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Memnon

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that these are Ethiopians and that this city is Troy and that it is Memnon, the son of Eos, who is being mourned. When he came to the defence of Troy, the son of Peleus, they say, slew him, mighty though he was and likely to be no whit inferior to his opponent. Notice to what huge length he lies on the ground, and how long is the crop of curls, which he grew, no doubt, that he might dedicate them to the Nile; for while the mouth of the Nile belongs to Egypt, the sources of it belong to Ethiopia. See his form, how strong it is, even though the light has gone from his eyes; see his downy beard, how it matches his age with that of his youthful slayer. You would not say that Memnon's skin is really black, for the black of it shows a trace of ruddiness.
1173:"Also, there are in Ionia two figures of this man carved in rock, one on the road from Ephesus to Phocaea, and the other on that from Sardis to Smyrna. In both places, the figure is over twenty feet high, with a spear in his right hand and a bow in his left, and the rest of his equipment proportional; for it is both Egyptian and Aethiopian; and right across the breast from one shoulder to the other a text is cut in the Egyptian sacred characters, saying: 'I myself won this land with the strength of my shoulders.' There is nothing here to show who he is and whence he comes, but it is shown elsewhere. Some of those who have seen these figures guess they are Memnon, but they are far indeed from the truth." 343: 3524: 649: 536: 3518: 398: 596: 3512: 502: 140: 269:'s son, during a fierce battle. Nestor challenged Memnon to a fight, but Memnon refused, being there was little honor in killing the aged man. Nestor then pleaded with Achilles to avenge his son's death. Despite warnings that soon after Memnon fell so too would Achilles, the two men fought. Memnon drew blood from Achilles, but Achilles drove his spear through Memnon's chest, sending the Aethiopian army running. The death of Memnon echoes that of 43: 506:
parts of the torso of Memnon are gone and restored with plain clay. Memnon's head and arms fall lifeless down at the right. Some details of his anatomy and the bleeding wounds are done in dilute glaze. The exergue upon which she stands has a tongue border at top; the border around the tondo is formed of alternating crosses, maeanders (alternating directions), and X's; the last two maeanders above the exergue mistakenly overlap.
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the song, including the Roman Emperor Hadrian and the Empress Sabine, who had to wait several days before the statue called out to them in a.d. 130. The bust was restored in the Roman period and mounted on huge sandstone blocks. According to legend, Septimius Severus (r. 193-211 CE), seeking to repair the colossus, inadvertently silenced it forever. 
732:, located in Luxor, Egypt. Greeks and Romans visitors associated them with mythical Memnon since at least the first century-calling a portrait-colossus of that pharaoh "Memnon." This identification was based, argued by R. Drew Griffith on the fact that the statue faces sunrise on the winter solstice and so was linked to the dawn. 752:
and I have heard some say that it is Sesostris. This statue was broken in two by Cambyses, and at the present day from head to middle it is thrown down; but the rest is seated, and every day at the rising of the sun it makes a noise, and the sound one could best liken to that of a harp or lyre when a string has been broken
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In Egyptian Thebes, on crossing the Nile to the so-called Pipes, I saw a statue, still sitting, which gave out a sound. The many call it Memnon, who they say from Aethiopia overran Egypt and as far as Susa. The Thebans, however, say that it is a statue, not of Memnon, but of a native named Phamenoph,
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MEMNON: This is the army of Memnon; their arms have been laid aside, and they are laying out the body of their chief for mourning; he has been struck in the breast, I think, by the ashen spear. For when I find a broad plain and tents and an entrenched camp and a city fenced in with walls, I feel sure
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Venus implores Vulcan for Aeneas: "Therefore I come at last with lowly suit before a godhead I adore, and pray for gift of arms,—a mother for her son. You were not unrelenting to the tears of Nereus' daughter or Tithonus' bride." This event described in the Aeneid mirror's a similar scene in Homer's
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Following an earthquake in 27 b.c. the northernmost of the colossi collapsed, and, at sunrise, began to produce an eerie musical sound that early Greek travelers interpreted as the mythical half-mortal Memnon calling out to his mother Eos, goddess of the dawn. Visitors came from far and wide to hear
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White-ground alabastron: 480BC (circa) A figure (perhaps Memnon) to right, looking to left, with black face; he is attired as an archer, in sleeved jerkin, linen cuirass, and anaxyrides (trousers), all embroidered, in right hand a double-headed axe, over left arm a garment with maeander-border and
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In honour of Memnon, the gods collect all the drops of blood that fall from him and use them to form a huge river that on every anniversary of his death will bear the stench of human flesh. The Aethiopians that stayed close to Memnon in order to bury their leader are turned into birds (which we now
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A Battle from the Trojan War in which two of the war's greatest heroes, Achilles and Memnon, clash in the presence of their mothers, the goddesses Thetis and Eos. Each warrior has his chariot standing by, with charioteers at the ready. Inscriptions, in the Corinthian alphabet, identify the figures.
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A black archer whose feet and legs face left, upper body facing right, flanked by two Amazones. Mayence identifies the black person with Memnon, whereas Beazley and Bothmer regard him as an attendant of Memnon. Object ID: A130; ABV 308, 82; 1004Type: Amphora Origin: Attica Category: Vase painting
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Inscriptions on the left: ΕΕΝΕΜΕΚΝΕRINE (meaning unclear), HERMOΓΕΝΕS KALOS (“Hermogenes kalos” - “Hermogenes is beautiful”). Inscriptions on the right: HEOS (“Eos”), ΔΟRIS EΓRAΦSEN (“Doris Egraphsen” - Do(u)ris painted it). MEMNON (“Memnon”), KALIAΔES EΠOIESEN (“Kaliades epoiesen” - Kaliades made
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Eos, the goddess of the dawn, begs Zeus to return her son; the king of the gods doesn't bring Memnon back to life, but he grants his mother a grace, that she will be able to see him alive and to caress him with his rosy fingers every day, when she opens the doors of heaven so as her brother Helios
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According to Scholar Dean, Memnon, had a double or fused identity in classical antiquity. Considered both "Asian and African" for Greek and Roman writers because of his parentage and because of the geographical indeterminacy of Aithiopia and of India. Memnon was definitely black-skinned for Roman
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composed the epics Aethiopis and Sack of Troy, which were contributions to the Trojan War cycle, The original historical work by Arctinus of Miletus only survives in fragments. Much of what is known about Memnon comes from post-Homeric Greek and Roman writers. Homer includes a passing mention to
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Memnon Pieta: Devotional image or narrative. Eos poignantly lifts her fallen son, Memnon, who lays listlessly in her arms. She is dressed in a finely pleated Ionic chiton which reveals the lines of her legs, wears a patterned sakkos on her head, and has elaborately patterned wings. Her arms and
394:) end the dinner by exchanging glorious war stories, and Memnon's tales lead Priam to declare that the Aethiopian King will be Troy's saviour. Despite this, Memnon is very humble and warns that his strength will, he hopes, be seen in battle, although he believes it is unwise to boast at dinner. 613:
2.7.2 Now such is the scene in Homer, but the events depicted by the painter are as follows: Memnon coming from Ethiopia slays Antilochus who had thrown himself in front of this father, and he seems to strike terror among the Achaeans — for before Memnon's time black men were but a subject for
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defines the term as: "a member of any of the mythical or actual peoples usually described by the ancient Greeks as dark-skinned and living far to the south." This information concurs with the same information at Etymonline's entries reference the Greek αἴθω.
330:, writes that "Memnon, the son of Tithonus and Aurora, arrived with a large army of Indians and Aethiopians, a truly remarkable army which consisted of thousands and thousands of men with various kinds of arms, and surpassed the hopes and prayers even of 428:. Seeking vengeance and despite his age, Nestor tries to fight Memnon but the Aethiopian warrior insists it would not be just to fight such an old man, and respects Nestor so much that he refuses to fight. In this way, Memnon is seen as very similar to 484:
Between Achilles and Memnon, Zeus favors both of them and makes each man tireless and huge so that the whole battlefield can watch them clash as demigods. Eventually, Achilles stabs Memnon through the heart, causing his entire army to flee in terror.
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that centres on whether or not the Aethiopian King will show up at all. Memnon's army is described as being too big to be counted and his arrival starts a huge banquet in his honour. As per usual the two leaders (Memnon and, in this case,
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Memnon Pieta: Lourvre G115 (Vase) Eos lifts up the body of her son Memnon. "Kalos" is his inscription. Interior from an Attic red-figure cup, ca. 490–480 BC. From Capua, Italy. Signed by Douris (painter) .
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Artist: Bernard Picart (1673 - 1733) French Title: Plate from 'Le Temple des Muses' (Memnon's Statue) Date: 1731 Materials: Engraving on paper Accession number: P 3036.3 National Galleries of Scotland
569:"the city of Memnon," Herodotus describes two tall statues with Egyptian and Aethiopian dress that some, he says, identify as Memnon; he disagrees, having previously stated that he believes it to be 640: 481:
The weighing of souls was Zeus' method of deciding which of two confronted heroes would die in combat. Zeus accomplishes this with this golden scales in (ll. 8.81-87), in Vergil's Aeneid.
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Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses' Artist: Antonio Tempesta (Italian, Florence 1555–1630 Rome)
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Roman writers and later classical Greek writers such as Diodorus Siculus ( 2.22.1 ) state Memnon is from Ethiopia and precisely king of "the Ethiopians who border upon Egypt".
524: 1492:"The Language of Ruins: Greek and Latin Inscriptions on the Memnon Colossus. By Patricia A. Rosenmeyer. Oxford and New York: Oxford University Press, 2018. (Book Review)" 716:, the gods of sleep and death respectively, transported the slain Memnon's dead body back to Aethiopia, and also asked Zeus to make Memnon immortal, a wish he granted. 2706: 435:
When Memnon reaches the Greek ships, Nestor begs Achilles to fight him and avenge Antilochos, leading to the two men clashing while both wearing divine armor made by
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The Language of Ruins: Greek and Latin Inscriptions on the Memnon Colossus. By Patricia A. Rosenmeyer. Oxford and New York: Oxford University Press, 2018. Pp. 265.
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with an English Translation by A.T. Murray, Ph.D. in two volumes. Cambridge, MA., Harvard University Press; London, William Heinemann, Ltd. 1919.
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Memnon, stands, terrible to look upon, in the army of the Ethiopians, holding a spear and wearing a lion's skin and sneering at Achilles.
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Material: terracotta; Location: Musées royaux d'Art et d'Histoire; Bruxelles, Belgium; Artist: The Swing Painter Dating: 460-440 BCE
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Eoasque acies et nigri Memnonis arma: Eastern battle arrays (the strategic arrangement of fighters in a battle) and weapon of Memnon
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of Egypt. An Egyptian origin for Memnon appears likely from Zeus' weighing of his fate against Achilles' in the lost epic
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John Bostock, M.D., F.R.S. H.T. Riley, Esq., B.A. London. Taylor and Francis, Red Lion Court, Fleet Street. 1855.
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translated by Arthur Fairbanks (1864–1944). Loeb Classical Library Volume 256. London: William Heinemann, 1931.
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Cybèle remettant à deux génies Memnon, 1560 engraving by Giorgio Ghisi, Louvre Inventory number: 4414 LR/ Recto
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was moved by Eos' tears and granted him immortality. Memnon's death is related at length in the lost epic
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When Memnon died, Eos mourned greatly over the death of her son, and made the light of her brother,
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Eos retrieving the body of her son Memnon from the battlefield (detail); Etruscan Bronze mirror,
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makes all the other Olympians promise not to interfere in the fighting. In battle, Memnon kills
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translated by Way. A. S. Loeb Classical Library Volume 19. London: William Heinemann, 1913.
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Theoi Project: a site exploring Greek mythology and the gods in classical literature and art
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with an English translation by A. D. Godley. Cambridge. Harvard University Press. 1920.
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translated by Richard McIlwaine Frazer, Jr. (1931-). Indiana University Press. 1966.
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has catalogued 116 extant references to Memnon, the mythical Aethiopian King, son of
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call Memnonides) and they stay by his tomb so as to remove dust that gathers on it.
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Eos bore to Tithonus bronzed armed Memnon, the King of the Aethiopians and lordly
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Before the next day's battle, so great is the divine love towards Memnon that
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Heichelheim, F. M. "The Historical Date for the Final Memnon Myth."
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In respect to an ancient understanding mythical Memnon King of the
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crafting Memnon's armor just as he crafted for other famed heroes.
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are two massive stone 3,400 year old twin statues of the Pharaoh
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and was taken to the ends of the earth on the coast of Oceanus.
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https://www.britishmuseum.org/collection/object/G_1875-0309-24
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https://www.persee.fr/doc/cchyp_0761-8271_1998_num_28_1_1340
1251:"Memnon in the Middle Ages: The Reception of a Homeric Hero" 773:
There is a similar motif in the early spell of the Egyptian
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Petit, Thierry. "Amathousiens, Éthiopiens et Perses". In:
1384:"The origin of Memnon. Classical Antiquity 17 (2):212-234" 624: 493:
can begin his journey. That will last just a few moments.
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According to the Posthomerica, Memnon leading his army of
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Aethiopis: Published online by Cambridge University Press
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Karl Friedrich Theodor Mayhoff. Lipsiae. Teubner. 1906.
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The Greek Myths: The Complete and Definitive Edition.
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and others, one statue made a sound at morning time.
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Latin text available at the Perseus Digital Library.
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The Greek Myths: The Complete and Definitive Edition
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In Vergil's Aeneid: Memnon has led his troppes from
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Greek text available at the Perseus Digital Library
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Greek text available at the Perseus Digital Library
633:was snatched away from Troy by the goddess of dawn 200: 194: 191: 67:. Unsourced material may be challenged and removed. 1764:17, no. 2 (1998): 212-34. Accessed June 15, 2020. 1590: 629:According to ancient Greek poets, Memnon's father 518: 843:Rengakos, Antonios (5 August 2015). "Aethiopis". 277:also killed out of revenge for a fallen comrade, 4481: 1255:International Journal of the Classical Tradition 849:. Cambridge University Press. pp. 306–317. 527:(alternative spellings Aethiopians/Aithiopians) 1681:Philostratus the Lemnian (Philostratus Major), 1633:Greek text available at Perseus Digital Library 314:. His death is also described in Philostratus' 1704:Online version at the Perseus Digital Library. 1657:Online version at the Perseus Digital Library. 442: 249:. As a warrior he was considered to be almost 2700: 1824: 978:"P. Vergilius Maro, Aeneid, Book 8, line 370" 1718: 1097:"Ethiop | Etymology of Ethiop by etymonline" 1059: 1024: 742:Pausanias also describes how he marveled at 4535:Metamorphoses into birds in Greek mythology 1838: 1760:Griffith, R. Drew. "The Origin of Memnon." 1450:"Classical Antiquity: The Origin of Memnon" 222: 2707: 2693: 1831: 1817: 1660:Greek text available from the same website 1489: 573:. One of the statues was on the road from 1677:Online version at the Topos Text Project. 1630:Online version at the Topos Text Project. 1588: 1549:Online version at the Topos Text Project. 1420: 1266: 1194: 1182: 127:Learn how and when to remove this message 1447: 1381: 842: 647: 639: 594: 534: 500: 396: 341: 161: 138: 4515:Ethiopian characters in Greek mythology 625:Memnon son of Eos (Aurora) and Tithonus 14: 4482: 1542:The Chronicles of Dictys of Crete and 1329: 822:. Penguin Books Limited. p. 682. 814: 762:claim that the Greeks based Memnon on 459: 326:, author of a pseudo-chronicle of the 2688: 1812: 1792:Cahiers du Centre d'Études Chypriotes 1283:"Greek & Roman Mythology - Tools" 902:"digilibLT – Ephemeris belli Troiani" 1490:Manolaraki, Eleni Hall (July 2019), 1248: 920: 918: 896: 894: 719: 540:fringe. Museum number 1875,0309.24 65:adding citations to reliable sources 36: 1794:. Volume 28, 1998. pp. 73–86. 592:describes art which depicts Memnon: 24: 1754: 1597:. London, England: Penguin Books. 1070: 25: 4551: 1777:Rheinisches Museum Für Philologie 1463:"The Sounding Statue of Memnon". 915: 891: 27:Ethiopian king in Greek mythology 3522: 3516: 3510: 2716:Metamorphoses in Greek mythology 1719:Quintus; James, Alan W. (2004). 586:Philostratus The Elder of Lemnos 273:, another defender of Troy whom 187: 41: 4510:Demigods in classical mythology 1683:Flavii Philostrati Opera. Vol 2 1483: 1456: 1441: 1414: 1390: 1375: 1350: 1323: 1299: 1275: 1242: 1230: 1212: 1200: 1188: 1176: 1167: 1155: 1137: 1113: 1089: 1064: 1053: 519:Mythical King of the Ethiopians 496: 464:The mythological tradition has 52:needs additional citations for 1030: 1018: 994: 970: 944: 836: 808: 364:Memnon in Quintus of Smyrna's 337: 13: 1: 1721:The Trojan Epic: Posthomerica 1574:Penguin Books Limited. 2017. 1529: 1408:The Sounding Statue of Memnon 1333:Pindar and the Cult of Heroes 472:Iliad (Hom. Il. 18.558-709). 253:' equal in skill. During the 167: 152: 1360:. 2011-06-07. Archived from 1330:Currie, Bruno (2010-04-29). 1121:"αἴθω - Ancient Greek (LSJ)" 855:10.1017/CBO9780511998409.019 7: 1738:Online version at theoi.com 784: 550:One of the "cyclic poets", 443:Memnon as a Trojan War Ally 10: 4556: 3508: 1448:Griffith, R. Drew (1998). 1382:Griffith, R. Drew (1998). 1268:10.1007/s12138-023-00640-2 744:a colossal statue in Egypt 308:records Memnon's death in 29: 4495:Characters in the Odyssey 4464: 4433: 4392: 4361: 4041: 3990: 3804: 3658: 3597: 3531: 3215: 2729: 2722: 2571: 2185: 1849: 680:on the coast of Oceanus. 479:: (The Judgement of Zeus) 4530:Metamorphoses characters 4525:Kings in Greek mythology 1465:Cosmopolitan Art Journal 1207:Homeric Hym to Aphrodite 1060:Quintus & James 2004 1025:Quintus & James 2004 801: 300:, circa the 7th century 294:, likely composed after 257:, he brought an army to 2231:(king's brother-in-law) 1800:10.3406/cchyp.1998.1340 1287:www2.classics.upenn.edu 700:), to fade, and begged 32:Memnon (disambiguation) 2480:(Queen of the Amazons) 1666:Philostratus the Elder 1539:, from The Trojan War. 926:"Dictys Cretensis 4.4" 756: 653: 645: 622: 600: 544: 507: 409: 351: 284:After Memnon's death, 261:'s defense and killed 174: 159: 2000:(princess of Mycenae) 1424:Description of Greece 1249:Dean, Trevor (2024). 1027:, pp. 39, 556–60 982:www.perseus.tufts.edu 748: 651: 643: 598: 583: 538: 504: 400: 345: 165: 151:and Memnon (detail), 142: 3937:Menippe and Metioche 451:to aid the Trojans: 61:improve this article 30:For other uses, see 4520:Helios in mythology 4089:Baucis and Philemon 3462:Tyrrhenian pirates 1762:Classical Antiquity 1742:Quintus Smyrnaeus, 1710:Naturalis Historia. 1698:The Natural History 460:The Armor of Memnon 402:Walters Art Museum 347:Digital LIMC Entry: 3957:Pyramus and Thisbe 3842:Arethusa (Boeotia) 2517:(princess of Troy) 2428:(King of Ethiopia) 2303:(priest of Apollo) 2292:(princess of Troy) 1919:Balius and Xanthus 1840:Characters in the 1589:Herodotus (2003). 1544:Dares the Phrygian 1421:Pausanias (1918). 1164:, 5.54 & 7.151 1101:www.etymonline.com 654: 646: 601: 545: 508: 410: 352: 175: 160: 18:Memnon (mythology) 4477: 4476: 3852:Arethusa (Ithaca) 3659:Inanimate objects 3506: 3505: 2932:Cycnus of Liguria 2927:Cycnus of Colonae 2917:Cycnus of Aetolia 2782:Agrius and Oreius 2682: 2681: 2442:Mygdon of Phrygia 1983:(queen of Sparta) 1880:(king of Salamis) 1869:(king of Mycenae) 1728:Quintus Smyrnaeus 1708:Pliny the Elder, 1604:978-0-14-044908-2 1580:978-0-241-98338-6 1513:978-0-19-938113-5 1434:978-0-674-99104-0 1343:978-0-19-161516-0 1237:Quintus Smyrnaeus 1006:dcc.dickinson.edu 864:978-0-511-99840-9 829:978-0-241-98338-6 726:Colossi of Memnon 720:Colossi of Memnon 306:Quintus of Smyrna 137: 136: 129: 111: 16:(Redirected from 4547: 3526: 3520: 3514: 2802:Alcyone and Ceyx 2727: 2726: 2709: 2702: 2695: 2686: 2685: 2542:Rhesus of Thrace 2511:(prince of Troy) 2464:(prince of Troy) 2417:(prince of Troy) 2360:(prince of Troy) 2324:(prince of Troy) 2068:(king of Ithaca) 2036:(king of Sparta) 1878:Ajax the Greater 1833: 1826: 1819: 1810: 1809: 1770:10.2307/25011083 1744:The Fall of Troy 1733:The Fall of Troy 1724: 1608: 1596: 1570:Graves, Robert, 1536:Dictys Cretensis 1523: 1522: 1521: 1520: 1487: 1481: 1480: 1471:(1): 1–7. 1861. 1460: 1454: 1453: 1445: 1439: 1438: 1418: 1412: 1394: 1388: 1387: 1379: 1373: 1372: 1370: 1369: 1354: 1348: 1347: 1327: 1321: 1320: 1318: 1317: 1303: 1297: 1296: 1294: 1293: 1279: 1273: 1272: 1270: 1246: 1240: 1234: 1228: 1216: 1210: 1204: 1198: 1192: 1186: 1180: 1174: 1171: 1165: 1159: 1153: 1141: 1135: 1134: 1132: 1131: 1117: 1111: 1110: 1108: 1107: 1093: 1087: 1086: 1084: 1083: 1068: 1062: 1057: 1051: 1050: 1048: 1046: 1034: 1028: 1022: 1016: 1015: 1013: 1012: 998: 992: 991: 989: 988: 974: 968: 967: 965: 963: 948: 942: 941: 939: 937: 922: 913: 912: 910: 909: 898: 889: 888: 882: 878: 876: 868: 840: 834: 833: 812: 775:Book of the Dead 324:Dictys Cretensis 237:) was a king of 236: 233: 230: 227: 224: 216: 215: 212: 211: 208: 205: 202: 199: 196: 193: 172: 169: 157: 154: 132: 125: 121: 118: 112: 110: 69: 45: 37: 21: 4555: 4554: 4550: 4549: 4548: 4546: 4545: 4544: 4500:Children of Eos 4480: 4479: 4478: 4473: 4460: 4429: 4388: 4357: 4037: 3986: 3847:Arethusa (Elis) 3800: 3654: 3593: 3532:Base appearance 3527: 3521: 3515: 3502: 3353:Lycian peasants 3211: 2718: 2713: 2683: 2678: 2567: 2549:(king of Lycia) 2366:(queen of Troy) 2195:(royal demigod) 2181: 2057:(king of Pylos) 1994:(king of Crete) 1937:(king of Argos) 1884:Ajax the Lesser 1845: 1837: 1757: 1755:Further reading 1693:Pliny the Elder 1605: 1558:The Greek Myths 1532: 1527: 1526: 1518: 1516: 1514: 1488: 1484: 1462: 1461: 1457: 1446: 1442: 1435: 1419: 1415: 1402:Natural History 1397:Pliny the Elder 1395: 1391: 1380: 1376: 1367: 1365: 1356: 1355: 1351: 1344: 1328: 1324: 1315: 1313: 1305: 1304: 1300: 1291: 1289: 1281: 1280: 1276: 1247: 1243: 1235: 1231: 1217: 1213: 1205: 1201: 1193: 1189: 1181: 1177: 1172: 1168: 1160: 1156: 1142: 1138: 1129: 1127: 1119: 1118: 1114: 1105: 1103: 1095: 1094: 1090: 1081: 1079: 1073:"SV19 - 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OUP Oxford. 1322: 1298: 1274: 1261:(2): 141–155. 1241: 1229: 1211: 1199: 1195:Herodotus 2003 1187: 1183:Herodotus 2003 1175: 1166: 1154: 1136: 1112: 1088: 1063: 1052: 1029: 1017: 993: 969: 943: 914: 890: 881:|website= 863: 835: 828: 816:Graves, Robert 806: 805: 803: 800: 799: 798: 793: 786: 783: 721: 718: 626: 623: 555:Memnon in the 520: 517: 498: 495: 461: 458: 444: 441: 370: 362: 339: 336: 171: 450–420 156: 530-520 135: 134: 49: 47: 40: 26: 9: 6: 4: 3: 2: 4552: 4541: 4538: 4536: 4533: 4531: 4528: 4526: 4523: 4521: 4518: 4516: 4513: 4511: 4508: 4506: 4505:Deeds of Zeus 4503: 4501: 4498: 4496: 4493: 4491: 4488: 4487: 4485: 4470: 4469:Metamorphoses 4467: 4466: 4463: 4457: 4454: 4452: 4449: 4447: 4444: 4442: 4439: 4438: 4436: 4432: 4426: 4423: 4421: 4418: 4416: 4413: 4411: 4408: 4406: 4403: 4401: 4400:Cumaean Sibyl 4398: 4397: 4395: 4391: 4385: 4382: 4380: 4377: 4375: 4372: 4370: 4367: 4366: 4364: 4360: 4354: 4351: 4349: 4346: 4344: 4341: 4339: 4336: 4334: 4331: 4329: 4326: 4324: 4321: 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Greek mythology
/ˈmɛmnən/
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