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cusped curved windbraces. Typical of West
Country design, these carved windbraces are both decorative and practical. Beneath is a cornice of pierced quatrefoils, and at the base of each main rafter is a carved wooden angel with a shield with the Lyte arms. The fireplace is 15th century, while the windows and the stained glass in them date from the early 16th century. The hall is entered from the east front porch via the screens passage, which would have divided the Hall from the kitchen and servants quarters' which would have lain to the left of the hall. The screen and gallery are not original, having been inserted by Sir Walter Jenner in 1907. He based the decoration on that of the arch from the Great Hall through to the Oriel Room. At the time of Jenner's arrival in 1907 the Great Hall was being used as a cider store.
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636:. The garden is a severe, formal approach, flanked by topiarised yews, and is "deliberately low-key and simple so as not to distract from the beauty of the building". The main border is 35 metres (114.8 ft) long and at its best in midsummer. The flowers grade from blues and yellows, through creams and apricots to pinks, mauves and reds. There is a restful White Garden beyond for contrast.
460:, probably originally a dressing room for the Great Chamber as its only entrance is via that room. At the same time that the oriel room and bedroom were added, rooms were added or remodeled to the south of the Great Hall: the Great Parlour with Great Chamber above, and the Little Parlour with Little Chamber above. John Lyte, the builder, placed his coat of arms on the outside of the building.
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The chapel predates the existing house, and functioned as a chantry chapel, where masses could be said for the souls of the family, both living and dead. It was built by Peter Lyte in about 1343, and was completed by 1358, and would have served both the original manor which now no longer survives and
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in
Wiltshire, and Jenner was inspired by his brother's work there. He set about restoring Lytes Cary and decorating the interiors in period style, including fine 17th century and 18th century oak furniture, antique tapestries and fabrics modelled after medieval textiles. He had the west range rebuilt
479:
Above is the Great
Chamber, an impressive room with a barrel ceiling with geometrical plaster decoration featuring John Lyte's arms and those of his wife, Edith Horsey. This ceiling is a rare survival. The wall above the bed displays the royal coat of arms and Tudor roses, signifying Lyte's loyalty
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was built in the mid-15th century, and in the early 16th century the entrance porch and oriel room were added to the eastern side of the hall, and the great parlour and little parlour to the south of the hall, with bedrooms above. Sometime after the Lyte family sold the Manor in 1755, tenants moved
610:, the National Trust's first Gardens Adviser designed the Main Border. From 1955 to 1997 the Trust's tenants at the Manor, Biddy and Jeremy Chittenden, transformed the garden, and Biddy rethought and replanted the main border in 1996, using new plants but following Stuart Thomas's colour scheme.
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All trace of Henry Lyte's garden has disappeared. Records show that his son Thomas kept a very well-stocked orchard, which included in 1618 "Apples, 3 skore severall sorts. pears and
Wardens (a type of pear), 44 sorts. Plummes, 15 divers kynds. Grapes, 3 severall sortes. Cherries, 1. Walnuts, 3.
404:
This structure was built in the mid-15th century. At the southern end is a shallow raised dais on which the Lytes and favoured guests would have sat at a long table, facing the rest of the hall where the servants would have dined. The roof has arch-braced-collar trusses, with double purlins, and
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chapel, where masses could be said for the souls of the family, both living and dead. The great hall was added in the 15th century and the Oriel Room in the 16th. Various renovations were undertaken during the 16th and 17th centuries after which the house fell into disrepair with the north range
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bought the house and restored it in a period style, furnishing it with fine 17th century and 18th century oak furniture, antique tapestries and fabrics modelled after medieval textiles, along with historic and period paintings. On his death in 1948 he left the house to the
National Trust.
476:) and the internal porch: these decorative features also had the practical benefit of keeping out the drafts. In the 20th century the room was being used as a store for farm equipment. Sir Walter Jenner had the paint stripped from the panelling to reveal the original warm-coloured oak.
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This smaller room may have been used by Henry and Thomas Lyte for their studies. It too has later paneling and an alcove in which are displayed a collection of early glassware. Above this room is the Little
Chamber, used by Sir Walter Jenner as his bedroom. The bed came from
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in the early seventies and were replaced in 1973 by four weeping ash trees which make inviting 'houses'. The orchard can be viewed from the raised walk on its east side, another idea copied from
Avebury Manor. A main path known as the Long walk is based on the Long Walk at
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in and the house gradually fell into disrepair. In 1810, it was reported by a neighbour that the north range 'had lately been destroyed and a farm house built on the site', (this north range is dated by architectural historians to the late 18th century) and by the time
261:. William le Lyte was a feudal tenant of the estate in 1286, and the Lyte family occupied and added to the house until the mid-18th century. The earliest surviving part of the manor and associated buildings is the chapel, which dates to the mid-14th century.
484:(whose government Lyte represented in Somerset). The panelling is 17th century, as are the great four poster bed and the tapestries on the walls. Some of the original oak panelling of the room may have been used in the construction of the canopy of the bed.
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below the roof painted with the arms of the Lytes and their relations. A monument to the south of the altar records Thomas' work on the chapel. In 1912 Sir Walter Jenner added the stained glass, including medieval glass said to have come from
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This was the main family sitting room on the ground floor, with the south-facing grand window giving views to the gardens, and was remodelled by John Lyte in 1533. In the early 17th century Thomas Lyte added the wood paneling (including
194:, has parts dating to the 14th century, with other sections dating to the 15th, 16th, 18th, and 20th centuries. "Yet all parts blend to perfection with one another and with the gentle sunny landscape that surrounds them," comments
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period the garden had run to seed, and so the
Jenners had to start from scratch on their arrival in 1907. They had the gardens designed and constructed to include a series of hedged and walled "rooms" with
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The pond garden, seat garden and croquet lawn are interlinked, with aligned openings to form a vista from the bay windows of the Great
Parlour and Great Chamber on the south front of the house over to the
288:, bought Lytes Cary. At that time the Great Hall was being used as a cider store and the Great Parlour was full of farm equipment. Jenner's brother Leopold had just bought and started to restore
456:
This was added to the south of the Great Hall in the early 16th century to provide a small intimate room where the family could eat in private away from the servants. Above it is the small
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with a series of 'rooms', which are separated from each other by high, neatly clipped box and yew hedges. These are complemented by ponds and walks in and between each of the 'rooms'.
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lawn, walkways, an
Elizabethan orchard, and a herbal border that includes plants described in the Lytes Herbal. The gate piers at the east and west entrances are listed buildings.
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The Apostle garden is aligned on the front door in the East front of the house and a building which has been described as a water tower, built by the Jenners in imitation of the
659:. The orchard is crossed by wide mown paths meeting at a central sundial. Originally four weeping elms were situated at the four corners of the garden, but they succumbed to
509:
Sir Walter Jenner furnished the rooms with furniture and included historic and newly commissioned paintings. The paintings include: portraits of Lady Catherine Neville by
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The gardens were constructed in a series of 'rooms', which are separated from each other by high, neatly clipped box and yew hedges. The gardens were influenced by the
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dressings, especially around windows and at quoins; the later 18th century additions have brick dressings. The roofs are stone tiled with some later terracotta tiles.
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1907:
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in 1959. The National Trust opened the west range as a holiday rental property in 2006. Only the older parts of the house are open to the public.
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plain. A short tunnel of hornbeams link the Pond Garden to the Vase Garden, where variegated weigela is underplanted with euphorbia and vinca.
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The orchard contains fruit trees such as quinces, medlars, crab apples and pears are underplanted with spring-flowering meadow plants such as
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The chapel was thoroughly renovated in 1631 by Thomas Lyte, who installed the arch-braced-collar truss roof, the
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Jenner left the manor to the National Trust after he died in 1948. The house was designated as a Grade I
420:. One treasure of the home is the Lytes Herbal, a 16th-century botanical volume by noted horticulturist
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The unusual name derives from the Lyte family who lived at Lytes Cary for over four centuries, and the
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The Great Hall is furnished with mostly 17th century oak furniture, including tables, coffers and
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The parkland surrounding the house includes the site of a deserted medieval settlement which is a
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226:. The original 17th-century gardens have disappeared. However, the Jenners laid them out in an
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The chapel predates the existing house, having been built around 1343, and functioned as a
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which flows nearby. The first documentary evidence is from 1285 when it was known as
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Pond Garden looking north towards the house through the Seat Garden and Croquet Lawn
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757:"Deserted medieval settlement and associated fields, Lytes Cary, Charlton Mackrell"
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412:, and a great dining table, on which stand two blue and white late 17th century
1774:
Baggs, A. P.; Bush, R. J. E.; Tomlinson, Margaret (1974). R. W. Dunning (ed.).
1318:"Lady Catherine Neville (b.1529/1530), Lady Constable, Aged 60 by Robert Peake"
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617:. A barn and other outbuildings north west of the house are listed buildings.
615:
Register of Historic Parks and Gardens of special historic interest in England
224:
Register of Historic Parks and Gardens of special historic interest in England
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being demolished by the early 19th century. In 1907 Sir Walter Jenner of the
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1605:"Range of Outbuildings about 20 metres north west of Lytes Cary (1345990)"
1437:. Association of Gardens Trusts and the University of York. Archived from
1264:"James Scott (1649â1685), Duke of Monmouth, in Garter Robes by Peter Lely"
730:"Deserted medieval settlement and associated fields, Lytes Cary (1008253)"
372:, that permitted servants and others to observe communion from the house.
1345:"The Sound of the Horn, 'Twilight' and 'Dimsey' by George Denholm Armour"
1291:"Mary II (1662â1694), When Princess Mary of York, as Diana by Peter Lely"
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The bay windows of the Great Parlour and Great Chamber on the south front
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church which William Le Lyte had commissioned before his death in 1316.
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1487:"Gate piers and walls about 375 metres west of Lytes Cary (1176325)"
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came to draw the house in 1835 the west range had also disappeared.
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was published in 1578 and was a translation and elaboration of the
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1518:"Pair of gate piers about 40 metres east of Lytes Cary (1307960)"
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at Avebury Manor, which was wrongly identified as a Dovecote by
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1212:"A Landscape with Horsemen, Including a Falconer by Jan Wyck"
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popular at the time. The Jenners had a garden staff of four.
1823:
McCann, John (2011). "Engravings as evidence of dovecotes".
1657:"Water Tower, 135 m north-east of Lytes Cary (1056765)"
1856:. Penguin Books; Reprinted by Yale University Press, 2003.
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The two-storey house and the chapel are built of the local
1132:"Highlights from Lytes Cary, Somerset (Accredited Museum)"
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by an admirer of his achievements as prime minister.
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stone. Parts of the house have mellow honey-coloured
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later the existing house. It has a small window, or
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1557:"Secret Somerset Gardens I â Lytes Cary Manor"
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293:in a plain William and Mary style by the architect
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1854:The Buildings of England, South and West Somerset
1014:"Close-up of blue and white Delftware tulip vase"
1884:
1372:"A Grey Mare, 'Twilight' by George Richard Pain"
1185:"Landscape with a Gun Dog Working by Jack Green"
424:, who was born and resided at the manor. Lyte's
1757:Somerset parks and gardens: A landscape history
544:are also included in the extensive collection.
1740:. Fairleigh Dickinson Univ Press. p. 28.
1928:Grade II listed parks and gardens in Somerset
1780:A History of the County of Somerset: Volume 3
1695:
1693:
1691:
695:List of National Trust properties in Somerset
1239:"William III (1650â1702) by Godfrey Kneller"
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1878:National Trust website for Lytes Cary Manor
536:and Jack Green. Oil paintings of horses by
1908:Grade I listed buildings in South Somerset
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690:Grade I listed buildings in South Somerset
613:The gardens are listed as Grade II on the
222:The gardens are listed as Grade II on the
1737:Medieval and Renaissance Drama in England
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440:. A copy is displayed in the Great Hall.
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1816:Lytes Cary (National Trust guide book)
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1036:"Lytes Cary Garden, Charlton Mackrell"
1898:National Trust properties in Somerset
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1040:Somerset Historic Environment Record
761:Somerset Historic Environment Record
592:, specimen trees, a pool, statuary,
16:Grade I listed house in Somerset, UK
1579:"An Arts and Crafts inspired garde"
13:
1913:Historic house museums in Somerset
1782:. Institute of Historical Research
1710:National Heritage List for England
1662:National Heritage List for England
1610:National Heritage List for England
1523:National Heritage List for England
1492:National Heritage List for England
1158:"National Trust, Lytes Cary Manor"
927:National Heritage List for England
735:National Heritage List for England
276:In 1907, Sir Walter Jenner of the
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14:
1949:
1903:Grade I listed houses in Somerset
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514:James Scott, 1st Duke of Monmouth
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1837:10.1179/174962911X13159065475464
797:Baggs, Bush & Tomlinson 1974
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1431:"Lytes Cary, Somerton, England"
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436:. The herbal was dedicated to
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1776:"Parishes: Charlton Mackrell"
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190:. The property, owned by the
78:Mixed architecture including
1799:. Wimborne: Dovecote Press.
1797:Some Somerset Country Houses
1759:. Tiverton: Somerset Books.
1098:"The English House Interior"
504:
35:East front to the main house
7:
683:
532:, along with landscapes by
10:
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1918:Country houses in Somerset
1852:Pevsner, Nikolaus (1958).
1734:Barroll, J. Leeds (1995).
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1042:. Somerset County Council
763:. Somerset County Council
641:snake's head fritillaries
348:South front of the chapel
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1814:Garnett, Oliver (2001).
1795:Dunning, Robert (1991).
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61:Location within Somerset
1923:Arts and Crafts gardens
1825:Vernacular Architecture
1705:"Lytes Cary (1001148)"
922:"Lytes Cary (1056764)"
625:
526:William III of England
499:William Pitt the Elder
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379:, a rear screen and a
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601:Arts and Crafts style
538:George Denholm Armour
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432:of Flemish herbalist
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228:Arts and Crafts style
1755:Bond, James (1998).
1559:. Galloping Gardener
1435:Parks and Gardens UK
666:Hidcote Manor Garden
608:Graham Stuart Thomas
583:Peaches, 1." By the
495:Burton Pynsent House
299:St Benet Gracechurch
280:and son of the late
150:Construction started
1893:Gardens in Somerset
1441:on 19 December 2013
715:, pp. 228â229.
542:George Richard Pain
130: /
75:Architectural style
70:General information
1933:Hamstone buildings
1461:"Lytes Cary Manor"
810:"Lytes Cary Manor"
626:
575:The Apostle Garden
563:The Cutting Garden
518:Mary II of England
454:
402:
282:Sir William Jenner
248:scheduled monument
244:
134:51.0358°N 2.6677°W
1818:. National Trust.
1685:, pp. 36â52.
1121:, pp. 10â12.
857:, pp. 83â89.
661:Dutch elm disease
400:Rear of the house
386:Charlton Mackrell
176:Charlton Mackrell
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360:The Chapel Altar
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204:English Heritage
196:Nikolaus Pevsner
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886:Garnett 2001
869:, p. 5.
867:Garnett 2001
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855:Dunning 1991
838:, p. 8.
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430:Cruydeboeck
418:tulip vases
172:manor house
137: /
112:Coordinates
1887:Categories
1585:3 February
1104:3 February
1046:3 February
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816:3 February
701:References
522:Peter Lely
482:Henry VIII
444:Oriel Room
422:Henry Lyte
416:pyramidal
392:Great Hall
266:Great Hall
255:River Cary
168:Lytes Cary
122:51°02â˛09âłN
24:Lytes Cary
1845:162123774
1831:: 36â52.
1544:Bond 1998
1413:Bond 1998
678:Sparkford
649:narcissus
645:camassias
585:Victorian
505:Paintings
474:pilasters
414:Delftware
323:Blue Lias
158:Completed
125:2°40â˛04âłW
1786:16 March
684:See also
653:cowslips
630:dovecote
606:In 1965
534:Jan Wyck
480:to King
327:Hamstone
184:Somerset
180:Somerton
95:Somerton
1716:3 April
594:croquet
590:topiary
548:Gardens
520:by Sir
234:History
211:chantry
188:England
105:England
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381:frieze
370:squint
333:Chapel
200:listed
1841:S2CID
1616:4 May
1529:4 May
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767:4 May
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471:Ionic
317:House
170:is a
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80:Tudor
1858:ISBN
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