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91:. George Summers had roaming ways which meant that his family was frequently in financial difficulties. His mother, however, was a woman of good character. Summers went to work from eight years of age and, while employed in masons' yards, began to show ability in carving fancy stone work. That led to his being employed as an assistant in setting up a monumental figure at
160:. Summers obtained the commission, and not only modelled the figures but built a furnace and cast them in bronze himself. The colossal figure of Burke was cast in one operation, an amazing feat when it is considered that there were no skilled workmen for that type of work in Australia. On the completion of the group, he sailed for England on the
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employed him to do four large statues in marble of Queen
Victoria, Prince Albert, and the Prince and Princess of Wales for presentation to the Melbourne Art Gallery. They were completed in 1878. Soon afterwards, Summers was taken seriously ill while on his way to England, and died after an operation
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Summers, a hard worker, fell into ill health and, in 1852 sailed for
Australia, joining one of his brothers who had previously settled there. He tried his fortunes at gold-digging but seeing an advertisement for modellers for the newly built
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in
Melbourne, obtained a position and modelled the figures on the ceiling of the council chamber. The exhibiting of some busts at the 1854 intercolonial exhibition led to his getting commissions, and he opened a studio in
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Summers was a regular exhibitor at Royal
Academy exhibitions, and more than 40 of his works were shown between 1849 and 1876. Several examples of his work, together with his portrait of
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Batchelder & Co., photographers. Summers , taken in
Melbourne. Albumen silver carte-de-visite photograph. H9517. La Trobe Picture Collection, State Library Victoria, Australia
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schools. In 1851, he won the silver medal for the best model from life and the gold medal for the set subject,
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world of the 1850s and 60s, and is particularly remembered as the creator of the memorial to the explorers
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and opened a studio. There he did a large amount of work and was able to employ many assistants. In 1876,
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NGV: Portrait of the artist as hero: Margaret Thomas’s portraits of
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and obtained work at Weekes's studio. Summers subsequently worked under
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in May 1867 and, after obtaining various commissions, went to
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In 1864, it was decided to erect a memorial to the explorers
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290:. Vol. 6. Canberra: National Centre of Biography,
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by
Charles Summers at the Spring Street location, 1954.
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287:Australian Dictionary of Biography
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19:For the American politician, see
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292:Australian National University
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249:"Summers, Charles (1825–1878)"
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294:. 1976. pp. 173–174.
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203:Mitchell Library, Sydney
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360:"Summers, Charles"
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162:True Briton
393:Categories
368:. Sydney:
256:, Volume 6
225:References
216:Statue of
173:for acute
71:Early life
310:1833-7538
119:Australia
81:Ilchester
49:Melbourne
358:(1949).
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127:Bust of
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185:Legacy
175:goitre
101:London
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266:1 May
179:Paris
158:Wills
154:Burke
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61:Burke
377:2010
325:2010
314:OCLC
306:ISSN
296:ISBN
268:2007
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