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Australian heavy metal

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1209:, a new bass player Eddie Lacey from thrash metal band, The Wolves, and a new album. A national tour followed, but Sharp's association with the group would be brief. Eddie Lacey was also to depart the band. Three years later, Damaged returned once more but their always volatile personal relationships ended them for good within twelve months. Hobbs Angel of Death and Mortal Sin also returned. Peter Hobbs had rebuilt his band in 2002 and released an album of his early demos a few months later. In December 2003, the band played Metal for the Brain and featured at Wacken in mid-2004. Mortal Sin had reformed once before, in the mid-1990s, but split up again within two years. By late 2003, however, the group had once again reunited and before long had recorded a live DVD and begun writing material for a new album. They went on to play Wacken in 2006. 443:. Originally meant as a demo, the group released it as an album in early 1987 and were soon signed internationally to Vertigo, before long becoming Australia's highest-profile metal band by supporting Metallica on a national tour and later heading overseas to tour Europe and the US. Hobbs' Angel of Death had begun as a solo project for Tyrus guitarist Peter Hobbs. After recording a series of demos with assistance from members of Nothing Sacred, Hobbs found interest in the project from 2491: 1530:
label with a wide repertoire of artists that has previously released albums by other metal bands like Daysend and Henry's Anger. Traditionally, major labels have had little interest in Australian metal acts, although there has been notable exceptions. Allegiance and Mortal Sin, for example, were attached to Polygram (who also handled distribution for Armoured Angel's early releases), and Boss and a Perth band called Black Alice were signed to
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Death and distributing early Norwegian black metal albums before releasing the first Bestial Warlust album in 1994. Since then the label has maintained its distribution service along with its own roster and now carries acts that include Chalice, Deströyer 666, Long Voyage Back and former Sadistik Exekution guitarist Rev. Kriss Hades, along with a selection of overseas bands and a small number of non-metal bands.
1189:, Infernal Method quickly established themselves as perhaps the best-known local band playing the style, but constant personnel reshuffles kept them from releasing anything more than a demo. Nu metal acts like Superheist and Sunk Loto were doing strongly, enjoying radio airplay and playing regularly at festival events. The pressure of further success weighed heavily on both acts however. At the end of 2001, 482: 1512:
including doom and sludge bands as well as a few international releases and has been running two all day festivals: Slaughterfest, which showcases a mixed line up of Death, Grindcore and Doom bands and East West Death Grind Fest which focuses mainly on Brutal Death Metal and Grindcore bands. Another label specialising in grind is Melbourne's No Escape, set up by two members of
3132: 1550: 656:. By the end of the decade, the event had stretched out to a 12-hour festival featuring 18 groups from around the country and by 2000 was so big it was forced to move to a larger venue. When the final Metal for the Brain festival closed in November 2006, more than 100 different bands from every major centre in Australia and several from overseas including 1091:, to whom two of the bands were signed, it was the first tour of its kind to feature Australian metal bands exclusively, and visited all the east coast state capitals and several regional centres. The Metal for the Brain festival had now become so large that the organisers had found it necessary to find a larger venue for it, moving the event from the 996:, a Melbourne group that had formed in the early part of the decade as a grindcore band, had re-invented themselves as a pop-laced nu metal act and before long was one of Shock's major bands with their songs being played on TV shows and added to mainstream compilation albums. Segression had begun to head in the same direction with their second album 835:
coast touring circuit by immense distances, for this reason Perth band Epitaph made the relocation to Sydney after being signed to Warhead Records. Nevertheless, Australian metal bands were receiving more media coverage than ever before. As more local releases appeared, more were being added to the playlists of community radio and to
624:, the show began to gradually introduce more and more Australian acts into its playlists, although it wasn't until late in Leach's tenure with the show did it begin to move away from heavier alternative music towards a clearly metal focus. Three compilation albums featuring music featured on the show eventually appeared, titled 1355:. Funded through various crowdfunding campaigns, this 165-minute film covers bands such as Nothing Sacred, Renegade, Hobbs Angel of Death, Mortal Sin, Allegiance, Alchemist, Damaged, Manticore, Mortification, Sadistik Exekution, Segressions, Frankenbok, Dreadnaught, Psycroptic, Ne Obliviscaris, King Parrot and more. 1375:
Front began in 1996, and since 2009 this has been expanded to cover a local awards night for WA heavy metal bands. Other online coverage of Australian heavy metal was founded by Sydney-based sites Hail Metal and Pyro Music who provided regular reviews and interviews from the local and international scene.
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soon being touted as Australia's most prominent metal groups and both had established credible followings internationally before I Killed the Prom Queen abruptly split up in early 2007. Things did not turn out so well for Sunk Loto, who had switched to an aggressive metalcore style on their second album
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The Coffins Slave in Sydney, is mainly a distribution label that deals in vinyl although they do carry CDs and have a small roster of signed bands from Australia and overseas. The label works with exclusive distribution deals from carrying titles ranging from Black metal, Thrash, NWOBHM, Doom, and
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More bands were bolstering the scene's increasingly healthier status and diversifying its fanbase. Brisbane band Astriaal had formed in 1998 and since then had bucked the trend for black metal bands to remain mysterious and play live rarely or never. The group had released three EPs through Brisbane
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album in 1993. Other Melbourne groups like Scourge, Damaged and Blood Duster were also becoming established. Scourge formed in 1989, and released the 3/4's Cut C.D/E.P on Girls Toilet Records in 1991, and later released a 7" single Phoenix/Tastechaser on Death Valley records in 1994. Damaged, who had
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Local metal releases are not the sole domain of small, metal-specific underground labels however. Melbourne independent Shock Records established a subsidiary arm called Thrust in the early 1990s to handle releases by Abramelin and Alchemist. Alchemist is now attached to Chatterbox Records, a Sydney
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Few Australian record labels have specialised in heavy metal, and even fewer have focused solely on Australian heavy metal. Two of the best known are Melbourne's Modern Invasion Music and Sydney's now defunct Warhead Records. Daniel Janecka began Modern Invasion by managing bands like Hobbs Angel of
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In spite of such successes, Australian heavy metal continues to remain a fringe underground culture still widely ignored by the mainstream industry and media. When it was announced in mid-2006 that the annual Metal for the Brain festival would be no more after a final event on 4 November, no regular
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magazine, by 2000 Australian heavy metal was thriving like never before. By the end of that year the scene was much different from the one that had existed at the beginning of the previous decade. Many of the bands were beginning to be noticed beyond the underground by other sections of the industry
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in Sydney were strong supporters of local acts and both cities had particularly flourishing live metal circuits with established venues for bands to play. The smaller centres also harboured well-developed metal scenes, although Brisbane and particularly Perth were cut off from the growing south-east
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band that had formed in 1980. When guitarist John Meyer joined Rose Tattoo in 1983, Saracen replaced him with Jamie Page and changed its name to Trilogy, releasing two albums (the second of which was recorded after Meyer returned, and issued under the Saracen name). Axatak, who adopted a leather and
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In 2006 Animus Industries released a mixed bag of nu-metal, hardcore and hard rock music videos on a DVD called 'Broken' including: The Butterfly Effect, Karnivool, The Mark of Cain, .hinge, Nokturnl, Side Effect X, Greyn, Sick Puppies, No Grace and A Darker Shade. Also included are: Chton, Keep of
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label Neurotic, before touring Europe once more. Blood Duster also toured Europe in June 2005. At one point, the bands found themselves playing at the same venue on concurrent nights, possibly the first time such a thing had happened in Australian metal history. Blood Duster had toured with the Big
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from Adelaide had previously been seen as part of the hardcore scene but were finding their audience beginning to crossover as the definition between hardcore and metal became increasingly blurred. While they often found themselves to be alienated by fans of more traditional metal, these bands were
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Hotel which had been a key venue for every type of band from hair metal to thrash—the live heavy metal scene in Sydney almost came to a standstill. The Lewisham Hotel has since begun hosting metal gigs once more, although not as frequently. The old Phoenician Club building was eventually demolished
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magazine, a glossy monthly that had first appeared in 1988, was the first Australian publication devoted to heavy metal and gave considerable coverage to local acts. By the early 1990s it had attained widespread mainstream circulation throughout the country and helped to introduce new audiences to
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The Tasmanian scene was non-existent except for one genuine metal act, Tyrant that formed in 1983, releasing a 4-track cassette titled "Never Too Loud" which topped the local metal charts and peaking at No. 7 at Melbourne's Central Station records. Tyrant re-located to Sydney in 1985, quickly
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from teenage thrash group Neophobia. Expanding to a store called the Hammerhouse in Parramatta in Sydney's west, the business traded in metal exclusively while the label released only Australian artists, by far the most successful at the local level being Cryogenic who went on to do a small scale
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In 2008, Metal Obsession entered the market offering extensive news, reviews, interviews and gig guide for all states of Australia and New Zealand. Metal Obsession received an Australian Metal Award in 2009 for best Metal Fan/Web/Magazine. Metal as Fuck also offer updates of Australian metal in a
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Starting in 1995, the first website devoted to Australian heavy metal coverage was launched by Sydney-based site Ausmetal, which featured biographies, reviews, music samples and a gig guide. It was first introduced a larger audience 'offline' at the Metal for the Brain festival that year. Western
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Other bands made significant comebacks. Scourge reformed after a 4-year hiatus, and released "Incinerator" a 4 track E.P/C.D on Spooky Records. And an album named "Fall From Disgrace" was recorded by Scourge during 2000–2001, yet it was never released. Scourge played their final show in 2001. The
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in 1984 as a five-piece band before becoming a trio after an early demo recording. Developing a dense and very heavy style, they are often named as Australia's first major death metal band. Staying together until 1996, they came as close as any Australian metal band to attaining widescale success
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were two of the few foreign metal bands to conduct Australian tours in the first half of that decade. In spite of this, metal music had a large underground following, with small independent retailers like Sydney's Utopia Import Records catering for the audience. Utopia was established in 1978 by
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Sydney label Grindhead Records was established in the early 2000s (decade) by the vocalist of grindcore band Ebolie to release not only his own albums but those from other groups, mostly other Sydney grind and brutal death metal acts. The label has since released a wider range of extreme styles
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It was not just Australia's metalcore contingent that was breaking into overseas markets. Alchemist, who had long sustained a dedicated cult-level foreign following, finally broke through in the middle of the decade and toured Europe in late 2004. The Berzerker was by now well established at an
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only to find little acceptance for it from more established fans and a difficulty attracting new ones, and the band broke up acrimoniously in mid-2007. Other bands with metal backgrounds like Daysend developed a deliberately metalcore style and found immediate acceptance. Within three years of
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on 12 February 2000 at Festival Hall before ultimately disbanding without any formal release. Deströyer 666, a thrash band that had been formed by former Bestial Warlust guitarist KK Warslut, was another act developing a foreign profile, touring Europe (and eventually moving there in 2001) and
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was plagued with problems, however, and Addictive faded away before splitting up in 1996. Sydney death metal group Sinus were also experiencing success at this stage, although ultimately they would only put out one release, splitting up just before releasing their highly anticipated sophomore
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Prime Cuts is a Perth label handling a range of metal bands from that city . Started by metal musicians Glen Dyson and Brad Wesson in 2002, the company has since expanded to incorporate the promotions and touring arm Soundworks Entertainment which in the last few years has conducted numerous
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in the inner city, which also hosted regular metal events including shows by international touring acts; the building's history as a live music venue dated back to the early 1970s when groups like AC/DC had played there. On 21 October 1995, however, the club hosted a dance party known as a
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An increasingly popular export, the latter half of the 2000s has seen a marked increase in the number of Black Metal artists achieving high distinction and domestic and international success. In the footsteps of the highly successful Destroyer 666 and Gospel of the Horns, Melbourne bands
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During the early 1990s, the influence of American and Swedish death metal bands was quickly evident. Many of the thrash bands of the 1980s had disbanded and heavier groups were beginning to fill the void, such as Necrotomy, Acheron, Disembowlment, Corpse Molestation, Damnatory, Hecatomb,
253:), Black Jack, Wolf, Nothing Sacred, Rosanas Raiders, Axatak, Almost Human, Egypt (later to become Venom, in Sydney), Tyrant and Bengal Tigers. In the 90s WOLF emerged with a female lead vocalist this was something new to the Melbourne metal scene. Their style of music was similar to 1185:, a style that was gaining popularity but had few local exponents. The rise of Swedish melodic death metal had also spawned Australian practitioners such as Infernal Method, a Sydney band that had formed out of the remnants of Deadspawn. At one time featuring a former member of 1448:
have been a forerunner in the establishment of a regulated and competitive schedule of live events accommodating the more obscure and extreme underground metal artists across Australia, including hosting the annual 'Hellraiser' festival, catering to artists such as Canberra's
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before eventually imploding in 1985. Vice was a glam metal band from Brisbane who had formed in early 1984. They became one of the city's most prominent acts, releasing an EP and two albums, undertaking interstate tours and also supporting international acts such as Sweet and
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Day Out the year before, the first domestic metal band to play at every show since Allegiance ten years previously, and had even attained the rare distinction of having a song featured in a TV commercial. In 2008, Truth Corroded became the first Australian band to tour
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Truth Inc. is an Adelaide-based metal label run by members of long-standing acts Truth Corroded and Double Dragon. The labels current roster includes Double Dragon, Truth Corroded, Black Like Vengeance, Closed Casket, A Red Dawn, Separatist, The Omen and Lynchmada.
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were starting to appear in the always diverse Melbourne. In Perth, isolation was a serious problem. Both Allegiance and iNFeCTeD, a death metal band that had released two albums on Shock, had self-destructed not long after returning from expensive east coast tours.
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festival. Established by Armoured Angel's drummer Joel Green to raise funds for a friend severely brain-damaged after an assault, the first concert in 1991 featured six Canberra bands in the afternoon with a later performance by some punk bands including the
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label Dissident by 2002, headlined Metal for the Brain and toured regularly. One band developing a profile was Psi.Kore, who had formed in 1996. They had been on the "World War Three" tour and, their self-titled EP was a best-seller. By going on to support
249:, a small raft of bands had begun to emerge that would form the foundations of the modern Australian heavy metal scene. Some of the better known groups from this time included Taipan, Saracen, Virgin Soldiers, Prowler (who would soon change their name to 878:
Hotel in the inner western suburbs, which as The Haunted Castle had hosted metal gigs up to four nights a week since the early 1990s, decided to close its doors to metal bands after a series of vandalism incidents. The other premier venue was the
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peaked at No. 2), none of their singles reached higher than No. 21 ("Stand Up", 1982). The Angels were rarely referred to as a heavy metal band in Australia however, and in the modern context would possibly not now be considered one.
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have achieved critical acclaim in recent years in the Americas and Europe respectively, achieving collaborative signings with Misanthropic Spirit Records (Argentina) and Obscure Abhorrence Productions (Ger.) for upcoming full-length releases.
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who died three days later after taking ecstasy there. During the resultant investigation, the Phoenician Club's entertainment license was withdrawn and with the closure of another two venues shortly afterward—including the Cobra Club at the
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Regardless of these closures, a steady stream of bands were beginning to develop considerable profiles. Alchemist, who had formed in Canberra in 1987, had finally refined its unique style that comprised elements of death metal, grindcore,
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Australian heavy metal music has established itself as a healthy if overlooked part of the wider Australian music industry, and many of the bands involved in it continue to be signed to foreign labels and build international fanbases.
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news service outside of Canberra carried word of it, even though it had often attracted up to 3000 people and had been running as long as the Big Day Out. In an interview with Australian metal webzine HailMetal.com, festival director
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European tour in 1998. Warhead eventually disappeared in early 2000 and none of the bands attached to it still exist although several have formed the core of other groups currently at the forefront of the scene, including Daysend.
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magazines, not to mention a strong fan base, a record deal never eventuated and the group disbanded in late 1986. Over the next decade Tyrant played only a handful of shows, reforming in 1999 and have released 3 albums to date,
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had attracted attention with a militaristic death metal style and at the end of 2001 were voted Australian Metal Band of the Year by Triple J. The following year they toured Europe and eventually moved to the US in 2005.
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and under his direction the show began featuring more Australian metal than ever before. Soon after his tenure began, however, programming reshuffles at Triple J caused the show to be reduced by an hour and was renamed
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is often cited as being Australia's foremost hard rock band. AC/DC's influence on metal is quite clear however, with a style built around a predominately loud, heavy riffing guitar sound. With regard to heavy metal,
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in 1976, another band often cited as laying a cornerstone for Australian metal. Like Buffalo, Rose Tattoo's music was ignored by Australian radio while building a strong cult following internationally. Conversely,
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establishing themselves and headlining the first Metal Crusade at the Coogee Bay Hotel on a lineup that also included Bengal Tigers, Shy Thunder, Statez and Vice before 1,800 people. Despite good reviews in both
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By 1993, Armoured Angel had achieved some overseas success and with their EP "Stigmartyr" being distributed nationally by Polygram had been added to the bill of the Big Day Out. In Perth, a thrash band called
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forming in 1979 and hoisting their jolly roger flag, they released material (on a now defunct label associated with a local metal music shop '83+'85) that showcased a distinctive blend of NWOBHM classical and
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global context: It was the first Australian metal press to be granted access to major European festivals from its earliest years. The Aus Metal Gig Guide also provides a decent contributor based gig listing.
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Heaven formed in Sydney out of an Adelaide band called Fat Lip in 1980 and became a second-tier attraction in the US on the strength of their second album, touring widely and opening for the likes of
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were proving that there was more to the local scene than just death metal. Death metal was the focus of Brisbane's scene, however, headed by Misery who had formed in 1992 and featuring others like
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Without support from radio airplay even well-established foreign metal bands found little success on the Australian singles charts until the last half of the 1980s. Albums, significantly those of
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had begun to have a strong influence over the domestic metal scene, with several of the more established metal acts taking aspects of that sound into their own, or shifting toward it completely.
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Faultline Records is another Melbourne company with a heavy metal focus. Set up in 2004 by DW Norton of Superheist, the label's current roster includes Daysend, the hard rock band Head Inc. and
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the following year which was supported by a national tour with Sydney hard rock band The Poor. By 1995, Allegiance had toured nationally with the Big Day Out and supported bands like Slayer,
1066:, yet another Melbourne group, also appeared on the international scene when its self-titled debut album became the first release from an Australian band on the British extreme music label 340: 1290:
bridged gaps between Australian underground metal scenes and European markets with the collaboration of prominent metal figures on their 'Mortuus Machina' release. Featuring members from
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scene in the US in the late 1980s had raised the level of interest in heavy metal music in Australia by the early 1990s but for the most part it was still primarily an underground scene.
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and quite a few were establishing names overseas. Pegazus, a Melbourne power metal band that had formed at the beginning of the 1990s, had become only the second Australian group after
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band that had evolved out of a 1980s thrash group called Light Force. Having already established some international links from that time, Mortification was signed internationally by
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could well be considered one of the country's first exponents of the style. Originally formed under the name Head in 1967, Buffalo began playing a very similar style to that of
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had begun to filter through the local metal community and a group of newer bands started to appear that adopted similar styles. Arguably the earliest of these was Melbourne's
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was also making inroads beyond Australian shores. The band undertook a European tour in 2004 after the release of their second album and by the middle of 2006 had signed to
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band that formed in the late 1970s playing covers before introducing original material. As one of that city's most prominent heavy bands they supported touring groups like
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label. Earlier in the year, Alchemist, Cryogenic and a Sydney thrash band called Psi.Kore had staged a large-scale tour billed as "World War Three". Backed by Triple J's
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and managed and released music by Dungeon, Pegazus and Vanishing Point among others, however Ravic has been concentrating his efforts on film making in recent years.
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always courted commercial success in Australia while finding progress tougher overseas. The Angels were probably closer to metal than Rose Tattoo, with the albums
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began to win fans away from old guard acts like Metallica and Megadeth who were seen by many to have mellowed since their earlier recordings. The Sydney-based
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group Voivod becoming the first foreign act to appear at the festival. For the first time, the event attracted publicity from the mainstream media, with the
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almost immediately, becoming the first Australian band to be carried by the German metal-specialist label. Another Melbourne act establishing a legacy was
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had gone through a tumultuous history and by early 1999 was down to only two members. Late in 2000, however, the group had returned with a new vocalist,
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and recorded an album it was quickly forgotten. Hobbs' Angel of Death had really only existed as a studio band and virtually all the early bands except
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show on 3RRR for a number of years between the mid-1980s and 1990, and was a prominent, influential, and controversial figure in the local metal scene.
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scene and Taipan also released albums or EPs but all of these were generally passed over by the mainstream Australian music scene. Almost Human was an
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international level and had supported their first three albums with lengthy tours across Europe and North America. A technical death metal band from
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Brad Sims established Warhead Records by selling demos from local groups and CDs by underground foreign bands. In 1993 Warhead then issued the EP
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in 2006 to make way for a residential precinct, and the Parramatta Hotel was similarly removed in 2003 and the site is now part of the enormous
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albums that were generally not given release in Australia and by the early 1980s was the country's best known retailer of heavy metal music.
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forming in 2002 the band had toured constantly and opened for a range of foreign acts before heading to the US on a six-week tour in 2005.
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to find themselves attached to Nuclear Blast Records. In 1998 they also became the first Australian act to appear at Germany's prestigious
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On 7 November 2009, the Australian Metal Awards were held in Sydney. The event was billed as part concert and part awards show featuring
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but by 1997 they too were exploring a nu metal sound and by 1999 they were on the verge of a major breakthrough when their second album
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A changing of the guard was also becoming evident. Mortal Sin had fizzled out after a US tour and while a new line-up had toured with
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but disbanded after a US tour, reforming a brief time later under the name BB Steal, a band that still exists to the present time. In
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for worldwide release in 1983. The album was moderately successful in Europe and the group supported Iron Maiden, Twisted Sister and
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and many metal fans had expressed a belief that the magazine no longer catered to their tastes. An offshoot of Sydney street paper
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The Melbourne heavy metal scene at this time was still very underground, and was supported by a handful of metal music shows on
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In August 2014, a long-awaited documentary series examining the history of Australian heavy metal is being released called
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including a feature story on it in its colour magazine several weeks later. Just over a year before, on 26 September 1999,
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expressed managerial interest. Problems befell the group after this point however and the second album was long delayed.
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had formed in Adelaide in 1979 and after moving to Sydney built up a following on the pub circuit, eventually signing to
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Several smaller and even more underground metal labels also emerged during the 1990s, including Dissident, now based in
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and others and eventually released a self-financed single. Guitarist Chris Tennant went on to achieve some success with
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supplement. It was perhaps the first story of its kind in a major Australian daily newspaper. In terms of other media,
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and released three albums with them between 1972 and 1975 but never found mainstream success in Australia. The group's
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staff members including editor Jeremy Sheaffe then set up their own publishing house and produced the first issue of
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had drifted apart. Both of these groups had just entered their most successful periods. Armoured Angel had formed in
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had begun to win notice after a string of demos. In 1993 they were signed, also by Polygram, and released the album
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scenes. Since the mid-1980s, Australian heavy metal has been particularly influenced by foreign bands, particularly
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so on. They also run a yearly festival in Sydney called Evil Invaders and a heavy metal nightclub Killed by Death!
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Melbourne enterprise Metal Warriors and Samson Productions is another label dedicated to heavy metal music. Run by
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The same year, however, Sydney's live metal scene suffered a series of blows when several venues closed down. The
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among others. In recent years the label has directly signed a number of local and foreign metal acts including
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original recordings have been found recently after being missing for 17 years, and will be completed in 2018.
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ceased publication after the 24th issue in June 1996. Shortly afterward, Pacific Publications announced that
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and Megadeth, Psi.Kore was on the verge of further success but split in 2002, with most of the band forming
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As the Sydney live metal scene began to recover with some new venues replacing those lost the year before,
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in the early 1990s in order to widen its coverage to include other alternative music styles in the wake of
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began as primarily a distribution label, acting as the Australian agent for such foreign companies as
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had appeared at some time. Many bands considered it to be one of the pinnacles of their achievements.
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were now having a major influence, and slightly later in the decade the more aggressive stylings of
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had won European release, had headlined an event at Sydney's Hordern Pavilion called MetalFest with
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By the middle of the decade, nu metal had all but disappeared from the heavy metal landscape and
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in 2001. Haug, who had previously presented a heavy metal program on Melbourne community station
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in 1989, played violently extreme music that combined death and black metal and grindcore with a
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and by the time of their third release were well established as a nu metal band. Canberra band
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virtually disappeared for almost two years and Superheist self-destructed at the end of 2003.
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By the middle of the decade, the Australian heavy metal music scene was a well-established
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and Mausoleum in Brisbane, Aftermath, Apostasy and Cruciform from Sydney and Psychrist and
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Kalessin and Forty-Two direct from the Norwegian underground scene of Hardcore and Metal.
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The first group from this period to attain some prominence was Mortification, a Melbourne
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and loutish humour. The notorious Sadistik Exekution had finally released an album,
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compilations and the group played at the 1996 Sydney Big Day Out. In Sydney, the
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did not cover metal exclusively either but it had a more prominent local focus.
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metal music, and established fans to new bands, especially new Australian acts.
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harbouring a distinctly heavy metal sound, yet while all three charted highly (
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Obsidian Records is Brisbane label dealing with extreme acts from the state.
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had taken its place among the more traditional forms of metal. Bands like
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on two occasions, touring Europe and having their two EPs distributed by
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Other bands were somewhat more successful, though success was fleeting.
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Award in the Best Album Category. Another group was a Messiah from the
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suggested the festival would return in 2008; this now seems unlikely.
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Australian tours by foreign bands. In late 2007, this label released
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began producing a local version of its long-running British magazine
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One of the other great boons to Australian heavy metal music was the
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and releasing both local and international grind and death bands.
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was an Adelaide band who had won wide acceptance with a symphonic
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had formed in Canberra in 1984 and released their debut demo tape
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from 1970. The band was the first non-British act to be signed to
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scene led by Hyperion but also including groups like Apparition,
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during the 1990s and other members went on to play in bands like
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were filling the gap that had been left by the dissolution of
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element and Blood Duster mixed thirty-second grind songs with
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The worldwide success of Metallica and the explosion of the
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crowdfunding, which has enabled them to tour extensively.
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had included a feature article on Australian metal in its
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programs, bands like these were appearing at a high rate.
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record collector John Cotter who began trading metal and
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Australian metal music: identities, scenes, and cultures
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program, Utopia Import Records and Sydney record label
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in 1995. Produced on news print at a cheaper cost than
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following in 2009. In 2010, Australian metal upstarts
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had wound up in 1998 but in 2001 the Sydney office of
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By the mid-1980s, music by American thrash bands like
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and the occasional exposure to extreme metal on some
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magazine, had formed in 1988. Heavily influenced by
1257:" sound, in particular the bass playing of Sinus's 46:. Unsourced material may be challenged and removed. 548:and by 1991 was recording a follow-up album with 3161: 1249:'s east-coast tour date fame, cites Sydney band 1058:Festival. Another Melbourne melodic metal band, 1172:who would have a similar ascent. Brisbane band 1720:"Slipknot Setlist at Festival Hall, Melbourne" 1504:, Paindivision, Mortal Sin, Arcane, Be'lakor, 2521: 1863: 684:from Canberra. Perhaps due to magazines like 940:, and a core group of bands like Mortality, 1045:Despite the closure of Warhead Records and 2528: 2514: 1870: 1856: 1395:by Sydney doom band Cruciform followed by 952:and Killengod. A developing melodic metal/ 3170:Australian fringe and underground culture 447:label Steamhammer who released the album 106:Learn how and when to remove this message 1253:as being a major influence on Slavin's " 612:to its formatting. Originally hosted by 480: 1843:Archive of known Australian Metal Bands 632:philosophy that all guitar amps should 264:in 1979 and by 1982 had been signed to 3162: 2535: 1652:. metalforthebrain.com. Archived from 1099:. Thirty bands played that year, with 988:magazine in April 1997. By this time, 3175:Australian heavy metal musical groups 2765:West Australian Music Industry Awards 2509: 1851: 1362:have become notable for their use of 1123:had taken over from Costa Zouliou on 700:was released in 1992 and compiled by 44:adding citations to reliable sources 15: 608:introduced the heavy music program 520:during this period, playing at the 13: 1806: 1620:"The BNR Metal Pages, Version 2 –" 1358:Australian progressive metal band 980:was also being shut down. Several 918:. A track from their second album 743:and combined with death metal and 461:the following year. Another band, 14: 3191: 2715:Country Music Awards of Australia 1826: 821: 754:Transcendence Into The Peripheral 3142: 3130: 2740:National Indigenous Music Awards 2490: 2489: 2389:New wave of American heavy metal 1562: 1548: 1382: 924:had been included on one of the 747:. A demo found the attention of 20: 2866:Tamworth Country Music Festival 2394:New wave of British heavy metal 1877: 1785: 1369: 1212: 1004:had started out playing a dark 285:hair look similar to the early 276:, and an album in 1997, called 247:new wave of British heavy metal 132:tradition of the 1970s and the 31:needs additional citations for 2846:Mildura Country Music Festival 1771: 1754: 1737: 1712: 1690: 1668: 1642: 1612: 1595: 1093:Australian National University 1: 2760:South Australian Music Awards 1588: 1421:A Blaze in the Southern Skies 1062:, became the second in 2000. 778:band and changed its name to 2861:St Jerome's Laneway Festival 2826:Big Pineapple Music Festival 1040: 476: 119:Australian heavy metal music 7: 2399:Early Norwegian black metal 1838:Australian Black Metal Ring 1541: 861:Alternative Nation Festival 720:, Allegiance and Hecatomb. 604:In 1990, youth broadcaster 255:Ritchie Blackmore's Rainbow 10: 3196: 3180:Australian styles of music 2917:Raggamuffin Music Festival 2745:National Live Music Awards 892:, attended by 15-year-old 162: 121:has its roots in both the 3119: 3073: 3055: 2954: 2879: 2818: 2809: 2796:The Rock Across Australia 2773: 2735:National Dreamtime Awards 2725:Environmental Music Prize 2682: 2646: 2543: 2480: 2427: 2309: 2212: 1885: 268:, releasing an EP called 1035: 260:Bengal Tigers formed in 55:"Australian heavy metal" 3029:Rolling Stone Australia 2755:Queensland Music Awards 2339:Bangladeshi heavy metal 2329:Australian thrash metal 1796:29 October 2009 at the 1765:29 October 2009 at the 1583:Australian thrash metal 1446:White Noise Productions 1237:Between Birth and Death 1231:I Killed the Prom Queen 1079:linking up with French 668:, Scourge, Anatomy and 153:black metal from Norway 3064:Advance Australia Fair 2889:(1992–1997; 1999–2014) 2856:Splendour in the Grass 2851:National Folk Festival 2705:Australian Music Prize 2462:Heavy metal subculture 2374:Indigenous metal music 2349:Brazilian thrash metal 2334:Australian heavy metal 1833:Australian Metal Guide 1097:University of Canberra 1074:in 2000 and supported 804:D.e.s.t.i.t.u.t.i.o.n. 493: 2905:Future Music Festival 2750:Music Victoria Awards 2414:Teutonic thrash metal 2344:Bay Area thrash metal 2324:Argentine heavy metal 1939:Blackened death metal 1676:"Metal for the Brain" 1606:11 April 2011 at the 1453:, Mephistopheles and 1440:Five Star Prison Cell 1016:was nominated for an 930:symphonic black metal 484: 450:Hobbs' Angel of Death 437:Hobbs' Angel of Death 359:stations, especially 3149:Australia portal 2941:Sunbury Pop Festival 2801:Triple J Hottest 100 2354:Canadian heavy metal 1534:in the early 1980s. 859:was launched at the 580:bands from America, 560:, Black Sabbath and 540:, their first album 441:Mayhemic Destruction 40:improve this article 2972:Channel V Australia 2893:Byron Bay Bluesfest 2409:Swedish death metal 2364:Florida death metal 2359:Chinese heavy metal 2319:African heavy metal 2117:Neue Deutsche Härte 1751:, 26 September 1999 1656:on 18 December 2006 1630:on 21 November 2007 1466:Riot! Entertainment 1308:Mors Principium Est 828:underground culture 792:Gospel of the Horns 649:Metal for the Brain 620:and, from 1998, by 490:Metal for the Brain 369:Metal for Melbourne 348:with undertones of 145:Swedish death metal 3101:Northern Territory 3074:Cities and regions 2537:Music of Australia 2384:Les LĂ©gions Noires 2112:Neoclassical metal 1922:National Socialist 1578:Music of Australia 1397:Fear of the Future 1336:Sadistik Exekution 1106:Weekend Australian 1089:Chatterbox Records 998:Fifth of the Fifth 906:shopping complex. 843:had become simply 710:Roadrunner Records 676:, Obfuscate Mass, 494: 463:Sadistik Exekution 410:Thunder Down Under 223:Two Minute Warning 218:Two Minute Warning 3157: 3156: 2950: 2949: 2913:(1996; 1998–2012) 2899:Defqon.1 Festival 2791:Kent Music Report 2700:ARIA Music Awards 2503: 2502: 2162:Progressive metal 1907:Beatdown hardcore 1902:Avant-garde metal 1897:Alternative metal 1745:Full Metal Racket 1152:EMAP Publications 1143:Full Metal Racket 1008:style similar to 1006:alternative metal 751:who released the 116: 115: 108: 90: 3187: 3147: 3146: 3145: 3137:Music portal 3135: 3134: 3133: 2841:Groovin' the Moo 2816: 2815: 2530: 2523: 2516: 2507: 2506: 2493: 2492: 2442:Environmentalism 2213:Musical elements 2197:Crossover thrash 2075:Industrial metal 1872: 1865: 1858: 1849: 1848: 1800: 1789: 1783: 1782: 1775: 1769: 1758: 1752: 1743:Thompson, Chris 1741: 1735: 1734: 1732: 1730: 1716: 1710: 1709: 1707: 1705: 1694: 1688: 1687: 1685: 1683: 1678:. AusMetal Guide 1672: 1666: 1665: 1663: 1661: 1646: 1640: 1639: 1637: 1635: 1626:. Archived from 1616: 1610: 1599: 1572: 1570:Australia portal 1567: 1566: 1565: 1558: 1553: 1552: 1551: 1514:Fuck... I'm Dead 1352:Metal Down Under 1125:3 Hours of Power 1085:3 Hours of Power 1014:Personality Test 926:3 Hours of Power 837:3 Hours of Power 610:3 Hours of Power 526:Polygram Records 459:Baptism in Blood 435:and Melbourne's 406:Freaks of Nature 280:. Saracen was a 266:Mushroom Records 245:Inspired by the 111: 104: 100: 97: 91: 89: 48: 24: 16: 3195: 3194: 3190: 3189: 3188: 3186: 3185: 3184: 3160: 3159: 3158: 3153: 3143: 3141: 3131: 3129: 3115: 3069: 3056:National anthem 3051: 2982:Community radio 2946: 2875: 2805: 2769: 2678: 2642: 2539: 2534: 2504: 2499: 2476: 2423: 2419:Ukrainian metal 2369:Hungarian metal 2311: 2305: 2247:Gallop drumbeat 2208: 2187:Symphonic metal 1949:Christian metal 1888: 1881: 1876: 1829: 1809: 1807:Further reading 1804: 1803: 1798:Wayback Machine 1790: 1786: 1781:. 6 April 2016. 1777: 1776: 1772: 1767:Wayback Machine 1759: 1755: 1742: 1738: 1728: 1726: 1718: 1717: 1713: 1703: 1701: 1696: 1695: 1691: 1681: 1679: 1674: 1673: 1669: 1659: 1657: 1648: 1647: 1643: 1633: 1631: 1618: 1617: 1613: 1608:Wayback Machine 1600: 1596: 1591: 1568: 1563: 1561: 1554: 1549: 1547: 1544: 1385: 1372: 1360:Ne Obliviscaris 1215: 1166:Cradle of Filth 1072:The Big Day Out 1068:Earache Records 1060:Vanishing Point 1056:Wacken Open Air 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1114: 1113: 1108: 1107: 1102: 1098: 1094: 1090: 1086: 1082: 1077: 1073: 1069: 1065: 1064:The Berzerker 1061: 1057: 1053: 1052:Mortification 1048: 1033: 1031: 1027: 1023: 1019: 1015: 1011: 1007: 1003: 1002:Henry's Anger 999: 995: 991: 987: 983: 979: 975: 970: 967: 963: 959: 955: 951: 947: 943: 939: 935: 931: 927: 923: 922: 917: 913: 907: 905: 900: 895: 891: 886: 882: 877: 872: 870: 866: 862: 858: 854: 853:On the Street 850: 846: 842: 838: 833: 829: 819: 817: 813: 809: 805: 801: 795: 793: 789: 785: 784:Deströyer 666 781: 777: 773: 769: 765: 761: 756: 755: 750: 746: 742: 738: 734: 730: 729:Nuclear Blast 726: 721: 719: 715: 711: 707: 706:Ian McFarlane 703: 699: 698:Come to Daddy 695: 694:Shock Records 691: 687: 683: 679: 675: 671: 667: 661: 659: 655: 650: 645: 643: 639: 635: 631: 627: 623: 622:Costa Zouliou 619: 618:Francis Leach 615: 611: 607: 602: 599: 595: 591: 587: 583: 579: 574: 572: 567: 566:Kick 'em Hard 563: 562:Ozzy Osbourne 559: 555: 551: 547: 543: 539: 535: 531: 527: 523: 518: 514: 511:and Sydney's 510: 506: 501: 499: 491: 487: 483: 474: 472: 468: 464: 460: 456: 452: 451: 446: 442: 438: 434: 430: 426: 422: 417: 415: 411: 407: 402: 398: 392: 390: 385: 381: 377: 372: 370: 366: 362: 358: 353: 351: 347: 342: 338: 334: 330: 326: 321: 319: 315: 311: 307: 303: 299: 295: 291: 288: 283: 279: 275: 271: 267: 263: 258: 256: 252: 248: 243: 241: 236: 232: 227: 224: 220: 219: 214: 213: 212:Watch The Red 208: 207: 202: 197: 193: 190: 186: 182: 181:Black Sabbath 178: 174: 169: 160: 158: 154: 150: 146: 142: 139: 135: 131: 127: 124: 120: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: â€“  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 3045: 3027: 3016: 2993: 2987: 2610: 2333: 2279:Shred guitar 2242:Cymbal choke 2204:Viking metal 2192:Thrash metal 2182:Stoner metal 2172:Sludge metal 2137:Pirate metal 2122:Nintendocore 2080:Kawaii metal 2070:Groove metal 2055:Gothic metal 2028:Celtic metal 1991:Funeral doom 1812: 1787: 1773: 1756: 1748: 1744: 1739: 1727:. Retrieved 1723: 1714: 1702:. Retrieved 1700:. Erowid.org 1692: 1680:. Retrieved 1670: 1658:. Retrieved 1654:the original 1644: 1632:. Retrieved 1628:the original 1624:bnrmetal.com 1623: 1614: 1597: 1556:Music portal 1536: 1528: 1521: 1518: 1510: 1459: 1444: 1433: 1429: 1425: 1420: 1417: 1402: 1396: 1392: 1390: 1386: 1377: 1373: 1370:Online media 1357: 1350: 1348: 1344: 1340:Chaos Divine 1333: 1325: 1312: 1263: 1247:Lorna Slavin 1243:Kev Freiberg 1235: 1216: 1213:2005–present 1203:Brutal Truth 1195: 1187:Dimmu Borgir 1183:Gothic metal 1162: 1155: 1147: 1141: 1124: 1117:Sunday Life! 1116: 1110: 1104: 1084: 1046: 1044: 1013: 997: 985: 981: 977: 973: 971: 925: 919: 908: 873: 868: 864: 856: 852: 844: 840: 836: 825: 808:Machine Head 803: 796: 771: 752: 722: 713: 701: 697: 685: 674:Dreamkillers 670:Blood Duster 662: 646: 641: 637: 625: 609: 603: 597: 575: 570: 565: 541: 534:Sacred Reich 529: 502: 495: 458: 448: 440: 418: 414:Live Bootleg 413: 409: 405: 400: 396: 393: 376:Judas Priest 373: 354: 322: 278:In the Blood 277: 273: 270:Metal Fetish 269: 259: 244: 228: 222: 216: 210: 206:Night Attack 204: 166: 149:thrash metal 118: 117: 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 3040:Triple J TV 3011:MTV Classic 2943:(1972–1975) 2937:(2003–2013) 2931:(2004–2015) 2925:(2008–2015) 2923:Stereosonic 2919:(2008–2011) 2907:(2006–2015) 2901:(2009–2018) 2895:(1990-2025) 2887:Big Day Out 2871:WOMADelaide 2836:Good Things 2786:ARIA Charts 2710:AWMA Awards 2695:APRA Awards 2626:Psychedelic 2457:Headbanging 2404:Palm Desert 2294:Death growl 2274:Power chord 2269:Palm muting 2264:Guitar solo 2177:Speed metal 2157:Power metal 2132:Pagan metal 2105:Progressive 2085:Latin metal 2008:Drone metal 1959:Death metal 1917:Black metal 1912:Biker metal 1879:Heavy metal 1494:Ace Frehley 1482:Metal Blade 1405:Steve Ravic 1316:Adamus Exul 1207:Kevin Sharp 1121:Andrew Haug 1028:and become 974:Rebel Razor 954:power metal 916:psychedelia 869:Rebel Razor 857:Rebel Razor 816:Rob Halford 768:larrikinism 739:mixed with 628:(after the 614:Helen Razer 578:black metal 569:recording, 550:Bob Daisley 542:Pity of Man 522:Big Day Out 473:behaviour. 467:death metal 384:Mötley CrĂĽe 346:power metal 329:RCA Records 274:Pain Clinic 231:Iron Maiden 196:Rose Tattoo 192:Peter Wells 147:, American 141:heavy metal 3164:Categories 3123:See also: 3046:Video Hits 3023:Rock Arena 2935:Summadayze 2781:AIR Charts 2690:AIR Awards 2664:APRA AMCOS 2601:Aboriginal 2576:Indigenous 2259:Distortion 2237:Blast beat 2147:Post-metal 2142:Pornogrind 2045:Glam metal 2040:Funk metal 2023:Folk metal 2003:Doom metal 1986:Death-doom 1954:Crust punk 1729:29 January 1724:setlist.fm 1634:15 January 1589:References 1508:and more. 1498:Stuck Mojo 1462:Wollongong 1329:Adam Agius 1271:Psycroptic 1131:, is also 1022:Gold Coast 994:Superheist 946:Segression 921:Lunasphere 899:Parramatta 800:Allegiance 788:Abominator 758:formed in 630:Spinal Tap 576:Death and 558:Uriah Heep 498:hair metal 471:nihilistic 469:style and 433:Mortal Sin 350:doom metal 298:Whitesnake 290:glam metal 201:The Angels 123:Australian 66:newspapers 3096:Melbourne 2988:Countdown 2929:Soundwave 2811:Festivals 2571:Immigrant 2551:Classical 2485:Hard rock 2452:Festivals 2299:Screaming 2225:Fuzz bass 2167:Rap metal 2152:Pop metal 2095:Metalcore 2060:Grindcore 2050:Goregrind 1981:Deathcore 1969:Technical 1944:Blackgaze 1927:Symphonic 1490:Universum 1451:Alchemist 1304:Nightrage 1288:Universum 1255:hot metal 1227:Byron Bay 1219:metalcore 1191:Sunk Loto 1148:Loudmouth 1047:Loudmouth 1041:2000–2004 1030:Sunk Loto 986:Loudmouth 942:Cryogenic 934:Lord Kaos 912:surf rock 904:Westfield 894:Anna Wood 841:Hot Metal 776:war metal 772:The Magus 745:grindcore 702:Hot Metal 686:Hot Metal 682:Alchemist 598:Hot Metal 594:Sepultura 571:Dead Kids 546:Motörhead 530:Hot Metal 513:Addictive 477:1990–1995 453:in 1988. 421:Metallica 341:BlackJack 337:Melbourne 262:Melbourne 126:hard rock 96:July 2008 3125:Timeline 3091:Canberra 3086:Brisbane 3081:Adelaide 3035:Triple J 2911:Homebake 2730:J Awards 2495:Category 2232:Drumming 2127:Nu metal 2090:Mathcore 1794:Archived 1763:Archived 1604:Archived 1542:See also 1506:The Poor 1455:Be'lakor 1436:mathcore 1296:Soilwork 1284:Thailand 1174:Devolved 1157:Kerrang! 1137:Contrive 1101:Canadian 1076:Slipknot 990:nu metal 885:Broadway 876:Lewisham 764:hardcore 760:Ballarat 741:ambience 654:Hard Ons 642:Thirteen 634:go to 11 606:Triple J 517:Canberra 505:Megadeth 318:BB Steal 294:Adelaide 134:American 130:pub rock 2819:Current 2581:Hip-hop 2556:Country 2447:Fashion 2429:Culture 2290:Vocals 2100:Melodic 1964:Melodic 1932:Unblack 1478:Earache 1474:Relapse 1464:-based 1393:Atavism 1364:Patreon 1300:MyGrain 1269:called 1199:Damaged 1179:Chalice 1170:Daysend 1095:to the 966:Eyefear 958:Pegazus 950:Sakkuth 704:writer 666:Damaged 616:, then 590:Pantera 554:Rainbow 389:Stryper 251:Taramis 194:formed 185:Vertigo 177:Buffalo 163:History 138:British 80:scholar 3111:Sydney 2995:Go-Set 2880:Former 2774:Charts 2683:Awards 2631:Thrash 2591:Reggae 2544:Genres 2472:Umlaut 2467:Poseur 2286:Lyrics 2254:Guitar 2065:Grunge 1819:  1704:19 May 1682:19 May 1660:19 May 1524:London 1438:group 1275:French 1267:Hobart 849:grunge 714:Redrum 678:Misery 658:Voivod 626:Eleven 586:Norway 582:Sweden 492:, 1993 486:Misery 445:German 425:Slayer 314:Heaven 173:Sydney 157:Europe 82:  75:  68:  61:  53:  3106:Perth 2955:Media 2611:Metal 2606:Indie 2566:Grime 2437:Bands 1998:Djent 1502:Fozzy 1280:China 1251:Sinus 1245:, of 1225:from 1036:2000s 932:band 812:Fight 306:Slade 302:Sweet 282:Perth 175:band 168:AC/DC 87:JSTOR 73:books 3017:Rage 2967:4ZZZ 2962:3RRR 2674:CMAA 2669:ARIA 2654:AGSC 2621:Punk 2596:Rock 2586:Jazz 2561:Folk 2220:Bass 1817:ISBN 1731:2020 1706:2014 1684:2014 1662:2014 1636:2022 1484:and 1460:The 1411:and 1318:and 1306:and 1229:and 1129:3RRR 1026:Sony 1018:ARIA 1010:Tool 964:and 944:and 914:and 890:rave 810:and 790:and 737:doom 640:and 592:and 584:and 573:EP. 536:and 423:and 412:and 401:Juke 399:and 382:and 380:Kiss 365:3RRR 363:and 361:3PBS 325:Boss 316:and 240:punk 215:and 151:and 136:and 128:and 59:news 3006:MTV 3001:Max 2977:CMC 2659:AIR 2638:Ska 2616:Pub 1532:RCA 1486:SPV 1413:DVD 1409:VHS 1205:'s 883:on 644:. 636:), 488:at 397:RAM 333:Dio 42:by 3166:: 1747:, 1722:. 1622:. 1500:, 1496:, 1492:, 1480:, 1476:, 1472:, 1442:. 1302:, 1298:, 1294:, 1261:. 982:HM 978:HM 960:, 867:, 865:HM 855:, 845:HM 794:. 786:, 556:, 408:, 391:. 378:, 352:. 339:, 320:. 304:, 300:, 287:LA 209:, 159:. 3066:" 3062:" 2529:e 2522:t 2515:v 1871:e 1864:t 1857:v 1733:. 1708:. 1686:. 1664:. 1638:. 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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Australian
hard rock
pub rock
American
British
heavy metal
Swedish death metal
thrash metal
black metal from Norway
Europe
AC/DC
Sydney
Buffalo
Black Sabbath
Vertigo
bass guitarist
Peter Wells
Rose Tattoo
The Angels

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