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Aura Soltana

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In May 1561 Elizabeth gave clothes to a "Tartarian woman", possibly Aura/Ippolyta or a companion. These included two loose gowns of black taffeta, a French kirtle of russet satin, and another French kirtle of black satin. The clothes had been made for the queen and discarded as gifts, a regular
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in a second document with prices. The cost of the clothes may be compared with the annual fees paid to aristocratic courtiers. The inclusion of imported materials connects her to the global exchange of luxury goods, and is a reminder of Jenkinson's role in the Persian silk trade. The garments
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for Aura Soltana, possibly indicating she was still growing. These included leather shoes, some made of Spanish leather, leather "pantobles", and velvet shoes and pantobles. As Elizabeth's own shoes recorded before this time were all made of velvet, the costume historian
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She was christened on 13 July 1561 and the Queen gave her a gold chain and a gold tablet or locket. The gifts were made to "Ipolitan the Tartarian". There is no other evidence that Elizabeth was her godmother. In 1564 she was given livery clothes, listed in detail.
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Early Voyages to Russia and Persia: The Principal Navigations, Voyages, Traffiques & Discoveries of the English Nation: Made by Sea Or Over-land to the Remote and Farthest Distant Quarters of the Earth at Any Time Within the Compasse of These 1600
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Bernadette Andrea, 'The Tartar Girl, The Persian Princess, And Early Modern English Women's Authorship From Elizabeth I To Mary Wroth', Anke Gilleir, Alicia Montoya, Suzan van Dijk,
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and, 'Queen Elizabeth's old cloathes distributed', 76:1 (June 1806), p. 518. This record has been printed many times, the date printed is May, 3rd year of Elizabeth's reign.
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A pewter metal doll was bought for her to play with in 1562, and she was given gifts of lavish clothing, and some of the queen's old clothes. The doll, provided by a
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With only a fleeting reference in the accounts of English men who traveled through Russia,... how might we trace the resonance of this Tartar girl...
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One of the latest records of Aura or Ipolyta at court was an order for the skinner Adam Bland to provide rabbit fur to her damask cloak in 1569.
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Sarah A. Bendall, 'Whalebone and the Wardrobe of Elizabeth I: Whaling and the Making of Aristocratic Fashions in Sixteenth Century Europe',
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and other scholars as the same person. From these sources, her identity seems to be formed and connected with international trade and the
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Women Writing Back / Writing Women Back: Transnational Perspectives from the Late Middle Ages to the Dawn of the Modern Era
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Women Writing Back / Writing Women Back: Transnational Perspectives from the Late Middle Ages to the Dawn of the Modern Era
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Mathilde Alazraki, "Ipolita the Tartarian:" A Living Diplomatic Gift for Elizabeth I: Nedieval and Early Modern Orients
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In September 1559, Jenkinson wrote a letter in Moscow to a trading colleague thanking him for "my wench Aura Soltana".
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Ladan Niayesh, 'Patterning the Tatar Girl in George Puttenham's The Art of English Poesie', Jyotsna G. Singh,
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Ladan Niayesh, 'Patterning the Tatar Girl in George Puttenham's The Art of English Poesie', Jyotsna G. Singh,
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Gift roll of Queen Elizabeth including her gift at the baptism of Ipolitan, British Library Harley V 18 f.4r
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pins were bought for her, possibly suggesting her costume at court was much the same as other young women.
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whiche he gave to the Queen afterward". Jenkinson wrote that the "price of a Nagayan Tartar slave" in
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specified and the fabrics are not unusual among the records of Elizabeth's wardrobe. The items were:
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The clothes given to "Ipolita the Tartarian" in June 1564 were specified in a warrant and most were
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suggested that the queen copied a fashion introduced by Ippolyta and bought Spanish leather shoes.
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Subsequent records of the Elizabethan court mention "Ipolitan the Tartarian", who is identified by
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The Lives of Girls and Women from the Islamic World in Early Modern British Literature and Culture
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Elaine Kruse, 'A Network of Honour and Obligation: Elizabeth of Godmother', Anna Riehl Bertolet,
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Elaine Kruse, 'A Network of Honour and Obligation: Elizabeth as Godmother', Anna Riehl Bertolet,
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A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700
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A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700
1349: 840: 830: 618: 75: 1151: 754: 728: 723: 657: 582: 8: 835: 772: 738: 718: 708: 425:, 'Ippolyta the Tartarian', Carole Levin, Anna Riehl Bertolet, Jo Eldridge Carney, eds, 284:, 'Ippolyta the Tartarian', Carole Levin, Anna Riehl Bertolet, Jo Eldridge Carney, eds, 1143: 873: 680: 1295: 1248: 1213: 784: 651: 422: 281: 259: 163:
A gown and a kirtle, of damask edged with velvet, lined with cotton fustian and linen
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Portrait of an unknown woman in masque costume, associated with Aura Soltana, 1590s,
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A "clout" of Spanish needles. The "clout" was a cloth to which needles were pinned.
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brought a young woman or child from Russia to England, who joined the court of
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Elaine Kruse, "A Network of Honor and Obligation", Anna Riehl Bertolet,
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Half a pound of "systers" thread for making the smocks and kerchiefs
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Queen Elizabeth's Wardrobe Uploaded: Costume record transcriptions
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after arriving from Russia to England, apparently as a slave.
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Gilleir, Anke; Montoya, Alicia A.; Dijk, Suzanna van (2010).
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6 canvas smocks with Holland linen sleeves; 6 kerchiefs; 6
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A Biographical Encyclopedia of Early Modern Englishwomen
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A Biographical Encyclopedia of Early Modern Englishwomen
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A gown and kirtle of grosgrain chamlet edged with velvet
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suggesting that Ashley (who was probably acting as the
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5 ounces of Venice gold thread for other embroidery
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Coote, 130:Several pairs of shoes were made by 544:Queen Elizabeth's Wardrobe Unlock'd 489:Queen Elizabeth's Wardrobe Unlock'd 476:Queen Elizabeth's Wardrobe Unlock'd 443:Queen Elizabeth's Wardrobe Unlock'd 411:Queen Elizabeth's Wardrobe Unlock'd 397:(Palgrave Macmillan, 2018), p. 190. 369:(Palgrave Macmillan, 2018), p. 190. 65: 13: 240:The Sixteenth Century in 100 Women 196:; 4 pairs of Holland linen sleeves 85:identified this woman as "a young 14: 1366: 1060:Secret correspondence of James VI 553: 1180:Elisabetta, regina d'Inghilterra 1086:Les Amours de la reine Élisabeth 242:(Pen & Sword, 2023), p. 179. 604: 536: 523: 510: 494: 481: 468: 448: 432: 400: 387: 383:, vol. 1 (London, 1823), p. 129 372: 115:, Alice Montague, was given to 359: 346: 333: 320: 304: 291: 275: 245: 232: 1: 429:(Routledge, 2017), pp. 512-3. 381:Progresses of Queen Elizabeth 343:(Palgrave Macmillan), p. 190. 288:(Routledge, 2017), pp. 512-3. 225: 169:A gown of cloth; a kirtle of 123:) looked after Aura Soltana. 7: 1330:16th-century Russian people 533:(Toronto, 2017), pp. 47-48. 505:, 24 (London, 1754), p. 163 419:, 24 (London, 1754), p. 163 356:(John Wiley, 2021), p. 379. 301:(John Wiley, 2021), p. 378. 10: 1371: 1335:16th-century English women 1325:16th-century Russian women 1290: 1264: 1241: 1206: 1163: 1136: 1126:Elizabeth: The Golden Age 1077: 1068: 1050: 979: 952: 930: 923: 892: 864: 806: 747: 701: 667: 626: 612: 520:(Cambridge, 2000), p. 18. 478:(Maney, 1988), pp. 212-4. 445:(Maney, 1988), pp. 218-9. 943:The Doubt of Future Foes 683:(Lady of the Bedchamber) 146:Costume in 1561 and 1564 938:On Monsieur's Departure 908:Plimpton Sieve Portrait 464:10.4000/apparences.3653 413:(Leeds, 1988), p. 107: 491:(Maney, 1988), p. 107. 330:(Brill, 2010), p. 264. 258:. BRILL. p. 265. 151:practice of the time. 58:woman at the court of 37:Ipolitan the Tartarian 29: 24: 1340:Court of Elizabeth I 767:Religious Settlement 755:Third Succession Act 724:Hampton Court Palace 658:Mary, Queen of Scots 1345:16th-century slaves 1223:Elizabeth the Queen 773:Regnans in Excelsis 739:Queen Elizabeth Oak 719:Palace of Whitehall 677:(Lady of the Robes) 529:Bernadette Andrea, 215:A scarf of sarcenet 121:Mother of the Maids 1153:The Virgin's Lover 874:Bacton Altar Cloth 681:Elizabeth Stafford 30: 1312: 1311: 1260: 1259: 1250:The Faerie Queene 975: 974: 785:Throckmorton Plot 729:St James's Palace 423:Bernadette Andrea 282:Bernadette Andrea 265:978-90-04-18463-3 98:Bernadette Andrea 72:Anthony Jenkinson 1362: 1188:Roberto Devereux 1110:The Virgin Queen 1075: 1074: 928: 927: 902:Pelican Portrait 709:Greenwich Palace 615:Queen of England 599: 592: 585: 576: 575: 547: 540: 534: 527: 521: 514: 508: 498: 492: 485: 479: 472: 466: 452: 446: 436: 430: 404: 398: 391: 385: 376: 370: 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Index


RCT
Tartar
Elizabeth I
Anthony Jenkinson
Queen Elizabeth
Richard Hakluyt
Tartar
Astrakhan
Bernadette Andrea
Muscovy Company
silkwoman
Kat Ashley
Mother of the Maids
Farthingale
Garret Johnson
Janet Arnold
grosgrain
farthingale
mockado
partlets
ruffs
Granada
Women Writing Back / Writing Women Back: Transnational Perspectives from the Late Middle Ages to the Dawn of the Modern Era
ISBN
978-90-04-18463-3
Bernadette Andrea
Early Voyages to Russia and Persia: The Principal Navigations, Voyages, Traffiques & Discoveries of the English Nation: Made by Sea Or Over-land to the Remote and Farthest Distant Quarters of the Earth at Any Time Within the Compasse of These 1600 Yeeres, vol. 1, p. 109
Progresses of Queen Elizabeth, vol. 1 (London, 1823), p. 129
Janet Arnold

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