
725:
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232:
211:
191:
423:
315:
1527:
Rebecca A. Rabinow; Douglas W. Druick; Maryline
Assante di Panzillo.
1503:"Selected Dealer Archives & Locations (Getty Research Institute)"
1187:
1092:, Portugal on 25 September 1940, but the ship was intercepted by the
1033:
808:
797:. His last two editions, before his death, were of works by Rouault:
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37:
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Vollard's greatest success was undoubtedly his collaboration with
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CĂ©zanne to Picasso: Ambroise Vollard, Patron of the Avant Garde
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CĂ©zanne to Picasso: Ambroise Vollard, Patron of the Avant-garde
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commercial art gallery market, where they were quickly sold.
991:
painted by CĂ©zanne in 1899. Other notable portraits include,
427:
319:
1178:
to be awarded to the Vollard estate. These were sold off by
884:
1614:
Miscellaneous papers regarding Ambroise Vollard, 1890-1939
1040:
skidded and then somersaulted twice. Having fractured his
466:. In 1901 he organized the first exhibition of works by
1415:
1413:
910:. It is considered one of the stylistic precedents of
1433:"Ambroise Vollard and Important Artists and Artworks"
866:, while there are several dedicated to the figure of
1616:. Getty Research Institute, Los Angeles, California.
1410:
62:. Unsourced material may be challenged and removed.
1376:
1374:
1236:"The Art of the Dealer: 'From Cezanne to Picasso'"
1293:"WPI Digital Archives & Catalogues Raisonnés"
952:; a thousand copies were printed and sold at the
850:. It is a set of one hundred printsâmost of them
2264:
1316:
1268:"Ambroise Vollard: the original Charles Saatchi"
1371:
1194:, CĂ©zanne, Chagall, Degas, Picasso and Renoir.
994:Portrait of Ambroise Vollard in a Red Headscarf
974:Portrait of Ambroise Vollard in a Red Headscarf
1586:(in Spanish). Barcelona: CĂrculo de Lectores.
1643:
766:, which would not see the light until 1932.
1572:
1404:
1392:
1380:
1365:
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231:; 3 July 1866 â 21 July 1939) was a French
1650:
1636:
1544:International Journal of Cultural Property
1522:
1520:
144:
722:La Belle Enfant ou L'Amour Ă quarante ans
422:Vollard would later write biographies of
122:Learn how and when to remove this message
1456:
1261:
1259:
1257:
1255:
1253:
1233:
1154:Vollard's former secretary and protégé,
1134:
1003:, painted by Pierre Bonnard c.1924, and
967:
807:
734:
513:Most of Vollard's production focused on
374:
1541:
1535:
1517:
1000:Portrait of Ambroise Vollard with a Cat
930:in a realistic style. In 1937, he made
916:. Between 1936 and 1937 he illustrated
474:he relied especially on Blanchard, for
340:in Paris, this was simply a matter of "
14:
2265:
1581:
1419:
1265:
1209:
1207:
445:
2313:People from RĂ©union of French descent
1631:
1610:at www.artic.eduChicago Art Institute
1250:
226:
1573:Carrete, Juan; Vega, Jesusa (1993).
1457:McDowall, Duncan (21 January 2024).
903:Minotaur Kneeling over Sleeping Girl
698:Les Petites Fleurs de Saint François
303:in France from 1885, for a while in
60:adding citations to reliable sources
31:
1234:Stamberg, Susan (17 October 2006).
1204:
524:Quelques Aspects de la Vie de Paris
152:EvocaciĂłn. El entierro de Casagemas
24:
1577:(in Spanish). Madrid: Historia 16.
1317:Ambroise Vollard (28 March 2003).
25:
2334:
1657:
1601:
1459:"The Shipping News: Bermuda 1940"
1319:Recollections of a Picture Dealer
1047:
944:), as a denunciation against the
694:Ćuvres de maistre François Villon
440:Recollections of a Picture Dealer
2283:People from Saint-Denis, RĂ©union
1748:
1217:. London: Phaidon, 1995, p. 48.
1021:to travel to his mansion on the
36:
2323:French male non-fiction writers
1621:Pierre Bonnard, the Graphic Art
1495:
1469:
1450:
1425:
1398:
1386:
411:in 1898â99, a smaller group in
150:Vollard, in front of Picasso's
47:needs additional citations for
2318:Road incident deaths in France
1822:First Impressionist Exhibition
1359:
1347:
1335:
1310:
1285:
1227:
764:Les RĂ©incarnations du PĂšre Ubu
419:, which Vollard did not like.
330:(4 – 30 June 1895); for
287:, he was raised in the French
13:
1:
1988:Marc-AurÚle de Foy Suzor-Coté
1566:
1266:Davies, Lucy (14 June 2010).
1148:Courtauld Institute Galleries
1144:Portrait of Ambroise Vollard,
532:L'Album des peintres-graveurs
27:French art dealer (1866â1939)
1170:Southern Serbian village of
1006:Portrait of Ambroise Vollard
988:Portrait of Ambroise Vollard
963:
781:, Marc Chagall, Raoul Dufy,
434:. In 1937 he published his
384:Portrait of Ambroise Vollard
278:
7:
2308:20th-century art collectors
2303:19th-century art collectors
2157:French impressionist cinema
1477:"CĂ©ZANNE: 'LOST' AND FOUND"
1124:, and a single painting by
1052:After his death, Vollard's
933:The Dream and Lie of Franco
534:, in which artists such as
505:. Among his collaborators,
10:
2339:
2198:Pennsylvania Impressionism
1746:
1575:Grabado y creaciĂłn grĂĄfica
1106:National Gallery of Canada
872:Blind Minotaur in the Dark
799:Cirque de l'Ă©toile filante
724:by EugĂšne Montfort (1930,
334:, French correspondent of
2252:Pays des Impressionnistes
2221:
2165:
2139:
2046:Giovanni Battista Ciolina
2021:
1959:
1902:
1830:
1814:
1788:
1757:
1667:
1556:10.1017/S0940739115000296
938:Sueño y mentira de Franco
870:, among which stands out
640:Henri de Toulouse-Lautrec
624:Pierre Puvis de Chavannes
370:Ambroise Vollard, Ă©diteur
207:
199:
180:
158:
143:
136:
2188:Decorative Impressionism
2183:California Impressionism
1405:Carrete & Vega (1993
1393:Carrete & Vega (1993
1381:Carrete & Vega (1993
1366:Carrete & Vega (1993
1354:Carrete & Vega (1993
1342:Carrete & Vega (1993
1197:
1012:
393:Having put on the first
2208:Synthetic impressionism
2173:Amsterdam Impressionism
1998:Helen Galloway McNicoll
1849:Frederick Carl Frieseke
1297:digitalprojects.wpi.art
1238:. National Public Radio
1146:1908, 82 x 65 cm,
1072:Nazi invasion of France
1019:Le Tremblay-sur-Mauldre
860:The sculptor's workshop
839:The Unknown Masterpiece
358:Henry Osborne Havemeyer
1879:Walter Elmer Schofield
1463:The Bermudian Magazine
1321:. Dover Publications.
1190:, as well as works by
1151:
982:
823:
751:
732:(1931-1939, Chagall).
720:(1926-1931, Chagall),
644:James McNeill Whistler
407:was commissioned from
390:
228:[ÉÌbÊwazvÉlaÊ]
2298:French art collectors
2106:WĆadysĆaw PodkowiĆski
1844:William Merritt Chase
1735:Pierre-Auguste Renoir
1582:Cassou, Jean (1976).
1140:Pierre-Auguste Renoir
1138:
971:
811:
738:
580:Théo van Rysselberghe
572:Pierre-Auguste Renoir
540:Jacques Ămile Blanche
464:Pierre-Auguste Renoir
378:
246:Pierre-Auguste Renoir
224:French pronunciation:
2013:Robert Wakeham Pilot
2003:James Wilson Morrice
1884:John Henry Twachtman
900:seen for example in
388:Musée des Beaux-Arts
342:Scylla and Charybdis
285:Saint-Denis, RĂ©union
56:improve this article
2126:Philip Wilson Steer
1978:William Blair Bruce
1765:Gustave Caillebotte
1685:Gustave Caillebotte
1422:, pp. 242â244)
1395:, pp. 112â113)
1368:, pp. 103â106)
997:by Renoir in 1899,
928:sugar-lift etchings
795:Maurice de Vlaminck
667:Imitation of Christ
552:Henri Fantin-Latour
446:Publisher of prints
348:exhibition (1904).
299:, he went to study
2293:French art critics
2288:French art dealers
2235:The Impressionists
2203:Post-Impressionism
2081:Konstantin Korovin
1931:Frederick McCubbin
1775:Henry O. Havemeyer
1152:
1098:H. Montgomery Hyde
1078:'s art gallery on
1056:was fellow dealer
1042:cervical vertebrae
983:
824:
752:
745:Charles Baudelaire
730:L'Ancien Testament
690:Charles Baudelaire
632:Ker-Xavier Roussel
576:JĂłzsef Rippl-RĂłnai
391:
291:colony. After his
71:"Ambroise Vollard"
2260:
2259:
2193:Neo-Impressionism
2061:Antoine Guillemet
2041:Marie Bracquemond
2008:Laura Muntz Lyall
1874:Theodore Robinson
1869:Lilla Cabot Perry
1705:Armand Guillaumin
1356:, pp. 94â99)
1344:, pp. 86â90)
946:Spanish Civil War
880:The Metamorphoses
787:Tsuguharu Foujita
741:Les Fleurs du mal
739:Illustration for
700:(1928, Bernard),
696:(1919, Bernard),
692:(1916, Bernard),
685:Les Fleurs du mal
676:Pierre de Ronsard
661:Daphnis and Chloe
556:Armand Guillaumin
364:and her brother,
295:(final exams) in
217:
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132:
131:
124:
106:
16:(Redirected from
2330:
2237:(2006 TV series)
2229:Wilfrid de Glehn
2101:NadeĆŸda PetroviÄ
2066:Nazmi Ziya GĂŒran
1965:
1908:
1859:Alphonse Maureau
1836:
1806:Ambroise Vollard
1796:Paul Durand-Ruel
1752:
1730:Camille Pissarro
1675:Frédéric Bazille
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1023:Rue de Martignac
954:Spanish Pavilion
950:Francisco Franco
919:Historia natural
890:In 1935 he made
844:Honoré de Balzac
791:Aristide Maillol
608:Georges de Feure
596:Edmond Aman-Jean
592:Ădouard Vuillard
515:limited editions
492:
354:Albert C. Barnes
328:Vincent van Gogh
270:Vincent van Gogh
242:Aristide Maillol
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2031:EugĂšne Baudouin
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1983:William Brymner
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1921:E. Phillips Fox
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45:This article
43:
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33:
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2234:
2056:Eva GonzalĂšs
1941:John Russell
1805:
1720:Claude Monet
1695:Paul CĂ©zanne
1690:Mary Cassatt
1620:
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1528:
1507:. Retrieved
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1440:. Retrieved
1436:
1427:
1420:Cassou (1976
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1296:
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1275:. Retrieved
1271:
1240:. Retrieved
1229:
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1192:Mary Cassatt
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1114:World War II
1085:SS Excalibur
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775:heliogravure
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708:(1924-1925,
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616:Henri Martin
604:Paul CĂ©zanne
568:Odilon Redon
564:Edvard Munch
560:Hermann-Paul
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507:Auguste Clot
460:Paul CĂ©zanne
452:Paul Gauguin
449:
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409:Paul Gauguin
404:
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380:Paul CĂ©zanne
369:
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312:Rue Laffitte
309:
289:Indian Ocean
282:
274:
266:Paul Gauguin
258:André Derain
250:Louis Valtat
238:Paul CĂ©zanne
219:
218:
186:(1939-07-21)
184:21 July 1939
151:
118:
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
2278:1939 deaths
2273:1866 births
2242:Louis Leroy
2140:Other media
2116:Max Slevogt
2091:Henry Moret
1936:Tom Roberts
1815:Exhibitions
1700:Edgar Degas
1668:Originators
1505:. Getty.edu
1483:pressreader
1442:26 November
1186:painted at
1080:57th Street
1070:Due to the
1061: [
1026: [
801:(1938) and
754:During the
747:(1916), by
718:La Fontaine
519:zincographs
483: [
472:lithography
305:Montpellier
200:Nationality
173:Saint-Denis
169:3 July 1866
2267:Categories
2152:Literature
1973:Henri Beau
1905:Australian
1567:References
1509:21 January
1223:0714832502
1160:Yugoslavia
1094:Royal Navy
812:Prints by
726:Raoul Dufy
714:Les Fables
672:Les Amours
584:Jan Toorop
503:Louis Fort
499:engravings
337:The Studio
297:La RĂ©union
236:including
233:art dealer
212:Art dealer
208:Occupation
192:Versailles
165:1866-07-03
82:newspapers
1188:Collioure
1180:Sotheby's
1034:chauffeur
964:Portraits
906:from the
854:and some
816:from the
366:Leo Stein
279:Biography
175:, RĂ©union
2166:See also
1962:Canadian
1833:American
1277:26 March
1242:31 March
1150:, London
1054:executor
1036:-driven
942:aquatint
913:Guernica
898:Minotaur
864:The Rape
856:drypoint
852:etchings
805:(1939).
803:Passioné
771:Miserere
760:Miserere
495:etchings
493:and for
476:woodcuts
426:(1914),
417:monotype
386:, 1899.
283:Born in
194:, France
2222:Related
2213:The Ten
2024:artists
1964:artists
1907:artists
1835:artists
1789:Dealers
1758:Patrons
1584:Picasso
1302:26 July
1126:Gauguin
1122:Chagall
1118:Rouault
1112:during
1102:Bermuda
956:of the
678:(1915,
424:CĂ©zanne
413:woodcut
395:Picasso
346:Matisse
324:Gauguin
316:CĂ©zanne
96:scholar
18:Vollard
1590:
1325:
1221:
1215:Cubism
1184:Derain
1172:Bacina
1110:Ottawa
1090:Lisbon
1038:Talbot
981:, 1899
979:Renoir
924:Buffon
822:, 1939
432:Renoir
430:, and
293:matura
268:, and
203:French
98:
91:
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77:
69:
2247:Nadar
2147:Music
2022:Other
1198:Notes
1088:from
1065:]
1030:]
1013:Death
526:, by
491:]
428:Degas
320:Manet
103:JSTOR
89:books
1588:ISBN
1511:2014
1485:.com
1481:www.
1444:2020
1323:ISBN
1304:2022
1279:2013
1244:2024
1219:ISBN
1120:and
1096:and
948:and
885:Ovid
793:and
769:The
642:and
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497:and
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181:Died
159:Born
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