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on the
Orontes (in modern Turkey, just near the Syrian border) in 1910 along with several other items, including a large cross and three book covers. It was believed to have belonged to a church in Antioch, one of the five cities that led the early Christian church along with Rome, Constantinople,
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has rendered the interior cup extremely brittle. On the base of the chalice there are lotus petals, with a palm wreath above it on the bulb of the short stem. Surrounding the rim of the shell is a row of rosettes and one star. The bottom of the outer shell has an open lotus flower, and the upper
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Recently the
Antioch chalice has been identified as having the shape of a standing lamp commonly used in churches in the first half of the sixth century. Potentially, it is decorated in recognition of Christ's words "I am the light of the world". It has also been determined recently that the
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Two of the figures portrayed in the loops are images of Christ, one showing Christ holding a scroll and the other showing Christ sitting beside a lamb, above a spread-winged eagle perched on a basket of fruit. The other ten figures were initially thought to be ten of the
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Jerusalem, and
Alexandria. When it was discovered, the inner cup was thought to be the Holy Chalice, with the gilded, footed shell being added within the first century after the death of Christ to honor the grail. It was displayed as the
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silver footed shell. It measures 19.6 x 18 x 15.2 cm with a 7.4 cm base. The body of the cup, originally ovoid, has been bent out of shape. When it was discovered, the chalice was covered in a heavy
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Antioch chalice could have been a part of a larger group of silver objects that belonged to the Church of Saint
Sergios in the small town of Kaper Koraon.
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Fifth Avenue in Gallery 300. When it was discovered, the interior cup of the chalice was initially considered by some to be the
104:, who had foretold the coming of Christ. On the outer shell there are also snails, doves, a butterfly, a grasshopper, and a rabbit.
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370:. Matter, E. Ann., Heffernan, Thomas J., 1944- (2nd ed.). Kalamazoo, Mich.: Medieval Institute Publications. 2005.
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areas of the outer shell contain a fruited grapevine wrought into twelve loops, each of the loops containing a figure.
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324:. Cormack, Robin., VasilakΔ, Maria., Royal Academy of Arts (Great Britain). London: Royal Academy of Arts. 2008.
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Clarke, John R. (2003). "Finding Lost
Antioch: Exhibition, Catalogue, Programs".
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289:. Little, Charles T., Husband, Timothy, 1945-. New York, N.Y.: The Museum.
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Arnason, H. Harvard (1941). "The
History of the Chalice of Antioch".
211:; Holcomb, Melanie; Hallman, Robert (2001). "The Arts of Byzantium".
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created around AD 500β550. Currently it is on view at The
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but they have been variably identified as classical age
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N.Y.), Metropolitan Museum of Art (New York (1989).
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N.Y.), Metropolitan Museum of Art (New York (2012).
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78:cup that is encased within an elaborate open-work
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500:. Princeton, N.J.: Princeton University Press.
462:Conway, Martin (1924). "The Antioch Chalice".
172:"The Antioch "Chalice" | Byzantine | The Met"
253:. New York: The Metropolitan Museum of Art.
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102:philosophers
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52:Holy Chalice
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28:Another view
219:(4): 1β68.
70:Description
60:Last Supper
41:eucharistic
38:silver-gilt
615:Holy Grail
564:Categories
507:0691049327
377:1580440916
296:0870994476
181:2017-11-21
146:References
119:Holy Grail
394:cite book
348:cite book
340:227919169
269:836256531
133:in 1950.
89:corrosion
85:oxidation
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131:New York
98:apostles
64:oil lamp
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36:is a
512:OCLC
502:ISBN
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32:The
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