491:
134:
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476:
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593:
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31:
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448:). The third book has 24 birds arranged in a grid on a full-page miniature (see illustration above). The birds portrayed throughout the treatise are of high artistic merit and are faithful to nature in form and color. Most of the birds are easily identifiable. Some of the birds contained in the full-page miniature in the third book are not described in the text of the paraphrase. It is probable that these illustrations are based on the illustrations from an older, different treatise, possibly that of
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569:
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427:), Dioscurides sits writing in a codex on his lap. He is shown in profile, which corresponds to the portrait in the previous miniature. It is possible that there was a tradition based on Dioscurides' life portrait that the images are based on. In front of Dioscurides is an artist, seated at a lower level, painting an illustration of the
412:. Each of the figures is a self-contained portrait and was probably modeled on authors' portraits from the various authors' treatises. The seven figures are contained within an elaborate decorated frame. The background is solid gold, which places the figures in an abstract space. This is the earliest known manuscript to use a
322:
illustrations that are more abstract. The majority of the illustrations were painted in a naturalistic style so as to aid a pharmacologist in the recognition of each plant. However, it is believed that these illustrations were made as copies of an earlier herbal and were not drawn from nature.
321:
The manuscript has 383 extant full-page illustrations of plants out of the original 435 illustrations. The illustrations fall into two groups. There are those that faithfully follow earlier classical models and present a quite naturalistic illustration of each plant. There are also other
365:, working as masons and carpenters. This miniature is an altogether original creation and, with the inclusion of the personifications and the putti, shows the endurance of the classical tradition in Constantinople, despite the fact that Anicia herself was a pious Christian.
175:
by scholars. Although it was created as a luxury copy, in later centuries it was used daily as a textbook in the imperial hospital of
Constantinople, and a medieval note records that a Greek nurse there, named Nathanael, had it rebound in 1406.
108:
measure 37 cm (15 in) by 30 cm (12 in) and contain more than 400 pictures of animals and plants, most done in a naturalistic style. In addition to the text by
Dioscorides, the manuscript has appended to it, the
662:
Janick, Jules, and John
Stolarczyk. "Ancient Greek illustrated Dioscoridean herbals: origins and impact of the Juliana Anicia Codex and the Codex Neopolitanus." Notulae Botanicae Horti Agrobotanici Cluj-Napoca 40.1 (2012):
268:
357:
holds a dedication copy up to Anicia. Anicia and her attendants are enclosed within an eight-point star within a circle all formed of intertwined rope. Within the outer spandrels of the star are
769:
628:
The 1500th
Anniversary (512-2012) of the Juliana Anicia Codex: An Illustrated Dioscoridean Recension. Jules Janick and Kim E. Hummer. Chronica horticulturae. 52(3) 2012 pp. 9-15
337:. This portrait is the oldest extant dedication portrait. The portrait has Anicia seated in a ceremonial pose distributing alms. She is flanked by personifications of
118:
333:
portrait of Anicia
Juliana on folio 6 verso. The manuscript was presented to Anicia out of gratitude for her funding the construction of a church in the suburbs of
179:
Throughout the
Byzantine period the manuscript was used as the original for copies of the work that were given to foreign leaders, including the Arabic edition of
444:
by
Dionysius is in three books. The first two books have illustrations of the birds inserted into the text columns without frame or background (for example, see
780:
840:
741:
ed. Antony Robert
Littlewood, Henry Maguire, and Joachim Wolschke-Bulmahn (Washington, D.C.: Dumbarton Oaks Research Library and Collection, 2002).
17:
805:
381:
259:
820:
774:
La
Collezione di testi chirurgici di Niceta (Firenze, Biblioteca Medicea Laurenziana, Plut. 74.7). Tradizione medica classica a Bisanzio
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The series of frontispieces in the manuscript begins with two full-page miniatures, each having a group of seven noted
762:
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550:
770:
L'illustration des disciplines médicales dans l'Antiquité : hypothèses, enjeux, nouvelles interprétations
749:
463:
296:
437:(the power of thought). There is architectural background consisting of a colonnade with a central niche.
388:. He is flanked by three pairs of other physicians, seated on stones or the ground. Closest to Galen are
855:
830:
673:
Tiltman, John H. (Summer 1967). "The
Voynich Manuscript: "The Most Mysterious Manuscript in the World"".
431:
root. He is painting from nature. The mandrake root he is looking at is held by the personification of
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L'image paradigmatique : des Schémas anatomiques d'Aristote au De materia medica de Dioscoride
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157:(Eastern Roman) Empire's capital, Constantinople, for a resident Byzantine imperial princess,
117:, a paraphrase of an ornithological treatise by a certain Dionysius, usually identified with
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353:). At her feet, another personification, labeled "Gratitude of the Arts", kneels. A
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452:. This manuscript, however, is the oldest surviving illustrated treatise on birds.
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sent a Greek copy and a translator. A note recording the name of one Michael of the
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Age of spirituality: late antique and early Christian art, third to seventh century
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Codices Illustres: The world's most famous illuminated manuscripts, 400 to 1600
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In addition to the illustrations of the text, the manuscript contains several
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765:; full text available online from The Metropolitan Museum of Art Libraries
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in the form of a series of full-page miniatures. Of special note is the
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Following the two miniatures of seven pharmacologists, there are two
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Portrait of Anicia Juliana, for whom the book was made, flanked by
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The manuscript was restored and a table of contents and extensive
433:
195:
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Leslie Brubaker, "The Vienna Dioskurides and Anicia Juliana" in
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Register in 1997 in recognition of its historical significance.
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62:(Περὶ ὕλης ἰατρικῆς : Perì hylēs iatrikēs in the original
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in 1406. In the mid-15th century, it was used to create the
34:
A gallery of birds from folio 483v of the Vienna Dioscorides
441:
226:
in 1453 a subsequent owner handwrote each plant's name in
384:), the most prominent and only one sitting on a chair is
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a century after the fall of the city, was purchased from
183:
of Spain for the creation of which the Byzantine Emperor
82:
for just over a thousand years, the text passed to the
650:
Mazal, Otto. "Der Wiener Dioscurides" vol. 2, p. 89
641:
Mazal, Otto. "Der Wiener Dioscurides" vol. 1, p. 16
637:
635:
725:Late Antique and Early Christian Book Illumination
695:. UNESCO Memory of the World Programme. 2009-02-12
242:, the Arabic-speaking, Jewish physician to sultan
153:The manuscript was created in about 515 AD in the
792:
672:
632:
169:). The manuscript is accordingly now called the
776:, M. Bernabò (ed.), Roma, 2010, pp. 99–109
508:Folio 6v, donation portrait of Anicia Juliana
380:. In the second picture (folio 3 verso, see
220:St. John the Baptist Greek orthodox monastery
125:'s treatise on the treatment of snake bites.
841:Manuscripts of the Austrian National Library
74:. It is an important and rare example of a
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54:of an even earlier 1st century AD work,
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258:. The manuscript is now held among the
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90:in the 16th century, a century after
806:6th-century illuminated manuscripts
727:. New York: George Braziller, 1977.
716:Walther, Ingo F. and Norbert Wolf.
250:, who was in the employ of Emperor
78:scientific text. After residing in
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821:Scientific illuminated manuscripts
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440:The paraphrase of the treatise on
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861:Ferdinand I, Holy Roman Emperor
423:. In the second portrait (see
18:Codex Vindobonensis med. gr. 1.
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1:
787:, 93 (2013), pp. 131–164
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297:Memory of the World Programme
222:in Constantinople. After the
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27:Book by Pedanius Dioscorides
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234:. The manuscript, still in
191:is also found in the text.
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755:Metropolitan Museum of Art
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404:. Farthest from Galen are
372:Folio 3v, seven physicians
246:, by the Flemish diplomat
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496:Folio 5v, author portrait
264:Austrian National Library
248:Ogier Ghiselin de Busbecq
119:Dionysius of Philadelphia
739:Byzantine Garden Culture
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244:Suleiman the Magnificent
214:Dioscorides, now in the
165:(one of the last of the
46:is an early 6th-century
396:. The second pair are
826:Ancient Roman medicine
720:. Köln, TASCHEN, 2005.
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224:fall of Constantinople
167:Western Roman Emperors
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149:(detail from folio 6v)
121:, and a paraphrase of
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52:illuminated manuscript
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675:NSA Technical Journal
414:solid gold background
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693:"Vienna Dioscurides"
331:dedication miniature
172:Juliana Anicia Codex
68:Pedanius Dioscorides
779:Lazaris, Stavros, "
768:Lazaris, Stavros, "
604:(scarlet pimpernel)
523:Plantago lanceolata
450:Alexander of Myndus
287:Codex Vindobonensis
198:added in Byzantine
856:Pope Alexander VII
831:Byzantine medicine
601:Anagallis arvensis
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343:(magnanimity) and
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256:Austrian Habsburgs
218:, by the monks of
212:Pope Alexander VII
161:, the daughter of
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84:Holy Roman Emperor
44:Vienna Dioscorides
40:Vienna Dioscurides
36:
753:, no. 179, 1979,
723:Weitzmann, Kurt.
586:Folio 475r, birds
574:Folio 391v, coral
469:Peacock endpapers
208:John Chortasmenos
181:Abd al-Rahman III
58:De materia medica
16:(Redirected from
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111:Carmen de herbis
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598:Folio 39v,
520:Folio 29v,
394:Dioscurides
289:med. gr. 1.
260:manuscripts
252:Ferdinand I
240:Moses Hamon
204:patriarchal
795:Categories
699:2009-12-11
610:References
481:Folio 4v,
361:, done in
311:Folio 83r
363:grisaille
346:Phronesis
317:(bramble)
269:‹See Tfd›
202:, by the
155:Byzantine
146:Phronesis
48:Byzantine
544:(violet)
429:mandrake
402:Nicander
390:Crateuas
351:prudence
294:UNESCO's
236:Istanbul
123:Nicander
101:The 491
816:Herbals
772:", in:
747:, ed.,
711:Sources
456:Gallery
434:Epinoia
406:Andreas
262:of the
254:of the
206:notary
196:scholia
129:History
94:to the
785:Pallas
761:
562:(hemp)
281:Vienna
273:German
232:Hebrew
228:Arabic
106:folios
103:vellum
88:Vienna
50:Greek
866:Putti
615:Notes
442:birds
386:Galen
359:putti
355:putto
279:) in
115:Rufus
66:) by
64:Greek
759:ISBN
681:(3).
446:here
425:here
408:and
400:and
392:and
382:here
230:and
143:and
38:The
801:515
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679:XII
663:09.
86:in
70:in
42:or
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655:^
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