2574:
551:
3239:
639:
1171:
3042:
2328:
2253:
2662:
515:
2228:
2785:
2427:
2715:
3005:
563:
730:
2740:
2496:
2960:
3090:
1348:
2138:
2088:
3139:
3168:
2382:
2353:
2930:
2544:
2113:
2879:
2850:
2690:
1414:, known for Satsuma ware, who from the 1880s onwards introduced new technical sophistication to the decoration of porcelain, while committed to preserving traditional artistic values. During the 1890s he developed a style of decoration that combined multiple underglaze colours on each item. The technical sophistication of his underglazes increased during this decade as he continued to experiment. In the decade from 1900 to 1910 there was a substantial change in the shape and decoration of his works, reflecting Western influences. His work strongly influenced Western perceptions of Japanese design.
3205:
4385:
4323:
960:
156:
1497:
1202:
2298:
385:. Japanese ceramists and potters took inspiration from their East Asian artistic counterparts by transforming and translating the Chinese and Korean prototypes into a uniquely Japanese creation, with the resultant form being distinctly Japanese in character. Since the mid-17th century when Japan started to industrialize, high-quality standard wares produced in factories became popular exports to Europe. In the 20th century, a homegrown cottage ceramics industry began to take root and emerge. Major Japanese ceramic companies include
1882:
539:
527:
1397:. These wares were highly praised in the West. Seen in the West as distinctively Japanese, this style actually owed a lot to imported pigments and Western influences, and had been created with export in mind. Workshops in many cities raced to produce this style to satisfy demand from Europe and America, often producing quickly and cheaply. So the term "Satsuma ware" came to be associated not with a place of origin but with lower-quality ware created purely for export. Despite this, there were artists such as
249:
213:
773:, fired at high temperatures of over 1,200–1,300 °C (2,190–2,370 °F), sometimes embellished with accidents produced when introducing plant material to the kiln during the reduced-oxygen phase of firing. Its manufacture began in the 5th century and continued in outlying areas until the 14th century. Although several regional variations have been identified, Sue was remarkably homogeneous throughout Japan. The function of Sue pottery, however, changed over time: during the
1446:
929:
1477:
1081:
3283:
813:
54:
879:) had a glaze technique. According to legend, Katō Shirozaemon Kagemasa (also known as Tōshirō) studied ceramic techniques in China and brought high-fired glazed ceramic to Seto in 1223. The Seto kiln primarily imitated Chinese ceramics as a substitute for the Chinese product. It developed various glazes: ash brown, iron black, feldspar white, and copper green. The wares were so widely used that
2573:
1006:. A number of Japanese monks who traveled to monasteries in China also brought pieces back home. As they became valued for tea ceremonies, more pieces were imported from China where they became highly prized goods. Five of these vessels from the southern Song dynasty are so highly valued that they were included by the government in the
1866:
from those suitable for earthenwares to more refractory kaolins. From the Jōmon period to the Yayoi period, Japanese potters relied on high plastic iron-bearing shale and alluvial clays. Organic materials appear in much of the early Jōmon period work, but sand or crushed stone predominates thereafter.
1409:
Japan's porcelain industry was well-established at the start of the Meiji period, but the mass-produced wares were not known for their elegance. During this era, technical and artistic innovations turned porcelain into one of the most internationally successful
Japanese decorative art forms. A lot of
376:
also have flourished through the ages, and their influence weighs with that of the potters. Another important
Japanese constituent of the art is the continuing popularity of unglazed high-fired stoneware even after porcelain became popular. Since the 4th century AD, Japanese ceramics have often been
1909:
At
Koishibara, Onda, and Tamba, large bowls and jars are first roughly coil-built on the wheel, then shaped by throwing, in what is known as the "coil and throw technique". The preliminary steps are the same as for coil building, after which the rough form is lubricated with slip and shaped between
1293:
was another kind of porcelain initially reserved for presentation as political gifts among the elite, concentrating on very fine painting in blue on an unusually fine white body, for which scroll painters were hired. These two types represented the finest porcelain produced after the export trade
353:. During the Azuchi-Momoyama period (1573-1603), kilns throughout Japan produced ceramics with unconventional designs. In the early Edo period, the production of porcelain commenced in the Hizen-Arita region of Kyushu, employing techniques imported from Korea. These porcelain works became known as
2924:
A technique and style practised all over Japan, and now the world. Typically, vessels are hand-thrown without using a wheel, giving a simple and rather rough shape, and fired at low temperatures before being cooled in the open air. In modern periods combustible material is generally placed in the
1865:
deposits, many clays are found in Kyushu. Kilns were traditionally built at the sites of clay deposits, and most studio potters still use local clays, having developed a range of glazes and decoration techniques especially suited to that clay. Raw materials found in the
Japanese archipelago range
863:
Until the 17th century, unglazed stoneware was popular for the heavy-duty daily requirements of a largely agrarian society; funerary jars, storage jars, and a variety of kitchen pots typify the bulk of the production. Some of the kilns improved their technology and are called the "Six Old Kilns":
428:, also relates more closely to both Chinese and Korean traditions. In the 16th century, a number of styles of traditional utilitarian rustic wares then in production became admired for their simplicity, and their forms have often been kept in production to the present day for a collectors market.
3238:
1602:, while adding modern shapes. Most of the village wares were made anonymously by local potters for utilitarian purposes. Local styles, whether native or imported, tended to be continued without alteration into the present. In Kyūshū, kilns set up by Korean potters in the 16th century, such as at
1252:
Porcelain was also exported to China, much of which was resold by
Chinese merchants to the other European "East Indies Companies" which were not allowed to trade in Japan itself. It has been suggested that the choice of such items was mainly dictated by Chinese taste, which preferred Kakiemon to
1236:
kiln could not yet supply enough quality porcelain to the Dutch East India
Company, but they quickly expanded their capacity. From 1659 to 1740, the Arita kilns were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own
1405:
who maintained the highest artistic standards while also successfully exporting. These artists won multiple awards at international exhibitions. Meizan used copper plates to create detailed designs and repeatedly transfer them to the pottery, sometimes decorating a single object with a thousand
1297:
During the 17th century, in Kyoto, then Japan's imperial capital, kilns produced only clear lead-glazed pottery that resembled the pottery of southern China. Among them, potter
Nonomura Ninsei invented an opaque overglaze enamel and with temple patronage was able to refine many Japanese-style
550:
2495:
2661:
1227:
government stopped trade by closing its ports. Chinese potter refugees were able to introduce refined porcelain techniques and enamel glazes to the Arita kilns. From 1658, the Dutch East India
Company looked to Japan for blue-and-white porcelain to sell in Europe (see
3004:
2327:
2227:
474:): fired at high temperatures without applying a coat of glaze. In the Middle Ages, it was used for living utensils such as vases, pots and other everyday items, and in the Azuchi-Momoyama period, it was modified for use in tea rooms due to its simple taste.
4112:
2252:
1333:
In the late 18th to early 19th century, white porcelain clay was discovered in other areas of Japan and was traded domestically, and potters were allowed to move more freely. Local lords and merchants established many new kilns (e.g., Kameyama kiln and
2739:
2322:
Also called Inbe ware. A reddish-brown long-fired stoneware, which is believed to have originated in the 6th century. One of the first medieval utilitarian wares to be taken up for use in the tea ceremony, and promoted to the status of art pottery.
3041:
2714:
1918:
Generally fashioned out of fast-growing bamboo or wood, these tools for shaping pottery have a natural feel that is highly appealing. While most are
Japanese versions of familiar tools in the West, some are unique Japanese inventions.
562:
3089:
1266:. The European custom has generally been to call blue and white wares "Arita" and blue, red and gold ones "Imari", though in fact both were often made in the same kilns arong Arita. In 1759 the dark red enamel pigment known as
1101:(1522–1591) turned to native Japanese styles of simple rustic pottery, often imperfect, which he admired for their "rugged spontaneity", a "decisive shift" of enormous importance for the development of Japanese pottery. The
729:
420:, where the final decoration is partly random, is in this tradition. The other tradition is of highly finished and brightly coloured factory wares, mostly in porcelain, with complex and balanced decoration, which develops
2784:
2426:
1096:
With the rise of
Buddhism in the late 16th century, leading tea masters introduced a change of style and favored humble Korean tea bowls and domestic ware over sophisticated Chinese porcelain. The influential tea master
2954:
Earthenware, originally a local industry of plain vessels started by Korean potters about 1600. From the 19th century a term for a style of highly decorated ware produced in many areas, purely for export to the West.
2959:
348:
BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the
1719:
copper-green glaze and Shino ware's prized milky glaze. Artist potters experimented at the Kyoto and Tokyo arts universities to recreate traditional porcelain and its decorations under such ceramic teachers as
1338:
kiln) for economic profit, and old kilns such as Seto restarted as porcelain kilns. These many kilns are called "New Kilns" and they popularized porcelain in the style of the Arita kilns among the common folk.
638:
1253:"Imari" wares, accounting for a conspicuous disparity in early European collections that can be reconstructed between Dutch ones and those of other countries, such as England, France and Germany. Because
3372:
1170:
1584:
514:
503:
content and few impurities. Hard ware made by firing clay at high temperatures. The technique was introduced from the Korean peninsula at the beginning of the Edo period and production began in
1873:
influence in the 8th and 9th centuries AD, when creators of Nara three-color wares and Heian ash glazed wares sought out white, refractory clays and enhanced their fineness through levigation.
721:
appeared which was another style of earthenware characterised by a simple pattern or no pattern. Jōmon, Yayoi, and later Haji ware shared the firing process but had different styles of design.
3138:
2040:
Hundreds of different wares and styles have existed throughout its history. The most historic and well-known ones have received recognition from the government. For more information see the
1799:
In contrast, by the end of the 1980s, many studio potters no longer worked at major or ancient kilns but were making classic wares in various parts of Japan. In Tokyo, a notable example is
1245:
and the rest of that group. From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of
1136:
or rising kiln, running up a hillside and enabling temperatures of 1,400 °C (2,550 °F) to be reached. Soon the Satsuma, Hagi, Karatsu, Takatori, Agano and Arita kilns were begun.
3438:
around the world have collections of Japanese pottery, many very extensive. Japanese modern ceramic works are often very sought-after and expensive. Apart from traditional styles art and
3167:
2543:
2137:
3777:
487:): fired at temperatures of 1250°C or higher. In many cases, the base is not pure white, but grey or brown in colour. It has a softer texture than porcelain and absorbs some water.
1367:
class broke away and many of the artisans lost their source of income. The government took an active interest in the art export market, promoting Japanese arts at a succession of
2689:
4384:
2925:
kiln, reacting unpredictably with the glaze pigments. There is a proverb of the hierarchy of ceramic styles used for tea ceremony: 'First Raku, second Hagi, third Karatsu.'
1928:
or "cows' tongues" are long sled-shaped bamboo ribs used to compress the bottoms and shape the sides of straight-sided bowls. They are a traditional tool from Arita, Kyushu.
4322:
1379:
and commissioning works ("presentation wares") as gifts for foreign dignitaries. Most of the works promoted internationally were in the decorative arts, including pottery.
2874:
Traditionalist ware produced by a small village community without electricity. Mostly simply but elegantly decorated slipware, in a style going back to the 18th century.
2849:
2352:
1675:
888:
became the generic term for ceramics in Japan. Seto kiln also produced unglazed stoneware. In the late 16th century, many Seto potters fleeing the civil wars moved to
2112:
396:
Japanese pottery is distinguished by two polarized aesthetic traditions. On the one hand, there is a tradition of very simple and roughly finished pottery, mostly in
2087:
4234:
Yap, Jennifer. "Wheel Throwing Tools: Japanese: Descriptions & Explanations – Traditional Japanese Clay Tools". Pottery @ Suite101.com. 30 Apr. 2007. 1 May 2009
4167:
Yap, Jennifer. "Wheel Throwing Tools: Japanese: Descriptions & Explanations – Traditional Japanese Clay Tools". Pottery @ Suite101.com. 30 Apr. 2007. 1 May 2009
1128:, discovered a source of porcelain clay near Arita and was able to produce the first Japanese porcelain. These potters also brought improved kiln technology in the
3204:
2929:
2016:
are not strictly throwing tools; these combs are used to score a minimum of two decorative parallel lines on pot surfaces. The largest combs have about 20 teeth.
1743:
701:
developed a flamboyant style at its height and was simplified in the later Jōmon period. The pottery was formed by coiling clay ropes and fired in an open fire.
1952:
are bamboo trimming and modeling "knives" available in several different shapes for carving, cleaning up wet pots, cutting, and for producing sgraffito effects.
1043:
were regarded as sophisticated items, which the upper classes used in the tea ceremony. The Japanese also ordered custom-designed ceramics from Chinese kilns.
2878:
2381:
1889:
The earliest pieces were made by pressing the clay into shape. This method continued to be employed after the invention of the wheel, such as when producing
1721:
3484:
1910:
the potter's hands as the wheel revolves. The process dates back 360 years to a Korean technique brought to Japan following Hideyoshi's invasion of Korea.
1007:
2031:
is a high-capacity bamboo bottle with a spout from which slip and glaze can be poured out in a steady, controlled stream so the potter can "draw" with it.
1359:
During the international openness of the Meiji period, Japanese arts and crafts had a new audience and set of influences. Traditional patrons such as the
4800:
4743:
1480:
Blue porcelain vase decorated with red and yellow flowers and green foliage with geometric design around the neck and foot rim, by Imaemon Imaizumi XII (
3949:
1936:
are round, shallow clam shell-shaped bamboo ribs used to shape the sides of curved bowls. They can also be used to compress the bottoms of thrown forms.
459:): fired at relatively low temperatures 800-900°C using lead as the medium, the technique was introduced from the Korean peninsula in the 7th century.
1982:, "cranes' necks", are s-curved Japanese wooden throwing sticks used to shape the interiors of narrow-necked pieces such as bottles and certain vases.
1974:
are wire and bamboo trimming harps that double as a fluting tool. They are used to cut off uneven or torn rims as well as to facet leather-hard forms.
1289:. This uses mainly decoration in traditional Japanese styles, often drawing from textiles, rather than the Chinese-derived styles of most Arita ware.
625:
The various features of a vessel such as the opening, rim, neck, wall, inside, foot, surface markings, etc. all have standardised names in Japanese.
1688:. Only a half-dozen potters had been so honored by 1989, either as representatives of famous kiln wares or as creators of superlative techniques in
1807:
but potted in the Tokyo area. A number of artists were engaged in reconstructing Chinese styles of decoration or glazes, especially the blue-green
2614:
vessels, and as a result of the folk art movement, practical items for everyday household use. Originated by a Korean potter in the 16th century.
4708:
3420:
3304:
2773:
1782:(1902–1995) was influenced by Japanese pottery and Bernard Leach, and was also appreciated in Japan with a number of exhibitions. British artist
1679:
71:
2869:
2777:
1800:
1324:, overglazed pottery still flourished. Aoki Mokubei, Ninami Dōhachi (both disciples of Okuda Eisen) and Eiraku Hozen expanded the repertory of
2297:
118:
1285:
family who ruled Arita established a personal kiln to make top-quality enamelware porcelain for the upper classes in Japan, which is called
5367:
4648:
1615:
90:
3424:
5269:
5254:
4729:
4715:
4303:
1030:
greenware, white porcelain, and blue-and-white ware. Japan also imported Chinese pottery as well as Korean and Vietnamese ceramics. Such
1861:
Raw materials are chosen largely based on local availability. There is an abundance of many basic in Japan. Due to naturally occurring
789:(794–1185), it became an elite tableware; and finally it was used as a utilitarian ware and for the ritual vessels for Buddhist altars.
4828:
1990:
are cutting, carving and incising tools made of iron and used to trim pieces, for carving, sgraffito and for scraping off excess glaze.
3614:"Although the roots of Sueki reach back to ancient China, its direct precursor is the grayware of the Three Kingdoms period in Korea."
1105:
family (named after the pottery rather than the other way round) supplied brown-glazed earthenware tea bowls. Mino, Bizen, Shigaraki (
97:
1542:(1889–1961). He rescued lowly pots used by commoners in the Edo and Meiji period that were disappearing in rapidly urbanizing Japan.
1121:
5708:
4870:
1966:
or balanced on the rim of a pot, these delicate bamboo tools are used for measuring both the diameter and the depth of thrown forms.
5679:
4912:
4856:
1575:
when all resources went towards the war efforts, and production and development became severely hampered and the markets suffered.
3416:
1223:
In the 1640s, rebellions in China and wars between the Ming dynasty and the Manchus damaged many kilns, and in 1656–1684 the new
4258:
1092:
named "Kizaemon", an example of simple everyday ware from Korea that was highly appreciated in Japan for tea (National Treasure)
104:
5279:
5714:
5571:
5007:
5499:
1893:. Coiled methods developed in the Jōmon period. Production by kneading and cutting slabs developed later, for example, for
1507:
86:
5732:
5439:
4967:
3656:
1216:
5653:
4179:
5643:
4202:
3638:
3396:
3368:
1429:(1887–1979), who is regarded as the "Father of British studio pottery". He lived in Japan from 1909 to 1920 during the
340:. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the
5421:
1568:(1919–2007). These artists studied traditional glazing techniques to preserve native wares in danger of disappearing.
5726:
5675:
5391:
5108:
4105:
3836:
3330:
1457:
940:
199:
177:
137:
3312:
2377:
Since it is burned at a relatively low temperature, it is fragile and transmits the warmth of its contents quickly.
170:
3982:
3356:
3344:
1481:
1347:
360:
Japanese ceramic history records the names of numerous distinguished ceramists, and some were artist-potters, e.g.
17:
1433:
and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.
5457:
4598:
4296:
2041:
31:
5445:
1249:
had all but ceased. The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware.
404:
and many of the greatest masters were priests, especially in early periods. Many pieces are also related to the
4191:
4071:
4044:
3343:
A number of museums in Japan are dedicated entirely only to ceramics. Amongst the most well-known ones are the
3308:
75:
5505:
3639:"Six Ancient Kilns ~ Ceramics Born and Raised in Japan ~ (Aichi, Fukui, Shiga, Hyogo and Okayama prefectures)"
1294:
stalled by the 1740s. Unlike Nabeshima ware, Hirado went on to be a significant exporter in the 19th century.
5415:
5102:
3957:
2845:), which is very popular in this area, is the main pattern. Therefore, it is sometimes called Sōmakoma ware.
3598:"Old Ceramics of Kyushu (Selected Works from the Collection of Kyushu Ceramic Museum)|Kyushu Ceramic Museum"
111:
5690:
5535:
5216:
3470:
1960:, "dragonflies", are the functional equivalent of Western calipers with an added feature. Suspended from a
1124:, Japanese forces brought Korean potters as slaves to Japan, According to tradition, one of the kidnapped,
5777:
5565:
4131:
1372:
5648:
3408:
538:
5553:
5373:
4289:
829:, discovered in the Hakusan Burial Mound. Heian period, second half of 12th century (National Treasure)
3419:. A number of important ceramic items are also owned and kept in various temples in Japan such as the
3399:
have important ceramic collections. A number of private museums also have important items such as the
1109:), Iga (similar to Shigaraki), and other domestic kilns also supplied tea utensils. The artist-potter
5772:
5738:
5355:
5147:
4691:
4037:
Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection
1944:, similar to wooden ribs, are leaf-shaped bamboo ribs used to shape and smooth the surfaces of a pot.
1376:
1246:
1145:
837:
of China in the 8th century, official kilns produced only simple green lead glaze for temples in the
241:
2203:
The main source of Japanese export porcelain from the mid 17th-century onwards. Production began by
2008:
is a trimming harp used to level flat, wide surfaces, such as the bottom of a shallow dish or plate.
526:
357:, named after the port of Imari from which they were exported to various markets, including Europe.
5002:
3778:"[Review:] Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period"
3293:
1692:
or decoration; two groups were designated for preserving the wares of distinguished ancient kilns.
337:
164:
3597:
4960:
3297:
64:
3376:
5493:
5463:
5239:
5072:
3678:
3404:
3380:
181:
5702:
1492:
on the occasion of their first visit to the United States to President Gerald R. Ford in 1975.
5433:
5379:
5361:
5313:
4139:
3826:
3392:
3384:
3360:
405:
350:
5541:
1999:
is a large looped ribbon tool made of iron that can be used for trimming as well as carving.
1237:
styles of the highly coloured enamelled wares that Europeans found so attractive, including
976:
5720:
5684:
5638:
5607:
5597:
5592:
5066:
3388:
3352:
3032:
2824:
1835:
monks. For their Japanese users, these chocolate-brown wares embodied the Zen aesthetic of
1739:
5385:
2491:
The most produced pottery in western Japan. Believed to have started in the 16th century.
1110:
377:
influenced by the artistic sensibilities of neighbouring East Asian civilizations such as
361:
233:
8:
5559:
5349:
5337:
4523:
2812:
2653:
1603:
999:
42:
3129:
1565:
1496:
1352:
959:
5750:
5744:
5403:
5397:
4953:
2593:
1611:
1201:
1117:
424:
styles in a distinct way. A third tradition, of simple but perfectly formed and glazed
1591:
5658:
5617:
5475:
5427:
5319:
4347:
4187:
4101:
4086:
4067:
4050:
4040:
4008:
3950:"Bernard Leach | Artists | Collection | British Council − Visual Arts"
3832:
3412:
3400:
2898:
1390:
1375:. The Imperial Household also took an active interest in arts and crafts, appointing
1026:
From the middle of the 11th century to the 16th century, Japan imported much Chinese
763:
694:
421:
4404:
3611:
2095:
1881:
1257:
was the shipping port, some porcelain, for both export and domestic use, was called
5529:
5487:
5469:
5343:
5325:
5301:
5274:
5114:
5096:
4997:
3465:
3443:
3231:
3158:
3024:
2949:
2535:
1850:
1553:
1386:
1003:
876:
38:
4722:
4352:
1561:
1539:
1489:
1485:
1430:
698:
642:
5696:
5517:
5409:
5307:
5169:
5084:
4479:
4419:
4281:
3364:
3187:
2581:
2372:
2165:
1793:
1770:
1712:
1667:
1599:
1368:
1229:
1069:
378:
253:
1543:
1514:
1411:
1402:
1098:
686:
341:
5612:
5481:
5174:
5078:
4674:
4669:
4558:
4364:
3455:
3439:
3435:
3081:
3012:
2722:
2317:
2272:
2216:
1783:
1747:
1671:
1614:, the production of village ware continued under several leading masters, with
1286:
1282:
1272:
became industrially available, leading to a reddish revival of the orange 1720
1205:
1161:
1106:
984:
872:
865:
382:
309:
4775:
4568:
4518:
4238:
3519:
3069:
2792:
5766:
5523:
5284:
5030:
5012:
4583:
4573:
4474:
4374:
3175:
3097:
2759:
2551:
2523:
2486:
1890:
1753:
1708:
1689:
1621:
1426:
1423:
1242:
1125:
968:
889:
852:
833:
Although a three-color lead glaze technique was introduced to Japan from the
718:
445:
248:
212:
4533:
4054:
3428:
2886:
5622:
5060:
4588:
4563:
4543:
4499:
4464:
4439:
4409:
4335:
3987:
3460:
3212:
3049:
2937:
2697:
2474:
2335:
2120:
1828:
1557:
1382:
1299:
1238:
1224:
964:
838:
834:
786:
774:
759:
747:
714:
401:
373:
369:
313:
5331:
4659:
4113:"Japanese Art from the Gerry Collection in The Metropolitan Museum of Art"
5233:
5189:
5184:
5090:
4814:
4664:
4632:
4552:
4489:
4484:
4469:
4459:
4369:
3733:
3193:
2997:
2979:
2641:
2621:
2607:
2503:
2454:
2389:
2286:
2198:
1819:. One of the most beloved Chinese glazes in Japan is the chocolate-brown
1735:
1731:
1572:
1538:
developed, starting in the late 1920s and 1930s. Its founding father was
1398:
1335:
1321:
1290:
1254:
1197:
with bird and flower design in overglaze enamel, Edo period, 17th century
1176:
1165:
848:
816:
782:
770:
504:
448:
397:
321:
4494:
2669:
2567:
1476:
1445:
928:
5602:
5164:
4642:
4637:
4615:
4578:
4512:
4508:
4454:
4434:
4429:
4424:
4414:
4399:
3117:
2769:
2765:
2434:
2305:
2260:
2235:
2212:
2208:
2186:
2145:
2069:
1716:
1308:(Kyoto ceramics) to new heights. Their works were the models for later
1157:
1153:
1131:
1059:
1053:
913:
892:
in the Gifu Prefecture, where they produced glazed pottery: Yellow Seto
844:
354:
237:
217:
3736:. Sadao and Wada 2003 p. 238 regards them as a product of Arita kilns.
1786:(b. 1964) studied Leach and spent a number of years in Japan studying
1080:
5054:
5048:
4976:
4919:
4905:
4891:
4884:
4863:
4686:
4680:
4593:
4548:
4538:
4528:
4504:
4444:
3246:
3146:
2967:
2910:
2857:
2747:
2360:
1838:
1779:
1700:
1649:, officially a Preserver of Important Intangible Cultural Properties)
1607:
1102:
988:
972:
793:
492:
480:
425:
417:
411:
390:
333:
329:
317:
221:
3282:
1843:(rustic simplicity). In the United States, an example of the use of
1827:
glaze that covered the peasant tea bowls brought back from southern
1362:
994:
812:
53:
5451:
5179:
5042:
4898:
4768:
4761:
4654:
4449:
3491:
3477:
2409:
2220:
1766:
1659:
1518:
1233:
1149:
386:
4877:
4182:
Bridge of dreams: the Mary Griggs Burke collection of Japanese art
3234:. Most are thick porcelain table ware with blue cobalt paintings.
5547:
5511:
5036:
4926:
4849:
4842:
4835:
4736:
4242:
4090:
2984:
The most produced Japanese pottery in Japan. Sometimes, the term
2177:
1822:
1814:
1808:
1663:
1394:
1031:
1027:
1013:
325:
4357:
3624:
3264:
Most are thick porcelain table ware with blue cobalt paintings.
3258:
3163:
Most are thick porcelain table ware with blue cobalt paintings.
3134:
Also called Tatekui ware. One of the six oldest kinds in Japan.
4933:
4821:
4807:
4793:
4621:
4340:
4217:. New York and San Francisco: Kodansha International LTD, 1979.
4157:. New York and San Francisco: Kodansha International LTD, 1979.
3729:
3348:
3197:
2603:
2599:
2282:
2278:
2211:. A multitude of kilns produced a variety of styles, including
1896:
1862:
1704:
1524:
1087:
799:
735:
617:
588:
500:
461:
365:
227:
766:
appeared, brought to Kyushu island from the Korean peninsula.
4276:
4081:
Trubner, Henry (1972), "Japanese Ceramics: A Brief History",
3828:
Japan and Britain after 1859 : creating cultural bridges
2830:
2681:
2204:
2053:
1870:
1804:
1696:
1655:
1047:
4945:
3587:
Smith, Harris, & Clark, 118–119; Ford & Impey, 46–50
2025:
is also not a throwing tool, but a Japanese slip-trailer. A
697:
ware appeared, decorated with hand-impressed rope patterns.
400:
and using a muted palette of earth colours. This relates to
4136:
The Great Japan Exhibition: Art of the Edo Period 1600–1868
3679:"Quests of the Dragon and Bird Clan: Luzon Jars (Glossary)"
3225:
2611:
2290:
1711:, potters continued to reconstruct the classic formulas of
1595:
1194:
1191:
605:
4265:. Tokyo: Japan Publishing Industry Foundation for Culture.
2293:
vessels. Believed to have originated in the 19th century.
1506:), used for the preparation of the clay for Onta ware, an
1018:
and was highly priced during tea ceremonies of this time.
37:"Yakimono" redirects here. For grilled Japanese food, see
1832:
1302:
invented an idiosyncratic arts-and-crafts style and took
595:
4062:
Smith, Lawrence; Harris, Victor; Clark, Timothy (1990).
3852:
3806:
1010:. Jian ware was later produced and further developed as
436:
The types of ceramics can be divided into five groups:
4100:, Tokyo-New York-London, KODANSYA INTERNATIONAL, 2003,
3896:
3894:
3881:
3879:
3551:
1546:(1894–1978) was a potter who was a major figure of the
3757:
3489:
3475:
3030:
2991:
2985:
2840:
2834:
2026:
2020:
2011:
2003:
1994:
1985:
1977:
1969:
1961:
1955:
1947:
1939:
1931:
1923:
1894:
1844:
1836:
1820:
1787:
1725:
1683:
1547:
1501:
1360:
1325:
1315:
1309:
1303:
1273:
1267:
1208:
tripod large dish with heron design, underglaze blue,
1185:
1129:
1085:
1063:
1051:
1011:
992:
797:
741:
733:
409:
225:
4039:. St. Petersburg, Fla.: Broughton International Inc.
3569:
Smith, Harris, & Clark, 116–120, 124–126, 130–133
1812:
1583:
A number of institutions came under the aegis of the
30:"Japanese china" redirects here. For other uses, see
4098:
Discovering the Arts of Japan: A Historical Overview
3930:
3918:
3906:
3891:
3876:
3864:
3794:
3728:
Some claim that such porcelain was also produced at
3625:"Journey. One thousand years. The Six Ancient Kilns"
3485:
List of National Treasures of Japan (crafts: others)
1610:, perpetuated 16th-century Korean peasant wares. In
1113:
made several tea bowls now considered masterpieces.
1008:
list of National Treasures of Japan (crafts: others)
781:
300–710) it was primarily funerary ware; during the
667:
BCE, attributed provenance Umataka, Nagaoka, Niigata
1598:, continued to produce the daily wares used in the
465:(三彩) is another type of technique using lead glaze.
78:. Unsourced material may be challenged and removed.
4311:
1560:. Another influential potter in this movement was
4256:
4200:
5764:
4205:Japanese ceramics from the Tanakamaru collection
4111:Ford, Barbara Brennan; Impey, Oliver R. (1989).
4064:Japanese Art: Masterpieces in the British Museum
4061:
3701:Smith, Harris, & Clark, 118–119, both quoted
3431:, however the items are not exhibited publicly.
1571:One of the most critical moments was during the
3976:
3974:
1849:glazes are pots thrown by Japanese-born artist
1751:
1619:
1522:
1314:. Although porcelain bodies were introduced to
1258:
1174:
1036:
905:
895:
880:
822:
654:
292:
277:
271:
4177:
3446:styles are made for the international market.
3251:
3217:
3180:
3151:
3122:
3102:
3074:
3054:
3029:One of the oldest styles in Japan. Famous for
3017:
2972:
2942:
2915:
2891:
2862:
2817:
2797:
2752:
2727:
2702:
2674:
2646:
2626:
2586:
2556:
2528:
2508:
2479:
2459:
2439:
2414:
2394:
2365:
2340:
2310:
2265:
2240:
2191:
2170:
2150:
2125:
2100:
2074:
1876:
1760:
1628:
1531:
868:), Tamba, Bizen, Tokoname, Echizen, and Seto.
804:funerary objects were earthenware like Yayoi.
762:, a roofed-tunnel kiln on a hillside, and the
648:
299:
284:
265:
4961:
4297:
3983:"Edmund de Waal: A life in arts | Books"
1831:(in the twelfth and thirteenth centuries) by
1422:Japanese pottery strongly influenced British
987:(1360–1424) of the Ming dynasty bestowed ten
682:BC), the earliest soft earthenware was made.
4186:. New York: The Metropolitan Museum of Art.
3971:
2996:) stands for all Japanese pottery. Includes
1385:was a name originally given to pottery from
4209:. New York: The Metropolitan Museum of Art.
3311:. Unsourced material may be challenged and
1634:
1578:
4968:
4954:
4304:
4290:
3272:
1232:). At that time, the Arita kilns like the
769:The anagama kiln could produce stoneware,
252:Tea-leaf jar with a design of wisteria by
27:Overview of Japanese pottery and porcelain
4110:
3824:
3373:Okayama Prefectural Bizen Ceramics Museum
3331:Learn how and when to remove this message
1869:Further refinements came about under the
1715:Seto-type tea wares of Mino, such as the
1046:Highly priced imports also came from the
1021:
200:Learn how and when to remove this message
138:Learn how and when to remove this message
4009:"Brother Thomas | Black Olive Vase"
1880:
1738:were still maintained by the lineage of
1495:
1475:
1346:
1200:
1169:
1079:
958:
811:
728:
637:
247:
211:
163:This article includes a list of general
4080:
3775:
3769:
3557:
3545:
1750:; both were heads of groups designated
1585:Cultural Properties Protection Division
408:and embody the aesthetic principles of
14:
5765:
5280:Chinese porcelain in European painting
4130:
3980:
3541:
3539:
3517:
1703:family continued to produce the rough
5008:Chinese influences on Islamic pottery
4949:
4285:
4239:"Takiguchi Kiheiji, The Oribe master"
4096:Tsuneko S. Sadao and Stephanie Wada,
4034:
3936:
3924:
3912:
3900:
3885:
3870:
3858:
3812:
3800:
3763:
3676:
3417:Kubosō Memorial Museum of Arts, Izumi
1746:, hereditary porcelain makers to the
983:According to chronicles in 1406, the
971:dynasty, 13th century, China. Right:
4085:, Seattle, USA: Seattle Art Museum,
3657:"Tea Drinking and Ceramic Tea Bowls"
3309:adding citations to reliable sources
3276:
1707:that had so delighted Hideyoshi. At
1440:
923:
149:
76:adding citations to reliable sources
47:
4277:Japanese Pottery Information Center
4231:. Kodansha International LTD, 1967.
4150:. Kodansha International LTD, 1967.
3754:Smith, Harris, & Clark, 164–165
3578:Smith, Harris, & Clark, 163–177
3536:
1552:movement, establishing the town of
991:bowls from the Song dynasty to the
919:
24:
5644:Ehrenfried Walther von Tschirnhaus
4222:Dictionary of Art: Jansen to Ketel
4171:
4162:Dictionary of Art: Jansen to Ketel
3397:Ishikawa Prefectural Museum of Art
3369:Museum of Oriental Ceramics, Osaka
2081:Fukuchi, Tagawa District, Fukuoka
1796:from Canada was influenced by it.
1002:(1358–1408), who ruled during the
858:
847:appeared in this time, as well as
169:it lacks sufficient corresponding
25:
5789:
5109:Famille jaune, noire, rose, verte
4270:
4220:Turner, Jane. "Japan: Ceramics".
4160:Turner, Jane. "Japan: Ceramics".
1904:
1730:. Ancient porcelain kilns around
1075:
819:pot with design of autumn grasses
750:, 6th century (National Treasure)
431:
5703:Kuskovo State Museum of Ceramics
4383:
4321:
3831:. Routledge Curzon. p. 45.
3357:Fukuoka Oriental Ceramics Museum
3345:Aichi Prefectural Ceramic Museum
3281:
3237:
3203:
3166:
3137:
3088:
3040:
3003:
2958:
2928:
2877:
2848:
2783:
2738:
2713:
2688:
2660:
2572:
2542:
2494:
2425:
2380:
2351:
2326:
2296:
2251:
2226:
2207:potters at the beginning of the
2136:
2111:
2086:
1856:
1444:
1417:
963:Ewers with floral design. Left:
927:
561:
549:
537:
525:
513:
256:, Edo period (National Treasure)
154:
87:"Japanese pottery and porcelain"
52:
41:. For the Hannibal episode, see
4599:list of Japanese ceramics sites
4066:. British Museum Publications.
4028:
4015:
4001:
3942:
3818:
3748:
3739:
3722:
3713:
3710:Smith, Harris, & Clark, 163
3704:
3695:
3670:
3649:
3631:
3610:The Metropolitan Museum of Art
2219:, and most early pieces in the
2042:list of Japanese ceramics sites
1436:
1342:
807:
724:
704:
633:
573:
63:needs additional citations for
4313:Japanese pottery and porcelain
4229:The World of Japanese Ceramics
4148:The World of Japanese Ceramics
4117:The Metropolitan Museum of Art
3617:
3604:
3590:
3581:
3572:
3563:
3511:
1654:The modern potters operate in
871:Among these, the Seto kiln in
709:In about the 4th–3rd centuries
578:Some of the typical vessel (器
499:): a white colour with a high
13:
1:
5709:Sèvres – Cité de la céramique
5654:François Xavier d'Entrecolles
4975:
4215:The Japanese Pottery Handbook
4155:The Japanese Pottery Handbook
3954:Collection.britishcouncil.org
3776:Liddell, C. B. (2013-12-14).
3499:
3379:. Public museums such as the
1389:, elaborately decorated with
1209:
1139:
672:
372:, and Aoki Mokubei. Japanese
5691:Dresden Porcelain Collection
3504:
3471:Korean pottery and porcelain
1803:, who brought his clay from
1508:Intangible Cultural Property
320:period. Types have included
7:
4142:/Weidenfeld & Nicolson.
3490:
3476:
3449:
3031:
2992:
2986:
2841:
2835:
2027:
2021:
2012:
2004:
1995:
1986:
1978:
1970:
1962:
1956:
1948:
1940:
1932:
1924:
1895:
1877:Traditional shaping methods
1845:
1837:
1821:
1813:
1788:
1752:
1726:
1684:
1620:
1548:
1523:
1502:
1361:
1326:
1316:
1310:
1304:
1274:
1268:
1259:
1217:Important Cultural Property
1186:
1175:
1130:
1086:
1064:
1052:
1037:
1012:
993:
906:
896:
881:
823:
798:
754:In the 3rd to 4th centuries
742:
734:
655:
470:unglazed stoneware (焼き締め陶窓
410:
293:
278:
272:
226:
10:
5794:
5733:Victoria and Albert Museum
4257:Kakiemon, Sakaida (2019).
4201:Takeshi, Nagatake (1979).
3677:Kekai, Paul (2006-09-05).
3659:. China Heritage Quarterly
3524:World History Encyclopedia
1885:Potter at his wheel (1914)
1377:Imperial Household Artists
1143:
628:
36:
29:
5739:Museum of Royal Worcester
5715:Musée des Arts Décoratifs
5680:Percival David Foundation
5674:British Museum (London):
5667:
5631:
5585:
5294:
5262:
5253:
5226:
5209:
5202:
5157:
5148:Japanese export porcelain
5135:
5128:
5023:
4990:
4983:
4785:
4753:
4700:
4692:Japanese export porcelain
4608:
4392:
4381:
4328:
4319:
3825:Checkland, Olive (2003).
3719:Ford & Impey, 126–127
3252:
3218:
3181:
3152:
3123:
3103:
3075:
3055:
3018:
2973:
2943:
2916:
2892:
2863:
2818:
2798:
2753:
2728:
2703:
2675:
2647:
2627:
2587:
2557:
2529:
2509:
2480:
2460:
2440:
2415:
2395:
2366:
2341:
2311:
2266:
2241:
2192:
2171:
2151:
2126:
2101:
2075:
1761:
1644:living cultural treasures
1629:
1556:as a renowned centre for
1532:
1247:Japanese export porcelain
1146:Japanese export porcelain
671:In the Neolithic period (
649:
507:, Hizen Province, Kyushu.
485:seyūtōki or 高火度和 kōkadoyū
300:
285:
266:
5649:Johann Friedrich Böttger
5003:Chinese export porcelain
3409:Seikadō Bunko Art Museum
2903:A large type of pottery
2035:
1913:
1682:of Hagi were designated
1676:Yamamoto Masao (Toushuu)
1579:Heisei period to present
1482:Living National Treasure
1373:1873 Vienna World's Fair
4227:Sanders, Herbert Hong.
4178:Murase, Miyeko (2000).
4146:Sanders, Herbert Hong.
3273:Museums and collections
184:more precise citations.
3405:Mitsui Memorial Museum
3381:Kyushu National Museum
1886:
1695:In the old capital of
1510:
1493:
1356:
1298:designs. His disciple
1220:
1198:
1122:1592 invasion of Korea
1093:
1022:Azuchi-Momoyama period
980:
830:
751:
668:
257:
245:
4140:Royal Academy of Arts
3745:Ford & Impey, 126
3393:Tokyo National Museum
3385:Kyoto National Museum
3361:Kyushu Ceramic Museum
3261:, former Zeze domain
2223:style of decoration.
1884:
1811:and the watery-green
1744:Imaizumi Imaemon XIII
1500:Water scoop or mill (
1499:
1479:
1371:, beginning with the
1350:
1204:
1173:
1083:
962:
815:
732:
689:in the 6th millennium
641:
520:unglazed earthenware
406:Japanese tea ceremony
316:, dating back to the
308:is one of the oldest
261:Pottery and porcelain
251:
215:
5685:The David Collection
5608:Overglaze decoration
5598:Hard-paste porcelain
5593:Soft-paste porcelain
4261:The Art of Emptiness
4083:Ceramic Art of Japan
4021:Watson, 260, 262-263
3683:Sambali.blogspot.com
3389:Nara National Museum
3377:Ōtsuka Museum of Art
3353:Arita Porcelain Park
3305:improve this section
2825:Fukushima Prefecture
1740:Sakaida Kakiemon XIV
1606:and its offshoot at
1484:). It was gifted by
1072:, northern Vietnam.
967:, Jingdezhen kilns,
440:unglazed earthenware
383:Korean-style pottery
72:improve this article
5542:Bing & Grøndahl
5506:Dihl & Guérhard
5404:Villeroy & Boch
4035:Earle, Joe (1999).
3861:, pp. 117–119.
3815:, pp. 116–117.
2654:Ishikawa Prefecture
1722:Fujimoto Yoshimichi
1604:Koishiwara, Fukuoka
1351:Porcelain vases by
1281:In 1675, the local
1000:Ashikaga Yoshimitsu
902:, Shino, Black Seto
886:("product of Seto")
841:, around 800–1200.
338:blue-and-white ware
43:Yakimono (Hannibal)
5778:Japanese porcelain
5751:Ludwigsburg Palace
5745:Walters Art Museum
5143:Japanese porcelain
5033:(16th century BCE)
3518:Cartwright, Mark.
2594:Fukuoka Prefecture
2058:Traditional Sites
1887:
1511:
1494:
1456:. You can help by
1357:
1221:
1199:
1118:Toyotomi Hideyoshi
1094:
981:
977:Nanboku-chō period
939:. You can help by
831:
752:
669:
544:unglazed stoneware
532:glazed earthenware
258:
246:
5760:
5759:
5659:Dmitry Vinogradov
5581:
5580:
5554:Wagner & Apel
5270:List of companies
5249:
5248:
5198:
5197:
5124:
5123:
5081:(14th century on)
5075:(14th century on)
5069:(11th century on)
4998:Chinese porcelain
4943:
4942:
4801:chasen kusenaoshi
4754:Gold applications
4119:. MetPublications
3766:, pp. 30–31.
3560:, pp. 17–18.
3413:Fujita Art Museum
3401:MOA Museum of Art
3341:
3340:
3333:
3270:
3269:
2899:Naruto, Tokushima
2566:A subcategory of
2178:Amakusa, Kumamoto
1513:During the early
1474:
1473:
1391:overglaze enamels
1213: 1690–1710s
957:
956:
785:(710–94) and the
685:During the early
663:vessel, 3000–2000
422:Chinese porcelain
242:National Treasure
210:
209:
202:
148:
147:
140:
122:
16:(Redirected from
5785:
5773:Japanese pottery
5368:Saint Petersburg
5275:French porcelain
5260:
5259:
5217:Korean porcelain
5207:
5206:
5133:
5132:
4988:
4987:
4970:
4963:
4956:
4947:
4946:
4387:
4325:
4306:
4299:
4292:
4283:
4282:
4266:
4253:
4251:
4250:
4213:Simpson, Penny.
4210:
4197:
4153:Simpson, Penny.
4143:
4127:
4125:
4124:
4093:
4077:
4058:
4022:
4019:
4013:
4012:
4005:
3999:
3998:
3996:
3995:
3978:
3969:
3968:
3966:
3965:
3956:. Archived from
3946:
3940:
3934:
3928:
3922:
3916:
3910:
3904:
3898:
3889:
3883:
3874:
3868:
3862:
3856:
3850:
3849:
3847:
3845:
3822:
3816:
3810:
3804:
3798:
3792:
3791:
3789:
3788:
3773:
3767:
3761:
3755:
3752:
3746:
3743:
3737:
3726:
3720:
3717:
3711:
3708:
3702:
3699:
3693:
3692:
3690:
3689:
3674:
3668:
3667:
3665:
3664:
3653:
3647:
3646:
3635:
3629:
3628:
3621:
3615:
3608:
3602:
3601:
3594:
3588:
3585:
3579:
3576:
3570:
3567:
3561:
3555:
3549:
3543:
3534:
3533:
3531:
3530:
3515:
3495:
3481:
3466:Chinese ceramics
3444:contemporary art
3336:
3329:
3325:
3322:
3316:
3285:
3277:
3255:
3254:
3241:
3232:Ryukyuan pottery
3221:
3220:
3207:
3184:
3183:
3170:
3159:Ehime Prefecture
3155:
3154:
3141:
3130:Hyōgo Prefecture
3126:
3125:
3106:
3105:
3092:
3078:
3077:
3058:
3057:
3044:
3037:pottery pieces.
3036:
3025:Shiga Prefecture
3021:
3020:
3007:
2995:
2989:
2976:
2975:
2962:
2950:Satsuma Province
2946:
2945:
2932:
2919:
2918:
2895:
2894:
2881:
2866:
2865:
2852:
2844:
2838:
2821:
2820:
2801:
2800:
2787:
2756:
2755:
2742:
2731:
2730:
2717:
2706:
2705:
2692:
2678:
2677:
2664:
2650:
2649:
2630:
2629:
2590:
2589:
2576:
2563:Kiyomizu, Kyoto
2560:
2559:
2546:
2536:Miyazaki, Miyagi
2532:
2531:
2512:
2511:
2498:
2483:
2482:
2463:
2462:
2443:
2442:
2429:
2418:
2417:
2398:
2397:
2384:
2369:
2368:
2355:
2344:
2343:
2330:
2314:
2313:
2300:
2269:
2268:
2255:
2244:
2243:
2230:
2195:
2194:
2174:
2173:
2154:
2153:
2140:
2129:
2128:
2115:
2104:
2103:
2090:
2078:
2077:
2047:
2046:
2030:
2024:
2015:
2007:
1998:
1989:
1981:
1973:
1965:
1959:
1951:
1943:
1935:
1927:
1900:
1851:Hideaki Miyamura
1848:
1842:
1826:
1818:
1791:
1774:
1764:
1763:
1757:
1729:
1687:
1650:
1648:
1645:
1642:
1639:
1636:
1632:
1631:
1625:
1566:Tatsuzō Shimaoka
1564:(1890–1966) and
1551:
1537:
1535:
1534:
1528:
1505:
1469:
1466:
1448:
1441:
1387:Satsuma province
1366:
1353:Miyagawa Kōzan I
1329:
1319:
1313:
1307:
1277:
1271:
1265:
1262:
1214:
1211:
1189:
1183:
1180:
1135:
1091:
1067:
1057:
1042:
1040:
1032:Chinese ceramics
1017:
1004:Muromachi period
998:
952:
949:
931:
924:
920:Muromachi period
911:
909:
901:
899:
887:
884:
877:Aichi Prefecture
828:
826:
803:
780:
757:
745:
739:
712:
692:
681:
677:
674:
666:
662:
661:
658:
652:
651:
565:
556:glazed stoneware
553:
541:
529:
517:
415:
347:
307:
305:
303:
302:
296:
290:
288:
287:
281:
275:
269:
268:
231:
205:
198:
194:
191:
185:
180:this article by
171:inline citations
158:
157:
150:
143:
136:
132:
129:
123:
121:
80:
56:
48:
39:Japanese cuisine
21:
18:Japanese pottery
5793:
5792:
5788:
5787:
5786:
5784:
5783:
5782:
5763:
5762:
5761:
5756:
5697:Gardiner Museum
5676:Asia Department
5663:
5627:
5577:
5518:Hutschenreuther
5290:
5287:
5245:
5222:
5219:
5194:
5153:
5150:
5120:
5019:
5016:
4979:
4974:
4944:
4939:
4781:
4749:
4696:
4604:
4388:
4379:
4329:Ancient pottery
4326:
4315:
4310:
4273:
4248:
4246:
4237:
4194:
4174:
4172:Further reading
4132:Watson, William
4122:
4120:
4074:
4047:
4031:
4026:
4025:
4020:
4016:
4007:
4006:
4002:
3993:
3991:
3979:
3972:
3963:
3961:
3948:
3947:
3943:
3935:
3931:
3923:
3919:
3911:
3907:
3899:
3892:
3884:
3877:
3869:
3865:
3857:
3853:
3843:
3841:
3839:
3823:
3819:
3811:
3807:
3799:
3795:
3786:
3784:
3782:The Japan Times
3774:
3770:
3762:
3758:
3753:
3749:
3744:
3740:
3727:
3723:
3718:
3714:
3709:
3705:
3700:
3696:
3687:
3685:
3675:
3671:
3662:
3660:
3655:
3654:
3650:
3637:
3636:
3632:
3623:
3622:
3618:
3609:
3605:
3596:
3595:
3591:
3586:
3582:
3577:
3573:
3568:
3564:
3556:
3552:
3544:
3537:
3528:
3526:
3520:"Jomon Pottery"
3516:
3512:
3507:
3502:
3452:
3436:ceramic museums
3365:Noritake Garden
3337:
3326:
3320:
3317:
3302:
3286:
3275:
3188:Tokoname, Aichi
2582:Koishiwara ware
2373:Hagi, Yamaguchi
2166:Amakusa pottery
2038:
1916:
1907:
1879:
1859:
1794:Thomas Bezanson
1778:British artist
1771:Imari porcelain
1758:
1713:Momoyama period
1646:
1643:
1640:
1637:
1626:
1600:Tokugawa period
1581:
1529:
1470:
1464:
1461:
1454:needs expansion
1439:
1420:
1410:this is due to
1345:
1263:
1230:Imari porcelain
1212:
1181:
1168:
1144:Main articles:
1142:
1078:
1050:and was called
1034:
1024:
953:
947:
944:
937:needs expansion
922:
903:
893:
885:
861:
859:Kamakura period
820:
810:
778:
755:
727:
710:
707:
690:
679:
675:
664:
659:
646:
636:
631:
576:
569:
566:
557:
554:
545:
542:
533:
530:
521:
518:
434:
345:
310:Japanese crafts
297:
282:
263:
254:Nonomura Ninsei
206:
195:
189:
186:
176:Please help to
175:
159:
155:
144:
133:
127:
124:
81:
79:
69:
57:
46:
35:
28:
23:
22:
15:
12:
11:
5:
5791:
5781:
5780:
5775:
5758:
5757:
5755:
5754:
5748:
5742:
5736:
5730:
5727:Topkapı Palace
5724:
5718:
5712:
5706:
5700:
5694:
5688:
5682:
5671:
5669:
5665:
5664:
5662:
5661:
5656:
5651:
5646:
5641:
5635:
5633:
5629:
5628:
5626:
5625:
5620:
5615:
5613:China painting
5610:
5605:
5600:
5595:
5589:
5587:
5583:
5582:
5579:
5578:
5576:
5575:
5569:
5563:
5557:
5551:
5545:
5539:
5533:
5527:
5521:
5515:
5509:
5503:
5497:
5491:
5485:
5479:
5473:
5467:
5461:
5455:
5449:
5443:
5437:
5431:
5425:
5419:
5413:
5407:
5401:
5395:
5389:
5383:
5377:
5371:
5365:
5359:
5353:
5347:
5341:
5335:
5329:
5323:
5317:
5311:
5305:
5298:
5296:
5292:
5291:
5289:
5288:
5282:
5277:
5272:
5266:
5264:
5257:
5251:
5250:
5247:
5246:
5244:
5243:
5242:(14th century)
5237:
5236:(10th century)
5230:
5228:
5224:
5223:
5221:
5220:
5213:
5211:
5204:
5200:
5199:
5196:
5195:
5193:
5192:
5187:
5182:
5177:
5172:
5167:
5161:
5159:
5155:
5154:
5152:
5151:
5145:
5139:
5137:
5130:
5126:
5125:
5122:
5121:
5119:
5118:
5117:(18th century)
5112:
5111:(17th century)
5106:
5105:(17th century)
5100:
5099:(17th century)
5094:
5093:(16th century)
5088:
5087:(16th century)
5082:
5079:Blanc de Chine
5076:
5073:Blue and white
5070:
5064:
5063:(12th century)
5058:
5057:(10th century)
5052:
5046:
5040:
5034:
5027:
5025:
5021:
5020:
5018:
5017:
5010:
5005:
5000:
4994:
4992:
4985:
4981:
4980:
4973:
4972:
4965:
4958:
4950:
4941:
4940:
4938:
4937:
4930:
4923:
4916:
4909:
4902:
4895:
4888:
4881:
4874:
4867:
4860:
4853:
4846:
4839:
4832:
4825:
4818:
4811:
4804:
4797:
4789:
4787:
4783:
4782:
4780:
4779:
4772:
4765:
4757:
4755:
4751:
4750:
4748:
4747:
4740:
4733:
4726:
4719:
4712:
4704:
4702:
4698:
4697:
4695:
4694:
4689:
4684:
4677:
4672:
4667:
4662:
4657:
4652:
4645:
4640:
4635:
4630:
4618:
4612:
4610:
4606:
4605:
4603:
4602:
4596:
4591:
4586:
4581:
4576:
4571:
4566:
4561:
4556:
4546:
4541:
4536:
4531:
4526:
4521:
4516:
4502:
4497:
4492:
4487:
4482:
4477:
4472:
4467:
4462:
4457:
4452:
4447:
4442:
4437:
4432:
4427:
4422:
4417:
4412:
4407:
4402:
4396:
4394:
4390:
4389:
4382:
4380:
4378:
4377:
4372:
4367:
4362:
4350:
4345:
4332:
4330:
4327:
4320:
4317:
4316:
4309:
4308:
4301:
4294:
4286:
4280:
4279:
4272:
4271:External links
4269:
4268:
4267:
4254:
4235:
4232:
4225:
4218:
4211:
4198:
4192:
4173:
4170:
4169:
4168:
4165:
4158:
4151:
4144:
4134:, ed. (1981).
4128:
4108:
4094:
4078:
4072:
4059:
4045:
4030:
4027:
4024:
4023:
4014:
4000:
3970:
3941:
3939:, p. 255.
3929:
3927:, p. 247.
3917:
3915:, p. 111.
3905:
3903:, p. 335.
3890:
3888:, p. 330.
3875:
3873:, p. 118.
3863:
3851:
3837:
3817:
3805:
3803:, p. 349.
3793:
3768:
3756:
3747:
3738:
3721:
3712:
3703:
3694:
3669:
3648:
3643:Japan Heritage
3630:
3616:
3603:
3589:
3580:
3571:
3562:
3550:
3535:
3509:
3508:
3506:
3503:
3501:
3498:
3497:
3496:
3487:
3482:
3473:
3468:
3463:
3458:
3456:Japanese craft
3451:
3448:
3440:studio pottery
3339:
3338:
3289:
3287:
3280:
3274:
3271:
3268:
3267:
3265:
3262:
3256:
3249:
3243:
3242:
3235:
3228:
3222:
3215:
3209:
3208:
3201:
3200:, or teacups.
3190:
3185:
3178:
3172:
3171:
3164:
3161:
3156:
3149:
3143:
3142:
3135:
3132:
3127:
3120:
3114:
3113:
3111:
3109:
3107:
3100:
3094:
3093:
3086:
3084:
3082:Arao, Kumamoto
3079:
3072:
3066:
3065:
3063:
3061:
3059:
3052:
3046:
3045:
3038:
3027:
3022:
3015:
3013:Shigaraki ware
3009:
3008:
3001:
2982:
2977:
2970:
2964:
2963:
2956:
2952:
2947:
2940:
2934:
2933:
2926:
2922:
2920:
2913:
2907:
2906:
2904:
2901:
2896:
2889:
2883:
2882:
2875:
2872:
2867:
2860:
2854:
2853:
2846:
2827:
2822:
2815:
2813:Ōborisōma ware
2809:
2808:
2806:
2804:
2802:
2795:
2789:
2788:
2781:
2762:
2757:
2750:
2744:
2743:
2736:
2734:
2732:
2725:
2723:Mikawachi ware
2719:
2718:
2711:
2709:
2707:
2700:
2694:
2693:
2686:
2684:
2679:
2672:
2666:
2665:
2658:
2656:
2651:
2644:
2638:
2637:
2635:
2633:
2631:
2624:
2618:
2617:
2615:
2596:
2591:
2584:
2578:
2577:
2570:
2564:
2561:
2554:
2548:
2547:
2540:
2538:
2533:
2526:
2520:
2519:
2517:
2515:
2513:
2506:
2500:
2499:
2492:
2489:
2484:
2477:
2471:
2470:
2468:
2466:
2464:
2457:
2451:
2450:
2448:
2446:
2444:
2437:
2431:
2430:
2423:
2421:
2419:
2412:
2406:
2405:
2403:
2401:
2399:
2392:
2386:
2385:
2378:
2375:
2370:
2363:
2357:
2356:
2349:
2347:
2345:
2338:
2332:
2331:
2324:
2320:
2318:Bizen Province
2315:
2308:
2302:
2301:
2294:
2275:
2273:Mie Prefecture
2270:
2263:
2257:
2256:
2249:
2247:
2245:
2238:
2232:
2231:
2224:
2217:Nabeshima ware
2201:
2196:
2189:
2183:
2182:
2180:
2175:
2168:
2162:
2161:
2159:
2157:
2155:
2148:
2142:
2141:
2134:
2132:
2130:
2123:
2117:
2116:
2109:
2107:
2105:
2098:
2096:Aizuhongō ware
2092:
2091:
2084:
2082:
2079:
2072:
2066:
2065:
2064:Example image
2062:
2059:
2056:
2051:
2037:
2034:
2033:
2032:
2017:
2009:
2000:
1991:
1983:
1975:
1967:
1953:
1945:
1937:
1929:
1915:
1912:
1906:
1905:Coil and throw
1903:
1901:clay figures.
1878:
1875:
1858:
1855:
1784:Edmund de Waal
1754:mukei bunkazai
1748:Nabeshima clan
1594:, overlooking
1580:
1577:
1472:
1471:
1451:
1449:
1438:
1435:
1419:
1416:
1344:
1341:
1287:Nabeshima ware
1206:Nabeshima ware
1162:Nabeshima ware
1141:
1138:
1111:Hon'ami Kōetsu
1107:Shigaraki ware
1077:
1076:Sengoku period
1074:
1062:", as well as
1023:
1020:
985:Yongle Emperor
979:, 14th century
955:
954:
934:
932:
921:
918:
873:Owari Province
866:Shigaraki ware
860:
857:
809:
806:
764:potter's wheel
726:
723:
706:
703:
635:
632:
630:
627:
623:
622:
615:tea caddy (茶入
613:
603:
593:
582:) types are:
575:
572:
571:
570:
567:
560:
558:
555:
548:
546:
543:
536:
534:
531:
524:
522:
519:
512:
509:
508:
489:
488:
476:
475:
472:yakishime tōki
467:
466:
442:
441:
433:
432:Ceramics types
430:
362:Hon'ami Kōetsu
234:Hon'ami Kōetsu
208:
207:
162:
160:
153:
146:
145:
60:
58:
51:
32:Japanese China
26:
9:
6:
4:
3:
2:
5790:
5779:
5776:
5774:
5771:
5770:
5768:
5753:(Ludwigsburg)
5752:
5749:
5746:
5743:
5740:
5737:
5734:
5731:
5728:
5725:
5722:
5721:Palace Museum
5719:
5716:
5713:
5710:
5707:
5704:
5701:
5698:
5695:
5692:
5689:
5686:
5683:
5681:
5677:
5673:
5672:
5670:
5666:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5640:
5637:
5636:
5634:
5630:
5624:
5621:
5619:
5616:
5614:
5611:
5609:
5606:
5604:
5601:
5599:
5596:
5594:
5591:
5590:
5588:
5584:
5573:
5570:
5567:
5564:
5561:
5558:
5555:
5552:
5549:
5546:
5543:
5540:
5537:
5534:
5531:
5528:
5525:
5522:
5519:
5516:
5513:
5510:
5507:
5504:
5501:
5498:
5495:
5492:
5489:
5486:
5483:
5480:
5477:
5474:
5471:
5468:
5465:
5462:
5459:
5456:
5453:
5450:
5447:
5444:
5441:
5438:
5435:
5432:
5429:
5426:
5423:
5420:
5417:
5414:
5411:
5408:
5405:
5402:
5399:
5396:
5393:
5390:
5387:
5384:
5381:
5378:
5375:
5372:
5369:
5366:
5363:
5360:
5357:
5354:
5351:
5348:
5345:
5342:
5339:
5336:
5333:
5330:
5327:
5324:
5321:
5318:
5315:
5312:
5309:
5306:
5303:
5300:
5299:
5297:
5293:
5286:
5285:Armorial ware
5283:
5281:
5278:
5276:
5273:
5271:
5268:
5267:
5265:
5261:
5258:
5256:
5252:
5241:
5238:
5235:
5232:
5231:
5229:
5225:
5218:
5215:
5214:
5212:
5208:
5205:
5201:
5191:
5188:
5186:
5183:
5181:
5178:
5176:
5173:
5171:
5168:
5166:
5163:
5162:
5160:
5156:
5149:
5146:
5144:
5141:
5140:
5138:
5134:
5131:
5127:
5116:
5113:
5110:
5107:
5104:
5101:
5098:
5095:
5092:
5089:
5086:
5083:
5080:
5077:
5074:
5071:
5068:
5065:
5062:
5059:
5056:
5053:
5051:(6th century)
5050:
5047:
5045:(2nd century)
5044:
5041:
5039:(1st century)
5038:
5035:
5032:
5031:Proto-celadon
5029:
5028:
5026:
5022:
5014:
5013:Fonthill Vase
5011:
5009:
5006:
5004:
5001:
4999:
4996:
4995:
4993:
4989:
4986:
4982:
4978:
4971:
4966:
4964:
4959:
4957:
4952:
4951:
4948:
4936:
4935:
4931:
4929:
4928:
4924:
4922:
4921:
4917:
4915:
4914:
4910:
4908:
4907:
4903:
4901:
4900:
4896:
4894:
4893:
4889:
4887:
4886:
4882:
4880:
4879:
4875:
4873:
4872:
4868:
4866:
4865:
4861:
4859:
4858:
4854:
4852:
4851:
4847:
4845:
4844:
4840:
4838:
4837:
4833:
4831:
4830:
4826:
4824:
4823:
4819:
4817:
4816:
4812:
4810:
4809:
4805:
4803:
4802:
4798:
4796:
4795:
4791:
4790:
4788:
4784:
4778:
4777:
4773:
4771:
4770:
4766:
4764:
4763:
4759:
4758:
4756:
4752:
4746:
4745:
4741:
4739:
4738:
4734:
4732:
4731:
4727:
4725:
4724:
4720:
4718:
4717:
4713:
4711:
4710:
4709:Iro-Nabeshima
4706:
4705:
4703:
4699:
4693:
4690:
4688:
4685:
4683:
4682:
4678:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4651:
4650:
4646:
4644:
4641:
4639:
4636:
4634:
4631:
4628:
4624:
4623:
4619:
4617:
4614:
4613:
4611:
4607:
4600:
4597:
4595:
4592:
4590:
4587:
4585:
4582:
4580:
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4560:
4557:
4554:
4550:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4530:
4527:
4525:
4522:
4520:
4517:
4514:
4510:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4476:
4473:
4471:
4468:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4448:
4446:
4443:
4441:
4438:
4436:
4433:
4431:
4428:
4426:
4423:
4421:
4418:
4416:
4413:
4411:
4408:
4406:
4403:
4401:
4398:
4397:
4395:
4391:
4386:
4376:
4373:
4371:
4368:
4366:
4363:
4360:
4359:
4354:
4351:
4349:
4346:
4343:
4342:
4337:
4334:
4333:
4331:
4324:
4318:
4314:
4307:
4302:
4300:
4295:
4293:
4288:
4287:
4284:
4278:
4275:
4274:
4264:
4263:
4260:
4255:
4244:
4240:
4236:
4233:
4230:
4226:
4224:. 1996. 240+.
4223:
4219:
4216:
4212:
4208:
4207:
4204:
4199:
4195:
4189:
4185:
4184:
4181:
4176:
4175:
4166:
4164:. 1996. 240+.
4163:
4159:
4156:
4152:
4149:
4145:
4141:
4137:
4133:
4129:
4118:
4114:
4109:
4107:
4106:4-7700-2939-X
4103:
4099:
4095:
4092:
4088:
4084:
4079:
4075:
4069:
4065:
4060:
4056:
4052:
4048:
4042:
4038:
4033:
4032:
4018:
4010:
4004:
3990:
3989:
3984:
3977:
3975:
3960:on 2016-09-18
3959:
3955:
3951:
3945:
3938:
3933:
3926:
3921:
3914:
3909:
3902:
3897:
3895:
3887:
3882:
3880:
3872:
3867:
3860:
3855:
3840:
3838:9781135786199
3834:
3830:
3829:
3821:
3814:
3809:
3802:
3797:
3783:
3779:
3772:
3765:
3760:
3751:
3742:
3735:
3731:
3725:
3716:
3707:
3698:
3684:
3680:
3673:
3658:
3652:
3644:
3640:
3634:
3626:
3620:
3613:
3612:metmuseum.org
3607:
3599:
3593:
3584:
3575:
3566:
3559:
3554:
3547:
3542:
3540:
3525:
3521:
3514:
3510:
3494:
3493:
3488:
3486:
3483:
3480:
3479:
3474:
3472:
3469:
3467:
3464:
3462:
3459:
3457:
3454:
3453:
3447:
3445:
3441:
3437:
3432:
3430:
3426:
3422:
3418:
3414:
3410:
3406:
3402:
3398:
3394:
3390:
3386:
3382:
3378:
3374:
3370:
3366:
3362:
3358:
3354:
3350:
3346:
3335:
3332:
3324:
3314:
3310:
3306:
3300:
3299:
3295:
3290:This section
3288:
3284:
3279:
3278:
3266:
3263:
3260:
3257:
3250:
3248:
3245:
3244:
3240:
3236:
3233:
3229:
3227:
3223:
3216:
3214:
3211:
3210:
3206:
3202:
3199:
3195:
3191:
3189:
3186:
3179:
3177:
3176:Tokoname ware
3174:
3173:
3169:
3165:
3162:
3160:
3157:
3150:
3148:
3145:
3144:
3140:
3136:
3133:
3131:
3128:
3121:
3119:
3116:
3115:
3112:
3110:
3108:
3101:
3099:
3098:Takatori ware
3096:
3095:
3091:
3087:
3085:
3083:
3080:
3073:
3071:
3068:
3067:
3064:
3062:
3060:
3053:
3051:
3048:
3047:
3043:
3039:
3035:
3034:
3028:
3026:
3023:
3016:
3014:
3011:
3010:
3006:
3002:
2999:
2994:
2988:
2983:
2981:
2978:
2971:
2969:
2966:
2965:
2961:
2957:
2953:
2951:
2948:
2941:
2939:
2936:
2935:
2931:
2927:
2923:
2921:
2914:
2912:
2909:
2908:
2905:
2902:
2900:
2897:
2890:
2888:
2885:
2884:
2880:
2876:
2873:
2871:
2868:
2861:
2859:
2856:
2855:
2851:
2847:
2843:
2837:
2832:
2828:
2826:
2823:
2816:
2814:
2811:
2810:
2807:
2805:
2803:
2796:
2794:
2791:
2790:
2786:
2782:
2779:
2775:
2774:Setoguro ware
2771:
2767:
2763:
2761:
2760:Mino Province
2758:
2751:
2749:
2746:
2745:
2741:
2737:
2735:
2733:
2726:
2724:
2721:
2720:
2716:
2712:
2710:
2708:
2701:
2699:
2696:
2695:
2691:
2687:
2685:
2683:
2680:
2673:
2671:
2668:
2667:
2663:
2659:
2657:
2655:
2652:
2645:
2643:
2640:
2639:
2636:
2634:
2632:
2625:
2623:
2620:
2619:
2616:
2613:
2609:
2605:
2601:
2597:
2595:
2592:
2585:
2583:
2580:
2579:
2575:
2571:
2569:
2565:
2562:
2555:
2553:
2552:Kiyomizu ware
2550:
2549:
2545:
2541:
2539:
2537:
2534:
2527:
2525:
2524:Kirigome ware
2522:
2521:
2518:
2516:
2514:
2507:
2505:
2502:
2501:
2497:
2493:
2490:
2488:
2487:Karatsu, Saga
2485:
2478:
2476:
2473:
2472:
2469:
2467:
2465:
2458:
2456:
2453:
2452:
2449:
2447:
2445:
2438:
2436:
2433:
2432:
2428:
2424:
2422:
2420:
2413:
2411:
2408:
2407:
2404:
2402:
2400:
2393:
2391:
2388:
2387:
2383:
2379:
2376:
2374:
2371:
2364:
2362:
2359:
2358:
2354:
2350:
2348:
2346:
2339:
2337:
2334:
2333:
2329:
2325:
2321:
2319:
2316:
2309:
2307:
2304:
2303:
2299:
2295:
2292:
2288:
2284:
2280:
2276:
2274:
2271:
2264:
2262:
2259:
2258:
2254:
2250:
2248:
2246:
2239:
2237:
2234:
2233:
2229:
2225:
2222:
2218:
2214:
2210:
2206:
2202:
2200:
2197:
2190:
2188:
2185:
2184:
2181:
2179:
2176:
2169:
2167:
2164:
2163:
2160:
2158:
2156:
2149:
2147:
2144:
2143:
2139:
2135:
2133:
2131:
2124:
2122:
2119:
2118:
2114:
2110:
2108:
2106:
2099:
2097:
2094:
2093:
2089:
2085:
2083:
2080:
2073:
2071:
2068:
2067:
2063:
2060:
2057:
2055:
2052:
2049:
2048:
2045:
2043:
2029:
2023:
2018:
2014:
2010:
2006:
2001:
1997:
1992:
1988:
1984:
1980:
1976:
1972:
1968:
1964:
1958:
1954:
1950:
1946:
1942:
1938:
1934:
1930:
1926:
1922:
1921:
1920:
1911:
1902:
1899:
1898:
1892:
1891:Rengetsu ware
1883:
1874:
1872:
1867:
1864:
1857:Raw materials
1854:
1852:
1847:
1841:
1840:
1834:
1830:
1825:
1824:
1817:
1816:
1810:
1806:
1802:
1797:
1795:
1790:
1785:
1781:
1776:
1772:
1768:
1756:
1755:
1749:
1745:
1741:
1737:
1733:
1728:
1727:ningen kokuho
1723:
1718:
1714:
1710:
1706:
1702:
1698:
1693:
1691:
1686:
1685:ningen kokuho
1681:
1680:Miwa Kyusetsu
1678:of Bizen and
1677:
1673:
1669:
1665:
1661:
1657:
1652:
1624:
1623:
1622:ningen kokuho
1618:honored as a
1617:
1613:
1609:
1605:
1601:
1597:
1593:
1590:The kilns at
1588:
1586:
1576:
1574:
1569:
1567:
1563:
1562:Kawai Kanjirō
1559:
1555:
1550:
1545:
1541:
1540:Yanagi Sōetsu
1527:
1526:
1520:
1516:
1509:
1504:
1498:
1491:
1490:Empress Kōjun
1487:
1486:Emperor Shōwa
1483:
1478:
1468:
1459:
1455:
1452:This section
1450:
1447:
1443:
1442:
1434:
1432:
1431:Taishō period
1428:
1427:Bernard Leach
1425:
1424:studio potter
1418:Taishō period
1415:
1413:
1407:
1404:
1400:
1396:
1392:
1388:
1384:
1380:
1378:
1374:
1370:
1369:world's fairs
1365:
1364:
1354:
1349:
1340:
1337:
1331:
1328:
1323:
1318:
1312:
1306:
1301:
1295:
1292:
1288:
1284:
1279:
1276:
1270:
1261:
1256:
1250:
1248:
1244:
1243:famille verte
1240:
1235:
1231:
1226:
1218:
1207:
1203:
1196:
1193:
1188:
1184:five colours
1179:
1178:
1172:
1167:
1163:
1159:
1155:
1151:
1147:
1137:
1134:
1133:
1127:
1126:Yi Sam-pyeong
1123:
1119:
1114:
1112:
1108:
1104:
1100:
1090:
1089:
1082:
1073:
1071:
1066:
1061:
1056:
1055:
1049:
1044:
1039:
1033:
1029:
1019:
1016:
1015:
1009:
1005:
1001:
997:
996:
990:
986:
978:
974:
970:
969:southern Song
966:
961:
951:
942:
938:
935:This section
933:
930:
926:
925:
917:
915:
908:
898:
891:
890:Mino Province
883:
878:
875:(present day
874:
869:
867:
856:
854:
853:Tokoname ware
850:
846:
842:
840:
836:
825:
818:
814:
805:
802:
801:
795:
792:Contemporary
790:
788:
784:
776:
772:
767:
765:
761:
749:
744:
738:
737:
731:
722:
720:
719:Yayoi pottery
716:
702:
700:
699:Jōmon pottery
696:
688:
683:
657:
644:
643:Jōmon pottery
640:
626:
620:
619:
614:
611:
607:
604:
601:
597:
594:
591:
590:
586:tea bowl (茶碗
585:
584:
583:
581:
564:
559:
552:
547:
540:
535:
528:
523:
516:
511:
510:
506:
502:
498:
494:
491:
490:
486:
482:
478:
477:
473:
469:
468:
464:
463:
458:
454:
450:
447:
444:
443:
439:
438:
437:
429:
427:
423:
419:
414:
413:
407:
403:
399:
394:
392:
388:
384:
380:
375:
374:anagama kilns
371:
367:
363:
358:
356:
352:
343:
339:
335:
331:
327:
323:
319:
315:
311:
295:
280:
274:
262:
255:
250:
243:
239:
235:
230:
229:
223:
219:
214:
204:
201:
193:
183:
179:
173:
172:
166:
161:
152:
151:
142:
139:
131:
120:
117:
113:
110:
106:
103:
99:
96:
92:
89: –
88:
84:
83:Find sources:
77:
73:
67:
66:
61:This article
59:
55:
50:
49:
44:
40:
33:
19:
5687:(Copenhagen)
5623:Factory mark
5586:Technologies
5494:Clignancourt
5142:
4932:
4925:
4918:
4911:
4904:
4897:
4890:
4883:
4876:
4869:
4862:
4855:
4848:
4841:
4834:
4827:
4820:
4813:
4806:
4799:
4792:
4774:
4767:
4760:
4744:Tetsuyū-tōki
4742:
4735:
4728:
4721:
4714:
4707:
4679:
4647:
4626:
4620:
4356:
4339:
4312:
4262:
4259:
4247:. Retrieved
4245:. 2009-04-19
4228:
4221:
4214:
4206:
4203:
4183:
4180:
4161:
4154:
4147:
4135:
4121:. Retrieved
4116:
4097:
4082:
4063:
4036:
4029:Bibliography
4017:
4003:
3992:. Retrieved
3988:The Guardian
3986:
3981:Paul Laity.
3962:. Retrieved
3958:the original
3953:
3944:
3932:
3920:
3908:
3866:
3854:
3842:. Retrieved
3827:
3820:
3808:
3796:
3785:. Retrieved
3781:
3771:
3759:
3750:
3741:
3724:
3715:
3706:
3697:
3686:. Retrieved
3682:
3672:
3661:. Retrieved
3651:
3642:
3633:
3619:
3606:
3592:
3583:
3574:
3565:
3558:Trubner 1972
3553:
3548:, p. 18
3546:Trubner 1972
3527:. Retrieved
3523:
3513:
3461:Japanese art
3433:
3342:
3327:
3318:
3303:Please help
3291:
3213:Tsuboya ware
3194:flower vases
3050:Shitoro ware
2938:Satsuma ware
2778:Ki-Seto ware
2698:Mashiko ware
2608:flower vases
2475:Karatsu ware
2336:Echizen ware
2287:flower vases
2121:Akahada ware
2039:
2028:take bon bon
2022:take bon bon
1917:
1908:
1888:
1868:
1860:
1801:Tsuji Seimei
1798:
1777:
1694:
1653:
1589:
1582:
1570:
1558:Mashiko ware
1544:Shōji Hamada
1515:Shōwa period
1512:
1462:
1458:adding to it
1453:
1437:Shōwa period
1421:
1412:Makuzu Kōzan
1408:
1403:Makuzu Kōzan
1383:Satsuma ware
1381:
1358:
1343:Meiji period
1332:
1300:Ogata Kenzan
1296:
1280:
1251:
1239:famille rose
1225:Qing dynasty
1222:
1182:(old Kutani)
1115:
1099:Sen no Rikyū
1095:
1045:
1025:
982:
965:Qingbai ware
945:
941:adding to it
936:
870:
862:
843:
839:Heian period
835:Tang dynasty
832:
808:Heian period
791:
787:Heian period
775:Kofun period
768:
760:anagama kiln
753:
748:Kofun period
725:Kofun period
715:Yayoi period
708:
705:Yayoi period
687:Jōmon period
684:
670:
634:Jōmon period
624:
616:
609:
599:
587:
579:
577:
574:Vessel types
496:
484:
471:
460:
456:
452:
435:
402:Zen Buddhism
395:
370:Ogata Kenzan
359:
351:tea ceremony
342:Jōmon period
260:
259:
196:
187:
168:
134:
128:January 2023
125:
115:
108:
101:
94:
82:
70:Please help
65:verification
62:
5747:(Baltimore)
5741:(Worcester)
5668:Collections
5434:Ludwigsburg
5416:Frankenthal
5392:Nymphenburg
5386:Fürstenberg
5362:Capodimonte
5314:Saint-Cloud
4776:yūri-kinsai
3734:Kutani ware
3070:Shōdai ware
2998:Ofukei ware
2980:Seto, Aichi
2829:Image of a
2793:Mumyōi ware
2642:Kutani ware
2622:Kosobe ware
2504:Kasama ware
2455:Izushi ware
2390:Hasami ware
2199:Arita, Saga
1979:Tsurunokubi
1573:Pacific War
1465:August 2016
1399:Yabu Meizan
1355:, 1905-1915
1322:Okuda Eisen
1291:Hirado ware
1264:(old Imari)
1166:Hirado ware
948:August 2016
864:Shigaraki (
849:Atsumi ware
817:Atsumi ware
783:Nara period
771:Sue pottery
740:warrior in
693:BC typical
676: 11th
645:flame-style
449:earthenware
398:earthenware
355:Imari wares
344:(10,500–300
322:earthenware
182:introducing
5767:Categories
5729:(Istanbul)
5603:Bone china
5488:Copenhagen
5482:Loosdrecht
5464:Wallendorf
5067:Jingdezhen
4649:Iro-e Jiki
4480:Koishiwara
4249:2016-09-17
4193:0870999419
4123:2016-09-17
4073:0714114464
4046:1874780137
3994:2016-09-17
3964:2016-09-17
3937:Earle 1999
3925:Earle 1999
3913:Earle 1999
3901:Earle 1999
3886:Earle 1999
3871:Earle 1999
3859:Earle 1999
3813:Earle 1999
3801:Earle 1999
3787:2020-03-19
3764:Earle 1999
3688:2016-09-17
3663:2016-09-17
3529:2024-02-18
3500:References
3429:Shōkoku-ji
3375:, and the
3321:March 2024
3230:A form of
3198:rice bowls
3118:Tamba ware
2887:Ōtani ware
2870:Onta, Ōita
2770:Oribe ware
2766:Shino ware
2435:Iwami ware
2306:Bizen ware
2261:Banko ware
2236:Asahi ware
2213:Imari ware
2209:Edo period
2187:Arita ware
2146:Akazu ware
2070:Agano ware
1996:tsuchikaki
1829:Song China
1717:Oribe ware
1616:Kinjo Jiro
1158:Imari ware
1154:Arita ware
1140:Edo period
1132:noborigama
1060:Luzon ware
1054:Rusun-yaki
914:Oribe ware
845:Kamui ware
824:akikusamon
678:millennium
426:stonewares
238:Edo period
224:tea bowl (
190:March 2024
165:references
98:newspapers
5723:(Beijing)
5699:(Toronto)
5693:(Dresden)
5566:Porsgrund
5560:Rosenthal
5500:Hollóháza
5410:Worcester
5350:Vincennes
5338:Chantilly
5332:Rörstrand
5175:Nabeshima
4977:Porcelain
4920:suribachi
4906:shimamono
4892:mizutsugi
4885:mizusashi
4730:Seto-guro
4716:nigoshide
4681:Sometsuke
4675:Nabeshima
4670:Mikawachi
4627:Seihakuji
4609:Porcelain
4559:Shigaraki
4524:Ōborisōma
4405:Aizuhongō
4365:Kamuiyaki
4091:74-189738
3505:Citations
3347:close to
3292:does not
3247:Zeze ware
3224:Tsuboya,
3192:Most are
3147:Tobe ware
2993:Seto-mono
2987:Seto-yaki
2968:Seto ware
2911:Raku ware
2858:Onta ware
2764:Includes
2748:Mino ware
2598:Most are
2361:Hagi ware
2277:Most are
1780:Lucie Rie
1705:tea bowls
1608:Onta ware
1521:movement
1283:Nabeshima
1177:Ko-Kutani
989:Jian ware
973:Seto ware
907:Seto-Guro
882:Seto-mono
794:Haji ware
695:coil-made
656:kaen doki
568:Porcelain
493:porcelain
481:stoneware
457:teikadoyū
418:raku ware
412:wabi-sabi
391:Toto Ltd.
334:porcelain
330:stoneware
318:Neolithic
314:art forms
222:Raku ware
5735:(London)
5705:(Moscow)
5639:Chinamen
5572:Augarten
5452:Wedgwood
5398:Plymouth
5263:General:
5210:General:
5180:Kakiemon
5136:General:
4991:General:
4899:sakazuki
4829:futa-oki
4769:kintsugi
4762:kinrande
4655:Kakiemon
4584:Tokoname
4574:Takatori
4475:Kiyomizu
4393:Ceramics
4055:42476594
3844:28 April
3492:Tokanabe
3478:Kintsugi
3450:See also
3421:Ryūkō-in
2670:Kyō ware
2568:Kyō ware
2410:Iga ware
2221:Kakiemon
1963:takebera
1949:Takebera
1933:Marugote
1767:Kakiemon
1519:folk art
1503:kara-usu
1406:motifs.
1275:Ko-Imari
1260:Ko-Imari
1234:Kakiemon
1150:Kakiemon
758:AD, the
455:or 低火度前
453:seyūtōki
387:Noritake
279:yakimono
220:" white
5717:(Paris)
5711:(Paris)
5618:Biscuit
5548:Zsolnay
5524:Doulton
5512:Mintons
5476:Limoges
5374:Mennecy
5356:Chelsea
5320:Meissen
5061:Qingbai
5037:Celadon
4927:tokkuri
4850:hibachi
4843:hanaire
4836:guinomi
4786:Objects
4737:Tenmoku
4589:Tsuboya
4564:Shitoro
4544:Satsuma
4500:Mashiko
4465:Karatsu
4440:Echizen
4420:Amakusa
4410:Akahada
4243:YouTube
3425:Kohō-an
3313:removed
3298:sources
2604:teapots
2600:teacups
2283:teapots
2279:teacups
2005:umakaki
1925:Gyūbera
1871:Chinese
1846:tenmoku
1823:tenmoku
1815:qingbai
1809:celadon
1792:style.
1690:glazing
1664:Karatsu
1638:
1612:Okinawa
1554:Mashiko
1395:gilding
1327:Kyōyaki
1317:Kyōyaki
1311:Kyōyaki
1305:Kyōyaki
1278:style.
1269:bengara
1116:During
1038:tenmoku
1028:celadon
1014:tenmoku
897:Ki-Seto
746:armor,
629:History
479:glazed
416:. Most
379:Chinese
326:pottery
276:, also
218:Fujisan
178:improve
112:scholar
5632:People
5574:(1923)
5568:(1885)
5562:(1879)
5556:(1877)
5550:(1853)
5544:(1853)
5538:(1826)
5536:Herend
5532:(1822)
5530:Lichte
5526:(1815)
5520:(1814)
5514:(1793)
5508:(1781)
5502:(1777)
5496:(1775)
5490:(1775)
5484:(1774)
5478:(1771)
5472:(1768)
5466:(1764)
5460:(1763)
5458:Berlin
5454:(1759)
5448:(1760)
5446:Retiro
5442:(1759)
5436:(1758)
5430:(1757)
5424:(1756)
5422:Sèvres
5418:(1755)
5412:(1751)
5406:(1748)
5400:(1748)
5394:(1747)
5388:(1747)
5382:(1747)
5376:(1745)
5370:(1744)
5364:(1743)
5358:(1743)
5352:(1740)
5346:(1735)
5344:Doccia
5340:(1730)
5334:(1726)
5328:(1718)
5326:Vienna
5322:(1710)
5316:(1693)
5310:(1673)
5304:(1575)
5302:Medici
5295:Types:
5255:Europe
5240:Joseon
5234:Goryeo
5227:Types:
5190:Hirado
5185:Kutani
5158:Types:
5115:Canton
5103:Kangxi
5097:Tianqi
5091:Swatow
5024:Types:
5015:(1338)
4934:yunomi
4913:suiban
4857:kensui
4822:donabe
4808:chawan
4794:chaire
4701:Glazes
4665:Kutani
4633:Hasami
4625:(also
4622:Hakuji
4569:Shōdai
4553:Ofukei
4551:(also
4519:Mumyōi
4507:(also
4490:Kutani
4485:Kosobe
4470:Kasama
4460:Izushi
4355:(also
4341:haniwa
4338:(also
4190:
4104:
4089:
4070:
4053:
4043:
3835:
3732:. See
3730:Kutani
3371:, the
3367:, the
3363:, the
3359:, the
3355:, the
3351:, the
3349:Nagoya
3033:tanuki
2776:, and
2610:, and
2289:, and
2205:Korean
2061:Notes
1897:haniwa
1863:kaolin
1789:mingei
1765:, see
1736:Kyūshū
1699:, the
1670:, and
1549:mingei
1525:mingei
1517:, the
1363:daimyō
1164:, and
1088:chawan
995:shōgun
912:, and
800:haniwa
779:
756:
736:Haniwa
711:
691:
680:
665:
618:chaire
589:chawan
580:utsuwa
501:silica
483:(施和陶器
462:Sansai
451:(施和的器
446:glazed
366:Ninsei
346:
336:, and
273:tōjiki
228:chawan
167:, but
114:
107:
100:
93:
85:
5470:Revol
5440:Weesp
5428:Derby
5308:Rouen
5203:Korea
5170:Imari
5165:Arita
5129:Japan
5085:Kraak
4984:China
4878:kyūsu
4815:choko
4723:Seiji
4643:Imari
4638:Hizen
4616:Arita
4579:Tamba
4534:Ōtani
4513:Shino
4509:Oribe
4455:Iwami
4435:Bizen
4430:Banko
4425:Asahi
4415:Akazu
4400:Agano
4375:Yayoi
4353:Jōmon
4348:Iriya
3434:Most
3124:丹波立杭焼
2831:horse
2819:大堀相馬焼
2682:Kyoto
2172:天草陶磁器
2102:会津本郷焼
2054:Kanji
2050:Name
2036:Wares
2013:Kushi
1987:Kanna
1957:Tonbo
1941:Dango
1914:Tools
1805:Shiga
1762:無形文化財
1732:Arita
1697:Kyoto
1672:Bizen
1656:Shiga
1592:Tamba
1255:Imari
1190:type
1070:Annam
1068:from
1065:Annan
1048:Luzon
743:keiko
610:hachi
600:tsuba
505:Arita
294:tōgei
291:, or
232:) by
119:JSTOR
105:books
5055:Ding
5049:Xing
4871:kōro
4864:kōgō
4687:Tobe
4660:Kotō
4594:Zeze
4549:Seto
4539:Raku
4529:Onta
4511:and
4505:Mino
4445:Hagi
4358:dogū
4336:Haji
4188:ISBN
4102:ISBN
4087:LCCN
4068:ISBN
4051:OCLC
4041:ISBN
3846:2020
3833:ISBN
3427:and
3415:and
3395:and
3296:any
3294:cite
3259:Ōtsu
3226:Naha
3056:志戸呂焼
2990:(or
2864:小鹿田焼
2842:koma
2799:無名異焼
2729:三川内焼
2628:古曽部焼
2612:sake
2588:小石原焼
2396:波佐見焼
2291:sake
2215:and
1971:Yumi
1839:wabi
1769:and
1742:and
1724:, a
1709:Mino
1701:Raku
1668:Hagi
1635:lit.
1630:人間国宝
1596:Kobe
1488:and
1401:and
1393:and
1336:Tobe
1195:ewer
1192:sake
1187:Iroe
1103:Raku
1084:Ido
1058:or "
851:and
796:and
650:火焔土器
606:bowl
497:jiki
495:(磁器
389:and
381:and
312:and
286:焼きもの
91:news
5380:Bow
5043:Yue
4601:...
4495:Kyō
4450:Iga
4370:Sue
3442:in
3307:by
3253:膳所焼
3219:壺屋焼
3182:常滑焼
3153:砥部焼
3104:高取焼
3076:小代焼
3019:信楽焼
2974:瀬戸焼
2944:薩摩焼
2893:大谷焼
2839:or
2836:uma
2754:美濃焼
2704:益子焼
2648:九谷焼
2558:清水焼
2530:切込焼
2510:笠間焼
2481:唐津焼
2461:出石焼
2441:石見焼
2416:伊賀焼
2342:越前焼
2312:備前焼
2267:萬古焼
2242:朝日焼
2193:有田焼
2152:赤津焼
2127:赤膚焼
2076:上野焼
2002:An
1833:Zen
1734:in
1660:Iga
1460:.
1320:by
1120:'s
943:.
777:(AD
713:BC
608:(鉢
598:(壷
596:jar
393:.
267:陶磁器
74:by
5769::
5678:/
4241:.
4138:.
4115:.
4049:.
3985:.
3973:^
3952:.
3893:^
3878:^
3780:.
3681:.
3641:.
3538:^
3522:.
3423:,
3411:,
3407:,
3403:,
3391:,
3387:,
3383:,
3196:,
3000:.
2917:楽焼
2780:.
2772:,
2768:,
2676:京焼
2606:,
2602:,
2367:萩焼
2285:,
2281:,
2044:.
2019:A
1993:A
1853:.
1775:.
1674:.
1666:,
1662:,
1658:,
1651:.
1633:,
1587:.
1533:民芸
1330:.
1241:,
1210:c.
1160:,
1156:,
1152:,
1148:,
975:,
916:.
855:.
717:,
673:c.
653:,
368:,
364:,
332:,
328:,
324:,
301:陶芸
270:,
236:,
4969:e
4962:t
4955:v
4629:)
4555:)
4515:)
4361:)
4344:)
4305:e
4298:t
4291:v
4252:.
4196:.
4126:.
4076:.
4057:.
4011:.
3997:.
3967:.
3848:.
3790:.
3691:.
3666:.
3645:.
3627:.
3600:.
3532:.
3334:)
3328:(
3323:)
3319:(
3315:.
3301:.
2833:(
1773:)
1759:(
1647:'
1641:'
1627:(
1536:)
1530:(
1467:)
1463:(
1219:)
1215:(
1041:)
1035:(
950:)
946:(
910:)
904:(
900:)
894:(
827:)
821:(
660:)
647:(
621:)
612:)
602:)
592:)
306:)
304:)
298:(
289:)
283:(
264:(
244:)
240:(
216:"
203:)
197:(
192:)
188:(
174:.
141:)
135:(
130:)
126:(
116:·
109:·
102:·
95:·
68:.
45:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.