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In the late 1930s an art forgery case in
Germany involved 54 paintings which had been passed off as Spitzweg originals. They had been painted by a Traunstein copyist named Toni, who worked from reproductions and picture postcards. Toni signed the works "in the style of Spitzweg" with his own name,
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Spitzweg had a keen sense of color. Through his pharmacist training, he gained chemical and technical experience in the production of his paints. He used a unique, bright shade of blue that cannot be found in any other painter. He also knew how to produce lasting colors. From his long travels,
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Through his friendship with the landscape painter Eduard
Schleich, with whom he traveled many times, he became more aware of the landscape. With a sense of nature and color, he painted grandiose mountain massifs and their open expanses, romantic forest corners, the green plateaus with forests,
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Spitzweg depicted people in their contemporary bourgeois milieu. In his small format paintings, he depicts the
Biedermeier petty bourgeoisie, the oddball eccentrics and romantic events. He did represent human weaknesses, but not the wicked or the mean: anything coarse was alien to Spitzweg.
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Although his artistic talent was early, with his first drawing from 1823, Carl
Spitzweg was obedient to his father and began his apprenticeship in the “city pharmacy” with Sigmund Lober in February 1825. On December 1, 1828, during the last year of his apprenticeship, his father died.
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From 1819, Carl
Spitzweg attended the Munich college and went through the two Latin preparatory classes and the two preparatory classes with varying degrees of success. He left the high school, today's Wilhelmsgymnasium Munich, in 1824, after the second (of four) high school years.
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Spitzweg began studying pharmacy, botany and chemistry at the
University of Munich in 1830, which he completed with honors in 1832. He was now licensed as a practicing pharmacist. In 1833, Spitzweg gave up his career as a pharmacist. During a spa stay in Bad Sulz,
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Spitzweg created over 1,500 pictures and drawings. Since 1824 he began painting with oil paints. During his lifetime, he was able to sell around four hundred paintings. He found admirers and buyers primarily among the citizens who had gained new purchasing power.
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In Munich, he suffered under his strict father, who tried to forbid him from drawing. After his mother died, in 1819, in same year, his father married his late wife's sister, Maria
Krescence. She took great care of Carl and defended him against his father.
451:. What Spitzweg particularly appreciated about this idyllic town was the picturesque small townscape with the narrow streets and graceful bay windows, the turrets, fountains and stone figures. These motifs will appear often in his paintings.
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but fraudsters later removed his name and artificially aged the paintings in order to sell them as originals. At the
Stuttgart Criminal Court Assizes, the conspirators were jailed for up to ten years for the swindle.
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447:. Spitzweg drew a lot in his youth. Even while working in the pharmacy, he drew the heads of real and imaginary sick people, young and old, as well as the people from the small town of
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Spitzweg died of a stroke, shortly after the death of his younger brother, on
September 23, 1885, at the age of 77. He was found dead in his Munich apartment. He was buried in the
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Spitzweg spent his travels to these
European cities studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous
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masters. He contributed with his first work to satiric magazines. In 1835, he became a member of the Munich Art Association. This was followed by trips to
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Carl Spitzweg – Beliebte und unbekannte Bilder nebst Zeichnungen und Studien ergänzt durch Gedichte und Briefe
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Spitzweg brought home a rich collection of sketches, which he used to create his paintings in the studio.
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was a fan of Spitzweg's work; he claimed to have acquired the world's finest collection of Spitzwegs.
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German masters of the nineteenth century: paintings and drawings from the Federal Republic of Germany
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meadows and harvest fields, mostly in good weather, because he preferred to depict the light.
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Carl Spitzweg. Beschreibendes Verzeichnis seiner Gemälde, Ölstudien und Aquarelle
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Carl Spitzweg. Beschreibendes Verzeichnis seiner Gemälde, Ölstudien und Aquarelle
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Spitzweg, der Maler und Apotheker: Natur und Naturwissenschaft in seinem Werk
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969:. Translated from the German by James Cleugh. London: Arthur Barker, p. 93.
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subjects. He is considered to be one of the most important artists of the
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style, but later his style of painting became more relaxed and closer to
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Spitzweg was self-taught as an artist, starting by copying the works of
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Carl Spitzweg – Reisen und Wandern in Europa und der Glückliche Winkel
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Forgers, Dealers, Experts: Adventures in the Twilight of Art Forgery
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Frederic Spotts: "Hitler and the Power of Aesthetics". Pg 194, 218.
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Spitzweg monogram, which he often used to sign his paintings
255:(February 5, 1808 – September 23, 1885) was a German
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In the Alpine High Valley (Landscape with Mt. Wendelstein)
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The Painter in a Forest Clearing, Lying under an Umbrella
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In 1829 he worked in the “Löwenapotheke” in the city of
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Since 1844 he was an employee of the weekly magazine
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Milwaukee Art Museum has a large Spitzweg collection
538:, who itself was later adapted into several films.
513:, an etching by Spitzweg, was found as part of the
439:period. Initially Spitzweg was associated with the
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1323:People educated at the Wilhelmsgymnasium (Munich)
1088:Biography and selected paintings of Carl Spitzweg
956:, Zeugnisse und Dokumente. Unipart, 1995 (German)
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1016:"List of 25 Artworks Seized in Germany Released"
989:"Photo Gallery: Munich Nazi Art Stash Revealed"
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904:"Carl Spitzweg | German painter | Britannica"
837:Große Bayerische Biographische Enzyklopädie
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577:Music-making Hermit before his Rocky Abode
120:Learn how and when to remove this message
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1348:People from FĂĽrstenfeldbruck (district)
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943:, E. A. Seemann, Leipzig, 1998 (German)
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1333:Artists from the Kingdom of Bavaria
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851:Karl Spitzweg, Museum Georg Schäfer
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1014:Times, The New York (2013-11-12).
952:Kristiane MĂĽller, Eberhard Urban,
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893:, Bruckmann, Munich, 1960 (German)
880:, Belser, Stuttgart, 2002 (German)
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1265:Das kleine Hofkonzert
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218:Painter, poet, artist
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1328:Painters from Munich
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1084:at Wikimedia Commons
876:Siegfried Wichmann,
665:The butterfly hunter
616:Museum Georg Schäfer
562:Museum Georg Schäfer
469:Sentinel at the Gate
54:improve this article
1051:Murray, P. & L.
995:. November 17, 2013
521:Cultural references
390:The Bookworm (1850)
1252:German Romanticism
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47:verification
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1288:1808 births
1258:Biedermeier
1237:(1880–1885)
1226:The Warlock
816: 1871
795: 1860
536:Edmund Nick
534:(1933), by
441:Biedermeier
385:genre works
265:Biedermeier
231:Biedermeier
207:Nationality
153: 1860
1282:Categories
1033:2022-08-09
913:2022-08-09
823:References
714:, c. 1840s
378:Heidelberg
339:PeiĂźenberg
327:Alexandria
166:1808-02-05
80:newspapers
1221:(c. 1860)
1213:(c. 1860)
1205:(c. 1857)
1197:(c. 1850)
1169:Paintings
1028:0362-4331
758:, c. 1859
743:, c. 1850
712:The Attic
699:, c. 1848
596:, c. 1857
491:Forgeries
449:Straubing
323:Straubing
313:(c. 1842)
237:Signature
1202:Justitia
1108:Archived
1096:Archived
1053:(1996).
634:, 1839,
593:Justitia
437:romantic
372:(1851),
352:(1839),
350:Dalmatia
257:romantic
223:Movement
18:Spitzweg
1045:Sources
993:Spiegel
609:In the
427:Artwork
370:Antwerp
346:Flemish
293:Bavaria
287:, near
94:scholar
1268:(1935)
1189:(1848)
1181:(1839)
1061:
1026:
773:, 1854
421:Munich
403:Munich
366:London
354:Venice
289:Munich
210:German
196:Munich
96:
89:
82:
75:
67:
1245:Other
1234:Kites
611:Harem
419:, in
362:Paris
360:, to
331:Egypt
267:era.
261:genre
101:JSTOR
87:books
1059:ISBN
1024:ISSN
1001:2013
393:and
376:and
185:Died
160:Born
73:news
405:).
56:by
1284::
1022:.
1018:.
991:.
906:.
813:c.
811:,
792:c.
790:,
517:.
475:,
471:,
467:,
423:.
401:,
380:.
364:,
333:.
329:,
291:,
229:,
198:,
176:,
150:c.
1153:e
1146:t
1139:v
1065:.
1036:.
1003:.
916:.
168:)
164:(
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
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