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Irmgard Keun

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492:, who said about her, "A woman writer with humor, check this out!". Keun utilizes her characters from her novels to highlight and critique the social problems of the early 1930s. Keun's biggest criticisms of consumerism and the complexity of a feminine identity are displayed through the female protagonists' relationships with men. Breaking the archetypal mold, Keun's characters offer depth to the feminine identity and challenge the idea that a woman must be placed into a category. For example, "Keun's representative novels of the New Woman's experience during the Weimar Republic, Gilgi—eine von uns (1931) and Das kunstseidene Mädchen (1932), feature two such young stylized New Women, Gilgi and Doris, who try to shape their lives in the aforementioned image by taking their cues from the popular media". In the case of 746:
biographer Hiltrud Häntzschel states: "Irmgard Keun hatte zur Wahrheit ihrer Lebensumstände ein ganz spezielles Verhältnis: mal aufrichtig, mal leichtsinnig, mal erfinderisch aus Sehnsucht nach Erfolg, mal phantasievoll aus Lust, unehrlich aus Not, mal verschwiegen aus Schonung." ('Irmgard Keun had a very special relationship with the facts of her life: sometimes she was straight-forward, sometimes careless, sometimes inventive because she longed for success, sometimes willfully inventive, dishonest out of necessity, sometimes discreet to protect.') Consequently all biographical statements based on her own statements have to be treated with great caution.
238: 474: 512: 31: 281:(at the time an independent town, now part of Berlin) to Eduard and Elsa Keun. Her father was an agent for a company that imported petrol, her mother a housewife. Keun later recalled her mother as "stark hausfraulich eingestellt, auf eine sehr schauerliche Weise" (quite domestically inclined, in a very horrible way). She and her family, including her brother Gerd, born in 1910, lived in the city until 1913, when they moved to 346:
1935; however, they stayed in touch (and many of their letters survive). Keun continued to publish in Germany after 1935, occasionally using pseudonyms, but after she was finally banned from publishing by the authorities - and after she had tried to sue the government for loss of income, and her final appeal to be admitted to the
496:(The Artificial Silk Girl), Keun tells the story from Doris' perspective, which she does to give the reader "insights into the social injustice of Weimar Berlin's class and gender hierarchy". Keun's novel reflects critically on these discourses by casting its heroine's sentimental journey in terms of an education in vision. 745:
Much of Keun's biography is shrouded in mystery - or mystification - considerably by her own making. During the course of her life she told numerous stories, many of which have been debunked, while, on the other hand, some seemingly unlikely episodes turned out to be true - or at least feasible. Her
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In the 1960s, her life was overshadowed by alcoholism and homelessness in spite of help from the literary community. In 1966, she was put under tutelage and committed to the psychiatric ward at the Bonn State Hospital, where she remained until 1972. In 1977, she was re-discovered after an article in
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in 1938, yet returned to Europe that same year. In 1940 she returned to Cologne from the Netherlands, where she lived through the war years using an alias. How she managed to do this remains unclear. Keun claimed she seduced a Nazi official in the Netherlands and, however that may be, her cover back
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In 1933/34, her books were confiscated and banned by the Nazis. In the spring of 1933 she met and fell in love with the Arnold Strauss, a Jewish doctor who wanted to treat her for her alcoholism. Strauss, as a Jew, lost his position at the Berlin hospital that employed him and went to the USA in
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In an interview, Keun's daughter, Martina Keun-Geburtig, answered the question if her mother was a happy woman, "Well, she always said that the Nazis took her best years. Starting in 1933 her success was abruptly ended through the book-burning up until '45, '46. It's a pretty long time…".
342:. They divorced in 1937. After 1945, she claimed that this had been because he was a Nazi sympathizer; however, there is evidence that she stayed in close touch with him well after 1933, and that the reasons may have been much more personal in nature. 289:, but also attended acting school in Cologne from 1925 until 1927. Although she had stage roles in Greifswald and Hamburg, these were only somewhat successful, and she decided to abandon her acting career in 1929. Encouraged by 254:; 6 February 1905 – 5 May 1982) was a German novelist. Noted for her portrayals of the life of women, she is described as "often reduced to the bold sexuality of her writing, a significant author of the late Weimar period and 30: 261:
She was born into an affluent family and was given the autonomy to explore her passions. After her attempts at acting ended at the age of 16, Keun began working as a writer after years of working in
927:"The perceptions of women in Weimar Germany: a reading of Erich Kastner's Fabian, The Story of a Moralist, Hans Fallada's Little Man, What Now, and Irmgard Keun's The Artificial Silk Girl" 591: 1184: 1178: 898:
Feldhaus, Julia (Dec 2016). "Not without My Mommy: The New Woman's Mother Figure in Irmgard Keun's Novels Gilgi--Eine von Uns (1931) and Das Kunstseidene Mädchen (1932)".
709: 347: 827: 333: 531: 337: 926: 419:, a relationship that at first had a positive effect on her literary output. She worked together with Roth, traveling with him to various cities such as 324: 670: 465:
magazine. From 1979 onwards, her financial situation recovered thanks to new editions of her work. She died in Cologne in 1982 of lung cancer.
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Letter by Tucholsky to Keun, 16 July 1932, in which he states that while, on first reading the novel he had recognised similarities to
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Vom Ernst der Zerstreuung. Schreibende Frauen am Ende der Weimarer Republik: Marieluise Fleißer, Irmgard Keun und Gabriele Tergit
1168: 2478: 1475: 835: 455:, she returned in 1940 to Nazi Germany. Protected by false reports of her own suicide, she lived there undercover until 1945. 1154: 1076: 377:, while, at the same time pursuing her relationship with Strauss in the US. Invited by Strauss, she even visited him in 1500: 1136: 1121: 1106: 1091: 1061: 1025: 1346: 1270: 800: 1526: 1638: 1356: 1205: 1341: 1161: 1628: 1265: 2554: 1551: 886: 2493: 1556: 566: 174: 1541: 1071:. (Mannheimer Studien zur Literatur- und Kulturwissenschaft; vol. 42). Röhrig Verlag, St. Ingbert 2007, 1678: 1633: 1536: 1531: 1480: 1402: 1260: 1198: 714: 675: 352: 269:. Her books were banned by Nazi authorities but gained recognition during the final years of her life. 1582: 1521: 1331: 693: 682: 484:
Keun received great acclaim for her sharp-witted books, most notably from such well-known authors as
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Hiltrud Häntzschel discusses this in detail and concludes that the claim was unjustified, p. 41-43
285:. There Keun attended a Lutheran girls' school, from which she graduated in 1921. She worked as a 2518: 2400: 1412: 1336: 1172: 991: 313: 2044: 1879: 1733: 1407: 1377: 1250: 768: 89: 2483: 2297: 2009: 1708: 1546: 2049: 1934: 1839: 1623: 1417: 1889: 828:"Blacklisted, exiled, mistreated, forgotten... the unsinkable Irmgard Keun » MobyLives" 214: 2549: 2544: 2508: 2074: 1382: 8: 2488: 2004: 1874: 1718: 1455: 1392: 1305: 138: 2372: 948:
McBride, Patrizia (2011). "Learning to See in Irmgard Keun's das kunstseidene Mädchen".
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Vanderbilt University, Department of German, Russian, and East European Studies
489: 415:. From 1936 to 1938, she had the already mentioned romantic relationship with 396: 317: 278: 57: 2197: 983: 2538: 2440: 2425: 2357: 2332: 2277: 2252: 2212: 2149: 2029: 2014: 1924: 1904: 1859: 1844: 1824: 1768: 1758: 1748: 1693: 1668: 1505: 1300: 1190: 412: 65: 1162:
https://archive.org/details/irmgard-keun-tudruk-keda-peeti-halvaks==External
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Hiltrud Häntzschel: Irmgard Keun, Rowohlt Taschenbuch Verlag, p. 7
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in 1936. Between sometime in 1936 and 1938 she lived with writer
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in Germany may have been helped by the fact that the British
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was published and became a success. In 1932 a second novel
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Gender- und Machttransgression im Romanwerk Irmgard Keuns
308:) came out. Although there were allegations that she had 865:
see the Strauss Family Papers at Old Dominion University
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She counted among her friends such literary notables as
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Irmgard Keun. Zeitzeugen, Bilder und Dokumente erzählen
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Das Mädchen, mit dem die Kinder nicht verkehren durften
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Cover of the Spanish-language edition of Keun's novel
646:(1954), Short stories, translated into English as 554:(1936), teenage novel, translated into English as 990:. German Book Office New York. 16 November 2011. 2536: 1054:Irmgard Keun 1905/2005. Deutungen und Dokumente 937:: 26–47 – via MLA International Database. 624:Ferdinand, der Mann mit dem freundlichen Herzen 1220: 323:In 1932, Keun married the writer and director 1206: 1116:. Königshausen & Neumann, Würzburg 1999, 620:. Letters to Arnold Strauss, 1933-1947 (1988) 316:(a claim endorsed by her erstwhile promoter 277:Irmgard Keun was born on 6 February 1905 in 1352:Category:Translators of William Shakespeare 1213: 1199: 589:(1938), novel, translated into English as 570:(1937), novel, translated into English as 545:(1932), novel, translated into English as 534:(1931), novel, translated into English as 29: 1466:Hans Jakob Christoffel von Grimmelshausen 1082:Heike Beutel, Anna Barbara Hagin (Ed.): 897: 510: 472: 241:Memorial plaque, Meinekestraße 6, Berlin 236: 1149:. Kiepenheuer & Witsch, Köln 2008; 947: 468: 365:) was refused - she went into exile to 2537: 1476:Christian Hoffmann von Hoffmannswaldau 1185:Article from the Kölner Stadt-Anzeiger 1179:Article from the Kölner Stadt-Anzeiger 598:Bilder und Gedichte aus der Emigration 1194: 1056:. Aisthesis Verlag, Bielefeld 2005, 1052:Stefanie Arend, Ariane Martin (Ed.): 249: 1169:Literature by and about Irmgard Keun 1131:. Aisthesis Verlag, Bielefeld 2005, 1013: 924: 766: 39:showing a photo of her in the 1930s. 1187:by Petra Pluwatsch, 08.11.03 Part 2 1181:by Petra Pluwatsch, 08.11.03 Part 1 451:. After the German invasion of the 185:Johannes Tralow (m. 1932–div. 1937) 13: 808:, that he realised the plagiarism. 14: 2571: 2560:20th-century German women writers 1501:Anthony Ulrich, Duke of Brunswick 1004:see Hiltrud Häntzschel, p.101-113 1271:Early New High German literature 994:from the original on 2021-12-12. 962:10.1111/j.1756-1183.2011.00112.x 602:Pictures and poems of emigration 1147:Das Buch der verbrannten Bücher 1007: 998: 976: 941: 918: 891: 880: 618:Ich lebe in einem wilden Wirbel 506: 1157:. (For Keun see pages 188-191) 869: 858: 849: 820: 811: 788: 779: 760: 739: 663: 628:Ferdinand the kind-hearted man 1: 1266:Middle High German literature 1020:. Melville House Publishing. 753: 1552:Friedrich Gottlieb Klopstock 1114:Irmgard Keun. Leben und Werk 925:Boak, Sharon (Spring 2011). 855:see Hiltrud Häntzschel, p.45 272: 7: 2494:Adelbert von Chamisso Prize 1629:Annette von Droste-Hülshoff 1557:Jakob Michael Reinhold Lenz 296:In 1931 Keun's first novel 10: 2576: 1679:Christian Friedrich Hebbel 1634:Marie von Ebner-Eschenbach 1569:(Friedrich von Hardenberg) 1537:Johann Christoph Gottsched 1532:Johann Wolfgang von Goethe 1481:Johann Michael Moscherosch 1403:Walther von der Vogelweide 1357:Reformation era literature 1261:Old High German literature 1222:German-language literature 1046: 724:(1981, based on the novel 701:(1960, based on the novel 685:(1932, based on the novel 556:Grown-ups Don't Understand 2469: 2386: 2188: 1777: 1596: 1583:Johann Gottfried Schnabel 1522:Barthold Heinrich Brockes 1514: 1443: 1365: 1324: 1228: 1101:. Rowohlt, Reinbek 2001, 293:, she turned to writing. 212: 207: 199: 189: 181: 163: 153: 145: 134: 126: 118: 110: 99: 71: 44: 28: 21: 2175:Fritz Zorn (Fritz Angst) 1588:Christoph Martin Wieland 1562:Gotthold Ephraim Lessing 1542:Johann Christian Günther 1423:Gottfried von Strassburg 1256:History of Liechtenstein 801:Gentlemen Prefer Blondes 732: 703:Das kunstseidene Mädchen 547:The Artificial Silk Girl 542:Das kunstseidene Mädchen 525:The Artificial Silk Girl 494:Das kunstseidene Mädchen 363:Reich Chamber of Culture 306:The Artificial Silk Girl 302:Das kunstseidene Mädchen 251:[ˈɪʁmɡaʁtˈkɔɪ̯n] 169:The Artificial Silk Girl 37:The Artificial Silk Girl 2519:Leipzig Book Fair Prize 2479:Ingeborg Bachmann Prize 2401:Rudolf Christoph Eucken 1413:Albrecht von Johansdorf 1347:Swiss writers in German 1173:German National Library 876:unsinkable Irmgard Keun 767:Hill, Amy (Fall 2017). 657:Neuroses in full flower 644:Wenn wir alle gut wären 348:Reichsschrifttumskammer 1734:Conrad Ferdinand Meyer 1639:Joseph von Eichendorff 1408:Wolfram von Eschenbach 1251:History of Switzerland 1014:Keun, Irmgard (2011). 527: 481: 242: 90:North Rhine-Westphalia 2050:Christian Morgenstern 1935:Hugo von Hofmannsthal 1840:Rolf Dieter Brinkmann 1624:Adelbert von Chamisso 1418:Heinrich von Morungen 1342:Liechtenstein writers 769:"Marginalized Voices" 514: 477:Sculpture of Keun on 476: 257:die Neue Sachlichkeit 240: 2509:Heinrich Heine Prize 2075:Erich Maria Remarque 2045:Friederike Mayröcker 1880:Friedrich Dürrenmatt 1112:Ingrid Marchlewitz: 1097:Hiltrud Häntzschel: 1086:. Emons, Köln 1995, 950:The German Quarterly 832:Melville House Books 592:Child of All Nations 577:D-Zug dritter Klasse 469:Response to her work 2555:Writers from Berlin 2489:Sigmund Freud Prize 2484:Georg Büchner Prize 2298:Emine Sevgi Özdamar 2010:Else Lasker-Schüler 1875:Heimito von Doderer 1719:Heinrich von Kleist 1709:Friedrich Hölderlin 1547:Friedrich Hölderlin 1393:Reinmar von Hagenau 1306:Austrian literature 912:10.3368/m.108.4.510 687:Gilgi, eine von uns 648:If we were all good 581:Third Class Express 532:Gilgi, eine von uns 298:Gilgi, eine von uns 2499:Hans Fallada Prize 2080:Rainer Maria Rilke 2000:Siegfried Kracauer 1890:Marieluise Fleißer 1805:Johannes R. 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G. Sebald 2070:Robert Musil 2065:Adolf Muschg 2055:Erich Mühsam 2015:Kurd Laßwitz 1990:Sarah Kirsch 1985:Irmgard Keun 1984: 1965:Ernst Jünger 1950:Peter Huchel 1945:Ricarda Huch 1915:Peter Handke 1910:Günter Grass 1830:Volker Braun 1795:Hermann Bahr 1778:20th century 1764:Ludwig Tieck 1597:19th century 1515:18th century 1486:Martin Opitz 1456:Paul Fleming 1444:Early modern 1432: 1160: 1146: 1128: 1113: 1099:Irmgard Keun 1098: 1083: 1068: 1053: 1016: 1009: 1000: 987: 978: 953: 949: 943: 934: 930: 920: 903: 899: 893: 887:Life of Kaun 882: 871: 860: 851: 840:. 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Index

Cover of the Spanish-language edition of Keun's novel The Artificial Silk Girl showing a photo of her in the 1930s.
Charlottenburg
Kingdom of Prussia
German Empire
Cologne
North Rhine-Westphalia
West Germany
Melaten cemetery
Berlitz
New Objectivity
The Artificial Silk Girl
After Midnight
Joseph Roth
www.penguin.co.uk/authors/31786/irmgard-keun.html

[ˈɪʁmɡaʁtˈkɔɪ̯n]
die Neue Sachlichkeit
Hamburg
Greifswald
Charlottenburg
Cologne
stenotypist
Alfred Döblin
The Artificial Silk Girl
plagiarised
Robert Neumann
Kurt Tucholsky
Johannes Tralow
de
ru

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