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New Zealand hip hop

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630:), Boy C & the BB3 (which later became Three the Hard Way), the Chain Gang and others. Most of the acts that joined the Voodoo Rhyme Syndicate were discovered through talent contests by Voodoo Rhyme Syndicate founder, DJ Andy Vann. The Voodoo Rhyme Syndicate hosted Voodoo dance parties to raise funds to record the acts, and formed Voodoo vinyl in 1989. Voodoo Vinyl's first release in 1989 was Enemy Productions Stop Tagging produced by founder Andy Vann. Other notable related releases include Semi MCs' "Set Your Body Free & Trust Me" and MC Slam & DJ Jam's "Prove Me Wrong", both of which achieved Top 40 success in New Zealand. A DJ competition was held in Auckland in 1989, with DJ Ned Roy winning. 592:, which won a New Zealand Music Industry award for best Māori recording in 1992, speaking out against the perceived racism they saw against Māori people in New Zealand. They cited the rarity of airtime on national radio for Māori music and the exclusion from the mainstream music industry as reflective of the wider societal problem. The awarded song is called "AEIOU (Akona Te Reo)", and translates as "Learn the Language". Its release was directed primarily at Māori youth who did not speak Māori. The majority of the lyrics are in English. 3420: 1250:
were at work in Auckland in the 1980s. They were followed by TMD (The Most Dedicated) in the mid-1990s. Cut Collective was founded in 2006. Its members have been commissioned to make public murals, and have exhibited at the Dowse Art Museum, Auckland Art Gallery and Dunedin Public Art Gallery. Many female artists have gained recognition for their work, including Diva, Misery (Tanja Thompson), Flox (Hayley King), Erin Forsyth, Ikon and Mica Still.
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Askew One (Elliot O'Donnell) is the most prominent street artist in New Zealand and is well known in street art circles overseas. He started out tagging as a teenager in the 1990s and graduated to pieces, and eventually to works on canvas. Some street artists work together in collectives. Smooth Inc
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One reason break dancing became popular was that many youth saw it as a way of being recognized or a channel of identity. Maori youth that had little chance of being recognized for accomplishments in school or sport found break dancing as a new way to achieve recognition. Early on, New Zealand even
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Modern New Zealand hip hop has evolved into many styles, and artists such as Team Dynamite, Homebrew, Louie Knuxx, RizvĂĄn and the like are popular in New Zealand, and artists tend to incorporate many elements from different genres. Classic artists such as Che Fu and King Kapisi are still very much
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in 2009. Exhibitions signalled street art's growing acceptance as a legitimate art form. The artistic quality of the best work was recognised and practitioners were able to make a career out of street art. Some were commissioned by local councils and businesses to create pieces. Organisations for
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granted a legitimacy to their efforts. This gave a boost of confidence for both Maori and the children of recent immigrants, and the American street dance forms such as popping, locking and breaking created a friendly environment for Maori and Pacific Islander youth in order to fashion their own
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in the early 1980s. One can see the influence of Samoan culture in New Zealand's appropriation of breakdancing specifically through language. The term "bopping," for example, comes from a Samoan pronunciation of popping, one of the elements in breakdance, where a dancer will move in a stilted
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to New Zealand. Aware of their accents and other 'foreign' markers, Samoan youth in California used dancing and hip hop to assert themselves. Nearly three decades of Samoan involvement in street dance and rap music influenced the scene in other cities, including Wellington. With two other New
581:", which is recognised as New Zealand's first pure hip hop single. A bootleg recording of their song "Hardcore Hiphop" reached number one on Christchurch student radio in February 1988. Some rappers, such as the members of Upper Hutt Posse, became known for politicised lyrics in support of 1183:" for Justin Bieber, which as of March 2016 is one of the 5 top viewed videos on YouTube with more than 1.7 billion views. Goebel went on to choreograph and direct all thirteen of Justin Bieber's Purpose: The Movement videos. These videos have totaled over 3 billion views combined. 1120:
The nearly three decades of Samoan involvement in street dance and rap music in California has significantly impacted Samoan cultural production in other places where Samoans have settled, including New Zealand. The dancing in New Zealand is heavily influenced by American dances.
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Henderson, April K. "Dancing Between Islands: Hip Hop and the Samoan Diaspora." In The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 180-199. London; Ann Arbor, MI: Pluto Press, pg
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Henderson, April K. "Dancing Between Islands: Hip Hop and the Samoan Diaspora." In The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 180-199. London; Ann Arbor, MI: Pluto Press,
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fashion, isolating their limbs robotically. After its initial period of popularity, breakdancing fell out of fashion for most of the 1990s. Late in that decade it underwent a revival, and breakdancing stages can be found at events such as the
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sold triple platinum and went on to win countless awards. Che Fu's fame continued through the 90s with his involvement with DLT in the number one hit song Chains in 1996, and in 2002 he won album of the year in the New Zealand music awards.
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As elsewhere, New Zealand graffiti art takes two forms: bombing (usually large scale and multi-coloured, using paint and generally requiring some artistic skill) and tagging (stylised writing of the tagger's 'tag' name). In 1999 the
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Mitchell, Tony. "Kia Kaha! (Be Strong!): Māori and Pacific Islander Hip-hop in Aotearoa-New Zealand." In Global Noise: Rap and Hip-Hop Outside the USA, ed. Tony Mitchell, 280-305. Middletown: Wesleyan University Press,
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in the 1970s, and the lack of exposure for New Zealand Black African hip hop artists compared to Māori and Pasifika artists. As a result, schools invited him, and other organisers, to speak to their students and staff.
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remains one of New Zealand's most successful hip hop artists. He began his career at high school with a group of friends and they eventually formed the Low Down Dirty Blues Band, which went on to be the legendary
540:, became a hit in New Zealand when it was released there in 1980, a year after it was released in the United States. By the middle of the 1980s, breakdancing and graffiti art were established in urban areas like 641:, featuring the vocal stylings of Bobbylon (from the seminal 1990s Reggae/Punk band the Hallelujah Picassos). Released by Deepgrooves Entertainment and distributed by Festival Records, it sampled " 1191:
Battle rapping has had a strong underground presence in New Zealand. 1Outz is an organized rap battle league that began in Auckland, and Red Zone Battle's is another which began in Christchurch.
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Many of the Maori and Pacific Island youth found alternative possibilities to organize their daily lives. Images of street dance arriving via imported American media - such as the movies
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In Wellington, K.O.S.-163, more commonly known as Kosmo, influenced the hip hop scene during the 1980s. Returning from a visit to Los Angeles, Kosmo introduced a new type of dance called
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hip hop scenes were thriving, with dozens of young acts, many promoted as part of the Voodoo Rhyme syndicate which featured acts such as the Semi MCs, MC Slam & DJ Jam, Total Effect,
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sponsored a national break dancing competition for young Maori and Pacific Islanders. This helped many young breakers to realize their potential by giving them a nation audience.
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communities, including: "The same white supremacy which has led to disproportionate killings of Black people in the US exists here in New Zealand." He called on
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in 1989 (on cassette only), and a variety of releases by Southside Records. Amongst these were releases by Urban Disturbance featuring a young rapper,
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became the first New Zealand hip hop artist in history to have a single achieve platinum certification status in the United States with his single "
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In the 1990s Maori and Polynesian hip hop musicians grew steadily more popular, leading to a fusion of Pacific and traditional hip hop sounds as
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The years 2004–2005 are often seen as a high-water mark for the popularity of hip hop music in New Zealand, and a book on the subject,
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current in the music scene and perform regularly also, and have been a major influence on the sound of hip hop in this country.
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A web-based resource that looks at hip hop as a global movement, with a particular focus on Aotearoa NZ and indigenous hip hop.
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Walters, Laura. "Cydel Top Vodafone Pacific Music Awards." Stuff. Fairfax New Zealand Limited, 13 June 2015. Web. 10 Aug. 2016.
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with Alan Jansson took the urban Pacific sound into the world's charts with the multi-million selling "
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Zealanders, Kosmo started the hip hop group called "The Mau". The name represents Samoan independence.
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Wellington's underground scene was vibrant in the late '80s, from whence arose the local supergroup
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Some of the first hip hop musicians to achieve recognition combined American styles with
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Dancing Between Islands: Hip Hop and the Samoan Diaspora. April K. Henderson, p.192-194.
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Mire, Guled; Wakefield, Rita; Apr 10, Mazbou Q. |; Read, 2022 | 1 | 7 Min (2022-04-09).
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became the first to top both the single and album charts at the same time in 2004.
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became the first hip hop artist to receive the Silver Scroll Award for his single
735:", in 1995. It remains the best-selling song ever recorded in New Zealand. Rapper 3375: 3245: 3240: 3196: 3169: 3137: 3071: 3046: 3041: 3001: 2996: 2981: 2976: 2941: 2901: 2854: 2752: 2747: 2707: 2640: 2630: 2615: 2600: 2540: 2291: 2251: 2052: 1826: 1784: 1072: 1062: 740: 736: 634: 566: 496: 420: 243: 2336: 3105: 3076: 3031: 2986: 2971: 2961: 2911: 2906: 2869: 2779: 2757: 2645: 2506: 2501: 2451: 2431: 2386: 2281: 2164: 2154: 2065: 1957: 1157: 1105: 1052: 1002: 987: 961: 838: 763: 724: 653: 638: 615: 548:. By the early 1990s, hip hop became a part of mainstream New Zealand culture. 537: 222: 3442: 3230: 3208: 3006: 2936: 2916: 2896: 2891: 2804: 2722: 2545: 2456: 2426: 2001: 1979: 1947: 1937: 1816: 1779: 1153: 1145: 1141: 1109: 1032: 866:
in New Zealand is a prestigious honour for New Zealand songwriters. In 1999,
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on 1 June and 14 June 2020. He spoke about the ongoing persecution of the
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Kopytko, Tania "Breakdance as an Identity Marker in New Zealand"pp. 21-28
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Kopytko, Tania. "Breakdance as an Identity Marker in New Zealand."
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troubled youth ran legal graffiti sessions. Another early event was
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likewise combined hip hop and Māori culture in their 1988 single "
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Another popular Māori group which incorporated hip hop music was
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New Zealand Hip Hop – A selection of New Zealand Hip Hop Artists
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Early hip hop releases in New Zealand included the collection
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Breakdancing first came to New Zealand via TV, Movies and
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and in 2004, Scribe and P-Money won with their huge hit
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The first major New Zealand commercial hip hop hit was "
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Te Ara - the Encyclopedia of New Zealand. 1444:: CS1 maint: numeric names: authors list ( 1204:mounted an exhibition of street art called 927:. Unsourced material may be challenged and 857: 1707: 1693: 1140:New Zealand-born choreographer and dancer 878:, Nesian Mystik in 2004 with their single 480: 466: 947:Learn how and when to remove this message 754:Many top hip hop artists are signed with 109:Learn how and when to remove this message 810: 747:". The track featured in the 2007 film 695: 672:. DLT began the influential radio show 3441: 1458: 3401:LGBT representations in hip hop music 1688: 656:, also influenced the local scene in 649:and became a number one hit in 1994. 1663:"Public and street art - Street art" 1346: 925:adding citations to reliable sources 892: 144:Centre for New Zealand Music (SOUNZ) 47:adding citations to reliable sources 18: 13: 1452: 888: 823:was one of the organisers of the 607:, now a UK radio personality, and 14: 3465: 1672: 1569:. MTV. 2015-10-23. Archived from 1321:"Hip Hop Book Wins Montana Award" 828:George Floyd protests in Auckland 532:. The first hip hop hit single, " 378:Nationalistic and patriotic songs 3419: 3418: 897: 597:Ak89 - In Love With These Rhymes 507:hip hop consists of four parts: 304:Official New Zealand Music Chart 23: 1633: 1619: 1605: 1584: 1559: 1550: 1541: 1531: 1506: 1491: 1477: 1413: 1194: 1099: 557:Early years and Māori influence 34:needs additional citations for 1500:Yearbook for Traditional Music 1389: 1365: 1340: 1331: 1313: 1302: 1284: 1274: 1225:(first held in 2010), Taupō's 788:Hip hop in the 2000s and 2010s 1: 1661:Kerryn Pollock (2014-10-23). 1459:Hayden, Leonie (2020-06-19). 1253: 1186: 796:, won a national book award. 3406:Feminist activism in hip hop 841:to condemn violence against 819:hip hop artist and producer 678:, which joined Wellington's 7: 3396:Partner violence in hip hop 1714: 762:-run record label based in 10: 3470: 1347:Junn, Jihee (2020-06-02). 1244: 1013:Misfits of Science (group) 435:Six Months in a Leaky Boat 3414: 3326: 3285: 3260: 3085: 3020: 2860:Bosnian and Herzegovinian 2833: 2721: 2599: 2588: 2554: 2485: 2474: 2350: 2325: 2235: 2224: 2143: 2096: 1892: 1881: 1873:Bristol underground scene 1840: 1767: 1724: 864:APRA Silver Scroll Awards 794:Hip Hop Music In Aotearoa 497:hip hop cultural movement 1028:MC OJ & Rhythm Slave 993:Double J and Twice the T 858:APRA Silver Scroll Award 815:UK-born, Auckland-based 609:MC OJ & Rhythm Slave 590:Moana and the Moahunters 565:and traditional songs. 551: 449:Loyal (Dave Dobbyn song) 288:New Zealand Music Awards 1233:(2013), Christchurch's 1115:Aotearoa Hip-Hop Summit 756:Dawn Raid Entertainment 675:True Skool Hip Hop Show 652:Upper Hutt Posse's DJ, 614:By the late 1980s, the 495:derives from the wider 196:Classical and art music 1503:Vol. 18 (1986): 21-28. 684:in promoting hip hop. 442:Don't Dream It's Over 396:God Defend New Zealand 178:Roots, reggae, and dub 2574:Alternative reggaeton 1853:Universal Zulu Nation 1594:. YouTube. 2015-12-27 1327:on February 18, 2013. 1237:(2013) and Kawerau's 777:. Their first album, 585:(Māori sovereignty). 271:Media and performance 58:"New Zealand hip hop" 3339:Contemporary R&B 3148:Minneapolis/St. Paul 921:improve this section 811:Hip hop in the 2020s 696:Polynesian influence 499:originating amongst 125:Music of New Zealand 43:improve this article 16:Music genre or scene 3449:New Zealand hip hop 1943:Chopped and screwed 1848:Five-Percent Nation 1615:. 14 November 2015. 1573:on October 24, 2015 1229:(2011), Auckland's 1083:Sisters Underground 727:. Pauly Fuemana as 681:Wednesday Night Jam 624:Sisters Underground 583:tino rangatiratanga 493:New Zealand hip hop 351:Radio with Pictures 1235:From the Ground Up 1215:Disrupt the System 1137:styles and codes. 872:Reverse Resistance 825:Black Lives Matter 320:Rhythm & Vines 3436: 3435: 3322: 3321: 2584: 2583: 2470: 2469: 2220: 2219: 1800:Feminist activism 1298:on April 7, 2008. 957: 956: 949: 876:Misty Frequencies 643:Dreadlock Holiday 501:African Americans 490: 489: 457: 456: 428:Not Given Lightly 403:God Save the King 373: 372: 266: 265: 119: 118: 111: 93: 3461: 3427: 3422: 3421: 3289: 3264: 3126:Washington, D.C. 3089: 3024: 2837: 2725: 2603: 2597: 2596: 2592: 2557: 2489: 2483: 2482: 2478: 2422:Na mele paleoleo 2354: 2329: 2239: 2233: 2232: 2228: 2147: 2100: 1896: 1890: 1889: 1885: 1759: 1752: 1745: 1738: 1731: 1718: 1709: 1702: 1695: 1686: 1685: 1667: 1666: 1658: 1649: 1648: 1637: 1631: 1630: 1623: 1617: 1616: 1609: 1603: 1602: 1600: 1599: 1588: 1582: 1581: 1579: 1578: 1563: 1557: 1554: 1548: 1545: 1539: 1535: 1529: 1528: 1526: 1525: 1516:. 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Archived from 1288: 1282: 1278: 1272: 1268: 1202:Dowse Art Museum 952: 945: 941: 938: 932: 901: 893: 575:Upper Hutt Posse 534:Rapper's Delight 482: 475: 468: 384: 383: 277: 276: 231:Other influences 212: 211: 121: 120: 114: 107: 103: 100: 94: 92: 51: 27: 19: 3469: 3468: 3464: 3463: 3462: 3460: 3459: 3458: 3439: 3438: 3437: 3432: 3425: 3410: 3376:Music sequencer 3318: 3287: 3281: 3262: 3256: 3255: 3221:Outside the US: 3218: 3214:Native American 3087: 3081: 3022: 3016: 2835: 2829: 2723: 2717: 2601: 2591:Regional scenes 2590: 2580: 2555: 2550: 2487: 2476: 2466: 2352: 2346: 2327: 2321: 2292:Psychedelic rap 2237: 2226: 2216: 2145: 2139: 2098: 2092: 2053:Progressive rap 1894: 1883: 1877: 1836: 1763: 1757: 1750: 1743: 1736: 1729: 1720: 1716: 1713: 1675: 1670: 1659: 1652: 1639: 1638: 1634: 1625: 1624: 1620: 1611: 1610: 1606: 1597: 1595: 1590: 1589: 1585: 1576: 1574: 1565: 1564: 1560: 1555: 1551: 1546: 1542: 1536: 1532: 1523: 1521: 1512: 1511: 1507: 1496: 1492: 1483: 1482: 1478: 1469: 1467: 1457: 1453: 1437: 1436: 1430: 1428: 1418: 1414: 1405: 1403: 1395: 1394: 1390: 1381: 1379: 1371: 1370: 1366: 1357: 1355: 1345: 1341: 1336: 1332: 1319: 1318: 1314: 1307: 1303: 1290: 1289: 1285: 1279: 1275: 1269: 1260: 1256: 1247: 1217:, organised in 1197: 1189: 1102: 1097: 953: 942: 936: 933: 918: 902: 891: 889:Notable artists 880:For the People, 860: 843:Black Americans 813: 790: 698: 635:Hip Hop Holiday 567:Dalvanius Prime 559: 554: 486: 421:Slice of Heaven 387:National anthem 312:Music festivals 115: 104: 98: 95: 52: 50: 40: 28: 17: 12: 11: 5: 3467: 3457: 3456: 3451: 3434: 3433: 3431: 3430: 3415: 3412: 3411: 3409: 3408: 3403: 3398: 3393: 3388: 3383: 3378: 3373: 3368: 3363: 3362: 3361: 3356: 3351: 3341: 3336: 3330: 3328: 3324: 3323: 3320: 3319: 3317: 3316: 3311: 3306: 3305: 3304: 3293: 3291: 3288:South American 3283: 3282: 3280: 3279: 3274: 3268: 3266: 3258: 3257: 3254: 3253: 3248: 3243: 3238: 3233: 3228: 3219: 3217: 3216: 3211: 3206: 3204:Asian American 3201: 3200: 3199: 3194: 3184: 3183: 3182: 3177: 3172: 3162: 3161: 3160: 3155: 3150: 3145: 3140: 3130: 3129: 3128: 3123: 3118: 3113: 3108: 3096:United States: 3094: 3093: 3091: 3088:North American 3083: 3082: 3080: 3079: 3074: 3069: 3064: 3059: 3054: 3049: 3044: 3039: 3034: 3028: 3026: 3023:Middle Eastern 3018: 3017: 3015: 3014: 3009: 3004: 2999: 2994: 2989: 2984: 2979: 2974: 2969: 2964: 2959: 2954: 2949: 2944: 2939: 2934: 2929: 2924: 2919: 2914: 2909: 2904: 2899: 2894: 2889: 2884: 2879: 2878: 2877: 2872: 2862: 2857: 2852: 2847: 2841: 2839: 2831: 2830: 2828: 2827: 2822: 2817: 2812: 2807: 2802: 2797: 2792: 2787: 2782: 2777: 2772: 2767: 2766: 2765: 2755: 2750: 2745: 2740: 2735: 2729: 2727: 2719: 2718: 2716: 2715: 2710: 2705: 2700: 2695: 2690: 2685: 2680: 2679: 2678: 2668: 2663: 2658: 2653: 2648: 2643: 2638: 2633: 2628: 2623: 2618: 2613: 2607: 2605: 2594: 2586: 2585: 2582: 2581: 2579: 2578: 2577: 2576: 2566: 2560: 2558: 2552: 2551: 2549: 2548: 2543: 2538: 2533: 2528: 2523: 2522: 2521: 2511: 2510: 2509: 2507:Florida breaks 2504: 2502:Baltimore club 2493: 2491: 2480: 2472: 2471: 2468: 2467: 2465: 2464: 2459: 2454: 2452:Urban Pasifika 2449: 2444: 2439: 2434: 2432:Romany hip hop 2429: 2424: 2419: 2414: 2409: 2404: 2399: 2394: 2389: 2387:Hip hop galsen 2384: 2379: 2374: 2369: 2364: 2358: 2356: 2348: 2347: 2345: 2344: 2339: 2333: 2331: 2323: 2322: 2320: 2319: 2314: 2309: 2304: 2299: 2294: 2289: 2284: 2282:New jack swing 2279: 2274: 2269: 2264: 2259: 2254: 2249: 2243: 2241: 2230: 2222: 2221: 2218: 2217: 2215: 2214: 2209: 2204: 2199: 2194: 2189: 2184: 2183: 2182: 2177: 2172: 2167: 2165:Brooklyn drill 2157: 2151: 2149: 2141: 2140: 2138: 2137: 2132: 2127: 2122: 2121: 2120: 2110: 2104: 2102: 2094: 2093: 2091: 2090: 2085: 2080: 2075: 2070: 2069: 2068: 2063: 2055: 2050: 2049: 2048: 2038: 2037: 2036: 2026: 2021: 2016: 2011: 2010: 2009: 1999: 1994: 1993: 1992: 1982: 1977: 1972: 1971: 1970: 1960: 1955: 1950: 1945: 1940: 1935: 1934: 1933: 1923: 1918: 1913: 1912: 1911: 1900: 1898: 1887: 1879: 1878: 1876: 1875: 1870: 1865: 1860: 1855: 1850: 1844: 1842: 1838: 1837: 1835: 1834: 1829: 1824: 1819: 1814: 1809: 1804: 1803: 1802: 1797: 1787: 1782: 1777: 1771: 1769: 1765: 1764: 1762: 1761: 1754: 1747: 1740: 1733: 1725: 1722: 1721: 1712: 1711: 1704: 1697: 1689: 1683: 1682: 1674: 1673:External links 1671: 1669: 1668: 1650: 1632: 1629:. 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1901: 1899: 1897: 1891: 1888: 1886: 1880: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1845: 1843: 1839: 1833: 1830: 1828: 1825: 1823: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1801: 1798: 1796: 1793: 1792: 1791: 1788: 1786: 1783: 1781: 1778: 1776: 1773: 1772: 1770: 1766: 1760: 1755: 1753: 1748: 1746: 1741: 1739: 1734: 1732: 1727: 1726: 1723: 1719: 1710: 1705: 1703: 1698: 1696: 1691: 1690: 1687: 1680: 1677: 1676: 1664: 1657: 1655: 1646: 1642: 1636: 1628: 1622: 1614: 1608: 1593: 1587: 1572: 1568: 1562: 1553: 1544: 1534: 1520:on 2008-03-31 1519: 1515: 1509: 1502: 1501: 1494: 1486: 1480: 1466: 1462: 1455: 1447: 1441: 1427: 1423: 1416: 1402: 1398: 1392: 1378: 1374: 1368: 1354: 1350: 1343: 1334: 1326: 1322: 1316: 1310: 1305: 1297: 1293: 1287: 1277: 1267: 1265: 1263: 1258: 1251: 1242: 1240: 1236: 1232: 1228: 1224: 1220: 1216: 1211: 1210:Common Ground 1207: 1203: 1192: 1184: 1182: 1178: 1174: 1171: 1167: 1163: 1159: 1155: 1154:Janet Jackson 1151: 1147: 1146:Justin Bieber 1143: 1142:Parris Goebel 1138: 1135: 1131: 1126: 1122: 1118: 1116: 1111: 1110:Western Samoa 1107: 1094: 1091: 1089: 1086: 1084: 1081: 1079: 1076: 1074: 1071: 1069: 1066: 1064: 1061: 1059: 1056: 1054: 1051: 1049: 1046: 1044: 1041: 1039: 1036: 1034: 1033:Nesian Mystik 1031: 1029: 1026: 1024: 1021: 1019: 1016: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 989: 986: 984: 981: 978: 975: 973: 970: 968: 965: 963: 960: 959: 951: 948: 940: 930: 926: 922: 916: 915: 911: 906:This section 904: 900: 895: 894: 886: 885: 881: 877: 873: 869: 865: 855: 852: 848: 844: 840: 837: 833: 832:Black African 829: 826: 822: 818: 808: 804: 802: 797: 795: 785: 782: 781: 776: 771: 767: 765: 761: 757: 753: 751: 746: 742: 738: 734: 730: 726: 721: 719: 715: 711: 710:Rough Opinion 706: 703: 693: 691: 687: 683: 682: 677: 676: 671: 667: 663: 659: 655: 650: 648: 644: 640: 636: 631: 629: 625: 621: 620:West Auckland 617: 612: 610: 606: 602: 598: 593: 591: 586: 584: 580: 576: 572: 568: 564: 549: 547: 543: 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Music of New Zealand
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