17:
107:, which was a satire that openly mocked the government. As a result, Stalin labeled the Kamerny 'a real bourgeois theater'. Thereafter, the theater had need to reform their presentation. The Soviet authorities developed a deep distrust of Tairov, calling him the last representative of the "bourgeois aestheticism".
40:(1885–1950). Over the next 35 years, this small, intimate theater became "recognized as a major force in Russian theater". Considered among the better presentations staged at the theater were:
99:
by remaining unpolitical, instead adopting a post-revolutionary romantic idealism and relying heavily on classical material from the east and west. However, in 1928, the
Kamerny put on
126:
in 1946. The same year the Soviet communist party "condemned all formalism and experimentation in literature and the arts". The
Kamerny was closed in 1949 as a result of the
406:
455:
450:
178:
460:
330:
300:
273:
221:
188:
161:
360:
249:
445:
96:
213:
381:
320:
290:
263:
118:
and it did not re-open until
December 25, 1943. The last production staged at the Kamerny was
350:
241:
151:
89:
66:
52:
85:
42:
8:
71:
206:
76:
356:
326:
296:
269:
245:
217:
184:
157:
81:
127:
115:
104:
37:
29:
349:
Cornwell, Neil; Christian, Nicole (1998). "Post-Revolutionary
Russian Theater".
177:
Mitter, Shomit; Shevtsova, Maria (2005). "Alexander Tairov (1885–1950)".
439:
421:
408:
123:
111:
16:
156:. Performance studies (4th ed.). Psychology Press. pp. 31–34.
348:
238:
Modernism's
History: A Study in Twentieth Century Art and Ideas
150:
Roose-Evans, James (1989). "Taïrov and the
Synthetic Theater".
110:
In 1937, the
Realistic Theater was merged with the Kamerny. In
80:(1933). Tairov's primary collaborator in building the sets was
33:
176:
288:
183:. Fifty Key Thinkers Series. Psychology Press. p. 37.
322:
The
Chekhov theatre: a century of the plays in performance
95:
For three decades the theater survived the effects of the
344:
342:
153:
339:
212:(2nd ed.). Cambridge University Press. p.
170:
205:
282:
88:style. The decor for the theatre was designed by
437:
145:
143:
314:
312:
140:
114:, the theater was heavily bombed during the
325:. Cambridge University Press. p. 196.
309:
295:. Cambridge University Press. p. 333.
149:
456:1949 disestablishments in the Soviet Union
451:1914 establishments in the Russian Empire
197:
84:, and these were based upon the period's
318:
289:Leach, Robert; Borovsky, Victor (1999).
255:
15:
379:
438:
203:
352:Reference guide to Russian literature
261:
355:. Taylor & Francis. p. 46.
13:
373:
14:
472:
20:A curtain at the Kamerny Theatre.
268:. Intellect Books. p. 124.
230:
208:The Cambridge guide to theatre
36:, founded in 1914 by director
1:
133:
386:in Kamerny Theatre (Moscow)"
292:A history of Russian theatre
7:
319:Senelick, Laurence (2000).
180:Fifty key theatre directors
10:
477:
48:Phèdre and Giroflé-Girofla
461:Former theatres in Russia
265:Directors & Designers
262:White, Christine (2009).
236:Smith, Bernard. (1998)
204:Banham, Martin (1995).
21:
380:Trubotchkin, Dmitri.
242:Yale University Press
90:Konstantin Medunetsky
77:An Optimistic Tragedy
53:Desire Under the Elms
19:
422:55.7619°N 37.6025°E
418: /
446:Theatres in Moscow
392:. Randolph College
97:Russian Revolution
67:The Beggars' Opera
43:Princess Brambilla
22:
82:Aleksandra Ekster
468:
433:
432:
430:
429:
428:
427:55.7619; 37.6025
423:
419:
416:
415:
414:
411:
400:
398:
397:
367:
366:
346:
337:
336:
316:
307:
306:
286:
280:
279:
259:
253:
234:
228:
227:
211:
201:
195:
194:
174:
168:
167:
147:
128:Zhdanov Doctrine
105:Mikhail Bulgakov
38:Alexander Tairov
476:
475:
471:
470:
469:
467:
466:
465:
436:
435:
426:
424:
420:
417:
412:
409:
407:
405:
404:
395:
393:
376:
374:Further reading
371:
370:
363:
347:
340:
333:
317:
310:
303:
287:
283:
276:
260:
256:
235:
231:
224:
202:
198:
191:
175:
171:
164:
148:
141:
136:
116:siege of Moscow
30:chamber theatre
26:Kamerny Theatre
12:
11:
5:
474:
464:
463:
458:
453:
448:
402:
401:
375:
372:
369:
368:
361:
338:
331:
308:
301:
281:
274:
254:
229:
222:
196:
189:
169:
162:
138:
137:
135:
132:
86:constructivist
9:
6:
4:
3:
2:
473:
462:
459:
457:
454:
452:
449:
447:
444:
443:
441:
434:
431:
391:
387:
385:
382:"On Tairov's
378:
377:
364:
358:
354:
353:
345:
343:
334:
332:0-521-78395-X
328:
324:
323:
315:
313:
304:
302:0-521-43220-0
298:
294:
293:
285:
277:
275:1-84150-289-8
271:
267:
266:
258:
251:
247:
243:
240:. New Haven:
239:
233:
225:
223:0-521-43437-8
219:
215:
210:
209:
200:
192:
190:0-415-18732-X
186:
182:
181:
173:
165:
163:0-415-00963-4
159:
155:
154:
146:
144:
139:
131:
129:
125:
124:Anton Chekhov
121:
117:
113:
108:
106:
102:
101:Purple Island
98:
93:
91:
87:
83:
79:
78:
73:
69:
68:
63:
59:
58:Day and Night
55:
54:
49:
45:
44:
39:
35:
31:
27:
18:
403:
394:. Retrieved
389:
383:
351:
321:
291:
284:
264:
257:
237:
232:
207:
199:
179:
172:
152:
119:
112:World War II
109:
100:
94:
75:
65:
61:
57:
51:
47:
41:
25:
23:
425: /
120:The Seagull
70:(1930) and
440:Categories
413:37°36′09″E
410:55°45′43″N
396:2011-06-03
390:Didaskalia
362:1884964109
250:0300073925
244:, p. 170.
134:References
72:Vishnevsky
62:The Negro
64:(1929),
60:(1926),
56:(1926),
50:(1922),
46:(1920),
384:Phaedra
359:
329:
299:
272:
248:
220:
187:
160:
34:Moscow
28:was a
357:ISBN
327:ISBN
297:ISBN
270:ISBN
246:ISBN
218:ISBN
214:1099
185:ISBN
158:ISBN
24:The
122:by
103:by
74:'s
32:in
442::
388:.
341:^
311:^
216:.
142:^
130:.
92:.
399:.
365:.
335:.
305:.
278:.
252:,
226:.
193:.
166:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.