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47:
112:
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491:. However, Yōga artists were criticized abroad for lack of authenticity and originality. As an answer to these critics, between the 1920s and 1930s, Yōga painters adopted materials associated with Nihonga and premodern painting traditions for Western topics.
463:, Yōga’s oil painters used the Western style for highlighting the Japanese War effort. In the post-war, Yōga was perceived as a conservative style linked to the Japanese establishment of the prewar.
429:
have been the two main divisions of modern
Japanese painting. This division is reflected in education, the mounting of exhibitions, and the identification of artists. However, in many cases
161:
in Japan, typically of
Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials. The term was coined in the
319:
291:(1871). Takahashi is regarded by many as the first true Yōga painter. Yuichi believed that Western style could help to build a Japanese national identity.
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in 1543. Early religious works by
Japanese artists in imitation of works brought by the missionaries can be considered some of the earliest forms of
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artists also adopted realistic
Western painting techniques, such as perspective and shading. Because of this tendency to synthesize, although
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exhibitions, in recent years, it has become increasingly difficult to draw a distinct separation in either techniques or materials between
245:(c. 1772–1781). During the first half of the nineteenth century, some painting works showed influences of Western Art such as prints of
275:
a translation and research institute for western studies, including a section to investigate western art. This section was headed by
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341:. Despite that Impressionism was emerging, Collin was more interested in Neoclassical Academic painting and Naturalism of the
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229:, which was discovered by Japanese artists in sketches found in European medical and scientific texts imported from the
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499:(1886–1968) was an example of this trend. Tsuguharu combined oils with materials proper to Nihonga for the nude.
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17:
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In the 1880s, the general reaction against
Westernization and the growth in popularity and strength of the
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effectively ended the influence of western art on
Japanese painting, with the exception of the use of
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has been an accepted component of
Japanese painting. Later yōga art societies in Japan included
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165:(1868–1912) to distinguish Western-influenced artwork from indigenous, or more traditional
8:
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402:(White Horse Society). From 1896, a Yōga department was added to the curriculum of the
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and other techniques developed in western culture. However, in a more limited sense,
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418:), Teikoku Bijutsuin (the Imperial Fine Arts Academy), and the Nika Association.
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This article is about the
Japanese painting style. For the place in Tokyo, see
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563:- "floating pictures", woodblock prints utilizing western linear perspective.
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754:
664:"Three Movements You've Never Heard Of: Yōga Painting, Nabis, Juste Milieu"
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also taught the
Western-style to Japanese artists such as Kuroda Seiki,
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302:) was established by the Meiji government as Japan's first dedicated
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569:- "New prints", an art movement contemporary with Yōga within the
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were hired by the government to teach
Japanese artists, such as
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Yōga has been defined by using the medium and format of the
287:. In 1868, Togai started a private art school and published
237:. Some Japanese artists incorporated the technique, such as
35:
728:"Artists of Shunyo-kai: Celebrating Its 100th Anniversary"
197:
European painting was introduced to Japan during the late
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is sometimes used specifically to refer to oil painting.
830:
MAVO: Japanese Artists and the Avant-Garde, 1905-1931
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Mavo: Japanese artists and the avant-garde, 1905-1931
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forms a distinct category within the Japanese annual
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from his studies in Europe gave fresh impetus to the
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Discovering the Arts of Japan: A Historical Overview
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256:
865:
373:Tokyo National University of Fine Arts and Music
271:(Institute for the Study of Barbarian Documents)
68:but its sources remain unclear because it lacks
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150:
27:European style of painting by Japanese artists
386:(Meiji Fine Arts Society) was established by
698:. Berkeley: University of California Press.
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367:was forced to close in 1883, and when the
359:movement caused the temporary decline of
99:Learn how and when to remove this message
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110:
813:Japanese Modern Art Painting From 1910
243:Perspective Pictures of Places in Japan
14:
866:
398:genre, with the establishment of the
155:, literally "Western-style painting")
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390:artists, and in 1893, the return of
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571:Japanese woodblock print tradition
505:in its broadest sense encompasses
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326:in the latest western techniques.
25:
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847:
720:
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493:Reclining Nude with Toile de Jouy
289:A Guide to Western Style Painting
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375:) was established in 1887, only
283:was a student of English artist
45:
34:. For the Hindu philosophy, see
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692:Weisenfeld, Gennifer S (2002).
406:, and from that point onwards,
834:University of California Press
629:
613:"Yōga - Concepts & Styles"
349:Japanese reaction against Yōga
310:, such as the Italian artists
257:Rising during the Meiji Period
192:
132:Reminiscence of the Tempyō Era
13:
1:
587:
215:policy of national seclusion
7:
536:
10:
910:
187:
29:
763:Columbia University Press
178:
151:
777:History of Japanese Art
637:"Yōga Movement Overview"
550:- "Dutch pictures", the
54:This article includes a
894:History of art in Japan
889:Schools of Japanese art
371:(the forerunner of the
157:is a style of artistic
83:more precise citations.
811:Schaarschmidt Richte.
799:Kodansha International
582:List of art techniques
412:Shunyo-kai art society
382:However, in 1889, the
379:subjects were taught.
261:In 1855, the Tokugawa
203:Christian missionaries
140:
123:
861:at Wikimedia Commons
543:List of Yōga painters
129:
114:
826:Weisenfeld, Gennifer
320:Giovanni Cappelletti
300:Technical Art School
874:Artistic techniques
815:. Edition Stemmle.
404:Tokyo Bijutsu Gakkō
369:Tokyo Bijutsu Gakkō
473:European tradition
365:Kobu Bijutsu Gakkō
296:Kobu Bijutsu Gakkō
279:, whose assistant
247:Katsushika Hokusai
217:introduced by the
167:Japanese paintings
141:
124:
56:list of references
879:Japanese painting
857:Media related to
775:Mason, Penelope.
705:978-0-520-22338-7
497:Foujita Tsuguharu
455:Declining of Yōga
421:Since that time,
312:Antonio Fontanesi
268:Bansho Shirabesho
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16:(Redirected from
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793:Sadao, Tsuneko.
759:Dawn to the West
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308:Foreign advisors
281:Takahashi Yuichi
265:established the
239:Utagawa Toyoharu
199:Muromachi period
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137:Fujishima Takeji
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467:Characteristics
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343:Barbizon school
285:Charles Wirgman
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219:Tokugawa bakufu
213:. However, the
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749:Bibliography
735:. Retrieved
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671:. Retrieved
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644:. Retrieved
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631:
620:. Retrieved
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519:ink sketches
507:oil painting
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414:(related to
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306:art school.
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163:Meiji period
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135:(天平の面影), by
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120:Kuroda Seiki
115:
95:
86:
75:Please help
67:
548:Akita ranga
523:lithography
511:watercolors
481:watercolors
461:Pacific War
459:During the
335:Fuji Masazo
227:perspective
201:along with
193:Early works
89:August 2020
81:introducing
32:Yōga, Tokyo
868:Categories
765:; (1998).
737:2023-09-20
673:2021-04-07
646:2021-04-05
622:2021-04-05
588:References
567:Shin-hanga
552:Edo period
475:, such as
400:Hakuba-kai
223:Edo period
116:Lake Shore
18:Yōga (art)
577:Japonisme
118:(湖畔), by
836:(2001).
801:(2003).
783:(2005).
714:46777379
668:Artspace
537:See also
339:Asai Chū
324:Asai Chū
235:Nagasaki
207:Portugal
159:painting
884:Rangaku
527:etching
515:pastels
485:pastels
445:Nihonga
435:Nihonga
431:Nihonga
427:Nihonga
377:Nihonga
356:Nihonga
221:in the
188:History
172:Nihonga
77:improve
840:
819:
805:
787:
769:
712:
702:
487:, and
440:Nitten
363:. The
337:, and
263:bakufu
139:(1902)
122:(1897)
561:Uki-e
231:Dutch
205:from
169:, or
62:, or
859:Yōga
838:ISBN
817:ISBN
803:ISBN
785:ISBN
767:ISBN
710:OCLC
700:ISBN
556:yōga
531:Yōga
503:Yōga
449:Yōga
447:and
425:and
423:Yōga
408:Yōga
396:Yōga
388:Yōga
361:Yōga
318:and
304:Yōga
233:via
211:Yōga
145:Yōga
36:Yoga
495:by
249:. (
241:in
179:日本画
870::
832:.
828:.
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666:.
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152:洋画
66:,
58:,
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20:)
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