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Australian indie rock

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167:. In the meantime, Russell Morris enjoyed a surprise hit with singles such as "The Real Thing". Produced by music legend Ian Molly Meldrum, and written by singing star Johnny Young, the single encompassed high production values and a psychedelic approach in its use of instruments such as a sitar, sampling of a children's choir, and its 6-minute running time (unusually long for the time). While released by EMI, this domestic production inspired a generation of bands, singers and songwriters that home-grown Aussie talent could produce world-beating music. The single charted well in New York, Houston and Chicago. 407: 1398: 620: 22: 398:, alternative music became mainstream. Major labels signed three-chord grunge/punk-style rock bands, commercial radio played them and the 'alternative' sound soon became ubiquitous, ultimately culminating in manufactured pop groups, styled to sound raucously 'alternative' and appearing on television commercials for mobile phones. In this way, this process of mainstreaming echoes what happened in the USA and UK. 1386: 606: 444:-style grunge; loud, rebellious, and easily marketable to a generation of teenagers. Bands who did not fit this manifest were largely left behind by this process, and did attract smaller audiences (predominantly in their 20s and based in bohemian inner urban areas). In inner Melbourne, a considerable 418:
were an Australian Indie rock band from the Gold Coast, active from 1981 to 1984. They are a significant contributor to the alternative rock music scene on the Gold Coast, Brisbane and Sydney, being one of the first bands from the Gold Coast to perform original material to audiences Australia wide.
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The Ballerinas was formed in 1981 on the Gold Coast from an amalgamation of two pre-existing new-wave bands, Ratpak and The Strand. At the time, there was a mood for change on the Gold Coast music scene, as seen at the Macintosh Island concert, attended by around 2,000 people was headlined by The
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soon followed expanding opportunities for bands to record and release domestically. The number of venues exploded, and fueled by the expansion of FM radio and a prosperous economy, Sydney begun to prove that independent bands could make a healthy living on the amazing pub music circuit at home,
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Strand, and also included Ratpak and several other local bands. The Macintosh Island concert was a turning point in Gold Coast music. As noted at the time, it was a move away from disco, and towards a local sound that expressed the values and attitudes of Gold Coast youth.
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Isolated from the diversity of genres in the northern hemisphere, Australian mainstream record labels tried to replicate the success of trends imported from overseas and produce radio friendly singles by successful artists such as John Farnham and
367:, which combined the DIY ethos of punk with rule-breaking, genre-defying artistic experimentation. The profusion of small, defiantly non-commercial and often unhesitatingly experimental bands became known as the " 435:
in Australia, though did signal a shift in its focus. The form of 'alternative' music that the major labels and commercial radio stations were interested in was predominantly three-chord rock informed by
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sound dominated, though in the mid-1960s, the beat genre from the UK had become established. Numerous garage bands formed in the cities and suburbs, and a vibrant musical culture began.
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By the early 1980s Sydney had begun to eclipse the post-punk explosion of gloomy drug-addled Melbourne with its beach culture, summery pub music scene, and hubris.
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operated outside the mainstream radio stations and began playing various independent music from around the world. Double J (an AM station) eventually turned into
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Melbourne's post-punk scene was much more experimental than any of the other capital cities. The city spawned a lot of experimental and gothic rock, of which
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without having to first strike out to tour overseas and release internationally acclaimed albums. Other legendary live indie bands from the 80's era include
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Dalton, Mike (September 1979). "Friday Focus: The bands of hope, Coast kids seek a lost chord and a new cause as they wax lyrical and satirical".
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playing more subdued music using the traditional guitar/bass/drums structure; bands in this scene often played at inner-city venues such as the
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were influenced by Radio Birdman, especially in their early albums. In 1970s Sydney, the Australian Federal Government's "youth station"
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explored the more cinematic scope of string sections combined with guitar/bass/drums, especially on debut recordings such as
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The Seven Ballerinas, February 1982; from left to right, Mario Spina, John Smethurst, Michael Palmer, and John Hippocrates.
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movement began in the mid-1970s, and resulted in an explosion of musical activity. Numerous bands formed, as did many
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history but has a distinct history somewhat separate from mainstream rock in Australia, largely from the end of the
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in Australia got started in the late 1950s and 1960s, influenced by the sounds coming from the United States and
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to describe music. Kim Salmon and James Baker later once again collaborated in the underground rock supergroup
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A vibrant and interesting punk and post-punk scene also developed in Perth, Western Australia. Bands such as
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A small but active Indie Rock movement was evident on the Gold Coast in the late 1970s and early 80's.
360:'s band, the Boys Next Door (later to become the Birthday Party) was the most notable and influential. 204:, who relocated to Britain in the early 1980s and were one of the most acclaimed bands of the decade. 1049: 988: 978: 551: 469: 388: 809: 492: 484: 305: 185: 79: 653: 1282: 1008: 948: 884: 849: 683: 224:, and the band defined the sound of the punk and post-punk movement in Sydney. The sound of both 32: 1317: 1109: 958: 874: 864: 575: 477: 449: 1230: 1158: 1003: 814: 259:. Phantom's success would inspire others to follow, with important indie champions, such as 1235: 1194: 1054: 869: 854: 579: 415: 8: 1428: 1225: 1146: 1094: 844: 1349: 834: 790: 633: 473: 268: 394:
This era can be said to have ended in the 1990s, when in the wake of the explosion of
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and Spencer P. Jones. Perth also spawned the critically acclaimed indie-rock band
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have been releasing many recordings by independent local bands such as
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but later relocated to Melbourne, released recordings on both
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Entertainment Section (1981). "It's plain ballet mad".
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of note have operated in Australia around this time.
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The mainstreaming of alternative music did not kill
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More recently, Tasmanian-cum-Melbourne label 387:, crossed over to the mainstream; others, like 775: 527:, released albums by bands like Dalton's own 740: 738: 391:went on to achieve critical acclaim abroad. 782: 768: 216:were heavily inspired by acts such as the 735: 363:Soon the raw energy of punk evolved into 106:Learn how and when to remove this message 654:"Russell Morris - The Real Thing (1969)" 405: 696: 426: 1416: 789: 744: 503:by a wide range of artists, including 1019:West Australian Music Industry Awards 763: 171:Regional developments: 1970s to 1980s 44:adding citations to reliable sources 15: 13: 664:from the original on Oct 30, 2023. 448:scene flourished, with bands like 14: 1445: 969:Country Music Awards of Australia 491:, established by Guy Blackman in 1396: 1384: 994:National Indigenous Music Awards 618: 604: 324:, an influence on bands such as 20: 1120:Tamworth Country Music Festival 121:is part of the overall flow of 31:needs additional citations for 1100:Mildura Country Music Festival 690: 668: 646: 1: 1014:South Australian Music Awards 639: 401: 267:Label. Other labels, such as 137: 1115:St Jerome's Laneway Festival 1080:Big Pineapple Music Festival 351: 7: 597: 175: 10: 1450: 1424:Australian styles of music 1171:Raggamuffin Music Festival 999:National Live Music Awards 141: 132: 1373: 1327: 1309: 1208: 1133: 1072: 1063: 1050:The Rock Across Australia 1027: 989:National Dreamtime Awards 979:Environmental Music Prize 936: 900: 797: 552:Festival Mushroom Records 375:'s Seaview Ballroom) and 207: 186:independent record labels 572:Architecture in Helsinki 299: 263:signed to the fledgling 1283:Rolling Stone Australia 1009:Queensland Music Awards 697:Spencer, Chris (1993). 472:. Other bands, such as 55:"Australian indie rock" 1318:Advance Australia Fair 1143:(1992โ€“1997; 1999โ€“2014) 1110:Splendour in the Grass 1105:National Folk Festival 959:Australian Music Prize 576:Life Without Buildings 478:Left Over Life To Kill 411: 1159:Future Music Festival 1004:Music Victoria Awards 409: 383:. A few bands, like 119:Australian indie rock 1403:Australia portal 1195:Sunbury Pop Festival 1055:Triple J Hottest 100 580:Unstable Ape Records 427:1990s to the present 416:The Seven Ballerinas 316:, and the legendary 40:improve this article 1434:Musical subcultures 1226:Channel V Australia 1147:Byron Bay Bluesfest 747:Gold Coast Bulletin 729:Gold Coast Bulletin 1355:Northern Territory 1328:Cities and regions 791:Music of Australia 634:Music of Australia 474:The Paradise Motel 412: 389:The Birthday Party 271:, Hot Records and 269:Waterfront Records 1411: 1410: 1204: 1203: 1167:(1996; 1998โ€“2012) 1153:Defqon.1 Festival 1045:Kent Music Report 954:ARIA Music Awards 379:stations such as 369:little band scene 340:, also featuring 338:Beasts of Bourbon 116: 115: 108: 90: 1441: 1401: 1400: 1399: 1391:Music portal 1389: 1388: 1387: 1095:Groovin' the Moo 1070: 1069: 784: 777: 770: 761: 760: 751: 750: 742: 733: 732: 724: 715: 714: 694: 688: 687: 686:on Apr 22, 2008. 682:. Archived from 676:"Russell Morris" 672: 666: 665: 650: 628: 626:Australia portal 623: 622: 621: 614: 609: 608: 607: 584:Love of Diagrams 330:The Jesus Lizard 249:The Hoodoo Gurus 155:. 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"Australian indie rock"
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Australian rock
punk rock
Australian rock
Rock and roll
UK
surf rock
The Easybeats
punk
independent record labels
The Saints
Sex Pistols
post-punk
The Go-Betweens
Radio Birdman
MC5
The Stooges
Midnight Oil
INXS
Double J

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