22:
69:
European classical forms of the 18th century (above all, in
Britain, from the example of Handel), patronage and the academy and university establishment of musical performance and training in the United Kingdom during the 19th century saw a great expansion. Similar developments occurred in the other expanding states of Europe (including Russia) and their empires. Within this international growth the traditions of composition and performance centred in the United Kingdom, including the various cultural strands drawn from its different provinces, have continued to evolve in distinctive ways through the work of many famous composers.
513:
735:
314:
3474:
1226:
3484:
3464:
3494:
88:
981:(1852–1924), who was professor of composition at the RCM from 1883; conductor of The Bach Choir from 1886 to 1902; was professor of music at Cambridge from 1887 and conductor of the Leeds Philharmonic Society (1897–1909), and of the Leeds Festival (1901 to 1910). These figures had a profound effect on a generation of composers that included
390:, who visited Britain ten times for a total of twenty months from 1829. He won a strong following through the Philharmonic Society, sufficient for him to make a deep impression on British musical life. Not only did he compose and perform, but he also edited for British publishers the first critical editions of
210:
was formed, and it becomes possible to speak of classical music in the United
Kingdom. This was also the period when classical music began to be recognised as an important element of British and Irish culture and to be placed on a more organised basis that could match some of the developments seen in
68:
came into existence in 1801. Composed music in these islands can be traced in musical notation back to the 13th century, with earlier origins. It has never existed in isolation from
European music, but has often developed in distinctively insular ways within an international framework. Inheriting the
746:
In the later 19th century there was an increasing appetite for large scale works that covered epic, biblical and mythical themes. This was reflected in the topics of operas, cantatas and oratorios, often utilising
British poems and novels. These included choral works like
460:
Classical music has been seen as undergoing a fundamental shift in focus and importance from the second half of the 19th century, as it began to search for a distinctive national identity or identities and played an increasing role in
British cultural life.
122:
retained unique forms of music and of instrumentation, but
British music was highly influenced by continental developments, while British composers made an important contribution to many of the major movements in early music in Europe, including the
348:
and their successors in the
British arena. Braham, whose career thoroughly spanned the opera stage and concert platform, established a tradition in public recital which was continued by his successors down into the early 20th century.
998:
1189:. Britten, on the other hand, made a conscious effort to set himself apart from the English musical mainstream, which he regarded as complacent, insular and amateurish. His works included the operas
294:
and
Beethoven concerti. He wrote nine symphonies and four piano concerti and as principal from 1832-59 was highly influential in the development of British music and the profession of musician.
1173:. Their individual approaches to music and its part in the national identity differed significantly. Walton's work featured fanfares and patriotic themes, including the ceremonial marches
824:
The works of Handel, Mendelssohn and Spohr continued to be a major part of the
British musical repertoire but there was an increasing emphasis on religious drama. The Italian-born Sir
282:, which received a royal charter in 1830, which attempted to train British musicians to the same standards as those of the continent. Its first principal was the oratorio composer Dr
3337:
131:
and laid some of the foundations of later national and international classical music. Musicians from the
British Isles also developed some distinctive forms of music, including
799:
3095:
1414:
1383:
1375:
1374:
2250:
1406:
1403:
1393:
1404:
1428:
1387:
2148:
The future sustainability of the higher education sector: international aspects, eighth report of session 2006-07, Vol. 2: Oral and written evidence
1405:
1178:
520:
This century saw the trend towards larger orchestras and correspondingly larger musical venues, permitting public concerts for mass audiences. The
301:, and to a degree its place in conflicting British and Irish identities, was signalled by the foundation of the Dublin Choral Society in 1837, the
1389:
3523:
1110:
for orchestra (1880–81, 1911), and in various concerted works for piano or violin and orchestra composed during the 1880s and 1890s. Similarly,
3518:
1269:
449:
2351:
106:, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. Each of the major nations of
1394:
1392:
1379:
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in 1848 (which was to be granted a royal charter in 1872); and the Royal Choral Institute in 1851 under such figures as Sir Robert Prescot.
2686:
3139:
1408:
1396:
1378:
496:. A RAM pupil of Potter's, he was a pianist, composer and conductor who for eleven years took control of the Philharmonic Society baton.
207:
65:
1272:
and the Royal Welsh College of Music & Drama as well as within British Universities provide music teaching to classical musicians.
267:. Under their aegis an annual programme of concerts of international calibre was established. The Society was a commissioning patron of
3427:
3216:
1401:
1400:
3316:
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3306:
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3296:
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1411:
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2676:
1686:
T. M. Ellsworth, "Victorian pianists as concert artists: the case of Arabella Godard", in T. M. Ellsworth and S. Wollenberg, eds.,
1390:
1380:
489:, perhaps the most internationally renowned singer of the era, settled permanently in England, continuing to perform and teach.
1407:
965:(1848–1918), who used it as a platform for creativity and a reformation of British music. His own works included the cantatas
3497:
2990:
2545:
1398:
1381:
1373:
1153:
In what was now the United Kingdom of Great Britain and Northern Ireland, the outstanding composers of the century included
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2236:
1402:
1397:
1385:
1382:
1376:
2681:
2346:
2341:
2336:
2331:
2326:
939:
425:
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was established, which played an important role in the development of musical life in the kingdom. Founders included Sir
2666:
2300:
2023:
1557:
The Mozart-Da Ponte operas: the cultural and musical background to Le nozze di Figaro, Don Giovanni, and Così fan tutte
82:
1372:
3455:
2696:
2615:
2196:
1409:
564:
2465:
1410:
1399:
1395:
1391:
1388:
1386:
1377:
1150:. While the two countries continued to share a classical music heritage, they would now develop on different lines.
692:. They were in the British light opera tradition with spoken dialogue. They reached their heyday in the 1880s with
2732:
2519:
2273:
1658:
1186:
433:
236:
78:
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of classical music. This paralleled similar developments in most European countries, for instance in the music of
1652:
1257:
3445:
1741:
1261:
1103:
1384:
3263:
3060:
3025:
2895:
1447:
R. McKitterick, C. T. Allmand, T. Reuter, D. Abulafia, P. Fouracre, J. Simon, C. Riley-Smith, M. Jones, eds,
581:
One of the notable features of the mid-19th century is the revival of a tradition of English language opera.
3206:
3186:
3181:
3176:
2223:
1412:
548:
410:
302:
1082:(1923) for brass band, as well as subtler references to folk themes in other works including the works of
2995:
2975:
2903:
2767:
2752:
2321:
2259:
1673:
P. Horton, "William Sterndale Bennett, composer and pianist", in T. M. Ellsworth and S. Wollenberg, eds,
848:
612:
516:
The Royal Opera House, Bow Street frontage, with Enzo Plazzotta's statue 'Young Dancer' in the foreground
211:
continental Europe. Music in this period has been seen as dominated by continental trends and composers.
199:
182:
period. The dominant figure in classical music in the later baroque era, and beyond, was the German-born
726:(1892), but were the most successful operas of the era and have been among the most frequently revived.
3467:
3238:
2671:
2402:
2288:
1352:
1320:
1304:
1292:
794:
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Native singers shared the dramatic stage with international stars in Italian and German opera, notably
298:
272:
220:
21:
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2278:
1265:
978:
901:
825:
748:
739:
529:
493:
474:
248:
1240:
In the present era, classical music in Britain must contend and co-exist with a dominant culture of
3477:
3233:
3223:
3134:
3018:
2924:
2151:
1359:" have presented annual music programmes of international status since the early 19th century. The
773:
3253:
3243:
2949:
2722:
2717:
2595:
2283:
1099:
1095:
1078:
1009:
694:
650:
521:
345:
291:
244:
3487:
3228:
3126:
3107:
2747:
1249:
1245:
1073:
986:
961:
A member of teaching staff at the RCM from 1884 and director from 1894 until his death was Sir
943:
926:
665:
600:
594:
445:
337:
279:
252:
183:
175:
91:
1017:
3440:
2806:
2550:
2514:
1651:
1111:
838:
639:
532:, an older institution involving massed choirs before vast audiences, was transferred there.
364:
325:
317:
228:
203:
2757:
2460:
336:
were prominent and by their example sustained the international opera and oratorio works of
3380:
3211:
2934:
2742:
2661:
2367:
2218:
1276:
1041:
808:
782:
606:
429:
386:
Perhaps the most influential composer of the first half of the 19th century was the German
376:
278:
Musical training was placed on a newly professional footing by the creation in 1822 of the
268:
260:
256:
2480:
2293:
1205:(1964). It is arguable that this trend may have contributed to the revival of interest in
946:, originating in a training school under Arthur Sullivan, was founded (1882–83) under Sir
8:
2985:
2848:
2712:
2656:
2620:
2605:
2475:
1336:
1280:
1230:
1045:
853:
586:
333:
224:
136:
997:
3385:
2980:
2919:
2899:
2772:
2470:
2417:
2382:
1688:
The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire
1675:
The piano in nineteenth-century British Culture: Instruments, Performers and Repertoire
1609:
The piano in nineteenth-century British culture: instruments, performers and repertoire
1531:
The Piano in Nineteenth-century British Culture: Instruments, Performers and Repertoire
1363:, founded by Benjamin Britten is another annual musical event of international status.
1360:
1197:
1135:
1087:
1058:
1008:
A notable feature of the late 19th century and early 20th century was the birth of the
1013:
3483:
3400:
3370:
3171:
3090:
2965:
2939:
2914:
2866:
2727:
2560:
2509:
2455:
2192:
955:
920:
813:
625:
541:
537:
416:
400:
387:
195:
171:
57:
26:
3415:
3349:
3151:
2970:
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2909:
2691:
2590:
2555:
1210:
1158:
1063:
1001:
630:
589:
576:
501:
492:
Among the most important figures in British classical music in this period was Sir
156:
2529:
836:(1864) set the pace for the later development in the works of Sullivan, including
560:
512:
398:
music of J. S. Bach. Scotland inspired two of his most famous works, the overture
3041:
2944:
2827:
2651:
2625:
1944:
A History of the Oratorio: the Oratorio in the Nineteenth and Twentieth Centuries
1423:
1328:
1316:
1312:
1166:
1162:
906:(1887). Arguably the last of the great English Victorian composers to emerge was
722:
716:
634:
582:
482:
372:
287:
264:
103:
37:
3146:
3085:
2565:
1300:
1288:
1170:
1154:
1147:
1053:
1029:
885:
877:
869:
756:
711:
706:
700:
441:
428:
on August 26, 1846. On his last visit to England in 1847 he was the soloist in
283:
240:
232:
152:
64:. The term in this sense emerged in the early 19th century, not long after the
2228:
1296:
3512:
3395:
3115:
2777:
2630:
2610:
2487:
2377:
2201:
2184:
1594:
D. Conway, '"Short, Dark and Jewish-Looking": Felix Mendelssohn in Britain',
1339:, represent very different strands of composition within UK classical music.
1324:
1241:
1037:
861:
734:
688:
676:
671:
654:
620:
533:
497:
470:
395:
329:
179:
148:
53:
41:
1866:
The American History and Encyclopedia of Music: Musical Biographies Part Two
313:
3422:
3120:
2841:
2820:
2524:
2504:
2407:
2397:
2168:
1986:
The English Musical Renaissance, 1860-1940: Construction and Deconstruction
1973:
The English Musical Renaissance, 1860-1940: Construction and Deconstruction
1622:
The English Musical Renaissance, 1860-1940: Construction and Deconstruction
1284:
1214:
1191:
1091:
1033:
1021:
982:
962:
947:
907:
897:
525:
341:
140:
132:
49:
3010:
552:
367:(1782–1837) was highly influential in his style of playing, inventing the
40:
in the sense elsewhere defined, of formally composed and written music of
3390:
3375:
3077:
2635:
2600:
1308:
1206:
1049:
1025:
683:
478:
380:
163:
3410:
3405:
3344:
3163:
2782:
2737:
2412:
1647:
1083:
1068:
556:
486:
421:
98:
Music in the British Isles, from the earliest recorded times until the
61:
1225:
3354:
3055:
2762:
2450:
2445:
2427:
1518:
The Careers of British Musicians, 1750-1850: a Profession of Artisans
1356:
1348:
1332:
951:
619:
The period 1835-1865 saw the height of popularity for the Irish born
124:
2119:
The BBC and ultra-modern music, 1922-1936: shaping a nation's tastes
504:, with Franklin Taylor, were leading native mid-Victorian pianists.
2813:
2497:
2422:
2387:
659:
645:
391:
368:
144:
128:
115:
3332:
1139:
768:
448:. A number of British piano students of promise were sent to the
361:
354:
167:
111:
107:
99:
45:
1761:(Edinburgh: Edinburgh University Press, 3rd edn., 1998), p. 137.
1102:. Similar developments could be seen in Scotland in the work of
29:
in London. A major venue for classical and other forms of music.
2799:
2492:
2372:
1505:
First philharmonic: a history of the Royal Philharmonic Society
1234:
1143:
686:
collaborations between Gilbert and Sullivan began in 1875 with
657:(1838–89) were among the most popular of the period, including
1371:
585:, a pupil of Goss, came to public attention in the 1860s with
540:
was opened in 1858, on the site of an earlier theatre and the
2041:
Electric Folk: The Changing Face of English Traditional Music
1801:
The University of London and the world of learning, 1836-1986
1126:(1911) also incorporated traditional Scottish folk melodies.
649:(1845) was the most famous and ballad-rich of the Irish born
633:(1812–84), and the earlier English operas of German-born Sir
350:
119:
2028:
Roots of the classical: the popular origins of western music
896:(1885) (produced expressly for the British public), and Sir
357:
from the English opera became concert standards in recital.
1759:
No gods and precious few heroes: Twentieth-century Scotland
1244:. Specialist music education at establishments such as the
160:
1663:. Vol. 2. London: Smith, Elder & Co. p. 124.
547:
Orchestras which were founded in this period included the
87:
2834:
2392:
2219:
Classical composer biographies at University of Cambridge
2080:
Passing it on: the transmission of music in Irish culture
1894:(Cambridge: Cambridge University Press, 1995), pp. 107-8.
1724:
1722:
1703:(Cambridge: Cambridge University Press, 1995), pp. 67-81.
1544:
Passing it on: the transmission of music in Irish culture
1520:(Cambridge: Cambridge University Press, 2001), pp. 79-80.
1475:
Historical dictionary of late medieval England, 1272-1485
94:
was a leading figure of early 18th-century British music.
1967:
1965:
1829:(Chicago IL: University of Chicago Press, 1995), p. 541.
455:
324:
In the earlier part of the century the British singers
2069:(Edinburgh: Edinburgh University Press, 2005), p. 196.
1788:
Michael William Balfe: his life and his English operas
1719:
1585:(Cambridge: Cambridge University Press, 1990), p. 328.
1494:(Cambridge: Cambridge University Press, 2006), p. 214.
977:(1889). His great contemporary was the Irish-born Sir
933:
290:(1792–1871). Potter was the first London performer of
2157:
1962:
793:(1895). Similar trends can be seen in operas such as
1449:
The New Cambridge Medieval History: C. 1415- C. 1500
2224:
The British Library Sound Archive — Classical music
2142:
2140:
1933:(Columbia University Press, 2nd edn, 1965), p. 488.
1209:which has been led, in Britain, by such figures as
563:(1858), and the Scottish Orchestra (1891), now the
1842:(Oxford: Oxford University Press, 2002), pp. 83-4.
1769:
1767:
1533:(Aldershot: Ashgate Publishing, Ltd., 2007), p. 3.
1507:(Oxford: Oxford University Press, 1995), pp. 1-36.
1429:Chronological list of Scottish classical composers
1040:. The movement was particularly influenced by the
507:
371:and he is thought to have been an inspiration to
3510:
2137:
2030:(Oxford: Oxford University Press, 2004), p. 361.
1881:(Oxford: Oxford University Press, 2009), p. 532.
1748:(Manchester: Manchester University Press, 1982).
1746:The Hallé, 1858-1983: a History of the Orchestra
1559:(Oxford: Oxford University Press, 1990), p. 148.
1179:coronation of King George VI and Queen Elizabeth
440:Symphony with the Philharmonic Orchestra before
2258:
2134:(University of California Press, 1997), p. 428.
2082:(Cork: Cork University Press, 1999), pp. 108-9.
2056:(Oxford: Oxford University Press, 1999), p. 91.
2043:(Oxford: Oxford University Press, 2005), p. 47.
1764:
910:(1857–1934), who during the 1890s produced his
729:
2121:(Cambridge: Cambridge University Press, 1999).
1270:Trinity Laban Conservatoire of Music and Dance
1201:(1951), as well the instrumental compositions
1142:'s thirty-two counties, including the city of
1106:, who celebrated his native Scotland in three
992:
286:(1775–1847), and the first tutor of piano was
3026:
2244:
1546:(Cork: Cork University Press, 1999), p. 47-8.
771:like Sullivan and Henry Fothergill Chorley's
464:
1988:(London: Taylor & Francis, 1993), p. 46.
1975:(London: Taylor & Francis, 1993), p. 47.
1905:The Harvard Biographical Dictionary of Music
1637:(London: Routledge, 2nd edn., 2003), p. 275.
1492:The British Isles, a History of Four Nations
973:(1894), and four symphonies, among them the
3040:
2132:Companion to Medieval and Renaissance Music
2012:Charles Villiers Stanford: man and musician
1451:(Cambridge University Press, 1995), p. 319.
308:
208:United Kingdom of Great Britain and Ireland
189:
66:United Kingdom of Great Britain and Ireland
3033:
3019:
2251:
2237:
1477:(Greenwood, 2002), p. 363; G. H. Cowling,
235:, William Ayrton (musical director of the
72:
2208:, Tenth Edition, Oxford University press.
1907:(Harvard University Press, 1996), p. 184.
1732:(Harvard University Press, 2003), p. 292.
1481:(Cambridge University Press, 2008), p. 6.
1347:The United Kingdom is host to many major
1254:Royal Scottish Academy of Music and Drama
570:
2095:(Oxford: Oxford University Press, 1989).
2014:(Oxford: Oxford University Press, 2002).
2001:(Oxford: Oxford University Press, 1998).
1959:(Oxford: Oxford University Press, 1999).
1777:(Oxford: Oxford University Press, 2002).
1635:A Historical Dictionary of British Women
1529:T. M. Ellsworth and S. Wollenberg, eds,
1224:
996:
733:
511:
312:
86:
20:
1716:(New Holland Publishers, 2002), p. 112.
1677:(Aldershot: Ashgate, 2007), pp. 119-48.
1572:, (London: Routledge, 2005), pp. 253-5.
1342:
1220:
1203:Nocturnal after John Dowland for guitar
3524:Cultural history of the United Kingdom
3511:
1999:C. Hubert H. Parry: His Life and Music
1892:The musical life of the Crystal Palace
1840:Gilbert and Sullivan: a dual biography
1775:Gilbert and Sullivan: a dual biography
1701:The Musical Life of the Crystal Palace
549:Royal Liverpool Philharmonic Orchestra
3519:Classical music in the United Kingdom
3014:
2232:
1624:(London: Taylor & Francis, 1993).
637:(1804–85), including his best-known,
456:British musical renaissance 1860-1918
34:Classical music of the United Kingdom
1473:R. H. Fritze and W. Baxter Robison,
1129:
1044:through the work of figures such as
214:
102:and the rise of recognisably modern
3493:
2189:The Encyclopedia of Classical Music
1920:(Aldershot: Ashgate, 2007), p. 128.
1690:(Aldershot: Ashgate, 2007), p. 153.
1646:
1607:T. M. Ellsworth and S. Wollenberg,
1146:, were formally separated from the
952:The Queen's Hall Promenade Concerts
934:Late nineteenth-century foundations
704:(1889), and concluded in 1896 with
528:as the principal conductor and the
13:
1816:(BiblioBazaar, LLC, 2007), p. 223.
1275:Notable modern composers include:
1052:. Examples include the Australian
83:Baroque music of the British Isles
14:
3535:
2616:Gramophone Classical Music Awards
2212:
1855:(BiblioBazaar, LLC, 2008), p. 46.
1825:V. B. Lawrence and G. T. Strong,
1611:(Aldershot: Ashgate, 2007), p. 4.
938:Between 1880 and 1887 the London
565:Royal Scottish National Orchestra
36:is taken in this article to mean
3492:
3482:
3473:
3472:
3462:
2165:Classical music: the rough guide
1659:Dictionary of National Biography
1598:(2009), ed. S. Massil, p. xviii.
1479:Music on the Shakespearian Stage
1229:The Royal College of Music from
360:The Irish composer and virtuoso
79:Early music of the British Isles
3463:
2124:
2111:
2098:
2085:
2072:
2059:
2046:
2033:
2017:
2004:
1991:
1984:R. A. Stradling and M. Hughes,
1978:
1971:R. A. Stradling and M. Hughes,
1949:
1936:
1923:
1910:
1897:
1884:
1871:
1858:
1845:
1832:
1819:
1806:
1793:
1780:
1751:
1735:
1730:The Harvard Dictionary of Music
1706:
1693:
1680:
1667:
1640:
1627:
1620:R. A. Stradling and M. Hughes,
1614:
1601:
1588:
1575:
1562:
1464:(Frederick Ungar, 1953), p. 57.
1258:Royal Northern College of Music
924:in 1899, and the revolutionary
777:(1864), John Francis Barnett's
524:were inaugurated in 1855, with
508:Growth of venues and orchestras
414:(Symphony No. 3). His oratorio
174:era, which led particularly to
1549:
1536:
1523:
1510:
1497:
1484:
1467:
1454:
1441:
1262:Royal Birmingham Conservatoire
485:. After 1856 the Swedish born
1:
2206:The Oxford Companion to Music
2178:
2054:Edward Elgar: a Creative Life
1957:Edward Elgar: a Creative Life
1918:Charles Hallé: a Musical Life
1803:(Continuum, 1990), pp. 184-5.
2130:T. Knighton and D. Fallows,
1351:, festivals and venues. The
1335:and at a more popular level
807:(1891) and in the operas of
730:Religious and mythical works
452:established by Mendelssohn.
7:
2260:Music of the United Kingdom
1790:(Aldershot: Ashgate, 2003).
1570:Musical visitors to Britain
1417:
1366:
993:National or pastoral school
200:Parliament of Great Britain
10:
3540:
1946:(UNC Press, 2000), p. 311.
1868:(Kessinger, 2005), p. 176.
1633:C. Hartley and S. Leckey,
1462:A Concise History of Music
1353:Royal Philharmonic Society
1187:that of Queen Elizabeth II
795:George Alexander Macfarren
574:
299:classical music in Ireland
251:(composer and organist of
76:
3436:
3363:
3325:
3279:
3199:
3162:
3106:
3076:
3069:
3048:
2958:
2887:
2880:
2858:
2791:
2705:
2644:
2583:
2574:
2538:
2436:
2360:
2314:
2266:
2163:D. Clark and J. Staines,
1827:Reverberations, 1850-1856
1653:"Goldschmidt, Otto"
1583:The Cambridge Music Guide
1266:Guildhall School of Music
979:Charles Villiers Stanford
940:Guildhall School of Music
749:William Sterndale Bennett
740:William Sterndale Bennett
675:(1872), all written with
653:'s operas. The operas of
530:Handel Triennial Festival
494:William Sterndale Bennett
475:Helen Lemmens-Sherrington
16:Aspect of British Culture
3338:Unruly audience response
2697:Subscription plays chart
2315:History of popular music
2152:HM The Stationery Office
2108:(Haus Publishing, 2003).
1931:A Short History of Opera
1581:S. Sadie and A. Latham,
1434:
774:The Masque at Kenilworth
465:Performers and composers
426:Triennial Music Festival
309:Performers and composers
190:Early nineteenth century
3042:Western classical music
2718:C2C: Country to Country
2596:BBC Radio 2 Folk Awards
2067:Modern Scottish Culture
1138:of 1921, twenty-six of
1104:Sir Alexander Mackenzie
1096:Samuel Coleridge-Taylor
1079:English Folk Song Suite
1010:English Pastoral School
710:. They had rivals like
695:The Pirates of Penzance
651:William Vincent Wallace
623:(1808–70), composer of
522:Crystal Palace Concerts
273:Choral Symphony (No. 9)
178:developed in the early
73:Early and Baroque music
3140:Transition to Romantic
3070:Major periods and eras
1853:The Standard Oratorios
1250:Royal College of Music
1246:Royal Academy of Music
1237:
1074:Ralph Vaughan Williams
1005:
987:Ralph Vaughan Williams
958:were founded in 1895.
944:Royal College of Music
844:The Light of the World
743:
666:The Gentleman in Black
629:(1843), the operas of
601:The Merchant of Venice
571:English language opera
517:
436:and conducted his own
321:
303:Irish Academy of Music
280:Royal Academy of Music
184:George Frideric Handel
176:English language opera
95:
92:George Frideric Handel
52:type as distinct from
30:
3096:Transition to Baroque
1228:
1000:
942:was established. The
839:The Martyr of Antioch
737:
640:The Lily of Killarney
515:
394:of Handel and of the
316:
229:Johann Baptist Cramer
204:Parliament of Ireland
90:
24:
3428:Worldwide traditions
3381:Classical music blog
2368:British folk revival
2191:, Salamander Books,
2024:van der Merwe, Peter
1596:The Jewish Year Book
1355:(founded 1813) and "
1343:Festivals and venues
1277:Peter Maxwell Davies
1221:Twenty-first century
1042:British folk revival
809:Arthur Goring Thomas
783:Frederic Hymen Cowen
450:Leipzig Conservatory
434:Piano Concerto No. 4
297:The significance of
261:Johann Peter Salomon
221:Philharmonic Society
143:, polyphonic votive
3280:Students by teacher
2621:Ivor Novello Awards
2606:Classic Brit Awards
2322:Early popular music
1812:R. A. Streatfeild.
1799:F. M. L. Thompson,
1337:Andrew Lloyd Webber
1281:Harrison Birtwistle
1231:Prince Consort Road
1108:Scottish Rhapsodies
1046:Sabine Baring-Gould
854:John Liptrot Hatton
803:(1860), Sullivan's
544:was built in 1878.
404:(also known as the
253:St Paul's Cathedral
219:In 1813 the London
198:passed by both the
137:Contenance Angloise
2758:Royal National Mòd
2361:Traditional genres
2146:B. Sheerman, ed.,
2093:Portrait of Walton
1890:Michael Musgrave,
1361:Aldeburgh Festival
1238:
1177:, written for the
1136:Anglo-Irish Treaty
1088:George Butterworth
1059:Molly on the Shore
1006:
967:Prometheus Unbound
927:Dream of Gerontius
744:
518:
322:
96:
31:
3506:
3505:
3401:Progressive music
3195:
3194:
3008:
3007:
3004:
3003:
2876:
2875:
2867:God Save the King
2768:Reading and Leeds
2662:Compilation chart
1879:Choral Repertoire
1714:London's Theatres
1555:A. Steptoe, ed.,
1130:Twentieth century
921:Enigma Variations
849:The Golden Legend
811:, which included
626:The Bohemian Girl
542:Royal Albert Hall
538:Royal Opera House
420:was premièred in
411:Scottish Symphony
406:Hebrides Overture
388:Felix Mendelssohn
255:, and teacher of
215:Major foundations
196:Act of Union 1800
27:Royal Albert Hall
3531:
3496:
3495:
3486:
3476:
3475:
3466:
3465:
3451:Composers by era
3416:Video game music
3350:Musical ensemble
3152:Post-romanticism
3074:
3073:
3035:
3028:
3021:
3012:
3011:
2991:Turks and Caicos
2885:
2884:
2657:Classical charts
2591:BBC Music Awards
2581:
2580:
2253:
2246:
2239:
2230:
2229:
2202:Percy A. Scholes
2172:
2161:
2155:
2154:, 2007), p. 346.
2144:
2135:
2128:
2122:
2115:
2109:
2102:
2096:
2089:
2083:
2076:
2070:
2063:
2057:
2050:
2044:
2037:
2031:
2021:
2015:
2008:
2002:
1995:
1989:
1982:
1976:
1969:
1960:
1953:
1947:
1940:
1934:
1927:
1921:
1914:
1908:
1901:
1895:
1888:
1882:
1875:
1869:
1862:
1856:
1849:
1843:
1836:
1830:
1823:
1817:
1810:
1804:
1797:
1791:
1784:
1778:
1771:
1762:
1755:
1749:
1739:
1733:
1726:
1717:
1710:
1704:
1697:
1691:
1684:
1678:
1671:
1665:
1664:
1661:(2nd supplement)
1655:
1644:
1638:
1631:
1625:
1618:
1612:
1605:
1599:
1592:
1586:
1579:
1573:
1566:
1560:
1553:
1547:
1540:
1534:
1527:
1521:
1514:
1508:
1501:
1495:
1488:
1482:
1471:
1465:
1458:
1452:
1445:
1211:Arnold Dolmetsch
1159:Benjamin Britten
1064:Frederick Delius
1002:Frederick Delius
631:John Pyke Hullah
590:incidental music
577:Opera in English
502:Arabella Goddard
155:era and English
3539:
3538:
3534:
3533:
3532:
3530:
3529:
3528:
3509:
3508:
3507:
3502:
3432:
3359:
3321:
3275:
3191:
3158:
3108:Common practice
3102:
3065:
3044:
3039:
3009:
3000:
2954:
2896:Classical music
2872:
2859:National anthem
2854:
2787:
2706:Music festivals
2701:
2640:
2626:Kerrang! Awards
2576:
2570:
2534:
2438:
2432:
2383:Children's song
2356:
2352:2000s and 2010s
2310:
2262:
2257:
2215:
2181:
2176:
2175:
2162:
2158:
2145:
2138:
2129:
2125:
2116:
2112:
2103:
2099:
2090:
2086:
2077:
2073:
2064:
2060:
2051:
2047:
2038:
2034:
2022:
2018:
2009:
2005:
1996:
1992:
1983:
1979:
1970:
1963:
1954:
1950:
1942:H. E. Smither,
1941:
1937:
1928:
1924:
1915:
1911:
1902:
1898:
1889:
1885:
1876:
1872:
1864:W. L. Hubbard,
1863:
1859:
1850:
1846:
1837:
1833:
1824:
1820:
1811:
1807:
1798:
1794:
1785:
1781:
1772:
1765:
1756:
1752:
1740:
1736:
1727:
1720:
1711:
1707:
1698:
1694:
1685:
1681:
1672:
1668:
1645:
1641:
1632:
1628:
1619:
1615:
1606:
1602:
1593:
1589:
1580:
1576:
1567:
1563:
1554:
1550:
1541:
1537:
1528:
1524:
1515:
1511:
1502:
1498:
1489:
1485:
1472:
1468:
1459:
1455:
1446:
1442:
1437:
1424:Classical music
1420:
1415:
1413:
1369:
1345:
1329:Julian Anderson
1321:Jonathan Harvey
1317:Alexander Goehr
1313:Peter Seabourne
1305:James MacMillan
1293:George Benjamin
1223:
1183:Orb and Sceptre
1167:Lennox Berkeley
1163:Michael Tippett
1132:
1124:Solway Symphony
995:
936:
903:The Crucifixion
787:The Rose Maiden
779:Ancient Mariner
732:
723:The Mountebanks
635:Julius Benedict
583:Arthur Sullivan
579:
573:
553:Hallé Orchestra
510:
483:Charles Santley
467:
458:
311:
288:Cipriani Potter
265:Vincent Novello
217:
192:
104:classical music
85:
77:Main articles:
75:
38:classical music
17:
12:
11:
5:
3537:
3527:
3526:
3521:
3504:
3503:
3501:
3500:
3490:
3480:
3470:
3459:
3458:
3453:
3448:
3443:
3437:
3434:
3433:
3431:
3430:
3425:
3420:
3419:
3418:
3413:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3367:
3365:
3361:
3360:
3358:
3357:
3352:
3347:
3342:
3341:
3340:
3329:
3327:
3323:
3322:
3320:
3319:
3314:
3309:
3304:
3299:
3294:
3289:
3283:
3281:
3277:
3276:
3274:
3273:
3268:
3267:
3266:
3259:United Kingdom
3256:
3251:
3246:
3241:
3236:
3231:
3226:
3221:
3220:
3219:
3209:
3203:
3201:
3197:
3196:
3193:
3192:
3190:
3189:
3184:
3179:
3174:
3168:
3166:
3160:
3159:
3157:
3156:
3155:
3154:
3144:
3143:
3142:
3132:
3131:
3130:
3127:Empfindsamkeit
3123:
3112:
3110:
3104:
3103:
3101:
3100:
3099:
3098:
3088:
3082:
3080:
3071:
3067:
3066:
3064:
3063:
3058:
3052:
3050:
3046:
3045:
3038:
3037:
3030:
3023:
3015:
3006:
3005:
3002:
3001:
2999:
2998:
2996:Virgin Islands
2993:
2988:
2983:
2978:
2976:Cayman Islands
2973:
2968:
2962:
2960:
2956:
2955:
2953:
2952:
2947:
2942:
2937:
2932:
2927:
2922:
2917:
2912:
2907:
2891:
2889:
2882:
2881:Regional music
2878:
2877:
2874:
2873:
2871:
2870:
2862:
2860:
2856:
2855:
2853:
2852:
2845:
2838:
2831:
2824:
2817:
2810:
2807:The Gramophone
2803:
2795:
2793:
2789:
2788:
2786:
2785:
2780:
2775:
2770:
2765:
2760:
2755:
2750:
2745:
2740:
2735:
2730:
2725:
2723:Cambridge Folk
2720:
2715:
2709:
2707:
2703:
2702:
2700:
2699:
2694:
2689:
2684:
2679:
2674:
2672:Download chart
2669:
2664:
2659:
2654:
2648:
2646:
2642:
2641:
2639:
2638:
2633:
2628:
2623:
2618:
2613:
2608:
2603:
2598:
2593:
2587:
2585:
2578:
2572:
2571:
2569:
2568:
2563:
2558:
2553:
2548:
2542:
2540:
2536:
2535:
2533:
2532:
2527:
2522:
2517:
2512:
2507:
2502:
2501:
2500:
2490:
2485:
2484:
2483:
2478:
2473:
2463:
2458:
2453:
2448:
2442:
2440:
2439:popular genres
2434:
2433:
2431:
2430:
2425:
2420:
2415:
2410:
2405:
2400:
2395:
2390:
2385:
2380:
2375:
2370:
2364:
2362:
2358:
2357:
2355:
2354:
2349:
2344:
2339:
2334:
2329:
2324:
2318:
2316:
2312:
2311:
2309:
2308:
2303:
2298:
2297:
2296:
2291:
2286:
2281:
2270:
2268:
2264:
2263:
2256:
2255:
2248:
2241:
2233:
2227:
2226:
2221:
2214:
2213:External links
2211:
2210:
2209:
2199:
2180:
2177:
2174:
2173:
2156:
2136:
2123:
2117:J. R. Doctor,
2110:
2097:
2084:
2071:
2058:
2045:
2032:
2016:
2003:
1990:
1977:
1961:
1948:
1935:
1922:
1909:
1903:D. M. Randel,
1896:
1883:
1870:
1857:
1844:
1831:
1818:
1805:
1792:
1786:W. Tyldesley,
1779:
1763:
1750:
1734:
1728:D. M. Randel,
1718:
1705:
1692:
1679:
1666:
1650:, ed. (1912).
1639:
1626:
1613:
1600:
1587:
1574:
1561:
1548:
1535:
1522:
1509:
1496:
1483:
1466:
1453:
1439:
1438:
1436:
1433:
1432:
1431:
1426:
1419:
1416:
1370:
1368:
1365:
1344:
1341:
1301:Oliver Knussen
1289:Robin Holloway
1222:
1219:
1175:Crown Imperial
1171:Havergal Brian
1155:William Walton
1148:United Kingdom
1131:
1128:
1120:Border Ballads
1054:Percy Grainger
994:
991:
935:
932:
918:cantatas, the
886:Charles Gounod
878:Alfred R. Gaul
870:William Cusins
757:Ebenezer Prout
731:
728:
712:Alfred Cellier
707:The Grand Duke
701:The Gondoliers
610:(1863–66) and
607:Irish Symphony
575:Main article:
572:
569:
509:
506:
500:and her pupil
466:
463:
457:
454:
442:Queen Victoria
310:
307:
284:William Crotch
249:Thomas Attwood
241:William Shield
237:King's Theatre
233:Muzio Clementi
216:
213:
191:
188:
74:
71:
15:
9:
6:
4:
3:
2:
3536:
3525:
3522:
3520:
3517:
3516:
3514:
3499:
3491:
3489:
3485:
3481:
3479:
3471:
3469:
3461:
3460:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3438:
3435:
3429:
3426:
3424:
3421:
3417:
3414:
3412:
3409:
3408:
3407:
3404:
3402:
3399:
3397:
3396:New-age music
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3368:
3366:
3362:
3356:
3353:
3351:
3348:
3346:
3343:
3339:
3336:
3335:
3334:
3331:
3330:
3328:
3324:
3318:
3315:
3313:
3310:
3308:
3305:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3284:
3282:
3278:
3272:
3271:United States
3269:
3265:
3262:
3261:
3260:
3257:
3255:
3252:
3250:
3247:
3245:
3242:
3240:
3237:
3235:
3232:
3230:
3227:
3225:
3222:
3218:
3215:
3214:
3213:
3210:
3208:
3205:
3204:
3202:
3198:
3188:
3185:
3183:
3180:
3178:
3175:
3173:
3170:
3169:
3167:
3165:
3161:
3153:
3150:
3149:
3148:
3145:
3141:
3138:
3137:
3136:
3133:
3129:
3128:
3124:
3122:
3119:
3118:
3117:
3114:
3113:
3111:
3109:
3105:
3097:
3094:
3093:
3092:
3089:
3087:
3084:
3083:
3081:
3079:
3075:
3072:
3068:
3062:
3061:Dates of eras
3059:
3057:
3054:
3053:
3051:
3047:
3043:
3036:
3031:
3029:
3024:
3022:
3017:
3016:
3013:
2997:
2994:
2992:
2989:
2987:
2984:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2963:
2961:
2957:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2923:
2921:
2918:
2916:
2913:
2911:
2908:
2905:
2904:Popular music
2901:
2897:
2893:
2892:
2890:
2888:British Isles
2886:
2883:
2879:
2868:
2864:
2863:
2861:
2857:
2851:
2850:
2846:
2844:
2843:
2839:
2837:
2836:
2832:
2830:
2829:
2825:
2823:
2822:
2818:
2816:
2815:
2811:
2809:
2808:
2804:
2802:
2801:
2797:
2796:
2794:
2790:
2784:
2781:
2779:
2778:T in the Park
2776:
2774:
2771:
2769:
2766:
2764:
2761:
2759:
2756:
2754:
2751:
2749:
2748:Isle of Wight
2746:
2744:
2741:
2739:
2736:
2734:
2731:
2729:
2726:
2724:
2721:
2719:
2716:
2714:
2711:
2710:
2708:
2704:
2698:
2695:
2693:
2692:Singles chart
2690:
2688:
2685:
2683:
2682:R&B chart
2680:
2678:
2675:
2673:
2670:
2668:
2665:
2663:
2660:
2658:
2655:
2653:
2650:
2649:
2647:
2643:
2637:
2634:
2632:
2631:Mercury Prize
2629:
2627:
2624:
2622:
2619:
2617:
2614:
2612:
2611:Global Awards
2609:
2607:
2604:
2602:
2599:
2597:
2594:
2592:
2589:
2588:
2586:
2582:
2579:
2573:
2567:
2564:
2562:
2559:
2557:
2554:
2552:
2549:
2547:
2544:
2543:
2541:
2537:
2531:
2528:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2508:
2506:
2503:
2499:
2496:
2495:
2494:
2491:
2489:
2486:
2482:
2479:
2477:
2474:
2472:
2469:
2468:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2447:
2444:
2443:
2441:
2435:
2429:
2426:
2424:
2421:
2419:
2416:
2414:
2411:
2409:
2406:
2404:
2401:
2399:
2396:
2394:
2391:
2389:
2386:
2384:
2381:
2379:
2376:
2374:
2371:
2369:
2366:
2365:
2363:
2359:
2353:
2350:
2348:
2345:
2343:
2340:
2338:
2335:
2333:
2330:
2328:
2325:
2323:
2320:
2319:
2317:
2313:
2307:
2304:
2302:
2299:
2295:
2292:
2290:
2287:
2285:
2282:
2280:
2277:
2276:
2275:
2272:
2271:
2269:
2265:
2261:
2254:
2249:
2247:
2242:
2240:
2235:
2234:
2231:
2225:
2222:
2220:
2217:
2216:
2207:
2203:
2200:
2198:
2197:0-86101-400-6
2194:
2190:
2186:
2185:Peter Gammond
2183:
2182:
2170:
2166:
2160:
2153:
2149:
2143:
2141:
2133:
2127:
2120:
2114:
2107:
2104:D. Matthews,
2101:
2094:
2088:
2081:
2078:M. McCarthy.
2075:
2068:
2065:M. Gardiner,
2062:
2055:
2052:J. N. Moore,
2049:
2042:
2036:
2029:
2025:
2020:
2013:
2007:
2000:
1994:
1987:
1981:
1974:
1968:
1966:
1958:
1955:J. N. Moore,
1952:
1945:
1939:
1932:
1929:D. J. Grout,
1926:
1919:
1913:
1906:
1900:
1893:
1887:
1880:
1874:
1867:
1861:
1854:
1851:G. P. Upton,
1848:
1841:
1835:
1828:
1822:
1815:
1809:
1802:
1796:
1789:
1783:
1776:
1770:
1768:
1760:
1754:
1747:
1743:
1738:
1731:
1725:
1723:
1715:
1709:
1702:
1699:M. Musgrave,
1696:
1689:
1683:
1676:
1670:
1662:
1660:
1654:
1649:
1643:
1636:
1630:
1623:
1617:
1610:
1604:
1597:
1591:
1584:
1578:
1571:
1565:
1558:
1552:
1545:
1542:M. McCarthy.
1539:
1532:
1526:
1519:
1513:
1506:
1500:
1493:
1487:
1480:
1476:
1470:
1463:
1460:W. Lovelock,
1457:
1450:
1444:
1440:
1430:
1427:
1425:
1422:
1421:
1364:
1362:
1358:
1354:
1350:
1340:
1338:
1334:
1330:
1326:
1325:Sally Beamish
1322:
1318:
1314:
1310:
1306:
1302:
1298:
1294:
1290:
1286:
1282:
1278:
1273:
1271:
1267:
1263:
1259:
1255:
1251:
1247:
1243:
1242:popular music
1236:
1232:
1227:
1218:
1216:
1212:
1208:
1204:
1200:
1199:
1194:
1193:
1188:
1184:
1180:
1176:
1172:
1168:
1164:
1160:
1156:
1151:
1149:
1145:
1141:
1137:
1127:
1125:
1121:
1117:
1113:
1109:
1105:
1101:
1097:
1093:
1089:
1085:
1081:
1080:
1075:
1071:
1070:
1065:
1061:
1060:
1055:
1051:
1047:
1043:
1039:
1035:
1031:
1027:
1023:
1019:
1015:
1011:
1003:
999:
990:
988:
984:
980:
976:
972:
968:
964:
959:
957:
954:, led by Sir
953:
949:
945:
941:
931:
929:
928:
923:
922:
917:
913:
909:
905:
904:
899:
895:
891:
887:
883:
882:The Holy City
879:
875:
871:
867:
863:
862:Joseph Barnby
859:
855:
851:
850:
845:
841:
840:
835:
831:
827:
826:Michael Costa
822:
820:
816:
815:
810:
806:
802:
801:
796:
792:
788:
784:
780:
776:
775:
770:
766:
762:
758:
754:
753:The May Queen
750:
741:
736:
727:
725:
724:
719:
718:
714:'s (1844–91)
713:
709:
708:
703:
702:
697:
696:
691:
690:
689:Trial by Jury
685:
680:
679:(1836–1911).
678:
677:W. S. Gilbert
674:
673:
672:Happy Arcadia
668:
667:
662:
661:
656:
655:Frederic Clay
652:
648:
647:
642:
641:
636:
632:
628:
627:
622:
621:Michael Balfe
617:
615:
614:
609:
608:
603:
602:
597:
596:
591:
588:
584:
578:
568:
566:
562:
561:Charles Hallé
558:
554:
550:
545:
543:
539:
535:
534:Covent Garden
531:
527:
523:
514:
505:
503:
499:
498:Lucy Anderson
495:
490:
488:
484:
480:
476:
472:
471:Clara Novello
462:
453:
451:
447:
446:Prince Albert
443:
439:
435:
431:
427:
423:
419:
418:
413:
412:
407:
403:
402:
401:Fingal's Cave
397:
393:
389:
384:
382:
378:
374:
370:
366:
363:
358:
356:
352:
347:
343:
339:
335:
331:
330:Nancy Storace
327:
326:Michael Kelly
319:
315:
306:
304:
300:
295:
293:
289:
285:
281:
276:
274:
270:
266:
262:
258:
254:
250:
246:
242:
238:
234:
230:
226:
222:
212:
209:
205:
201:
197:
187:
186:(1685–1759).
185:
181:
177:
173:
169:
165:
162:
158:
154:
150:
146:
142:
138:
134:
130:
126:
121:
117:
113:
109:
105:
101:
93:
89:
84:
80:
70:
67:
63:
59:
55:
51:
47:
43:
39:
35:
28:
23:
19:
3423:Third stream
3386:Experimental
3258:
3217:Porto Alegre
3187:21st-century
3182:20th-century
3177:Contemporary
3125:
2894:Birmingham (
2847:
2840:
2833:
2826:
2821:Melody Maker
2819:
2812:
2805:
2798:
2652:Albums chart
2645:Music charts
2584:Music awards
2539:Ethnic music
2437:Contemporary
2403:Protest song
2398:Morris dance
2305:
2205:
2188:
2169:Rough Guides
2164:
2159:
2147:
2131:
2126:
2118:
2113:
2105:
2100:
2092:
2091:M. Kennedy,
2087:
2079:
2074:
2066:
2061:
2053:
2048:
2040:
2035:
2027:
2019:
2011:
2006:
1998:
1993:
1985:
1980:
1972:
1956:
1951:
1943:
1938:
1930:
1925:
1917:
1912:
1904:
1899:
1891:
1886:
1878:
1873:
1865:
1860:
1852:
1847:
1839:
1834:
1826:
1821:
1813:
1808:
1800:
1795:
1787:
1782:
1774:
1758:
1753:
1745:
1737:
1729:
1713:
1712:M. Kilburn,
1708:
1700:
1695:
1687:
1682:
1674:
1669:
1657:
1642:
1634:
1629:
1621:
1616:
1608:
1603:
1595:
1590:
1582:
1577:
1569:
1564:
1556:
1551:
1543:
1538:
1530:
1525:
1517:
1516:D. A. Rohr,
1512:
1504:
1503:C. Ehrlich,
1499:
1491:
1490:H. Kearney,
1486:
1478:
1474:
1469:
1461:
1456:
1448:
1443:
1346:
1285:John Tavener
1274:
1239:
1215:David Munrow
1202:
1196:
1195:(1945), and
1192:Peter Grimes
1190:
1182:
1174:
1152:
1133:
1123:
1119:
1115:
1107:
1100:John Ireland
1092:Gustav Holst
1077:
1072:(1908), and
1067:
1057:
1007:
983:Gustav Holst
974:
970:
966:
963:Hubert Parry
960:
948:George Grove
937:
925:
919:
915:
911:
908:Edward Elgar
902:
898:John Stainer
894:Mors et Vita
893:
889:
881:
873:
865:
857:
847:
846:(1873), and
843:
837:
833:
829:
823:
818:
812:
804:
798:
790:
786:
778:
772:
764:
760:
752:
745:
721:
715:
705:
699:
698:(1880), and
693:
687:
681:
670:
664:
658:
644:
638:
624:
618:
611:
605:
604:(1871), his
599:
593:
580:
551:(1840), the
546:
526:August Manns
519:
491:
468:
459:
437:
415:
409:
405:
399:
385:
359:
323:
296:
277:
245:Henry Bishop
225:George Smart
218:
193:
133:Celtic chant
97:
33:
32:
18:
3498:WikiProject
3391:Light music
3376:Baroque pop
3371:Avant-garde
3326:Performance
3091:Renaissance
3078:Early music
2935:Northumbria
2792:Music media
2743:Glastonbury
2677:Indie chart
2667:Dance chart
2636:MOBO Awards
2601:Brit Awards
2577:performance
2274:Early music
2039:B. Sweers,
2010:J. Dibble.
1997:J. Dibble,
1877:D. Shrock,
1838:M. Ainger,
1773:M. Ainger,
1757:C. Harvie,
1648:Lee, Sidney
1568:P. Gordon,
1309:Judith Weir
1297:Thomas Adès
1207:early music
1122:(1908) and
1112:John McEwen
1050:Cecil Sharp
969:(1880) and
892:(1882) and
832:(1855) and
817:(1883) and
789:(1870) and
781:(1867) and
765:King Alfred
720:(1886) and
684:Savoy opera
669:(1870) and
613:In Memoriam
595:The Tempest
587:Shakespeare
479:Sims Reeves
334:John Braham
172:Renaissance
58:traditional
3513:Categories
3411:Film score
3406:Soundtrack
3345:Conducting
3264:Birmingham
3200:By country
3049:Definition
2986:Montserrat
2925:Manchester
2738:Eisteddfod
2687:Rock chart
2418:Strathspey
2413:Sea shanty
2179:References
1916:R. Beale,
1742:M. Kennedy
1349:orchestras
1198:Billy Budd
1134:Under the
1084:Arnold Bax
1069:Brigg Fair
956:Henry Wood
912:Caractacus
890:Redemption
800:Robin Hood
559:under Sir
557:Manchester
487:Jenny Lind
422:Birmingham
408:) and the
365:John Field
318:John Field
62:folk music
3456:Festivals
3355:Orchestra
3207:Australia
3172:Modernism
3164:New music
3135:Classical
3056:Art music
2981:Gibraltar
2950:Yorkshire
2920:Liverpool
2763:The Proms
2753:Knebworth
2733:Edinburgh
2575:Media and
2546:Caribbean
2456:Americana
2451:Afroswing
2446:Afrobeats
2428:Work song
2306:Classical
2267:Art music
2167:(London:
2150:(London:
1814:The Opera
1357:The Proms
1333:Hugh Wood
971:King Saul
930:in 1900.
916:King Olaf
814:Esmeralda
430:Beethoven
392:oratorios
320:, c. 1820
269:Beethoven
257:John Goss
194:With the
157:madrigals
145:antiphons
125:polyphony
3478:Category
3147:Romantic
3086:Medieval
2966:Anguilla
2959:Overseas
2940:Somerset
2915:Cornwall
2849:The Wire
2814:Kerrang!
2773:Sidmouth
2728:Download
2713:Boomtown
2561:Scotland
2530:Schlager
2476:Scotland
2423:War song
2388:Hornpipe
2289:Scotland
2204:(1970),
2187:(1996),
2171:, 2001).
1418:See also
1367:Timeline
1118:(1889),
1062:(1907),
1038:Sibelius
884:(1882),
876:(1871),
868:(1870),
860:(1877),
858:Hezekiah
852:(1886),
821:(1885).
819:Nadeshda
769:cantatas
761:Hereward
755:(1858),
663:(1869),
660:Ages Ago
646:Maritana
643:(1862).
598:(1862),
438:Scottish
373:Schumann
369:nocturne
202:and the
153:medieval
147:and the
129:Ars Nova
116:Scotland
3468:Outline
3364:Related
3333:Concert
3239:Ireland
3234:Germany
3116:Baroque
2971:Bermuda
2930:Newport
2910:Cardiff
2556:Ireland
2551:England
2515:Popular
2493:Hip Hop
2471:England
2461:Country
2301:Baroque
2284:Ireland
2279:England
2106:Britten
1140:Ireland
1116:Pibroch
1034:Nielsen
1014:Smetana
1004:in 1929
975:English
866:Rebekah
842:(1880)
805:Ivanhoe
742:in 1861
717:Dorothy
424:at the
362:pianist
355:ballads
180:Baroque
170:in the
168:masques
151:in the
127:of the
112:Ireland
108:England
100:Baroque
54:popular
46:concert
42:chamber
3488:Portal
3446:Genres
3317:T to Z
3312:R to S
3307:N to G
3302:K to M
3297:G to J
3292:C to F
3287:A to B
3254:Russia
3249:Kosovo
3229:France
3224:Canada
3212:Brazil
3121:Galant
2945:Sussex
2800:fRoots
2373:Ballad
2195:
1235:London
1185:, for
1181:, and
1169:, and
1144:Dublin
1030:Wagner
1018:Dvořák
874:Gideon
834:Naaman
791:Harold
417:Elijah
377:Chopin
346:Mozart
338:Handel
292:Mozart
206:, the
139:, the
135:, the
50:church
3441:Lists
3244:Italy
2566:Wales
2498:Drill
2488:Grime
2481:Wales
2378:Carol
2347:1990s
2342:1980s
2337:1970s
2332:1960s
2327:1950s
2294:Wales
1435:Notes
1026:Liszt
1022:Grieg
396:organ
381:Liszt
351:Arias
342:Haydn
164:ayres
149:carol
120:Wales
60:, or
2900:Jazz
2828:Mojo
2525:Soul
2520:Rock
2505:Jazz
2466:Folk
2408:Reel
2193:ISBN
1264:and
1213:and
1098:and
1048:and
1036:and
985:and
914:and
767:and
763:and
738:Sir
682:The
481:and
444:and
379:and
332:and
263:and
166:and
161:lute
141:rota
118:and
81:and
48:and
25:The
2835:NME
2510:Pop
2393:Jig
1114:'s
1056:'s
900:'s
888:'s
880:'s
872:'s
864:'s
856:'s
830:Eli
828:'s
797:'s
785:'s
759:'s
751:'s
555:at
536:'s
432:'s
353:or
271:'s
259:),
239:),
3515::
2902:,
2898:,
2139:^
2026:,
1964:^
1766:^
1744:,
1721:^
1656:.
1331:,
1327:,
1323:,
1319:,
1315:,
1311:,
1307:,
1303:,
1299:,
1295:,
1291:,
1287:,
1283:,
1279:,
1268:,
1260:,
1256:,
1252:,
1248:,
1233:,
1217:.
1165:,
1161:,
1157:,
1094:,
1090:,
1086:,
1076:'
1066:'
1032:,
1028:,
1024:,
1020:,
1016:,
989:.
950:.
616:.
592:,
567:.
477:,
473:,
383:.
375:,
344:,
340:,
328:,
275:.
247:,
243:,
231:,
227:,
159:,
114:,
110:,
56:,
44:,
3034:e
3027:t
3020:v
2906:)
2869:"
2865:"
2842:Q
2783:V
2252:e
2245:t
2238:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
