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Altobello Melone

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Moreover, in his masterpiece frescoes, Melone aims to be an interpreter of the anticlassicism and "expressionist" language emerging in the work of Romanino. The seven scenes realized by Altobello evince a new forcefulness – the
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and is dated 1512. The stylistic convergence with Romanino is particularly obvious, such that the contemporary Venetian
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is emblematic of this quality, which is manifest in the gestures and in the grotesque transformation of the faces.
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Paoletti, John T. (2005). "16. Lombardy: Instability and Religious Fervor".
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Melone contributed frescoes to the Cathedral of Cremona in 1516. The
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Saint Helena Travels to Jerusalem in Search of the True Cross
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comes in all probability from the church of Saint Lorenzo in
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describes the Cremonese painter as a "disciple of Armanin".
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Freedberg, Sydney J. (1993). Pelican History of Art (ed.).
636:. Gary M. Radke. London: Laurence King. p. 384. 190:. He was commissioned in December 1516 to fresco the 574:"Melone at University of Oxford – Ashmolean Museum" 51:. Unsourced material may be challenged and removed. 599:Dizzionario, Volume 1, by Stefano Ticozzi.Page 429 138:) by Altobello Melone, Accademia Carrara, Bergamo 652: 457:Frescoes detached, Pinacoteca di Brera, Milan 162:1490–1491 – before 3 May 1543) was an Italian 186:styles. In Cremona, he encountered the elder 492:Madonna and Child with Saints John Nicholas 622: 111:Learn how and when to remove this message 631: 141: 122: 513:Saint Prospero, Bishop of Reggio Emilia 653: 627:. Penguin Books Ltd. pp. 373–375. 365:Archiepiscopal Picture gallery, Milan 550:Died before 1543: Paoletti 2005:384; 49:adding citations to reliable sources 20: 13: 634:Art in Renaissance Italy (3rd ed.) 496:Civic Museum Wing Ponzone, Cremona 14: 697: 249:Madonna and Child with Saint John 242: 361:Lamentation over the Dead Christ 282:Lamentation over the Dead Christ 25: 590:(Others date it "before 1547".) 532:, province of Cremona, Lombardy 298:Szépművészeti Múzeum, Budapest 36:needs additional citations for 602: 593: 566: 544: 338:Szépművészeti Múzeum, Budapest 182:. His work merges Lombard and 1: 671:16th-century Italian painters 537: 343:Adoration of the Christ Child 265:Kunsthaus, Zürich (warehouse) 261:Adoration of the Christ Child 159: 686:Italian Renaissance painters 625:Painting in Italy, 1500–1600 173: 7: 487:Accademia Carrara, Bergamo 446:Christ in front of Caiaphas 384:Pinacoteca Tosio Martinengo 10: 702: 616: 530:San Nicolò, Isola Dovarese 476:Castello del Buonconsiglio 453:Adoration of the Shepherds 356:Pinacoteca di Brera, Milan 210:was influenced by Melone. 553:"Melone at Artcyclopedia" 421:Massacre of the Innocents 374:National Gallery, London 347:Museo Berenziano, Cremona 237:Massacre of the Innocents 431:Washing of Christ's Feet 395:National Gallery, London 370:Christ Bearing the Cross 200:Giovanni Francesco Bembo 129:Portrait of a Gentleman 198:. He worked alongside 152: 139: 681:Painters from Cremona 676:Italian male painters 501:Narcissus at Fountain 303:Portrait of Gentleman 275:Pinacoteca Ambrosiana 145: 126: 471:Simonino from Trento 196:Boccaccio Boccaccino 192:Cathedral of Cremona 45:improve this article 666:16th-century deaths 436:Agony in the Garden 404:private collection 287:Pinacoteca di Brera 229:Marcantonio Michiel 221:Pinacoteca di Brera 178:Melone was born in 466:Private collection 270:Madonna with Child 153: 140: 60:"Altobello Melone" 533: 524:Madonna del Gatto 520: 509: 497: 488: 483:Madonna and Child 479: 467: 458: 441:Capture of Christ 416:Flight into Egypt 410:Cremona Cathedral 405: 396: 393:(c. 1516–1517) – 387: 375: 366: 357: 348: 339: 334:Embrace of Lovers 330: 319:Embrace of Lovers 315: 312:Accademia Carrara 299: 290: 278: 266: 257: 254:Accademia Carrara 204:Paolo da Drizzona 188:Girolamo Romanino 121: 120: 113: 95: 693: 647: 628: 610: 606: 600: 597: 591: 589: 587: 585: 576:. 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Retrieved 546: 523: 512: 500: 491: 482: 473:(c. 1521) – 470: 464:(c. 1517) – 462:Resurrection 461: 455:(c. 1518) – 452: 445: 440: 435: 430: 425: 420: 415: 412:(1516–1518) 408:Frescoes in 399: 390: 378: 372:(c. 1515) – 369: 360: 351: 342: 333: 318: 306: 302: 293: 281: 272:(c. 1511) – 269: 263:(c. 1510) – 260: 251:(c. 1510) – 248: 236: 233: 214: 212: 177: 155: 154: 146: 133: 127: 107: 98: 88: 81: 74: 67: 55: 43:Please help 38:verification 35: 18: 508:, Frankfurt 426:Last Supper 216:Lamentation 168:Renaissance 655:Categories 558:5 December 538:References 528:Church of 386:, Brescia 71:newspapers 314:, Bergamo 284:(1512) – 256:, Bergamo 184:Mannerist 174:Biography 148:Narcissus 101:July 2016 478:, Trento 352:Portrait 277:, Milan 617:Sources 328:Dresden 289:, Milan 225:Brescia 219:in the 180:Cremona 166:of the 164:painter 85:scholar 640:  584:17 May 506:Städel 87:  80:  73:  66:  58:  379:Mercy 92:JSTOR 78:books 638:ISBN 586:2008 560:2010 309:) – 202:and 64:news 47:by 657:: 526:– 515:– 503:– 494:– 402:– 381:– 363:– 336:– 326:, 321:– 296:– 206:. 170:. 160:c. 646:. 588:. 562:. 305:( 158:( 132:( 114:) 108:( 103:) 99:( 89:· 82:· 75:· 68:· 41:.

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Portrait of a Gentleman
Cesare Borgia

Narcissus
painter
Renaissance
Cremona
Mannerist
Girolamo Romanino
Cathedral of Cremona
Boccaccio Boccaccino
Giovanni Francesco Bembo
Paolo da Drizzona
Francesco Prata
Lamentation
Pinacoteca di Brera
Brescia
Marcantonio Michiel

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