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Interviewed years later for an oral history project, Jackson commented that
Sharpington tended to charge prices that were too low: "he just didn't have a feel for what it ought to be ... he realised that the best thing to do was to give me the job and I was to give him the cut so I would get straight
374:
for schools and vaccination clinics (even as mundane as a "No
Parking" sign to go at the entrance to a North London park). As a result, much of it no longer exists: by 1989 Dr. John Nash commented that "much of the beautiful work done by Sharpington's workshop during the Fifties is now gone". (Giving
544:
Surrey County
Council's website on the memorial credits Sharpington among other artists, but does not state which work he did. The memorial was dedicated in 1921, before Sharpington had set up his own practice, but rededicated in 1951 after the Second World War. According to Marian Mollett of the
221:. Nick Garrett, a modern signwriter, comments that "I had worked alongside his lettering in the House of Lords some years earlier and they left such a lasting impression ... Sharpington's work is of course notably classical, yet each letter was made from his own passion for
383:
However, photographs exist of some of his lost work and other examples survive which were made of stone or kept indoors in protected locations such as government buildings and churches. The
Diocese of Southwark archives list correspondence with him on various projects.
1835:
501:
Sharpington preferred the term "lettering artist" to describe his work, rather than "sign writing", feeling that the term did not do lettering work due credit, something both
Jackson and DuVivier independently remembered about him when interviewed
316:
623:
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commented that
Sharpington "specializes in painted lettering of fine quality".) In addition, tastes changed and the practice of signwriting declined after his career, meaning his work was often not replaced with similar designs.
511:
His Collis Browne memorial uses a capital-form q in lower-case italic, a style used in renaissance calligraphy and by some twentieth-century Arts and Crafts artists, it is used for example in Jamie Smith's
English Engravers
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292:
237:) inspirational characters" and that Sharpington's style "is very different to the Italian Trajan style. It has a calligraphic voice crafted around its cultural and architectural context."
336:
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and the design of monuments. In the view of John Nash and Gerald Fleuss, his workshop "produced, from the to the , some of the most distinguished public lettering in
England".
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567:
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They are...commemorated in a delightful tablet on the north wall of the same church, designed by W. H. Sharpington and subscribed for by friends and admirers in
America.
1353:
1697:
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The Light of Other Days: a selection of monuments, mausoleums and memorials in Church of
Ireland churches and graveyards and those whom they commemorate
808:
1886:
177:. At the time it was normal to use custom painted or carved lettering for large signs because of the inflexibility of printing large fonts using
757:
213:
which had quickly become a standard for prestigious lettering like monuments and memorials. Sharpington also worked in this style, with use of
348:
304:
1007:
Many sign painters are now retired...others have made the transition to easier, cheaper...vinyl lettering or large-scale digital printing.
624:"Mrs Claire Sharpington Painting A Plaque Designed By Her Husband For A Building Which Stands On The Site Of The Former Adelphi Terrace"
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267:, Vera Ibbett and Stephen Lubell, whose article on him made with Burnett's assistance is one of the main sources on his life.
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Richmond Local History Society the entire monument in its current form is his work as it was replaced in 1955.
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1698:"Edith Somerville memorial plaque in the Church of Saint Barrahane at Castletownshend Stock Photo – Alamy"
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448:
1810:
Shaw, John (2007). "Percy John Delf Smith RDI 1882–1948: Calligrapher, Lettering Artist and Craftsman".
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himself, but generally drew out art for others to cut into stone. He taught and had his workshop at the
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in a lodge with Oliver, and later with Jackson. He died in 1973 and was commemorated with a plaque at
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The memorial was designed by Mr. Louis de Soissons...with lettering by Mr. W. H. Sharpington
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survives but the lettering has been replaced; it is not the same as in Burnett's photograph.
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259:. His assistants and subcontractors included Kenneth Breese, Ron Burnett, Bob DuVivier and
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Much of Sharpington's artwork was painted or made of wood and ephemeral, like signs for
1327:
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1742:
Nash, John R. (1989). "English Brush Lettering: The Workshop of William Sharpington".
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from about 1920 to 1935. He then set up his own practice which continued through the
716:
Survey of London: Volume 40, the Grosvenor Estate in Mayfair, Part 2 (The Buildings)
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568:"Mr W. Sharpington begins work on a memorial inscription at the Adelphi in London"
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670:"Percy Smith Memorial Lecture: The Revival of Writing Lettering and Illuminating"
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409:, staff war memorial (1939–1945 section only; the First World War section is by
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758:"Wartski case history NGS Design & Gild – NGS Sign lettering & writing"
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A signboard Lubell reproduces that Sharpington created for a toll road at
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1417:"Geograph:: Toll sign, College Road, Dulwich © Noel Foster cc-by-sa/2.0"
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809:"Special Report: The Royal Hospital School commemorated at Greenwich"
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British Museum staff war memorial, Second World War section (detail)
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rendering. The structures are strongly reminiscent of the original
159:
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and started his career working as an assistant in the workshop of
1733:
Lubell, Stephen (2010). "William Sharpington: a man of letters".
1247:"Michael Renton: His Hands Magic (abridged digital preview copy)"
1066:
862:
Donald Jackson interviewed by Hawksmoor Hughes – British Library
1595:
Richmond History, Journal of the Richmond Local History Society
1769:
Nash, John R. (2001b). "Kenneth Breese, Lettering Craftsman".
1253:. Charlie Behrens/The Lettering & Commemorative Arts Trust
181:, before the arrival of large-size printing technologies like
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869:. Event occurs at 9:18:00, 10:56:00, 12:26:00, 13:44:00.
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Sharpington designed lettering art such as memorials and
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783:"Pen to Printer: Edward Johnston Foundation Seminar"
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1801:Shaw, John (1988). "Percy John Delf Smith R.D.I.".
1760:Nash, John R. (2001a). "Michael Renton 1934–2001".
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1308:Phoenix of Fleet Street: 2000 years of St. Bride's
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985:(2 July 2013). Levine, Faythe; Macon, Sam (eds.).
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240:Lettering examples by Sharpington are held by the
1724:Gibbs, Jon. "Henry Hooper: Lettering Craftsman".
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713:, ed. (1980). "Grosvenor Square: Introduction".
1665:A History of English Life: Political and Social
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165:The son of a baker, Sharpington studied at the
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1447:. The Studio Publications. pp. 100–101.
1443:Holme, Rathbone; Frost, Kathleen M. (eds.).
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422:Memorial to Sir Theodore Chambers, Parkway,
310:Lettering for the Roosevelt Memorial, London
1562:Surrey in the Great War: A County Remembers
1505:"A Museum Clerk at the Battle of the Somme"
1323:"Expert who hones his skills to the letter"
873:
838:. New York: St. Martin's Press. p. 18.
815:. No. 25. October 1963. pp. 13–14
492:. His middle name is not stated in sources.
1735:Ultrabold: The Journal of St Bride Library
1091:"London's Hand Painted Gold House Numbers"
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456:(1936), book, lettering on maps and charts
375:a memorial lecture to Delf Smith in 1946,
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1663:; Fisher, F. J.; Hickson, Wilma (1936).
1620:Monumental Journal and Commemorative Art
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1887:British typographers and type designers
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1812:The Edward Johnston Foundation Journal
1787:The Edward Johnston Foundation Journal
1771:The Edward Johnston Foundation Journal
1762:The Edward Johnston Foundation Journal
1753:The Edward Johnston Foundation Journal
1751:Nash, John R. (1999). "Bob DuVivier".
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1726:The Edward Johnston Foundation Journal
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253:City and Guilds of London Art School
167:City and Guilds of London Art School
98:City and Guilds of London Art School
44:Sharpington working on lettering at
16:British lettering artist (1900–1973)
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885:Nash, John; Fleuss, Gerald (1992).
322:Memorial to Sir Theodore Chambers,
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813:The Royal Hospital School Magazine
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488:Sharpington was sometimes called
393:London Scottish Regiment Chapel,
1780:"In Defence of the Roman Letter"
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1445:Modern Lettering and Calligraphy
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756:Garrett, Nick (6 August 2022).
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1667:. London: Methuen. p. iv.
1089:Garrett, Nick (25 July 2020).
787:BLAG (Better Letters Magazine)
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566:Hampton, J. A. (4 June 2008).
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993:Princeton Architectural Press
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1588:"Remembering the Men of Kew"
1489:Occasional Ramsgate Writings
1466:London Metropolitan Archives
1422:Geograph Britain and Ireland
1321:Clinton, Jane (5 May 2017).
859:; Hughes, Hawksmoor (2005).
467:, Saint Barrahane's Church,
72:1973 (aged 72–73)
7:
1245:Nash, John (24 June 2015).
1113:"Roman and Italic capitals"
962:Mark Simonson Studio (blog)
449:Victoria Embankment Gardens
395:St Columba's Church, London
197:Delf Smith and his teacher
10:
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1616:"Memorial to Sir Theodore"
719:. London. pp. 112–117
416:War memorial, interior of
342:Chambers memorial (detail)
281:
134:(1900–1973) was a British
18:
1882:British graphic designers
1093:. Nick Garrett Signwriter
1062:"English Engravers Roman"
834:Gardner, William (1982).
760:. Nick Garrett Signwriter
454:A History of English Life
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1872:Arts and Crafts movement
1586:Mollett, Marian (2015).
1532:British Museum Quarterly
1354:The Lettering Arts Trust
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263:and his pupils included
255:and was a member of the
203:Arts and Crafts movement
19:Not to be confused with
1275:. Darvill's Rare Prints
1040:Paul Shaw Letter Design
426:, monument designed by
403:, Ramsgate, Kent (1973)
207:style of fine lettering
1892:People from Kennington
1778:Nash, John R. (2002).
1661:Williams-Ellis, Amabel
1380:The Art Workers’ Guild
889:. Hamlyn. p. 131.
465:Violet Florence Martin
326:(monument designed by
162:
1877:British calligraphers
1566:Surrey County Council
1306:Morgan, Dewi (1973).
1273:"Flowers in Heraldry"
1021:, pp. 11, 18–19.
887:Practical Calligraphy
418:St Anne's Church, Kew
372:London County Council
356:St Anne's Church, Kew
211:Roman square capitals
153:
354:War memorial panel,
205:, had established a
201:, influenced by the
1846:Sharpington working
1831:Crafts Study Centre
1142:Crafts Study Centre
1117:Crafts Study Centre
278:, a former client.
242:Crafts Study Centre
132:William Sharpington
32:William Sharpington
1897:English Freemasons
1803:Calligraphy Review
1682:. pp. 87–89.
1328:Camden New Journal
1170:Art Workers' Guild
1036:"Flawed Typefaces"
711:Sheppard, F. H. W.
434:Roosevelt Memorial
424:Welwyn Garden City
401:John Collis Browne
324:Welwyn Garden City
270:Sharpington was a
257:Art Workers' Guild
217:, calligraphy and
183:vinyl sign cutters
163:
156:John Collis Browne
109:Claire Sharpington
21:William Sharington
1507:. British Library
1192:, pp. 15–16.
1002:978-1-61689-198-5
490:W. H. Sharpington
428:Louis de Soissons
328:Louis de Soissons
276:St Bride's Church
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377:M. C. Oliver
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229:(Roman) and
223:calligraphic
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154:Memorial to
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25:
1867:1973 deaths
1862:1900 births
1737:(8): 22–27.
1648:Lubell 2010
1626:: 318. 1961
1535:. June 1953
1403:Lubell 2010
1376:"John Nash"
1350:"John Nash"
1294:Lubell 2010
1209:Lubell 2010
1163:"List 2020"
967:14 December
941:Lubell 2010
903:Lubell 2010
741:Lubell 2010
502:separately.
440:, lettering
388:Extant work
179:letterpress
46:the Adelphi
1856:Categories
1792:13 October
1744:The Scribe
1600:4 November
1233:Nash 2001a
1190:Nash 2001b
1175:2 November
1032:Shaw, Paul
553:References
209:rooted in
146:Early life
84:Occupation
61:Kennington
1704:28 August
1571:27 August
1539:28 August
1511:27 August
1428:28 August
1385:26 August
1360:26 August
1334:26 August
1279:27 August
1257:31 August
1221:Nash 1999
1147:27 August
1122:27 August
1097:28 August
1074:26 August
1045:28 August
1019:Nash 2002
943:, passim.
924:Nash 2002
819:27 August
793:27 August
764:27 August
723:27 August
686:0035-9114
648:Nash 1989
630:28 August
611:Nash 1989
594:Nash 1989
574:28 August
512:typeface.
471:, Ireland
430:(c. 1961)
411:Eric Gill
272:Freemason
1805:: 17–26.
1773:: 15–22.
1746:: 13–15.
694:41364230
668:(1950).
235:Venetian
160:Ramsgate
94:Employer
1848:in 1951
1829:at the
1814:: 2–10.
1764:: 9–10.
1700:. Alamy
1067:MyFonts
282:Gallery
219:swashes
215:italics
124:
116:
112:
48:in 1951
1840:italic
1728:: 3–8.
999:
692:
684:
366:Legacy
231:Jensen
227:Trajan
193:Career
104:Spouse
1836:Roman
1783:(PDF)
1755:: 24.
1591:(PDF)
1462:(PDF)
1251:Issuu
1166:(PDF)
690:JSTOR
476:Notes
118:(
114:
76:Downe
1838:and
1794:2016
1706:2023
1632:2023
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997:ISBN
969:2016
821:2023
795:2023
766:2023
725:2023
682:ISSN
632:2023
576:2023
463:and
185:and
69:Died
57:1900
54:Born
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