Japanese pottery and porcelain

2574: 551: 3239: 639: 1171: 3042: 2328: 2253: 2662: 515: 2228: 2785: 2427: 2715: 3005: 563: 730: 2740: 2496: 2960: 3090: 1348: 2138: 2088: 3139: 3168: 2382: 2353: 2930: 2544: 2113: 2879: 2850: 2690: 1414:, known for Satsuma ware, who from the 1880s onwards introduced new technical sophistication to the decoration of porcelain, while committed to preserving traditional artistic values. During the 1890s he developed a style of decoration that combined multiple underglaze colours on each item. The technical sophistication of his underglazes increased during this decade as he continued to experiment. In the decade from 1900 to 1910 there was a substantial change in the shape and decoration of his works, reflecting Western influences. His work strongly influenced Western perceptions of Japanese design. 3205: 4385: 4323: 960: 156: 1497: 1202: 2298: 385:. Japanese ceramists and potters took inspiration from their East Asian artistic counterparts by transforming and translating the Chinese and Korean prototypes into a uniquely Japanese creation, with the resultant form being distinctly Japanese in character. Since the mid-17th century when Japan started to industrialize, high-quality standard wares produced in factories became popular exports to Europe. In the 20th century, a homegrown cottage ceramics industry began to take root and emerge. Major Japanese ceramic companies include 1882: 539: 527: 1397:. These wares were highly praised in the West. Seen in the West as distinctively Japanese, this style actually owed a lot to imported pigments and Western influences, and had been created with export in mind. Workshops in many cities raced to produce this style to satisfy demand from Europe and America, often producing quickly and cheaply. So the term "Satsuma ware" came to be associated not with a place of origin but with lower-quality ware created purely for export. Despite this, there were artists such as 249: 213: 773:, fired at high temperatures of over 1,200–1,300 °C (2,190–2,370 °F), sometimes embellished with accidents produced when introducing plant material to the kiln during the reduced-oxygen phase of firing. Its manufacture began in the 5th century and continued in outlying areas until the 14th century. Although several regional variations have been identified, Sue was remarkably homogeneous throughout Japan. The function of Sue pottery, however, changed over time: during the 1446: 929: 1477: 1081: 3283: 813: 54: 879:) had a glaze technique. According to legend, Katō Shirozaemon Kagemasa (also known as Tōshirō) studied ceramic techniques in China and brought high-fired glazed ceramic to Seto in 1223. The Seto kiln primarily imitated Chinese ceramics as a substitute for the Chinese product. It developed various glazes: ash brown, iron black, feldspar white, and copper green. The wares were so widely used that 2573: 1006:. A number of Japanese monks who traveled to monasteries in China also brought pieces back home. As they became valued for tea ceremonies, more pieces were imported from China where they became highly prized goods. Five of these vessels from the southern Song dynasty are so highly valued that they were included by the government in the 1866:

from those suitable for earthenwares to more refractory kaolins. From the Jōmon period to the Yayoi period, Japanese potters relied on high plastic iron-bearing shale and alluvial clays. Organic materials appear in much of the early Jōmon period work, but sand or crushed stone predominates thereafter.

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Japan's porcelain industry was well-established at the start of the Meiji period, but the mass-produced wares were not known for their elegance. During this era, technical and artistic innovations turned porcelain into one of the most internationally successful Japanese decorative art forms. A lot of

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also have flourished through the ages, and their influence weighs with that of the potters. Another important Japanese constituent of the art is the continuing popularity of unglazed high-fired stoneware even after porcelain became popular. Since the 4th century AD, Japanese ceramics have often been

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At Koishibara, Onda, and Tamba, large bowls and jars are first roughly coil-built on the wheel, then shaped by throwing, in what is known as the "coil and throw technique". The preliminary steps are the same as for coil building, after which the rough form is lubricated with slip and shaped between

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was another kind of porcelain initially reserved for presentation as political gifts among the elite, concentrating on very fine painting in blue on an unusually fine white body, for which scroll painters were hired. These two types represented the finest porcelain produced after the export trade

353:. During the Azuchi-Momoyama period (1573-1603), kilns throughout Japan produced ceramics with unconventional designs. In the early Edo period, the production of porcelain commenced in the Hizen-Arita region of Kyushu, employing techniques imported from Korea. These porcelain works became known as 2924:

A technique and style practised all over Japan, and now the world. Typically, vessels are hand-thrown without using a wheel, giving a simple and rather rough shape, and fired at low temperatures before being cooled in the open air. In modern periods combustible material is generally placed in the

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deposits, many clays are found in Kyushu. Kilns were traditionally built at the sites of clay deposits, and most studio potters still use local clays, having developed a range of glazes and decoration techniques especially suited to that clay. Raw materials found in the Japanese archipelago range

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Until the 17th century, unglazed stoneware was popular for the heavy-duty daily requirements of a largely agrarian society; funerary jars, storage jars, and a variety of kitchen pots typify the bulk of the production. Some of the kilns improved their technology and are called the "Six Old Kilns":

428:, also relates more closely to both Chinese and Korean traditions. In the 16th century, a number of styles of traditional utilitarian rustic wares then in production became admired for their simplicity, and their forms have often been kept in production to the present day for a collectors market. 3238: 1602:, while adding modern shapes. Most of the village wares were made anonymously by local potters for utilitarian purposes. Local styles, whether native or imported, tended to be continued without alteration into the present. In Kyūshū, kilns set up by Korean potters in the 16th century, such as at 1252:

Porcelain was also exported to China, much of which was resold by Chinese merchants to the other European "East Indies Companies" which were not allowed to trade in Japan itself. It has been suggested that the choice of such items was mainly dictated by Chinese taste, which preferred Kakiemon to

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kiln could not yet supply enough quality porcelain to the Dutch East India Company, but they quickly expanded their capacity. From 1659 to 1740, the Arita kilns were able to export enormous quantities of porcelain to Europe and Asia. Gradually the Chinese kilns recovered, and developed their own

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who maintained the highest artistic standards while also successfully exporting. These artists won multiple awards at international exhibitions. Meizan used copper plates to create detailed designs and repeatedly transfer them to the pottery, sometimes decorating a single object with a thousand

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During the 17th century, in Kyoto, then Japan's imperial capital, kilns produced only clear lead-glazed pottery that resembled the pottery of southern China. Among them, potter Nonomura Ninsei invented an opaque overglaze enamel and with temple patronage was able to refine many Japanese-style

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government stopped trade by closing its ports. Chinese potter refugees were able to introduce refined porcelain techniques and enamel glazes to the Arita kilns. From 1658, the Dutch East India Company looked to Japan for blue-and-white porcelain to sell in Europe (see

3004: 2327: 2227: 474:): fired at high temperatures without applying a coat of glaze. In the Middle Ages, it was used for living utensils such as vases, pots and other everyday items, and in the Azuchi-Momoyama period, it was modified for use in tea rooms due to its simple taste. 4112: 2252: 1333:

In the late 18th to early 19th century, white porcelain clay was discovered in other areas of Japan and was traded domestically, and potters were allowed to move more freely. Local lords and merchants established many new kilns (e.g., Kameyama kiln and

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Also called Inbe ware. A reddish-brown long-fired stoneware, which is believed to have originated in the 6th century. One of the first medieval utilitarian wares to be taken up for use in the tea ceremony, and promoted to the status of art pottery.

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Generally fashioned out of fast-growing bamboo or wood, these tools for shaping pottery have a natural feel that is highly appealing. While most are Japanese versions of familiar tools in the West, some are unique Japanese inventions.

562: 3089: 1266:. The European custom has generally been to call blue and white wares "Arita" and blue, red and gold ones "Imari", though in fact both were often made in the same kilns arong Arita. In 1759 the dark red enamel pigment known as 1101:(1522–1591) turned to native Japanese styles of simple rustic pottery, often imperfect, which he admired for their "rugged spontaneity", a "decisive shift" of enormous importance for the development of Japanese pottery. The 729: 420:, where the final decoration is partly random, is in this tradition. The other tradition is of highly finished and brightly coloured factory wares, mostly in porcelain, with complex and balanced decoration, which develops 2784: 2426: 1096:

With the rise of Buddhism in the late 16th century, leading tea masters introduced a change of style and favored humble Korean tea bowls and domestic ware over sophisticated Chinese porcelain. The influential tea master

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Earthenware, originally a local industry of plain vessels started by Korean potters about 1600. From the 19th century a term for a style of highly decorated ware produced in many areas, purely for export to the West.

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BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the

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copper-green glaze and Shino ware's prized milky glaze. Artist potters experimented at the Kyoto and Tokyo arts universities to recreate traditional porcelain and its decorations under such ceramic teachers as

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kiln) for economic profit, and old kilns such as Seto restarted as porcelain kilns. These many kilns are called "New Kilns" and they popularized porcelain in the style of the Arita kilns among the common folk.

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content and few impurities. Hard ware made by firing clay at high temperatures. The technique was introduced from the Korean peninsula at the beginning of the Edo period and production began in

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influence in the 8th and 9th centuries AD, when creators of Nara three-color wares and Heian ash glazed wares sought out white, refractory clays and enhanced their fineness through levigation.

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appeared which was another style of earthenware characterised by a simple pattern or no pattern. Jōmon, Yayoi, and later Haji ware shared the firing process but had different styles of design.

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Hundreds of different wares and styles have existed throughout its history. The most historic and well-known ones have received recognition from the government. For more information see the

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In contrast, by the end of the 1980s, many studio potters no longer worked at major or ancient kilns but were making classic wares in various parts of Japan. In Tokyo, a notable example is

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and the rest of that group. From about 1720 Chinese and European kilns also began to imitate the Imari enamelled style at the lower end of the market, and by about 1740 the first period of

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or rising kiln, running up a hillside and enabling temperatures of 1,400 °C (2,550 °F) to be reached. Soon the Satsuma, Hagi, Karatsu, Takatori, Agano and Arita kilns were begun.

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around the world have collections of Japanese pottery, many very extensive. Japanese modern ceramic works are often very sought-after and expensive. Apart from traditional styles art and

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class broke away and many of the artisans lost their source of income. The government took an active interest in the art export market, promoting Japanese arts at a succession of

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kiln, reacting unpredictably with the glaze pigments. There is a proverb of the hierarchy of ceramic styles used for tea ceremony: 'First Raku, second Hagi, third Karatsu.'

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or "cows' tongues" are long sled-shaped bamboo ribs used to compress the bottoms and shape the sides of straight-sided bowls. They are a traditional tool from Arita, Kyushu.

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and commissioning works ("presentation wares") as gifts for foreign dignitaries. Most of the works promoted internationally were in the decorative arts, including pottery.

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Traditionalist ware produced by a small village community without electricity. Mostly simply but elegantly decorated slipware, in a style going back to the 18th century.

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became the generic term for ceramics in Japan. Seto kiln also produced unglazed stoneware. In the late 16th century, many Seto potters fleeing the civil wars moved to

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Japanese pottery is distinguished by two polarized aesthetic traditions. On the one hand, there is a tradition of very simple and roughly finished pottery, mostly in

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Yap, Jennifer. "Wheel Throwing Tools: Japanese: Descriptions & Explanations – Traditional Japanese Clay Tools". Pottery @ Suite101.com. 30 Apr. 2007. 1 May 2009

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Yap, Jennifer. "Wheel Throwing Tools: Japanese: Descriptions & Explanations – Traditional Japanese Clay Tools". Pottery @ Suite101.com. 30 Apr. 2007. 1 May 2009

1128:, discovered a source of porcelain clay near Arita and was able to produce the first Japanese porcelain. These potters also brought improved kiln technology in the 3204: 2929: 2016:

are not strictly throwing tools; these combs are used to score a minimum of two decorative parallel lines on pot surfaces. The largest combs have about 20 teeth.

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developed a flamboyant style at its height and was simplified in the later Jōmon period. The pottery was formed by coiling clay ropes and fired in an open fire.

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are bamboo trimming and modeling "knives" available in several different shapes for carving, cleaning up wet pots, cutting, and for producing sgraffito effects.

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were regarded as sophisticated items, which the upper classes used in the tea ceremony. The Japanese also ordered custom-designed ceramics from Chinese kilns.

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The earliest pieces were made by pressing the clay into shape. This method continued to be employed after the invention of the wheel, such as when producing

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the potter's hands as the wheel revolves. The process dates back 360 years to a Korean technique brought to Japan following Hideyoshi's invasion of Korea.

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is a high-capacity bamboo bottle with a spout from which slip and glaze can be poured out in a steady, controlled stream so the potter can "draw" with it.

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During the international openness of the Meiji period, Japanese arts and crafts had a new audience and set of influences. Traditional patrons such as the

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Blue porcelain vase decorated with red and yellow flowers and green foliage with geometric design around the neck and foot rim, by Imaemon Imaizumi XII (

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are round, shallow clam shell-shaped bamboo ribs used to shape the sides of curved bowls. They can also be used to compress the bottoms of thrown forms.

459:): fired at relatively low temperatures 800-900°C using lead as the medium, the technique was introduced from the Korean peninsula in the 7th century. 1982:, "cranes' necks", are s-curved Japanese wooden throwing sticks used to shape the interiors of narrow-necked pieces such as bottles and certain vases. 1974:

are wire and bamboo trimming harps that double as a fluting tool. They are used to cut off uneven or torn rims as well as to facet leather-hard forms.

1289:. This uses mainly decoration in traditional Japanese styles, often drawing from textiles, rather than the Chinese-derived styles of most Arita ware. 625:

The various features of a vessel such as the opening, rim, neck, wall, inside, foot, surface markings, etc. all have standardised names in Japanese.

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but potted in the Tokyo area. A number of artists were engaged in reconstructing Chinese styles of decoration or glazes, especially the blue-green

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vessels, and as a result of the folk art movement, practical items for everyday household use. Originated by a Korean potter in the 16th century.

4708: 3420: 3304: 2773: 1782:(1902–1995) was influenced by Japanese pottery and Bernard Leach, and was also appreciated in Japan with a number of exhibitions. British artist 1679: 71: 2869: 2777: 1800: 1324:, overglazed pottery still flourished. Aoki Mokubei, Ninami Dōhachi (both disciples of Okuda Eisen) and Eiraku Hozen expanded the repertory of 2297: 118: 1285:

family who ruled Arita established a personal kiln to make top-quality enamelware porcelain for the upper classes in Japan, which is called

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greenware, white porcelain, and blue-and-white ware. Japan also imported Chinese pottery as well as Korean and Vietnamese ceramics. Such

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Raw materials are chosen largely based on local availability. There is an abundance of many basic in Japan. Due to naturally occurring

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are cutting, carving and incising tools made of iron and used to trim pieces, for carving, sgraffito and for scraping off excess glaze.

3614:"Although the roots of Sueki reach back to ancient China, its direct precursor is the grayware of the Three Kingdoms period in Korea." 1105:

family (named after the pottery rather than the other way round) supplied brown-glazed earthenware tea bowls. Mino, Bizen, Shigaraki (

97: 1542:(1889–1961). He rescued lowly pots used by commoners in the Edo and Meiji period that were disappearing in rapidly urbanizing Japan. 1121: 5708: 4870: 1966:

or balanced on the rim of a pot, these delicate bamboo tools are used for measuring both the diameter and the depth of thrown forms.

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when all resources went towards the war efforts, and production and development became severely hampered and the markets suffered.

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In the 1640s, rebellions in China and wars between the Ming dynasty and the Manchus damaged many kilns, and in 1656–1684 the new

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named "Kizaemon", an example of simple everyday ware from Korea that was highly appreciated in Japan for tea (National Treasure)

104: 5279: 5714: 5571: 5007: 5499: 1893:. Coiled methods developed in the Jōmon period. Production by kneading and cutting slabs developed later, for example, for 1507: 86: 5732: 5439: 4967: 3656: 1216: 5653: 4179: 5643: 4202: 3638: 3396: 3368: 1429:(1887–1979), who is regarded as the "Father of British studio pottery". He lived in Japan from 1909 to 1920 during the 340:. Japan has an exceptionally long and successful history of ceramic production. Earthenwares were made as early as the 5421: 1568:(1919–2007). These artists studied traditional glazing techniques to preserve native wares in danger of disappearing. 5726: 5675: 5391: 5108: 4105: 3836: 3330: 1457: 940: 199: 177: 137: 3312: 2377:

Since it is burned at a relatively low temperature, it is fragile and transmits the warmth of its contents quickly.

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Japanese ceramic history records the names of numerous distinguished ceramists, and some were artist-potters, e.g.

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and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.

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had all but ceased. The Arita kilns also supplied domestic utensils such as the so-called Ko-Kutani enamelware.

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and many of the greatest masters were priests, especially in early periods. Many pieces are also related to the

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A number of museums in Japan are dedicated entirely only to ceramics. Amongst the most well-known ones are the

3308: 75: 5505: 3639:"Six Ancient Kilns ~ Ceramics Born and Raised in Japan ~ (Aichi, Fukui, Shiga, Hyogo and Okayama prefectures)" 1294:

stalled by the 1740s. Unlike Nabeshima ware, Hirado went on to be a significant exporter in the 19th century.

5415: 5102: 3957: 2845:), which is very popular in this area, is the main pattern. Therefore, it is sometimes called Sōmakoma ware. 3598:"Old Ceramics of Kyushu (Selected Works from the Collection of Kyushu Ceramic Museum)｜Kyushu Ceramic Museum" 111: 5690: 5535: 5216: 3470: 1960:, "dragonflies", are the functional equivalent of Western calipers with an added feature. Suspended from a 1124:, Japanese forces brought Korean potters as slaves to Japan, According to tradition, one of the kidnapped, 5777: 5565: 4131: 1372: 5648: 3408: 538: 5553: 5373: 4289: 829:, discovered in the Hakusan Burial Mound. Heian period, second half of 12th century (National Treasure) 3419:. A number of important ceramic items are also owned and kept in various temples in Japan such as the 3399:

have important ceramic collections. A number of private museums also have important items such as the

1109:), Iga (similar to Shigaraki), and other domestic kilns also supplied tea utensils. The artist-potter 5772: 5738: 5355: 5147: 4691: 4037:

Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection

1944:, similar to wooden ribs, are leaf-shaped bamboo ribs used to shape and smooth the surfaces of a pot. 1376: 1246: 1145: 837:

of China in the 8th century, official kilns produced only simple green lead glaze for temples in the

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The main source of Japanese export porcelain from the mid 17th-century onwards. Production began by

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is a trimming harp used to level flat, wide surfaces, such as the bottom of a shallow dish or plate.

526: 357:, named after the port of Imari from which they were exported to various markets, including Europe. 5002: 3778:"[Review:] Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period" 3293: 1692:

or decoration; two groups were designated for preserving the wares of distinguished ancient kilns.

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on the occasion of their first visit to the United States to President Gerald R. Ford in 1975.

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is a large looped ribbon tool made of iron that can be used for trimming as well as carving.

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styles of the highly coloured enamelled wares that Europeans found so attractive, including

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monks. For their Japanese users, these chocolate-brown wares embodied the Zen aesthetic of

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The most produced pottery in western Japan. Believed to have started in the 16th century.

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influenced by the artistic sensibilities of neighbouring East Asian civilizations such as

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styles in a distinct way. A third tradition, of simple but perfectly formed and glazed

1591: 5658: 5617: 5475: 5427: 5319: 4347: 4187: 4101: 4086: 4067: 4050: 4040: 4008: 3950:"Bernard Leach | Artists | Collection | British Council − Visual Arts" 3832: 3412: 3400: 2898: 1390: 1375:. The Imperial Household also took an active interest in arts and crafts, appointing 1026:

From the middle of the 11th century to the 16th century, Japan imported much Chinese

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was the shipping port, some porcelain, for both export and domestic use, was called

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became industrially available, leading to a reddish revival of the orange 1720

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Although a three-color lead glaze technique was introduced to Japan from the

718: 445: 248: 212: 4533: 4054: 3428: 2886: 5622: 5060: 4588: 4563: 4543: 4499: 4464: 4439: 4409: 4335: 3987: 3460: 3212: 3049: 2937: 2697: 2474: 2335: 2120: 1828: 1557: 1382: 1299: 1238: 1224: 964: 838: 834: 786: 774: 759: 747: 714: 401: 373: 369: 313: 5331: 4659: 4113:"Japanese Art from the Gerry Collection in The Metropolitan Museum of Art" 5233: 5189: 5184: 5090: 4814: 4664: 4632: 4552: 4489: 4484: 4469: 4459: 4369: 3733: 3193: 2997: 2979: 2641: 2621: 2607: 2503: 2454: 2389: 2286: 2198: 1819:. One of the most beloved Chinese glazes in Japan is the chocolate-brown 1735: 1731: 1572: 1538:

developed, starting in the late 1920s and 1930s. Its founding father was

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with bird and flower design in overglaze enamel, Edo period, 17th century

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in the Gifu Prefecture, where they produced glazed pottery: Yellow Seto

844: 354: 237: 217: 3736:. Sadao and Wada 2003 p. 238 regards them as a product of Arita kilns. 1786:(b. 1964) studied Leach and spent a number of years in Japan studying 1080: 5054: 5048: 4976: 4919: 4905: 4891: 4884: 4863: 4686: 4680: 4593: 4548: 4538: 4528: 4504: 4444: 3246: 3146: 2967: 2910: 2857: 2747: 2360: 1838: 1779: 1700: 1649:, officially a Preserver of Important Intangible Cultural Properties) 1607: 1102: 988: 972: 793: 492: 480: 425: 417: 411: 390: 333: 329: 317: 221: 3282: 1843:(rustic simplicity). In the United States, an example of the use of 1827:

glaze that covered the peasant tea bowls brought back from southern

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Bridge of dreams: the Mary Griggs Burke collection of Japanese art

3234:. Most are thick porcelain table ware with blue cobalt paintings. 5547: 5511: 5036: 4926: 4849: 4842: 4835: 4736: 4242: 4090: 2984:

The most produced Japanese pottery in Japan. Sometimes, the term

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Most are thick porcelain table ware with blue cobalt paintings.

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Most are thick porcelain table ware with blue cobalt paintings.

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Also called Tatekui ware. One of the six oldest kinds in Japan.

4933: 4821: 4807: 4793: 4621: 4340: 4217:. New York and San Francisco: Kodansha International LTD, 1979. 4157:. New York and San Francisco: Kodansha International LTD, 1979. 3729: 3348: 3197: 2603: 2599: 2282: 2278: 2211:. A multitude of kilns produced a variety of styles, including 1896: 1862: 1704: 1524: 1087: 799: 735: 617: 588: 500: 461: 365: 227: 766:

appeared, brought to Kyushu island from the Korean peninsula.

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Trubner, Henry (1972), "Japanese Ceramics: A Brief History",

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Japan and Britain after 1859 : creating cultural bridges

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Smith, Harris, & Clark, 118–119; Ford & Impey, 46–50

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is also not a throwing tool, but a Japanese slip-trailer. A

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ware appeared, decorated with hand-impressed rope patterns.

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and using a muted palette of earth colours. This relates to

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The Great Japan Exhibition: Art of the Edo Period 1600–1868

3679:"Quests of the Dragon and Bird Clan: Luzon Jars (Glossary)" 3225: 2611: 2290: 1711:, potters continued to reconstruct the classic formulas of 1595: 1194: 1191: 605: 4265:. Tokyo: Japan Publishing Industry Foundation for Culture. 2293:

vessels. Believed to have originated in the 19th century.

1506:), used for the preparation of the clay for Onta ware, an 1018:

and was highly priced during tea ceremonies of this time.

37:"Yakimono" redirects here. For grilled Japanese food, see 1832: 1302:

invented an idiosyncratic arts-and-crafts style and took

595: 4062:

Smith, Lawrence; Harris, Victor; Clark, Timothy (1990).

3852: 3806: 1010:. Jian ware was later produced and further developed as 436:

The types of ceramics can be divided into five groups:

4100:, Tokyo-New York-London, KODANSYA INTERNATIONAL, 2003, 3896: 3894: 3881: 3879: 3551: 1546:(1894–1978) was a potter who was a major figure of the 3757: 3489: 3475: 3030: 2991: 2985: 2840: 2834: 2026: 2020: 2011: 2003: 1994: 1985: 1977: 1969: 1961: 1955: 1947: 1939: 1931: 1923: 1894: 1844: 1836: 1820: 1787: 1725: 1683: 1547: 1501: 1360: 1325: 1315: 1309: 1303: 1273: 1267: 1208:

tripod large dish with heron design, underglaze blue,

1185: 1129: 1085: 1063: 1051: 1011: 992: 797: 741: 733: 409: 225: 4039:. St. Petersburg, Fla.: Broughton International Inc. 3569:

Smith, Harris, & Clark, 116–120, 124–126, 130–133

1812: 1583:

A number of institutions came under the aegis of the

30:"Japanese china" redirects here. For other uses, see 4098:

Discovering the Arts of Japan: A Historical Overview

3930: 3918: 3906: 3891: 3876: 3864: 3794: 3728:

Some claim that such porcelain was also produced at

3625:"Journey. One thousand years. The Six Ancient Kilns" 3485:

List of National Treasures of Japan (crafts: others)

1610:, perpetuated 16th-century Korean peasant wares. In 1113:

made several tea bowls now considered masterpieces.

1008:

list of National Treasures of Japan (crafts: others)

781:

300–710) it was primarily funerary ware; during the

667:

BCE, attributed provenance Umataka, Nagaoka, Niigata

1598:, continued to produce the daily wares used in the 465:(三彩) is another type of technique using lead glaze. 78:. Unsourced material may be challenged and removed. 4311: 1560:. Another influential potter in this movement was 4256: 4200: 5764: 4205:Japanese ceramics from the Tanakamaru collection 4111:Ford, Barbara Brennan; Impey, Oliver R. (1989). 4064:Japanese Art: Masterpieces in the British Museum 4061: 3701:Smith, Harris, & Clark, 118–119, both quoted 3431:, however the items are not exhibited publicly. 1571:One of the most critical moments was during the 3976: 3974: 1849:glazes are pots thrown by Japanese-born artist 1751: 1619: 1522: 1314:. Although porcelain bodies were introduced to 1258: 1174: 1036: 905: 895: 880: 822: 654: 292: 277: 271: 4177: 3446:styles are made for the international market. 3251: 3217: 3180: 3151: 3122: 3102: 3074: 3054: 3029:One of the oldest styles in Japan. Famous for 3017: 2972: 2942: 2915: 2891: 2862: 2817: 2797: 2752: 2727: 2702: 2674: 2646: 2626: 2586: 2556: 2528: 2508: 2479: 2459: 2439: 2414: 2394: 2365: 2340: 2310: 2265: 2240: 2191: 2170: 2150: 2125: 2100: 2074: 1876: 1760: 1628: 1531: 868:), Tamba, Bizen, Tokoname, Echizen, and Seto. 804:funerary objects were earthenware like Yayoi. 762:, a roofed-tunnel kiln on a hillside, and the 648: 299: 284: 265: 4961: 4297: 3983:"Edmund de Waal: A life in arts | Books" 1831:(in the twelfth and thirteenth centuries) by 1422:Japanese pottery strongly influenced British 987:(1360–1424) of the Ming dynasty bestowed ten 682:BC), the earliest soft earthenware was made. 4186:. New York: The Metropolitan Museum of Art. 3971: 2996:) stands for all Japanese pottery. Includes 1385:was a name originally given to pottery from 4209:. New York: The Metropolitan Museum of Art. 3311:. Unsourced material may be challenged and 1634: 1578: 4968: 4954: 4304: 4290: 3272: 1232:). At that time, the Arita kilns like the 769:The anagama kiln could produce stoneware, 252:Tea-leaf jar with a design of wisteria by 27:Overview of Japanese pottery and porcelain 4110: 3824: 3373:Okayama Prefectural Bizen Ceramics Museum 3331:Learn how and when to remove this message 1869:Further refinements came about under the 1715:Seto-type tea wares of Mino, such as the 1046:Highly priced imports also came from the 1021: 200:Learn how and when to remove this message 138:Learn how and when to remove this message 4009:"Brother Thomas | Black Olive Vase" 1880: 1738:were still maintained by the lineage of 1495: 1475: 1346: 1200: 1169: 1079: 958: 811: 728: 637: 247: 211: 163:This article includes a list of general 4080: 3775: 3769: 3557: 3545: 1750:; both were heads of groups designated 1585:Cultural Properties Protection Division 408:and embody the aesthetic principles of 14: 5765: 5280:Chinese porcelain in European painting 4130: 3980: 3541: 3539: 3517: 1703:family continued to produce the rough 5008:Chinese influences on Islamic pottery 4949: 4285: 4239:"Takiguchi Kiheiji, The Oribe master" 4096:Tsuneko S. Sadao and Stephanie Wada, 4034: 3936: 3924: 3912: 3900: 3885: 3870: 3858: 3812: 3800: 3763: 3676: 3417:Kubosō Memorial Museum of Arts, Izumi 1746:, hereditary porcelain makers to the 983:According to chronicles in 1406, the 971:dynasty, 13th century, China. Right: 4085:, Seattle, USA: Seattle Art Museum, 3657:"Tea Drinking and Ceramic Tea Bowls" 3309:adding citations to reliable sources 3276: 1707:that had so delighted Hideyoshi. At 1440: 923: 149: 76:adding citations to reliable sources 47: 4277:Japanese Pottery Information Center 4231:. Kodansha International LTD, 1967. 4150:. Kodansha International LTD, 1967. 3754:Smith, Harris, & Clark, 164–165 3578:Smith, Harris, & Clark, 163–177 3536: 1552:movement, establishing the town of 991:bowls from the Song dynasty to the 919: 24: 5644:Ehrenfried Walther von Tschirnhaus 4222:Dictionary of Art: Jansen to Ketel 4171: 4162:Dictionary of Art: Jansen to Ketel 3397:Ishikawa Prefectural Museum of Art 3369:Museum of Oriental Ceramics, Osaka 2081:Fukuchi, Tagawa District, Fukuoka 1796:from Canada was influenced by it. 1002:(1358–1408), who ruled during the 858: 847:appeared in this time, as well as 169:it lacks sufficient corresponding 25: 5789: 5109:Famille jaune, noire, rose, verte 4270: 4220:Turner, Jane. "Japan: Ceramics". 4160:Turner, Jane. "Japan: Ceramics". 1904: 1730:. Ancient porcelain kilns around 1075: 819:pot with design of autumn grasses 750:, 6th century (National Treasure) 431: 5703:Kuskovo State Museum of Ceramics 4383: 4321: 3831:. Routledge Curzon. p. 45. 3357:Fukuoka Oriental Ceramics Museum 3345:Aichi Prefectural Ceramic Museum 3281: 3237: 3203: 3166: 3137: 3088: 3040: 3003: 2958: 2928: 2877: 2848: 2783: 2738: 2713: 2688: 2660: 2572: 2542: 2494: 2425: 2380: 2351: 2326: 2296: 2251: 2226: 2207:potters at the beginning of the 2136: 2111: 2086: 1856: 1444: 1417: 963:Ewers with floral design. Left: 927: 561: 549: 537: 525: 513: 256:, Edo period (National Treasure) 154: 87:"Japanese pottery and porcelain" 52: 41:. For the Hannibal episode, see 4599:list of Japanese ceramics sites 4066:. British Museum Publications. 4028: 4015: 4001: 3942: 3818: 3748: 3739: 3722: 3713: 3710:Smith, Harris, & Clark, 163 3704: 3695: 3670: 3649: 3631: 3610:The Metropolitan Museum of Art 2219:, and most early pieces in the 2042:list of Japanese ceramics sites 1436: 1342: 807: 724: 704: 633: 573: 63:needs additional citations for 4313:Japanese pottery and porcelain 4229:The World of Japanese Ceramics 4148:The World of Japanese Ceramics 4117:The Metropolitan Museum of Art 3617: 3604: 3590: 3581: 3572: 3563: 3511: 1654:The modern potters operate in 871:Among these, the Seto kiln in 709:In about the 4th–3rd centuries 578:Some of the typical vessel (器 499:): a white colour with a high 13: 1: 5709:Sèvres – Cité de la céramique 5654:François Xavier d'Entrecolles 4975: 4215:The Japanese Pottery Handbook 4155:The Japanese Pottery Handbook 3954:Collection.britishcouncil.org 3776:Liddell, C. B. (2013-12-14). 3499: 3379:. Public museums such as the 1389:, elaborately decorated with 1209: 1139: 672: 372:, and Aoki Mokubei. Japanese 5691:Dresden Porcelain Collection 3504: 3471:Korean pottery and porcelain 1803:, who brought his clay from 1508:Intangible Cultural Property 320:period. Types have included 7: 4142:/Weidenfeld & Nicolson. 3490: 3476: 3449: 3031: 2992: 2986: 2841: 2835: 2027: 2021: 2012: 2004: 1995: 1986: 1978: 1970: 1962: 1956: 1948: 1940: 1932: 1924: 1895: 1877:Traditional shaping methods 1845: 1837: 1821: 1813: 1788: 1752: 1726: 1684: 1620: 1548: 1523: 1502: 1361: 1326: 1316: 1310: 1304: 1274: 1268: 1259: 1217:Important Cultural Property 1186: 1175: 1130: 1086: 1064: 1052: 1037: 1012: 993: 906: 896: 881: 823: 798: 754:In the 3rd to 4th centuries 742: 734: 655: 470:unglazed stoneware (焼き締め陶窓 410: 293: 278: 272: 226: 10: 5794: 5733:Victoria and Albert Museum 4257:Kakiemon, Sakaida (2019). 4201:Takeshi, Nagatake (1979). 3677:Kekai, Paul (2006-09-05). 3659:. China Heritage Quarterly 3524:World History Encyclopedia 1885:Potter at his wheel (1914) 1377:Imperial Household Artists 1143: 628: 36: 29: 5739:Museum of Royal Worcester 5715:Musée des Arts Décoratifs 5680:Percival David Foundation 5674:British Museum (London): 5667: 5631: 5585: 5294: 5262: 5253: 5226: 5209: 5202: 5157: 5148:Japanese export porcelain 5135: 5128: 5023: 4990: 4983: 4785: 4753: 4700: 4692:Japanese export porcelain 4608: 4392: 4381: 4328: 4319: 3825:Checkland, Olive (2003). 3719:Ford & Impey, 126–127 3252: 3218: 3181: 3152: 3123: 3103: 3075: 3055: 3018: 2973: 2943: 2916: 2892: 2863: 2818: 2798: 2753: 2728: 2703: 2675: 2647: 2627: 2587: 2557: 2529: 2509: 2480: 2460: 2440: 2415: 2395: 2366: 2341: 2311: 2266: 2241: 2192: 2171: 2151: 2126: 2101: 2075: 1761: 1644:living cultural treasures 1629: 1556:as a renowned centre for 1532: 1247:Japanese export porcelain 1146:Japanese export porcelain 671:In the Neolithic period ( 649: 507:, Hizen Province, Kyushu. 485:seyūtōki or 高火度和 kōkadoyū 300: 285: 266: 5649:Johann Friedrich Böttger 5003:Chinese export porcelain 3409:Seikadō Bunko Art Museum 2903:A large type of pottery 2035: 1913: 1682:of Hagi were designated 1676:Yamamoto Masao (Toushuu) 1579:Heisei period to present 1482:Living National Treasure 1373:1873 Vienna World's Fair 4227:Sanders, Herbert Hong. 4178:Murase, Miyeko (2000). 4146:Sanders, Herbert Hong. 3273:Museums and collections 184:more precise citations. 3405:Mitsui Memorial Museum 3381:Kyushu National Museum 1886: 1695:In the old capital of 1510: 1493: 1356: 1298:designs. His disciple 1220: 1198: 1122:1592 invasion of Korea 1093: 1022:Azuchi-Momoyama period 980: 830: 751: 668: 257: 245: 4140:Royal Academy of Arts 3745:Ford & Impey, 126 3393:Tokyo National Museum 3385:Kyoto National Museum 3361:Kyushu Ceramic Museum 3261:, former Zeze domain 2223:style of decoration. 1884: 1811:and the watery-green 1744:Imaizumi Imaemon XIII 1500:Water scoop or mill ( 1499: 1479: 1371:, beginning with the 1350: 1204: 1173: 1083: 962: 815: 732: 689:in the 6th millennium 641: 520:unglazed earthenware 406:Japanese tea ceremony 316:, dating back to the 308:is one of the oldest 261:Pottery and porcelain 251: 215: 5685:The David Collection 5608:Overglaze decoration 5598:Hard-paste porcelain 5593:Soft-paste porcelain 4261:The Art of Emptiness 4083:Ceramic Art of Japan 4021:Watson, 260, 262-263 3683:Sambali.blogspot.com 3389:Nara National Museum 3377:Ōtsuka Museum of Art 3353:Arita Porcelain Park 3305:improve this section 2825:Fukushima Prefecture 1740:Sakaida Kakiemon XIV 1606:and its offshoot at 1484:). It was gifted by 1072:, northern Vietnam. 967:, Jingdezhen kilns, 440:unglazed earthenware 383:Korean-style pottery 72:improve this article 5542:Bing & Grøndahl 5506:Dihl & Guérhard 5404:Villeroy & Boch 4035:Earle, Joe (1999). 3861:, pp. 117–119. 3815:, pp. 116–117. 2654:Ishikawa Prefecture 1722:Fujimoto Yoshimichi 1604:Koishiwara, Fukuoka 1351:Porcelain vases by 1281:In 1675, the local 1000:Ashikaga Yoshimitsu 902:, Shino, Black Seto 886:("product of Seto") 841:, around 800–1200. 338:blue-and-white ware 43:Yakimono (Hannibal) 5778:Japanese porcelain 5751:Ludwigsburg Palace 5745:Walters Art Museum 5143:Japanese porcelain 5033:(16th century BCE) 3518:Cartwright, Mark. 2594:Fukuoka Prefecture 2058:Traditional Sites 1887: 1511: 1494: 1456:. You can help by 1357: 1221: 1199: 1118:Toyotomi Hideyoshi 1094: 981: 977:Nanboku-chō period 939:. You can help by 831: 752: 669: 544:unglazed stoneware 532:glazed earthenware 258: 246: 5760: 5759: 5659:Dmitry Vinogradov 5581: 5580: 5554:Wagner & Apel 5270:List of companies 5249: 5248: 5198: 5197: 5124: 5123: 5081:(14th century on) 5075:(14th century on) 5069:(11th century on) 4998:Chinese porcelain 4943: 4942: 4801:chasen kusenaoshi 4754:Gold applications 4119:. MetPublications 3766:, pp. 30–31. 3560:, pp. 17–18. 3413:Fujita Art Museum 3401:MOA Museum of Art 3341: 3340: 3333: 3270: 3269: 2899:Naruto, Tokushima 2566:A subcategory of 2178:Amakusa, Kumamoto 1513:During the early 1474: 1473: 1391:overglaze enamels 1213: 1690–1710s 957: 956: 785:(710–94) and the 685:During the early 663:vessel, 3000–2000 422:Chinese porcelain 242:National Treasure 210: 209: 202: 148: 147: 140: 122: 16:(Redirected from 5785: 5773:Japanese pottery 5368:Saint Petersburg 5275:French porcelain 5260: 5259: 5217:Korean porcelain 5207: 5206: 5133: 5132: 4988: 4987: 4970: 4963: 4956: 4947: 4946: 4387: 4325: 4306: 4299: 4292: 4283: 4282: 4266: 4253: 4251: 4250: 4213:Simpson, Penny. 4210: 4197: 4153:Simpson, Penny. 4143: 4127: 4125: 4124: 4093: 4077: 4058: 4022: 4019: 4013: 4012: 4005: 3999: 3998: 3996: 3995: 3978: 3969: 3968: 3966: 3965: 3956:. 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5395: 5389: 5383: 5377: 5371: 5365: 5359: 5353: 5347: 5341: 5335: 5329: 5323: 5317: 5311: 5305: 5298: 5296: 5292: 5291: 5289: 5288: 5282: 5277: 5272: 5266: 5264: 5257: 5251: 5250: 5247: 5246: 5244: 5243: 5242:(14th century) 5237: 5236:(10th century) 5230: 5228: 5224: 5223: 5221: 5220: 5213: 5211: 5204: 5200: 5199: 5196: 5195: 5193: 5192: 5187: 5182: 5177: 5172: 5167: 5161: 5159: 5155: 5154: 5152: 5151: 5145: 5139: 5137: 5130: 5126: 5125: 5122: 5121: 5119: 5118: 5117:(18th century) 5112: 5111:(17th century) 5106: 5105:(17th century) 5100: 5099:(17th century) 5094: 5093:(16th century) 5088: 5087:(16th century) 5082: 5079:Blanc de Chine 5076: 5073:Blue and white 5070: 5064: 5063:(12th century) 5058: 5057:(10th century) 5052: 5046: 5040: 5034: 5027: 5025: 5021: 5020: 5018: 5017: 5010: 5005: 5000: 4994: 4992: 4985: 4981: 4980: 4973: 4972: 4965: 4958: 4950: 4941: 4940: 4938: 4937: 4930: 4923: 4916: 4909: 4902: 4895: 4888: 4881: 4874: 4867: 4860: 4853: 4846: 4839: 4832: 4825: 4818: 4811: 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(1981). 4128: 4108: 4094: 4078: 4072: 4059: 4045: 4030: 4027: 4024: 4023: 4014: 4000: 3970: 3941: 3939:, p. 255. 3929: 3927:, p. 247. 3917: 3915:, p. 111. 3905: 3903:, p. 335. 3890: 3888:, p. 330. 3875: 3873:, p. 118. 3863: 3851: 3837: 3817: 3805: 3803:, p. 349. 3793: 3768: 3756: 3747: 3738: 3721: 3712: 3703: 3694: 3669: 3648: 3643:Japan Heritage 3630: 3616: 3603: 3589: 3580: 3571: 3562: 3550: 3535: 3509: 3508: 3506: 3503: 3501: 3498: 3497: 3496: 3487: 3482: 3473: 3468: 3463: 3458: 3456:Japanese craft 3451: 3448: 3440:studio pottery 3339: 3338: 3289: 3287: 3280: 3274: 3271: 3268: 3267: 3265: 3262: 3256: 3249: 3243: 3242: 3235: 3228: 3222: 3215: 3209: 3208: 3201: 3200:, or teacups. 3190: 3185: 3178: 3172: 3171: 3164: 3161: 3156: 3149: 3143: 3142: 3135: 3132: 3127: 3120: 3114: 3113: 3111: 3109: 3107: 3100: 3094: 3093: 3086: 3084: 3082:Arao, Kumamoto 3079: 3072: 3066: 3065: 3063: 3061: 3059: 3052: 3046: 3045: 3038: 3027: 3022: 3015: 3013:Shigaraki ware 3009: 3008: 3001: 2982: 2977: 2970: 2964: 2963: 2956: 2952: 2947: 2940: 2934: 2933: 2926: 2922: 2920: 2913: 2907: 2906: 2904: 2901: 2896: 2889: 2883: 2882: 2875: 2872: 2867: 2860: 2854: 2853: 2846: 2827: 2822: 2815: 2813:Ōborisōma ware 2809: 2808: 2806: 2804: 2802: 2795: 2789: 2788: 2781: 2762: 2757: 2750: 2744: 2743: 2736: 2734: 2732: 2725: 2723:Mikawachi ware 2719: 2718: 2711: 2709: 2707: 2700: 2694: 2693: 2686: 2684: 2679: 2672: 2666: 2665: 2658: 2656: 2651: 2644: 2638: 2637: 2635: 2633: 2631: 2624: 2618: 2617: 2615: 2596: 2591: 2584: 2578: 2577: 2570: 2564: 2561: 2554: 2548: 2547: 2540: 2538: 2533: 2526: 2520: 2519: 2517: 2515: 2513: 2506: 2500: 2499: 2492: 2489: 2484: 2477: 2471: 2470: 2468: 2466: 2464: 2457: 2451: 2450: 2448: 2446: 2444: 2437: 2431: 2430: 2423: 2421: 2419: 2412: 2406: 2405: 2403: 2401: 2399: 2392: 2386: 2385: 2378: 2375: 2370: 2363: 2357: 2356: 2349: 2347: 2345: 2338: 2332: 2331: 2324: 2320: 2318:Bizen Province 2315: 2308: 2302: 2301: 2294: 2275: 2273:Mie Prefecture 2270: 2263: 2257: 2256: 2249: 2247: 2245: 2238: 2232: 2231: 2224: 2217:Nabeshima ware 2201: 2196: 2189: 2183: 2182: 2180: 2175: 2168: 2162: 2161: 2159: 2157: 2155: 2148: 2142: 2141: 2134: 2132: 2130: 2123: 2117: 2116: 2109: 2107: 2105: 2098: 2096:Aizuhongō ware 2092: 2091: 2084: 2082: 2079: 2072: 2066: 2065: 2064:Example image 2062: 2059: 2056: 2051: 2037: 2034: 2033: 2032: 2017: 2009: 2000: 1991: 1983: 1975: 1967: 1953: 1945: 1937: 1929: 1915: 1912: 1906: 1905:Coil and throw 1903: 1901:clay figures. 1878: 1875: 1858: 1855: 1784:Edmund de Waal 1754:mukei bunkazai 1748:Nabeshima clan 1594:, overlooking 1580: 1577: 1472: 1471: 1451: 1449: 1438: 1435: 1419: 1416: 1344: 1341: 1287:Nabeshima ware 1206:Nabeshima ware 1162:Nabeshima ware 1141: 1138: 1111:Hon'ami Kōetsu 1107:Shigaraki ware 1077: 1076:Sengoku period 1074: 1062:", as well as 1023: 1020: 985:Yongle Emperor 979:, 14th century 955: 954: 934: 932: 921: 918: 873:Owari Province 866:Shigaraki ware 860: 857: 809: 806: 764:potter's wheel 726: 723: 706: 703: 635: 632: 630: 627: 623: 622: 615:tea caddy (茶入 613: 603: 593: 582:) types are: 575: 572: 571: 570: 567: 560: 558: 555: 548: 546: 543: 536: 534: 531: 524: 522: 519: 512: 509: 508: 489: 488: 476: 475: 472:yakishime tōki 467: 466: 442: 441: 433: 432:Ceramics types 430: 362:Hon'ami Kōetsu 234:Hon'ami Kōetsu 208: 207: 162: 160: 153: 146: 145: 60: 58: 51: 32:Japanese China 26: 9: 6: 4: 3: 2: 5790: 5779: 5776: 5774: 5771: 5770: 5768: 5753:(Ludwigsburg) 5752: 5749: 5746: 5743: 5740: 5737: 5734: 5731: 5728: 5725: 5722: 5721:Palace Museum 5719: 5716: 5713: 5710: 5707: 5704: 5701: 5698: 5695: 5692: 5689: 5686: 5683: 5681: 5677: 5673: 5672: 5670: 5666: 5660: 5657: 5655: 5652: 5650: 5647: 5645: 5642: 5640: 5637: 5636: 5634: 5630: 5624: 5621: 5619: 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5590: 5588: 5584: 5573: 5570: 5567: 5564: 5561: 5558: 5555: 5552: 5549: 5546: 5543: 5540: 5537: 5534: 5531: 5528: 5525: 5522: 5519: 5516: 5513: 5510: 5507: 5504: 5501: 5498: 5495: 5492: 5489: 5486: 5483: 5480: 5477: 5474: 5471: 5468: 5465: 5462: 5459: 5456: 5453: 5450: 5447: 5444: 5441: 5438: 5435: 5432: 5429: 5426: 5423: 5420: 5417: 5414: 5411: 5408: 5405: 5402: 5399: 5396: 5393: 5390: 5387: 5384: 5381: 5378: 5375: 5372: 5369: 5366: 5363: 5360: 5357: 5354: 5351: 5348: 5345: 5342: 5339: 5336: 5333: 5330: 5327: 5324: 5321: 5318: 5315: 5312: 5309: 5306: 5303: 5300: 5299: 5297: 5293: 5286: 5285:Armorial ware 5283: 5281: 5278: 5276: 5273: 5271: 5268: 5267: 5265: 5261: 5258: 5256: 5252: 5241: 5238: 5235: 5232: 5231: 5229: 5225: 5218: 5215: 5214: 5212: 5208: 5205: 5201: 5191: 5188: 5186: 5183: 5181: 5178: 5176: 5173: 5171: 5168: 5166: 5163: 5162: 5160: 5156: 5149: 5146: 5144: 5141: 5140: 5138: 5134: 5131: 5127: 5116: 5113: 5110: 5107: 5104: 5101: 5098: 5095: 5092: 5089: 5086: 5083: 5080: 5077: 5074: 5071: 5068: 5065: 5062: 5059: 5056: 5053: 5051:(6th century) 5050: 5047: 5045:(2nd century) 5044: 5041: 5039:(1st century) 5038: 5035: 5032: 5031:Proto-celadon 5029: 5028: 5026: 5022: 5014: 5013:Fonthill Vase 5011: 5009: 5006: 5004: 5001: 4999: 4996: 4995: 4993: 4989: 4986: 4982: 4978: 4971: 4966: 4964: 4959: 4957: 4952: 4951: 4948: 4936: 4935: 4931: 4929: 4928: 4924: 4922: 4921: 4917: 4915: 4914: 4910: 4908: 4907: 4903: 4901: 4900: 4896: 4894: 4893: 4889: 4887: 4886: 4882: 4880: 4879: 4875: 4873: 4872: 4868: 4866: 4865: 4861: 4859: 4858: 4854: 4852: 4851: 4847: 4845: 4844: 4840: 4838: 4837: 4833: 4831: 4830: 4826: 4824: 4823: 4819: 4817: 4816: 4812: 4810: 4809: 4805: 4803: 4802: 4798: 4796: 4795: 4791: 4790: 4788: 4784: 4778: 4777: 4773: 4771: 4770: 4766: 4764: 4763: 4759: 4758: 4756: 4752: 4746: 4745: 4741: 4739: 4738: 4734: 4732: 4731: 4727: 4725: 4724: 4720: 4718: 4717: 4713: 4711: 4710: 4709:Iro-Nabeshima 4706: 4705: 4703: 4699: 4693: 4690: 4688: 4685: 4683: 4682: 4678: 4676: 4673: 4671: 4668: 4666: 4663: 4661: 4658: 4656: 4653: 4651: 4650: 4646: 4644: 4641: 4639: 4636: 4634: 4631: 4628: 4624: 4623: 4619: 4617: 4614: 4613: 4611: 4607: 4600: 4597: 4595: 4592: 4590: 4587: 4585: 4582: 4580: 4577: 4575: 4572: 4570: 4567: 4565: 4562: 4560: 4557: 4554: 4550: 4547: 4545: 4542: 4540: 4537: 4535: 4532: 4530: 4527: 4525: 4522: 4520: 4517: 4514: 4510: 4506: 4503: 4501: 4498: 4496: 4493: 4491: 4488: 4486: 4483: 4481: 4478: 4476: 4473: 4471: 4468: 4466: 4463: 4461: 4458: 4456: 4453: 4451: 4448: 4446: 4443: 4441: 4438: 4436: 4433: 4431: 4428: 4426: 4423: 4421: 4418: 4416: 4413: 4411: 4408: 4406: 4403: 4401: 4398: 4397: 4395: 4391: 4386: 4376: 4373: 4371: 4368: 4366: 4363: 4360: 4359: 4354: 4351: 4349: 4346: 4343: 4342: 4337: 4334: 4333: 4331: 4324: 4318: 4314: 4307: 4302: 4300: 4295: 4293: 4288: 4287: 4284: 4278: 4275: 4274: 4264: 4263: 4260: 4255: 4244: 4240: 4236: 4233: 4230: 4226: 4224:. 1996. 240+. 4223: 4219: 4216: 4212: 4208: 4207: 4204: 4199: 4195: 4189: 4185: 4184: 4181: 4176: 4175: 4166: 4164:. 1996. 240+. 4163: 4159: 4156: 4152: 4149: 4145: 4141: 4137: 4133: 4129: 4118: 4114: 4109: 4107: 4106:4-7700-2939-X 4103: 4099: 4095: 4092: 4088: 4084: 4079: 4075: 4069: 4065: 4060: 4056: 4052: 4048: 4042: 4038: 4033: 4032: 4018: 4010: 4004: 3990: 3989: 3984: 3977: 3975: 3960:on 2016-09-18 3959: 3955: 3951: 3945: 3938: 3933: 3926: 3921: 3914: 3909: 3902: 3897: 3895: 3887: 3882: 3880: 3872: 3867: 3860: 3855: 3840: 3838:9781135786199 3834: 3830: 3829: 3821: 3814: 3809: 3802: 3797: 3783: 3779: 3772: 3765: 3760: 3751: 3742: 3735: 3731: 3725: 3716: 3707: 3698: 3684: 3680: 3673: 3658: 3652: 3644: 3640: 3634: 3626: 3620: 3613: 3612:metmuseum.org 3607: 3599: 3593: 3584: 3575: 3566: 3559: 3554: 3547: 3542: 3540: 3525: 3521: 3514: 3510: 3494: 3493: 3488: 3486: 3483: 3480: 3479: 3474: 3472: 3469: 3467: 3464: 3462: 3459: 3457: 3454: 3453: 3447: 3445: 3441: 3437: 3432: 3430: 3426: 3422: 3418: 3414: 3410: 3406: 3402: 3398: 3394: 3390: 3386: 3382: 3378: 3374: 3370: 3366: 3362: 3358: 3354: 3350: 3346: 3335: 3332: 3324: 3314: 3310: 3306: 3300: 3299: 3295: 3290:This section 3288: 3284: 3279: 3278: 3266: 3263: 3260: 3257: 3250: 3248: 3245: 3244: 3240: 3236: 3233: 3229: 3227: 3223: 3216: 3214: 3211: 3210: 3206: 3202: 3199: 3195: 3191: 3189: 3186: 3179: 3177: 3176:Tokoname ware 3174: 3173: 3169: 3165: 3162: 3160: 3157: 3150: 3148: 3145: 3144: 3140: 3136: 3133: 3131: 3128: 3121: 3119: 3116: 3115: 3112: 3110: 3108: 3101: 3099: 3098:Takatori ware 3096: 3095: 3091: 3087: 3085: 3083: 3080: 3073: 3071: 3068: 3067: 3064: 3062: 3060: 3053: 3051: 3048: 3047: 3043: 3039: 3035: 3034: 3028: 3026: 3023: 3016: 3014: 3011: 3010: 3006: 3002: 2999: 2994: 2988: 2983: 2981: 2978: 2971: 2969: 2966: 2965: 2961: 2957: 2953: 2951: 2948: 2941: 2939: 2936: 2935: 2931: 2927: 2923: 2921: 2914: 2912: 2909: 2908: 2905: 2902: 2900: 2897: 2890: 2888: 2885: 2884: 2880: 2876: 2873: 2871: 2868: 2861: 2859: 2856: 2855: 2851: 2847: 2843: 2837: 2832: 2828: 2826: 2823: 2816: 2814: 2811: 2810: 2807: 2805: 2803: 2796: 2794: 2791: 2790: 2786: 2782: 2779: 2775: 2774:Setoguro ware 2771: 2767: 2763: 2761: 2760:Mino Province 2758: 2751: 2749: 2746: 2745: 2741: 2737: 2735: 2733: 2726: 2724: 2721: 2720: 2716: 2712: 2710: 2708: 2701: 2699: 2696: 2695: 2691: 2687: 2685: 2683: 2680: 2673: 2671: 2668: 2667: 2663: 2659: 2657: 2655: 2652: 2645: 2643: 2640: 2639: 2636: 2634: 2632: 2625: 2623: 2620: 2619: 2616: 2613: 2609: 2605: 2601: 2597: 2595: 2592: 2585: 2583: 2580: 2579: 2575: 2571: 2569: 2565: 2562: 2555: 2553: 2552:Kiyomizu ware 2550: 2549: 2545: 2541: 2539: 2537: 2534: 2527: 2525: 2524:Kirigome ware 2522: 2521: 2518: 2516: 2514: 2507: 2505: 2502: 2501: 2497: 2493: 2490: 2488: 2487:Karatsu, Saga 2485: 2478: 2476: 2473: 2472: 2469: 2467: 2465: 2458: 2456: 2453: 2452: 2449: 2447: 2445: 2438: 2436: 2433: 2432: 2428: 2424: 2422: 2420: 2413: 2411: 2408: 2407: 2404: 2402: 2400: 2393: 2391: 2388: 2387: 2383: 2379: 2376: 2374: 2371: 2364: 2362: 2359: 2358: 2354: 2350: 2348: 2346: 2339: 2337: 2334: 2333: 2329: 2325: 2321: 2319: 2316: 2309: 2307: 2304: 2303: 2299: 2295: 2292: 2288: 2284: 2280: 2276: 2274: 2271: 2264: 2262: 2259: 2258: 2254: 2250: 2248: 2246: 2239: 2237: 2234: 2233: 2229: 2225: 2222: 2218: 2214: 2210: 2206: 2202: 2200: 2197: 2190: 2188: 2185: 2184: 2181: 2179: 2176: 2169: 2167: 2164: 2163: 2160: 2158: 2156: 2149: 2147: 2144: 2143: 2139: 2135: 2133: 2131: 2124: 2122: 2119: 2118: 2114: 2110: 2108: 2106: 2099: 2097: 2094: 2093: 2089: 2085: 2083: 2080: 2073: 2071: 2068: 2067: 2063: 2060: 2057: 2055: 2052: 2049: 2048: 2045: 2043: 2029: 2023: 2018: 2014: 2010: 2006: 2001: 1997: 1992: 1988: 1984: 1980: 1976: 1972: 1968: 1964: 1958: 1954: 1950: 1946: 1942: 1938: 1934: 1930: 1926: 1922: 1921: 1920: 1911: 1902: 1899: 1898: 1892: 1891:Rengetsu ware 1883: 1874: 1872: 1867: 1864: 1857:Raw materials 1854: 1852: 1847: 1841: 1840: 1834: 1830: 1825: 1824: 1817: 1816: 1810: 1806: 1802: 1797: 1795: 1790: 1785: 1781: 1776: 1772: 1768: 1756: 1755: 1749: 1745: 1741: 1737: 1733: 1728: 1727:ningen kokuho 1723: 1718: 1714: 1710: 1706: 1702: 1698: 1693: 1691: 1686: 1685:ningen kokuho 1681: 1680:Miwa Kyusetsu 1678:of Bizen and 1677: 1673: 1669: 1665: 1661: 1657: 1652: 1624: 1623: 1622:ningen kokuho 1618:honored as a 1617: 1613: 1609: 1605: 1601: 1597: 1593: 1590:The kilns at 1588: 1586: 1576: 1574: 1569: 1567: 1563: 1562:Kawai Kanjirō 1559: 1555: 1550: 1545: 1541: 1540:Yanagi Sōetsu 1527: 1526: 1520: 1516: 1509: 1504: 1498: 1491: 1490:Empress Kōjun 1487: 1486:Emperor Shōwa 1483: 1478: 1468: 1459: 1455: 1452:This section 1450: 1447: 1443: 1442: 1434: 1432: 1431:Taishō period 1428: 1427:Bernard Leach 1425: 1424:studio potter 1418:Taishō period 1415: 1413: 1407: 1404: 1400: 1396: 1392: 1388: 1384: 1380: 1378: 1374: 1370: 1369:world's fairs 1365: 1364: 1354: 1349: 1340: 1337: 1331: 1328: 1323: 1318: 1312: 1306: 1301: 1295: 1292: 1288: 1284: 1279: 1276: 1270: 1261: 1256: 1250: 1248: 1244: 1243:famille verte 1240: 1235: 1231: 1226: 1218: 1207: 1203: 1196: 1193: 1188: 1184:five colours 1179: 1178: 1172: 1167: 1163: 1159: 1155: 1151: 1147: 1137: 1134: 1133: 1127: 1126:Yi Sam-pyeong 1123: 1119: 1114: 1112: 1108: 1104: 1100: 1090: 1089: 1082: 1073: 1071: 1066: 1061: 1056: 1055: 1049: 1044: 1039: 1033: 1029: 1019: 1016: 1015: 1009: 1005: 1001: 997: 996: 990: 986: 978: 974: 970: 969:southern Song 966: 961: 951: 942: 938: 935:This section 933: 930: 926: 925: 917: 915: 908: 898: 891: 890:Mino Province 883: 878: 875:(present day 874: 869: 867: 856: 854: 853:Tokoname ware 850: 846: 842: 840: 836: 825: 818: 814: 805: 802: 801: 795: 792:Contemporary 790: 788: 784: 776: 772: 767: 765: 761: 749: 744: 738: 737: 731: 722: 720: 719:Yayoi pottery 716: 702: 700: 699:Jōmon pottery 696: 688: 683: 657: 644: 643:Jōmon pottery 640: 626: 620: 619: 614: 611: 607: 604: 601: 597: 594: 591: 590: 586:tea bowl (茶碗 585: 584: 583: 581: 564: 559: 552: 547: 540: 535: 528: 523: 516: 511: 510: 506: 502: 498: 494: 491: 490: 486: 482: 478: 477: 473: 469: 468: 464: 463: 458: 454: 450: 447: 444: 443: 439: 438: 437: 429: 427: 423: 419: 414: 413: 407: 403: 399: 394: 392: 388: 384: 380: 375: 374:anagama kilns 371: 367: 363: 358: 356: 352: 343: 339: 335: 331: 327: 323: 319: 315: 311: 295: 280: 274: 262: 255: 250: 243: 239: 235: 230: 229: 223: 219: 214: 204: 201: 193: 183: 179: 173: 172: 166: 161: 152: 151: 142: 139: 131: 120: 117: 113: 110: 106: 103: 99: 96: 92: 89: – 88: 84: 83:Find sources: 77: 73: 67: 66: 61:This article 59: 55: 50: 49: 44: 40: 33: 19: 5687:(Copenhagen) 5623:Factory mark 5586:Technologies 5494:Clignancourt 5142: 4932: 4925: 4918: 4911: 4904: 4897: 4890: 4883: 4876: 4869: 4862: 4855: 4848: 4841: 4834: 4827: 4820: 4813: 4806: 4799: 4792: 4774: 4767: 4760: 4744:Tetsuyū-tōki 4742: 4735: 4728: 4721: 4714: 4707: 4679: 4647: 4626: 4620: 4356: 4339: 4312: 4262: 4259: 4247:. Retrieved 4245:. 2009-04-19 4228: 4221: 4214: 4206: 4203: 4183: 4180: 4161: 4154: 4147: 4135: 4121:. Retrieved 4116: 4097: 4082: 4063: 4036: 4029:Bibliography 4017: 4003: 3992:. Retrieved 3988:The Guardian 3986: 3981:Paul Laity. 3962:. Retrieved 3958:the original 3953: 3944: 3932: 3920: 3908: 3866: 3854: 3842:. Retrieved 3827: 3820: 3808: 3796: 3785:. Retrieved 3781: 3771: 3759: 3750: 3741: 3724: 3715: 3706: 3697: 3686:. Retrieved 3682: 3672: 3661:. Retrieved 3651: 3642: 3633: 3619: 3606: 3592: 3583: 3574: 3565: 3558:Trubner 1972 3553: 3548:, p. 18 3546:Trubner 1972 3527:. Retrieved 3523: 3513: 3461:Japanese art 3433: 3342: 3327: 3318: 3303:Please help 3291: 3213:Tsuboya ware 3194:flower vases 3050:Shitoro ware 2938:Satsuma ware 2778:Ki-Seto ware 2698:Mashiko ware 2608:flower vases 2475:Karatsu ware 2336:Echizen ware 2287:flower vases 2121:Akahada ware 2039: 2028:take bon bon 2022:take bon bon 1917: 1908: 1888: 1868: 1860: 1801:Tsuji Seimei 1798: 1777: 1694: 1653: 1589: 1582: 1570: 1558:Mashiko ware 1544:Shōji Hamada 1515:Shōwa period 1512: 1462: 1458:adding to it 1453: 1437:Shōwa period 1421: 1412:Makuzu Kōzan 1408: 1403:Makuzu Kōzan 1383:Satsuma ware 1381: 1358: 1343:Meiji period 1332: 1300:Ogata Kenzan 1296: 1280: 1251: 1239:famille rose 1225:Qing dynasty 1222: 1182:(old Kutani) 1115: 1099:Sen no Rikyū 1095: 1045: 1025: 982: 965:Qingbai ware 945: 941:adding to it 936: 870: 862: 843: 839:Heian period 835:Tang dynasty 832: 808:Heian period 791: 787:Heian period 775:Kofun period 768: 760:anagama kiln 753: 748:Kofun period 725:Kofun period 715:Yayoi 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1154:Arita ware 1140:Edo period 1132:noborigama 1060:Luzon ware 1054:Rusun-yaki 914:Oribe ware 845:Kamui ware 824:akikusamon 678:millennium 426:stonewares 238:Edo period 224:tea bowl ( 190:March 2024 165:references 98:newspapers 5723:(Beijing) 5699:(Toronto) 5693:(Dresden) 5566:Porsgrund 5560:Rosenthal 5500:Hollóháza 5410:Worcester 5350:Vincennes 5338:Chantilly 5332:Rörstrand 5175:Nabeshima 4977:Porcelain 4920:suribachi 4906:shimamono 4892:mizutsugi 4885:mizusashi 4730:Seto-guro 4716:nigoshide 4681:Sometsuke 4675:Nabeshima 4670:Mikawachi 4627:Seihakuji 4609:Porcelain 4559:Shigaraki 4524:Ōborisōma 4405:Aizuhongō 4365:Kamuiyaki 4091:74-189738 3505:Citations 3347:close to 3292:does not 3247:Zeze ware 3224:Tsuboya, 3192:Most are 3147:Tobe ware 2993:Seto-mono 2987:Seto-yaki 2968:Seto ware 2911:Raku ware 2858:Onta ware 2764:Includes 2748:Mino ware 2598:Most are 2361:Hagi ware 2277:Most are 1780:Lucie Rie 1705:tea bowls 1608:Onta ware 1521:movement 1283:Nabeshima 1177:Ko-Kutani 989:Jian ware 973:Seto ware 907:Seto-Guro 882:Seto-mono 794:Haji ware 695:coil-made 656:kaen doki 568:Porcelain 493:porcelain 481:stoneware 457:teikadoyū 418:raku ware 412:wabi-sabi 391:Toto Ltd. 334:porcelain 330:stoneware 318:Neolithic 314:art forms 222:Raku ware 5735:(London) 5705:(Moscow) 5639:Chinamen 5572:Augarten 5452:Wedgwood 5398:Plymouth 5263:General: 5210:General: 5180:Kakiemon 5136:General: 4991:General: 4899:sakazuki 4829:futa-oki 4769:kintsugi 4762:kinrande 4655:Kakiemon 4584:Tokoname 4574:Takatori 4475:Kiyomizu 4393:Ceramics 4055:42476594 3844:28 April 3492:Tokanabe 3478:Kintsugi 3450:See also 3421:Ryūkō-in 2670:Kyō ware 2568:Kyō ware 2410:Iga ware 2221:Kakiemon 1963:takebera 1949:Takebera 1933:Marugote 1767:Kakiemon 1519:folk art 1503:kara-usu 1406:motifs. 1275:Ko-Imari 1260:Ko-Imari 1234:Kakiemon 1150:Kakiemon 758:AD, the 455:or 低火度前 453:seyūtōki 387:Noritake 279:yakimono 220:" white 5717:(Paris) 5711:(Paris) 5618:Biscuit 5548:Zsolnay 5524:Doulton 5512:Mintons 5476:Limoges 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See 3730:Kutani 3371:, the 3367:, the 3363:, the 3359:, the 3355:, the 3351:, the 3349:Nagoya 3033:tanuki 2776:, and 2610:, and 2289:, and 2205:Korean 2061:Notes 1897:haniwa 1863:kaolin 1789:mingei 1765:, see 1736:Kyūshū 1699:, the 1670:, and 1549:mingei 1525:mingei 1517:, the 1363:daimyō 1164:, and 1088:chawan 995:shōgun 912:, and 800:haniwa 779: 756: 736:Haniwa 711: 691: 680: 665: 618:chaire 589:chawan 580:utsuwa 501:silica 483:(施和陶器 462:Sansai 451:(施和的器 446:glazed 366:Ninsei 346: 336:, and 273:tōjiki 228:chawan 167:, but 114: 107: 100: 93: 85: 5470:Revol 5440:Weesp 5428:Derby 5308:Rouen 5203:Korea 5170:Imari 5165:Arita 5129:Japan 5085:Kraak 4984:China 4878:kyūsu 4815:choko 4723:Seiji 4643:Imari 4638:Hizen 4616:Arita 4579:Tamba 4534:Ōtani 4513:Shino 4509:Oribe 4455:Iwami 4435:Bizen 4430:Banko 4425:Asahi 4415:Akazu 4400:Agano 4375:Yayoi 4353:Jōmon 4348:Iriya 3434:Most 3124:丹波立杭焼 2831:horse 2819:大堀相馬焼 2682:Kyoto 2172:天草陶磁器 2102:会津本郷焼 2054:Kanji 2050:Name 2036:Wares 2013:Kushi 1987:Kanna 1957:Tonbo 1941:Dango 1914:Tools 1805:Shiga 1762:無形文化財 1732:Arita 1697:Kyoto 1672:Bizen 1656:Shiga 1592:Tamba 1255:Imari 1190:type 1070:Annam 1068:from 1065:Annan 1048:Luzon 743:keiko 610:hachi 600:tsuba 505:Arita 294:tōgei 291:, or 232:) by 119:JSTOR 105:books 5055:Ding 5049:Xing 4871:kōro 4864:kōgō 4687:Tobe 4660:Kotō 4594:Zeze 4549:Seto 4539:Raku 4529:Onta 4511:and 4505:Mino 4445:Hagi 4358:dogū 4336:Haji 4188:ISBN 4102:ISBN 4087:LCCN 4068:ISBN 4051:OCLC 4041:ISBN 3846:2020 3833:ISBN 3427:and 3415:and 3395:and 3296:any 3294:cite 3259:Ōtsu 3226:Naha 3056:志戸呂焼 2990:(or 2864:小鹿田焼 2842:koma 2799:無名異焼 2729:三川内焼 2628:古曽部焼 2612:sake 2588:小石原焼 2396:波佐見焼 2291:sake 2215:and 1971:Yumi 1839:wabi 1769:and 1742:and 1724:, a 1709:Mino 1701:Raku 1668:Hagi 1635:lit. 1630:人間国宝 1596:Kobe 1488:and 1401:and 1393:and 1336:Tobe 1195:ewer 1192:sake 1187:Iroe 1103:Raku 1084:Ido 1058:or " 851:and 796:and 650:火焔土器 606:bowl 497:jiki 495:(磁器 389:and 381:and 312:and 286:焼きもの 91:news 5380:Bow 5043:Yue 4601:... 4495:Kyō 4450:Iga 4370:Sue 3442:in 3307:by 3253:膳所焼 3219:壺屋焼 3182:常滑焼 3153:砥部焼 3104:高取焼 3076:小代焼 3019:信楽焼 2974:瀬戸焼 2944:薩摩焼 2893:大谷焼 2839:or 2836:uma 2754:美濃焼 2704:益子焼 2648:九谷焼 2558:清水焼 2530:切込焼 2510:笠間焼 2481:唐津焼 2461:出石焼 2441:石見焼 2416:伊賀焼 2342:越前焼 2312:備前焼 2267:萬古焼 2242:朝日焼 2193:有田焼 2152:赤津焼 2127:赤膚焼 2076:上野焼 2002:An 1833:Zen 1734:in 1660:Iga 1460:. 1320:by 1120:'s 943:. 777:(AD 713:BC 608:(鉢 598:(壷 596:jar 393:. 267:陶磁器 74:by 5769:: 5678:/ 4241:. 4138:. 4115:. 4049:. 3985:. 3973:^ 3952:. 3893:^ 3878:^ 3780:. 3681:. 3641:. 3538:^ 3522:. 3423:, 3411:, 3407:, 3403:, 3391:, 3387:, 3383:, 3196:, 3000:. 2917:楽焼 2780:. 2772:, 2768:, 2676:京焼 2606:, 2602:, 2367:萩焼 2285:, 2281:, 2044:. 2019:A 1993:A 1853:. 1775:. 1674:. 1666:, 1662:, 1658:, 1651:. 1633:, 1587:. 1533:民芸 1330:. 1241:, 1210:c. 1160:, 1156:, 1152:, 1148:, 975:, 916:. 855:. 717:, 673:c. 653:, 368:, 364:, 332:, 328:, 324:, 301:陶芸 270:, 236:, 4969:e 4962:t 4955:v 4629:) 4555:) 4515:) 4361:) 4344:) 4305:e 4298:t 4291:v 4252:. 4196:. 4126:. 4076:. 4057:. 4011:. 3997:. 3967:. 3848:. 3790:. 3691:. 3666:. 3645:. 3627:. 3600:. 3532:. 3334:) 3328:( 3323:) 3319:( 3315:. 3301:. 2833:( 1773:) 1759:( 1647:' 1641:' 1627:( 1536:) 1530:( 1467:) 1463:( 1219:) 1215:( 1041:) 1035:( 950:) 946:( 910:) 904:( 900:) 894:( 827:) 821:( 660:) 647:( 621:) 612:) 602:) 592:) 306:) 304:) 298:( 289:) 283:( 264:( 244:) 240:( 216:" 203:) 197:( 192:) 188:( 174:. 141:) 135:( 130:) 126:( 116:· 109:· 102:· 95:· 68:. 45:. 34:. 20:)

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