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around 1500, though details of his early life, as is the case with most
Renaissance composers, are scanty. Possibly he either studied or had his early career in France, and he maintained some connections there throughout his life. In 1538, he published his first chansons, in
184:. Buus stayed at St. Mark's until 1550, when he departed for France, ostensibly because he was unable to pay his debts; however it has been suggested that he left because he had become a
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court and he remained there for the rest of his life, ignoring entreaties from Venice to return.
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the piece would take 15–20 minutes to play). They are elaborately
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Buus was influential in the development of the instrumental
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188:. In 1543, he had dedicated a volume of chansons to the
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Venice. The motets are similar in style to those of
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210:. Late in 1550, he went to Vienna to work at the
168:and auditioned for the post of second organist at
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48:but its sources remain unclear because it lacks
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293:The New Grove Dictionary of Music and Musicians
128:. He was one of the earliest composers of the
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263:He also wrote sacred vocal music, including
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196:and, in 1550, he sent a book of Protestant
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442:International Music Score Library Project
79:Learn how and when to remove this message
136:, and he was also a skilled composer of
669:Musicians from the Habsburg Netherlands
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659:16th-century Franco-Flemish composers
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679:Venetian School (music) composers
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373:Selfridge-Field, Eleanor (1994).
176:. This was during the tenure of
248:, i.e. half-notes, to the minute
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283:References and further reading
164:Three years later, he went to
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124:, and an early member of the
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432:Choral Public Domain Library
300:: Macmillan Publishers Ltd.
290:Sadie, Stanley, ed. (1980).
7:
438:Free scores by Jacques Buus
428:Free scores by Jacques Buus
230:(equivalent to 716 bars of
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148:Buus was probably born in
620:Venetian polychoral style
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132:, the predecessor to the
112:late August, 1565) was a
603:Giulio Cesare Martinengo
381:(3rd revised ed.).
338:: W.W. Norton & Co.
330:Music in the Renaissance
34:This article includes a
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63:more precise citations.
16:Franco-Flemish composer
385:: Dover Publications.
198:
674:Renaissance composers
269:chansons spirituelles
204:Archduke Ferdinand II
199:chansons spirituelles
664:Musicians from Ghent
334:(Revised ed.).
577:Girolamo Dalla Casa
573:(c.1554–after 1610)
218:Music and influence
625:St Mark's Basilica
565:Vincenzo Bellavere
202:to the Protestant
36:list of references
633:
632:
584:Giovanni Gabrieli
541:Annibale Padovano
535:Baldassare Donato
392:978-0-486-28151-3
307:978-0-33323-111-1
234:; at the typical
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521:Cipriano de Rore
515:Nicola Vicentino
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296:. Vol. 3.
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277:Nicolas Gombert
250: —
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242: —
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178:Adrian Willaert
159:Jacques Moderne
157:by the printer
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126:Venetian School
110: –
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411:– via
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55:Please help
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654:1565 deaths
555:(1533–1604)
543:(1527–1575)
537:(1525–1603)
531:(1517–1590)
240:of the time
192:Duchess of
122:Renaissance
107: 1500
61:introducing
643:Categories
186:Protestant
170:St. Mark's
96:Jakob Buus
486:Composers
362:18078215M
316:819672161
258:polyphony
244:60 to 80
190:Calvinist
69:June 2022
613:See also
579:(d.1601)
567:(d.1587)
409:1084342M
401:94008060
354:59012879
326:(1959).
273:Catholic
224:ricercar
212:Habsburg
138:chansons
130:ricercar
118:organist
444:(IMSLP)
440:at the
430:in the
194:Ferrara
120:of the
57:improve
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314:
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298:London
265:motets
246:minims
237:tactus
228:breves
208:Vienna
166:Venice
94:(also
150:Ghent
134:fugue
42:, or
397:LCCN
387:ISBN
350:LCCN
340:ISBN
312:OCLC
302:ISBN
267:and
182:Rome
155:Lyon
144:Life
232:4/4
206:in
102:) (
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