416:. It is written in the third person interspersed with dialogues. The characters' inner thoughts are voiced by the narrator. Although those thoughts are introduced abruptly, the readers are able to decipher to whom they belong. According to scholar Nicole Huang, Chang's writing style borrows from the "illusory realm between memory and reality, brief moments between past and present, intersections between life and work, fiction and poetry, stage movements and everyday life".
266:
impending assassination, Mr. Yee offers to buy Chia-chih a rare diamond ring when they visit a jeweler to replace a gem from one of her earrings. As they wait for the jeweler to prepare a receipt, Chia-chih presumes that Mr. Yee's feelings for her are genuine and agonizes over the thought of the impending assassination. At the last minute, she simply tells him to run, a discreet way of warning him of the impending assassination. He successfully flees.
341:
235:
361:
up in the radical, patriotic politics of the 1940s, charting her exploitation in the name of nationalism and her impulsive abandonment of the cause for an illusory love." In the story, Chang asserts that individualism should be prioritized over nationalism. According to scholar Yao Sijia, this is a radical notion in comparison to the conventional belief that individuals are subordinate to the nation.
34:
360:
However, Chia-Chih's preference for love over politics serves as defiance of patriotism and nationalism. At the end of the assassination journey, she finds herself in a conflict. She chooses not to betray Mr. Yee. In Julia Lovell's afterword, "Chang created for the first time a heroine directly swept
381:
The sensual attraction between the two protagonists develops into a more profound and dangerous connection. In the jewelry scene, Chia-Chih ponders on whether she had fallen in love with Mr. Yee. She informs him of the imminent ambush, and Mr. Yee dodges the attack. It is conceivable that his demise
390:
Chang uses both dialogue and detailed narrations of extravagance to explore materialism. For example, the affluent characters use golden chains to tie their cloaks. The author chooses precious chains to portray the desire to flaunt wealth. Mr. Yee decides to buy a diamond ring for Chia-Chih instead
265:
In
Shanghai, Chia-chih becomes a part of Mrs. Yee's regular mahjong group. She seduces Mr. Yee and has a secret affair with him. Throughout their liaison, Chia-chih struggles internally between her personal attachment to Mr. Yee and her task to lure him into an assassination trap. On the day of the
261:
Initially, the student conspirators plan to assassinate Mr. Yee during his stay in Hong Kong. However, the Yees unexpectedly have to leave for
Mainland China. The group is disbanded due to a lack of funds and the low chance of Mr. Yee to be close in proximity. During this period, the female student
462:
aroused controversial topics related to sex and nationalism. Peng and Dilly concluded as: “Yet even more controversial was the film's 'erotic politics': the torrid sex between the female spy and the collaborator, only vaguely implied in Chang's story, was turned into three explicit sex scenes with
356:
To conform to the group meant that Chia-Chih has to do what is expected of her. The central figure in the assassination plot, her task is to befriend the Yees and seduce Mr. Yee. She follows her assigned script religiously, without question even when she was ostracized by her female co-conspirator
269:
Chia-chih and her fellow conspirators are captured in a blockade and executed on the information given by Mr. Yee. After the execution, Mr. Yee realizes his love for Chia-chih. Nevertheless, he deludes himself that the executions avert rumors of his affair from spreading. The novella ends with him
391:
of a gem for her earrings. The appeal of the ring is vanity and mirrors Chia-Chih's perception of love that leaves her crushed. In addition, the description of feminine dresses, jewels, and a luxurious curtain in Mr. Yee's residence are all symbols of wealth and power in a war-stricken nation.
372:
describes the storyline of Wang Chia-Chih seducing Mr. Yee. Chia-Chih uses her youth and beauty to ensnare Mr. Yee and helps plan for his assassination. The wealthy troupe member, Huang Lei funds the expensive plot where Chia-Chih acts as Mrs. Mak, the spouse of a wealthy businessperson. She
262:
conspirators denounce Chia-chih as a whore because of her sexual relations with Liang Jun-sheng, who is tasked to train Chia-chih as a seductress. The mission resumes after Wu, a member of the anti-Japanese underground resistance in
Shanghai, offers to sponsor its continuation in Shanghai.
156:
was an adaptation of this novel. The story focuses on the plight of Wang Chia-chih and her involvement in a plot to assassinate Mr. Yee, who is a co-collaborator of a
Chinese collaborator with the invading Japanese force. The novella was allegedly based on a true story of the wartime spy
373:
initially befriends Yee Tai-Tai, Mr. Yee's wife, to get close to her husband. The two protagonists eventually begin an affair that sets in motion the planned assassination at a jewelry store. Chia-Chih uses her charm to enchant Mr. Yee, a honey-trap technique used in politics.
288:
Wang Chia-chih / Wang Jia-zhi (a.k.a. Mai Tai-tai): A student actress turned assassin's spy, posing as the Tai-tai (wife) of Mr. Mai, a fictional Hong Kong businessman. Her (Mai Tai-tai) tasks are to befriend Yee Tai Tai and seduce Mr. Yee in order to make his assassination
408:
in which elements of Chang's life and emotions are integrated into the novel. Wang Chia-Chih's romantic fallacy parallels Chang's relationship with her first husband Hu Lan-cheng who was denounced as a traitor for serving a propaganda official in the Wang
Jingwei regime.
382:
would trouble Chia-Chih. Mr.Yee contends that she loved him but signs her execution to avoid inquiries into his life and protect his reputation. In the novella, lust plays a vital role in depicting love as a commodity that is easily exchangeable and disposable.
201:, Chang willed all her possessions to Stephen Soong and his wife Mae Fong Soong in Hong Kong, but they later died. Their daughter Elaine and son Chinese-American translator Roland Soong inherited Chang's literary estate. An online newspaper article in
303:
Leung Yeun-sang / Liang Run-Sheng:The only member of the group who has been inside a brothel. He is tasked with training Chia-chih to become a seductress. It is implied that due to his experience, he has sex with Chia-chih to train her to seduce Mr.
258:. Chia-chih is assigned a role to disguise as the wife of Mr. Mai, a Hong Kong businessman who is made bankrupt with the bombing of Pearl Harbor and the fall of Hong Kong. Her task is to seduce Mr. Yee and facilitate the ambush.
295:
Kwong Yu-man / K’uang Yu-Min: The leader of the student conspirators casts as a cousin of the Mai family. From the same region as one of Wang Ching-wei's aides from whom he extracts valuable information about Wang's inner
299:
Wong Leui / Huang Lei:The wealthiest member of the student radical group. Since he is the only member who can drive, he serves as the chauffeur. He initially funds the mission until his father financially cuts him
307:
Ng / Wu: An underground revolutionary. A member of the anti-Japanese underground resistance movement -who is based in
Shanghai. After knowing of the assassination plot, he offers financial support for its
292:
Au-yeung Ling-man / Ou-yang Ling-wen (a.k.a. Mr. Mai): A fictional Hong Kong businessman who is made bankrupt with the bombing of Pearl Harbor and the fall of Hong Kong. His identity as a spy is Mr. Mai.
254:. He is the man who will negotiate and collaborate with the invading Japanese forces to form a government in China. The radical group plans to assassinate Mr. Yee (Yi), a co-collaborator of
328:
Yee Tai Tai / Yi Tai-tai: The wife of Mr. Yee who has a good social position and material wealth. She has a group of female companions and is enamored with Chia-chih's youth.
318:
Mr. Yee / Mr. Yi: The husband of Yee Tai Tai and advisor to Wang Ching-wei. Mr. Yee is the object of the political assassination plot. He is seduced by Chia-chih/Mai Tai-tai.
250:, Wang Chia-chih (Wang Jiazhi), a young former actress and drama student, along with other radical Cantonese students take on a dangerous mission to disrupt the
514:
Thompson, Zoë Brigley (2016). "Beyond
Symbolic Rape: The Insidious Trauma of Conquest in Marguerite Duras's The Lover and Eileen Chang's "Lust, Caution"".
502:... Writing in the afterword to a recently republished version of the 54-page story, which took Chang more than two decades to complete, ...
463:
accompanying visual and visceral effects; the female protagonist's full frontal nudity touched off a raging inferno of internet criticism in China.”
811:
934:
584:
481:
890:
Nicole Huang, "Introduction," in Eileen Chang, Written on Water, translated by Andrew F. Jones (New York: Columbia
University Press, 2005), xvi.
1297:
1277:
169:“drew controversy thanks to a biographical subtext: it seems to project Chang's own wartime experience as a collaborator's lover”.
226:) can be read as "ring", therefore the title can also read as "colourful ring", an object that plays a pivotal role in the story.
1287:
989:
331:
Ma Tai-tai and Liao Tai-tai: Members of Yee Tai Tai's entourage who are more interested with social status and material things
918:
750:
439:
211:
upon returning to Hong Kong in 2003. Soong decided to release the manuscript when the 2007 film adaptation hit the cinemas.
812:"Eileen Chang's Feminine Chinese Modernity: Dysfunctional Marriages, Hysterical Women, and the Primordial Eugenic Threat"
1267:
1140:
952:
718:
602:
1292:
1282:
1021:
1029:
1104:
1132:
247:
1204:
1239:
982:
325:. Wang formed a Chinese collaborationist government in Japanese-occupied Nanking between 1940 and 1944.
558:
1272:
1169:
489:
197:
179:
1088:
145:
769:"Female Desire: Defiant Text and Intercultural Context in Works by D.H. Lawrence and Eileen Chang"
1161:
1096:
1037:
938:
588:
1053:
1080:
975:
708:
1262:
1045:
652:
8:
1188:
251:
942:
913:. Afterword by Ang Lee, with a special essay by James Schamus. New York: Anchor Books.
685:
630:
592:
539:
203:
162:
597:(1st ed.). London: Routledge (published 10 Jan 2014). pp. 1–2 and footnote.
1013:
948:
914:
789:
746:
714:
598:
543:
531:
435:
781:
523:
111:
745:. Translated by Lovell, Julia. London: Penguin. Editor's Afterword (pp. 153–159).
148:. Reportedly, the short story "took Chang more than two decades to complete". The
904:
677:
404:
1256:
1196:
793:
535:
452:
195:. The manuscript was dated as early as the 1950s. According to an article in
149:
207:
reveals that Roland Soong "was approached about making a film" from Chang's
1232:
998:
910:
900:
738:
734:
622:
345:
322:
255:
239:
158:
133:
69:
47:
785:
33:
1226:
527:
427:
was first translated into
English by Julia Lovell and published in 2007.
19:"The Spyring" redirects here. For the general concept of a spy ring, see
947:(1st ed.). London: Routledge (published 10 Jan 2014). p. 1.
768:
869:"Lust, Caution": Some Like It Cold: History of an Artistic Compromise
706:
183:
released an unpublished
English manuscript by Eileen Chang, entitled
141:
20:
867:
340:
137:
234:
707:
Peng Hsiao-yen; Whitney Crothers Dilley, eds. (10 January 2014).
459:
434:(色,戒). Translated by Julia Lovell. New York: Anchor Books, 2007.
271:
153:
129:
967:
321:
Wang Ching-wei / Wang Jing-wei: Based on the historical figure
119:
843:
Lee, Haiyan (May 2010). "Enemy under My Skin: Eileen Chang's
412:
Eileen Chang uses an unconventional narrative technique in
242:, generally believed to be the prototype for Wang Chia-chih
282:
865:
767:
944:From Eileen Chang to Ang Lee : Lust, caution
594:From Eileen Chang to Ang Lee : Lust, caution
1254:
774:Rocky Mountain Review of Language and Literature
222:) can be read as "colour", while "caution" (戒,
351:
983:
270:leaving the room filled with the socializing
57:
805:
803:
990:
976:
933:
838:
836:
710:From Eileen Chang to Ang Lee: Lust/Caution
583:
214:The title of the work eventually adopted,
32:
866:Passarelli-Garzo, Stephania (2012–2013).
557:Wang, David Der-wei (15 September 2008).
218:, is a pun. The character for "lust" (色,
872:(Master's thesis). University of Salento
800:
513:
479:
339:
233:
136:, first published in 1979. It is set in
833:
1255:
419:
172:
971:
899:
733:
847:and the Politics of Transcendence".
819:Quarterly Journal of Chinese Studies
809:
620:
556:
312:
283:Student radical group and supporters
842:
765:
650:
480:Wilonsky, Robert (1 October 2007).
357:for her alleged sexual encounters.
13:
1298:American novels adapted into films
893:
451:For the 2007 film by Ang Lee, see
14:
1309:
1278:Chinese novels adapted into films
678:"The Spyring and 'Lust, Caution'"
653:"Chinese Writer Cements a Legacy"
623:"The Spyring and 'Lust, Caution'"
621:Tian, Zhiling (28 October 2007).
997:
559:"Eileen Chang and Lust, Caution"
394:
927:
884:
859:
855:(3): 640–656 – via JSTOR.
759:
743:Lust, Caution and Other Stories
364:
229:
152:by renowned Taiwanese director
1288:Novels set during World War II
727:
700:
670:
644:
614:
577:
550:
507:
473:
446:
385:
124:
1:
1105:The Greatest Wedding on Earth
713:. Routledge. pp. 38–39.
651:Lau, Joyce (1 October 2010).
466:
277:
248:Japanese occupation of China
177:In 2008, Hong Kong magazine
16:1979 novella by Eileen Chang
7:
810:Leng, Rachel (March 2014).
352:Conformity vs individualism
10:
1314:
1240:The Legend of Eileen Chang
941:, eds. (10 January 2014).
684:(in Chinese and English).
629:(in Chinese and English).
591:, eds. (10 January 2014).
450:
150:2007 film of the same name
18:
1268:Chinese historical novels
1219:
1180:
1170:Affair of Half a Lifetime
1151:
1122:
1115:
1072:
1005:
880:– via Academia.edu.
796:– via Project MUSE.
482:"The Spy Who Shagged Yee"
335:
198:Southern Metropolis Daily
115:
95:Published in English
93:
83:
75:
65:
58:
53:
43:
31:
939:Dilley, Whitney Crothers
906:Lust, caution: the story
589:Dilley, Whitney Crothers
402:can be categorized as a
146:Second Sino-Japanese War
1153:Half a Lifelong Romance
1097:Miserable at Middle Age
1038:Half a Lifelong Romance
960:(subscription required)
610:(subscription required)
376:
1293:Novels set in Shanghai
1283:Novels by Eileen Chang
1054:The Fall of the Pagoda
348:
243:
191:, an earlier draft of
132:by the Chinese writer
1141:Love in a Fallen City
1133:Love in a Fallen City
1124:Love in a Fallen City
1081:Long Live the Missus!
1022:Love in a Fallen City
903:(4 September 2007) .
786:10.1353/rmr.2017.0026
343:
238:Executed Chinese spy
237:
189:Ch'ing Kê! Ch'ing Kê!
38:First English edition
1046:The Rice Sprout Song
1030:Red Rose, White Rose
528:10.1353/ff.2016.0041
1189:Red Rose White Rose
766:Yao, Sijia (2017).
516:Feminist Formations
420:English translation
252:Wang Jingwei regime
173:Original manuscript
54:Original title
28:
686:EastSouthWestNorth
657:The New York Times
631:EastSouthWestNorth
458:The adaptation by
349:
244:
204:The New York Times
163:David Der-wei Wang
26:
1250:
1249:
1215:
1214:
1014:The Golden Cangue
920:978-0-307-38744-8
752:978-0-141-03438-6
682:ESWN Culture Blog
627:ESWN Culture Blog
440:978-0-307-38744-8
313:The collaborators
103:
102:
1305:
1273:Chinese novellas
1162:Eighteen Springs
1120:
1119:
992:
985:
978:
969:
968:
962:
961:
958:
931:
925:
924:
909:. Translated by
897:
891:
888:
882:
881:
879:
877:
863:
857:
856:
840:
831:
830:
828:
826:
816:
807:
798:
797:
771:
763:
757:
756:
731:
725:
724:
704:
698:
697:
695:
693:
674:
668:
667:
665:
663:
648:
642:
641:
639:
637:
618:
612:
611:
608:
581:
575:
574:
572:
570:
554:
548:
547:
511:
505:
504:
499:
497:
492:on 20 April 2009
488:. Archived from
477:
126:
117:
85:Publication date
61:
60:
36:
29:
25:
1313:
1312:
1308:
1307:
1306:
1304:
1303:
1302:
1253:
1252:
1251:
1246:
1229:(first husband)
1211:
1205:Love After Love
1176:
1147:
1111:
1068:
1001:
996:
966:
965:
959:
955:
935:Peng, Hsiao-yen
932:
928:
921:
898:
894:
889:
885:
875:
873:
864:
860:
841:
834:
824:
822:
814:
808:
801:
764:
760:
753:
732:
728:
721:
705:
701:
691:
689:
676:
675:
671:
661:
659:
649:
645:
635:
633:
619:
615:
609:
605:
585:Peng, Hsiao-yen
582:
578:
568:
566:
555:
551:
512:
508:
495:
493:
478:
474:
469:
456:
449:
422:
397:
388:
379:
367:
354:
338:
315:
285:
280:
232:
175:
161:. According to
96:
86:
39:
24:
17:
12:
11:
5:
1311:
1301:
1300:
1295:
1290:
1285:
1280:
1275:
1270:
1265:
1248:
1247:
1245:
1244:
1236:
1230:
1223:
1221:
1217:
1216:
1213:
1212:
1210:
1209:
1201:
1193:
1184:
1182:
1178:
1177:
1175:
1174:
1166:
1157:
1155:
1149:
1148:
1146:
1145:
1137:
1128:
1126:
1117:
1113:
1112:
1110:
1109:
1101:
1093:
1085:
1076:
1074:
1070:
1069:
1067:
1066:
1058:
1050:
1042:
1034:
1026:
1018:
1009:
1007:
1003:
1002:
995:
994:
987:
980:
972:
964:
963:
953:
926:
919:
892:
883:
858:
832:
799:
780:(2): 195–212.
758:
751:
726:
719:
699:
688:. 2 March 2008
669:
643:
613:
603:
576:
565:. NBCUniversal
563:Focus Features
549:
506:
471:
470:
468:
465:
448:
445:
444:
443:
421:
418:
396:
393:
387:
384:
378:
375:
366:
363:
353:
350:
337:
334:
333:
332:
329:
326:
319:
314:
311:
310:
309:
305:
301:
297:
293:
290:
284:
281:
279:
276:
231:
228:
174:
171:
101:
100:
97:
94:
91:
90:
87:
84:
81:
80:
77:
73:
72:
67:
63:
62:
55:
51:
50:
45:
41:
40:
37:
27:Lust, Caution
15:
9:
6:
4:
3:
2:
1310:
1299:
1296:
1294:
1291:
1289:
1286:
1284:
1281:
1279:
1276:
1274:
1271:
1269:
1266:
1264:
1261:
1260:
1258:
1242:
1241:
1237:
1235:(grandfather)
1234:
1231:
1228:
1225:
1224:
1222:
1218:
1207:
1206:
1202:
1199:
1198:
1197:Lust, Caution
1194:
1191:
1190:
1186:
1185:
1183:
1179:
1172:
1171:
1167:
1164:
1163:
1159:
1158:
1156:
1154:
1150:
1143:
1142:
1138:
1135:
1134:
1130:
1129:
1127:
1125:
1121:
1118:
1114:
1107:
1106:
1102:
1099:
1098:
1094:
1091:
1090:
1089:Unending Love
1086:
1083:
1082:
1078:
1077:
1075:
1071:
1064:
1063:
1062:Lust, Caution
1059:
1056:
1055:
1051:
1048:
1047:
1043:
1040:
1039:
1035:
1032:
1031:
1027:
1024:
1023:
1019:
1016:
1015:
1011:
1010:
1008:
1004:
1000:
993:
988:
986:
981:
979:
974:
973:
970:
956:
954:9781317911036
950:
946:
945:
940:
936:
930:
922:
916:
912:
911:Lovell, Julia
908:
907:
902:
901:Zhang, Ailing
896:
887:
871:
870:
862:
854:
850:
846:
845:Lust, Caution
839:
837:
820:
813:
806:
804:
795:
791:
787:
783:
779:
775:
770:
762:
754:
748:
744:
740:
739:Lovell, Julia
736:
735:Chang, Eileen
730:
722:
720:9781317911036
716:
712:
711:
703:
687:
683:
679:
673:
658:
654:
647:
632:
628:
624:
617:
606:
604:9781317911036
600:
596:
595:
590:
586:
580:
564:
560:
553:
545:
541:
537:
533:
529:
525:
521:
517:
510:
503:
491:
487:
483:
476:
472:
464:
461:
454:
453:Lust, Caution
441:
437:
433:
432:Lust, Caution
430:
429:
428:
426:
425:Lust, Caution
417:
415:
414:Lust, Caution
410:
407:
406:
401:
400:Lust, Caution
395:Writing style
392:
383:
374:
371:
362:
358:
347:
342:
330:
327:
324:
320:
317:
316:
308:continuation.
306:
302:
298:
294:
291:
287:
286:
275:
273:
267:
263:
259:
257:
253:
249:
241:
236:
227:
225:
221:
217:
216:Lust, Caution
212:
210:
209:Lust, Caution
206:
205:
200:
199:
194:
193:Lust, Caution
190:
186:
182:
181:
170:
168:
167:Lust, Caution
164:
160:
155:
151:
147:
143:
139:
135:
131:
127:
121:
113:
109:
108:
107:Lust, Caution
98:
92:
88:
82:
78:
74:
71:
68:
64:
56:
52:
49:
46:
42:
35:
30:
22:
1238:
1233:Zhang Peilun
1203:
1195:
1187:
1168:
1160:
1152:
1139:
1131:
1123:
1103:
1095:
1087:
1079:
1061:
1060:
1052:
1044:
1036:
1028:
1020:
1012:
999:Eileen Chang
943:
929:
905:
895:
886:
874:. Retrieved
868:
861:
852:
848:
844:
823:. Retrieved
818:
777:
773:
761:
742:
729:
709:
702:
690:. Retrieved
681:
672:
660:. Retrieved
656:
646:
634:. Retrieved
626:
616:
593:
579:
567:. Retrieved
562:
552:
519:
515:
509:
501:
494:. Retrieved
490:the original
485:
475:
457:
431:
424:
423:
413:
411:
405:roman à clef
403:
399:
398:
389:
380:
370:Lust Caution
369:
368:
365:Femme fatale
359:
355:
346:Eileen Chang
323:Wang Jingwei
268:
264:
260:
256:Wang Jingwei
245:
240:Zheng Pingru
230:Plot summary
223:
219:
215:
213:
208:
202:
196:
192:
188:
184:
178:
176:
166:
159:Zheng Pingru
134:Eileen Chang
123:
106:
105:
104:
70:Julia Lovell
48:Eileen Chang
1263:1979 novels
1243:(TV series)
1227:Hu Lancheng
1116:Adaptations
1073:Screenplays
522:(3): 1–26.
447:Adaptations
386:Materialism
246:During the
185:The Spyring
144:during the
1257:Categories
692:6 December
496:6 December
486:City Pages
467:References
278:Characters
66:Translator
794:1948-2833
737:(2007) .
544:151579978
536:2151-7371
289:possible.
142:Hong Kong
21:Espionage
876:22 March
825:26 March
272:Tai tais
138:Shanghai
76:Language
1220:Related
821:: 13–34
741:(ed.).
662:3 March
636:2 March
569:2 March
460:Ang Lee
344:Author
296:circle.
154:Ang Lee
130:novella
128:) is a
125:Sè, Jiè
112:Chinese
79:Chinese
1208:(2020)
1200:(2007)
1192:(1994)
1181:Others
1173:(2003)
1165:(1997)
1144:(2009)
1136:(1984)
1108:(1962)
1100:(1949)
1092:(1947)
1084:(1947)
1065:(1979)
1057:(1963)
1049:(1955)
1041:(1948)
1033:(1944)
1025:(1943)
1017:(1943)
1006:Novels
951:
917:
792:
749:
717:
601:
542:
534:
438:
336:Themes
122::
120:pinyin
114::
44:Author
815:(PDF)
540:S2CID
949:ISBN
915:ISBN
878:2019
849:PMLA
827:2019
790:ISSN
747:ISBN
715:ISBN
694:2015
664:2019
638:2019
599:ISBN
571:2019
532:ISSN
498:2009
436:ISBN
377:Love
304:Yee.
300:off.
180:Muse
140:and
99:2007
89:1979
853:125
782:doi
524:doi
224:jiè
187:or
116:色,戒
59:色,戒
1259::
937:;
851:.
835:^
817:.
802:^
788:.
778:71
776:.
772:.
680:.
655:.
625:.
587:;
561:.
538:.
530:.
520:28
518:.
500:.
484:.
274:.
220:sè
165:,
118:;
991:e
984:t
977:v
957:.
923:.
829:.
784::
755:.
723:.
696:.
666:.
640:.
607:.
573:.
546:.
526::
455:.
442:.
110:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.