Knowledge

Paper marbling

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likely reported information given to him, without having a full understanding of the methods used. His original sources may have predated him by several centuries. Not only is it necessary to identify the original source to attribute a firm date for the information, but also the account remains uncorroborated due to a lack of any surviving physical evidence of marbling in Chinese manuscripts.
705: 659:(encromancy). Another theory is that the process may have derived from a form of popular entertainment at the time, in which a freshly painted Sumi painting was immersed into water, and the ink slowly dispersed from the paper and rose to the surface, forming curious designs, but no physical evidence supporting these allegations has ever been identified. 991:
Approximately a century later, a technically advanced approach using finely prepared mineral and organic pigments and combs to manipulate the floating colors resulted in comparatively elaborate, intricate, and mesmerizing overall designs. Both literary and physical evidence suggests that before 1600,
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from about 985–993 CE. He compiled the work from a wide variety of earlier sources and was familiar with the subject, given his profession. Yet it is important to note that it is uncertain how personally acquainted he was with the various methods for making decorative papers that he compiled. He most
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do not require mordanting). The colors are thereby transferred and adhered to the surface of the paper or material. The paper or material is then carefully lifted off the size and hung up to dry. Some marblers gently drag the paper over a rod to draw off the excess size. If necessary, excess bleeding
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is used to drive the drop of color into a ring. The process is repeated until the surface of the water is covered with concentric rings. The floating colors are then carefully manipulated either by blowing on them directly or through a straw, fanning the colors, or carefully using a human hair to
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Contemporary marblers employ a variety of modern materials, some in place of or in combination with the more traditional ones. A wide variety of colors are used today in place of the historic pigment colors. Plastic broom straw can be used instead of broom corn, as well as bamboo sticks, plastic
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album. Eventually, the technique for making the papers reached Europe, where they became a popular covering material not only for book covers and end-papers, but also for lining chests, drawers, and bookshelves. By the late 17th century, Europeans also started to marbled the edges of books.
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particles was applied to the design by beating a hairbrush over top. The finished designs, which were thought to resemble human figures, clouds, or flying birds, were then transferred to the surface of a sheet of paper. An example of paper decorated with floating ink has never been found in
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colors and sizing can be rinsed off, and then the paper or fabric is allowed to dry. After the print is made, any color residues remaining on the size are carefully skimmed off of the surface, in order to clear it before starting a new pattern.
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Marblers still make marbled paper and fabric, even applying the technique to three-dimensional surfaces. Aside from continued traditional applications, artists now explore using the method as a kind of painting technique, and as an element in
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A pair of leaves purported to be the earliest examples of this paper, preserved in the Kronos collection, bears rudimentary droplet-motifs. One of the sheets bears an accession notation on the reverse stating "These abris are rare"
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This paper was made by dragging a piece of paper through a fermented flour paste mixed with various colors, creating a free and irregular design. A second type was made with a paste prepared from honey locust pods, mixed with
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to float and uniformly expand. Once the colors are laid down, various tools and implements such as rakes, combs, and styluses are often used in a series of movements to create more intricate designs.
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may be added to a color, to achieve special effects. The colors are then spattered or dropped onto the size, one color after another until there is a dense pattern of several colors. Straw from the
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The methods of marbling attracted the curiosity of intellectuals, philosophers, and scientists. Gerhard ter Brugghen published the earliest European technical account, written in Dutch, in his
1071:(died 1773) with developing motif and perhaps early floral designs and refer to them as "Hatip" designs, although similar evidence also survives from Iran and India, which await further study. 696:. He settled there, and his family carried on with the tradition to this day. The Hiroba family claims to have made this form of marbled paper since 1151 CE for 55 generations (Narita, 14). 1557: 1047:) completed by Mehmed bin Gazanfer in 1539–40. Recipes ascribed to one early master by the name of Shebek, appear posthumously in the earliest, anonymously compiled Ottoman 1219: 1376: 2066: 2035: 1854:
Marbled Paper: Its History, Techniques, and Patterns : with Special Reference to the Relationship of Marbling to Bookbinding in Europe and the Western World
1320:(1853), the art production increased in the 19th century. In it, he describes how he adapted a method of marbling onto book cloth, which he exhibited at the 1513: 1360: 2399:
Marbled Paper: Its History, Techniques, and Patterns: With Special Reference to the Relationship of Marbling to Bookbinding in Europe and the Western World
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practiced the art for centuries; however, little evidence supports this claim. Sadık's son Edhem Effendi (died 1904) manufactured papers as a kind of
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Benson, Jake (2015). "The Art of Abri: Marbled Album Leaves, Drawings, and Paintings of the Deccan". In Haidar, Navina Najat; Sardar, Marika (eds.).
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Benson, Jake (2015). "The Art of Abri: Marbled Album Leaves, Drawings, and Paintings of the Deccan". In Haidar, Navina Najat; Sardar, Marika (eds.).
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or fabric. Through several centuries, people have applied marbled materials to a variety of surfaces. It is often employed as a writing surface for
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resist masking applied before marbling the sheet. Okyay's premier student, Mustafa Düzgünman (1920–1990), taught many contemporary marblers in
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today. He codified the traditional repertoire of patterns, to which he only added a floral daisy design, after the manner of his teacher.
924:. Within these regions, various methods emerged in which colors were made to float on the surface of a bath of viscous liquid mucilage or 534:, possibly in the form of an oil or extract, was used to disperse the colors, or “scatter” them, according to the interpretation given by 480: 2462: 1256:
had successfully forged similar notes (Benson, "Curious Colors", 289–294). Nevertheless, the Bank continued to issued partially marbled
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published a thorough overview of the art with illustrations of marblers at work together with images of the tools of the trade in their
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Historic forms of marbling used both organic and inorganic pigments mixed with water for colors, and sizes were traditionally made from
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in 1989. Active international groups can be found on social media networks such as Facebook and the International Marbling Network.
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Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, etc., eds. Denis Diderot and Jean le Rond D'Alembert
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Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, etc., eds. Denis Diderot and Jean le Rond D'Alembert
1747: 996:-era émigré to India named Muḥammad Ṭāhir developed many of these innovations. Later that century, Indian marblers combined the 1726: 1484: 2429: 2224: 2074: 2043: 1862: 1824: 1674: 100:. A shallow tray is filled with water, and various kinds of ink or paint colors are carefully applied to the surface with an 3223: 1588: 156:
Another method of marbling more familiar to Europeans and Americans is made on the surface of a viscous mucilage, known as
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An intriguing reference which some think may be a form of marbling is found in a compilation completed in 986 CE entitled
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Benson, Jake (2020). "Chapter 12: The Qit'at-i Khushkhatt Album: Authenticity and Provenance". In Overton, Keelan (ed.).
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Benson, Jake (2020). "Chapter 12: The Qit'at-i Khushkhatt Album: Authenticity and Provenance". In Overton, Keelan (ed.).
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The earliest examples of Ottoman marbled paper may be the margins attached to a cut paper découpage manuscript of the
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paper is then carefully laid onto the water surface to capture the floating design. The paper, which is often made of
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has emerged at public events and festivals, applied with non-toxic, water-based neon or ultraviolet reactive paints.
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chemicals are used to help float the colors. A drop of "negative" color made of plain water with the addition of
3465: 1109:, then taught it to his sons Edhem and Salıh. Based upon this later practice, many Turkish marblers assert that 2185: 1956: 1879: 1269: 606:, which means 'floating ink' in Japanese, appears to be the earliest form of marbling during the 12th-century 3916: 2499: 288: 2209:"Curious Colors of Currency: Security Marbling on Financial Instruments During the Long Eighteenth Century" 1809:"Curious Colors of Currency: Security Marbling on Financial Instruments During the Long Eighteenth Century" 1418:. In recent decades, international symposia and museum exhibitions featured the art. A marbling journal 1063:, 'An Arrangement of a Treatise on Ebrî'), dated on the basis of internal evidence to after 1615. Many in 3567: 1253: 503: 437: 3863: 3784: 2530: 1285: 1232: 682:. He then wandered the country looking for the best water with which to make his papers. He arrived in 29: 2148: 1321: 1289: 1260:
until the 1810s (Benson, "Curious Colors", 301–302). In 1731, English marbler Samuel Pope obtained a
712:(14:7), and is typical of compositions written upon marbled paper produced after the 16th century in 843:); however, he did not reference any source to support this assertion. In contrast, most historical 3395: 3154: 2492: 2379: 547:. Whether or not the above methods employed floating colors remains to be determined (Tsien 94–5). 211: 3530: 3977: 3911: 3868: 2765: 1605: 518:) meaning 'drifting-sand' or 'flowing-sand notepaper' that was made in what is now the region of 2354:
Painters, Paintings, and Books: An Essay on Indo-Persian Technical Literature, 12–19th Centuries
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University of Pennsylvania. Kislak Center for Special Collections, Rare Books and Manuscripts.
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for security marbling, claiming that he invented the process, then sued his competitors for
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Paper and Printing. Science and Civilization v. 5. Chemistry and chemical technology: pt. 1
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designs made with turpentine, analogous to what English-speaking marblers refer to as the
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dates to the mid-19th century, with a series of masters associated with a branch of the
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Marbled endpaper from a book bound in the Netherlands or Germany between 1720 and 1770
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conducted extensive experiments and devised further innovations, chiefly by adapting
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High-resolution images of paper marbling from the University of Washington libraries
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master Tokutaro Yagi developed an alternative method that employed a split piece of
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Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400–1700
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Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400–1700
820: 646: 576:. From the National Treasure Fan-shaped album of the Hokekyō Sutra (Lotus Sutra), 349:(alum) and gently laid onto the floating colors (although methods such as Turkish 4077: 3961: 3946: 3901: 3820: 3774: 3744: 3684: 3669: 3510: 3450: 3400: 3348: 3343: 3258: 3058: 3010: 2787: 2515: 2484: 2466: 1852: 1492: 1281: 1245: 973: 748: 679: 530:, and thinned with water. Presumably, both black and colored inks were employed. 424:(859?–925?). 20 cm height, 32 cm wide. Silver, Gold, Color, and ink on 292: 284: 121: 2738: 1324:
in 1851. (Wolfe, 79) Josef Halfer, a bookbinder of German origin, who lived in
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The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project
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to gently stir the colors, resulting in concentric spiral designs. A sheet of
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Water-based paints in a tank of carrageenan size being prepared for marbling.
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by the late 15th century. It may have first appeared during the end of the
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spreads slightly less than the last, and the colors may require additional
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is most likely due to both the fact that many first encountered the art in
2164:"Body Marbling Is the New Festival Trend You're Going to Be Obsessed with" 1986: 52:. The patterns are the result of color floated on either plain water or a 4072: 4037: 4032: 3951: 3714: 3699: 3644: 3634: 3617: 3597: 3582: 3475: 3425: 3325: 3233: 3196: 3191: 3083: 3000: 2957: 2939: 2929: 2871: 2841: 2826: 2797: 2713: 2708: 2638: 2608: 2553: 1600: 1178: 905: 756: 387: 379: 270: 69: 65: 3562: 1401: 153:
and strong enough to withstand being immersed in water without tearing.
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for sizing, which superseded Woolnough's methods in Europe and the US.
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in 1646, widely disseminated knowledge of the art throughout Europe.
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on his sixtieth birthday in 1112 CE (Narita, 14 and Chambers, 13–16).
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poems of Shigeharu, (825–880 CE), a son of the famed Heian-era poet
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According to legend, Jizemon Hiroba is credited as the inventor of
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The art first emerged and evolved during the long 16th century in
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methods mentioned above has never been concretely proven. Several
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Denis Diderot. Jean le Rond d'Alembert; Robert Morrissey (eds.).
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Marbled endpaper from a book bound in France around 1880 (detail)
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A combed marbled pattern from the front flyleaf of a binding of
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An edge marbler and paper finisher with related equipment, from
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The Art of Marbled Paper: Marbled Patterns and How to Make Them
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obtained English marbled security papers employed for printing
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today. Other sources suggest it emerged during the subsequent
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by Maria Hack, printed in London for Harvey and Dartman, 1828.
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sponsored the first International Marblers' Gathering held in
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was used to make a kind of whisk for sprinkling the paint, or
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Combed marbled paper, from the front flyleaf of a binding of
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surface design, which can produce patterns similar to smooth
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to create a kind of drop-brush. Each successive layer of
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Sultans of Deccan India, 1500–1700: Opulence and Fantasy
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Sultans of Deccan India, 1500–1700: Opulence and Fantasy
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Sultans of Deccan India, 1500–1700: Opulence and Fantasy
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Marbled endpaper from a book bound in France around 1880
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Marbled endpaper from a book bound in France around 1735
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where he found the water especially conducive to making
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Contemporary paper marbling : design and technique
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Paper marbling from a book bound in England around 1830
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in 1616, while the first German account was written by
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collected examples of these papers and bound them into
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in English. While this method is often referred to as "
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Haidar, Navina Najat; Sardar, Marika (13 April 2015).
1727:"Qur'anic verse (14:7) on blue and white marble paper" 506:. The text mentions a kind of decorative paper called 800: 794: 1213:
in 1671 (Benson, "Curious Colors", 284; Wolfe, 16).
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a method of writing traditional calligraphy using a
827:, that the term was "more properly derived from the 668:. It is said that he felt divinely inspired to make 76:. Part of its appeal is that each print is a unique 2304: 194:origin also made these papers. The use of the term 2514: 2370: 1663:Te Papa (Museum); Lehnebach, Carlos, eds. (2023). 1533:The Playmate: A Pleasant Companion for Spare Hours 708:This calligraphic panel features a verse from the 674:paper after he offered spiritual devotions at the 2396: 4118: 2481:, a short film from the American Islamic College 2456:Article about marbled paper by Joel Silver from 2342: 2190:. Metropolitan Museum of Art. pp. 157–159. 1961:. Metropolitan Museum of Art. pp. 157–159. 732:The method of floating colors on the surface of 1784:[How to make cloud paper or eyebrows]. 699: 691: 669: 663: 650: 630: 592: 567: 431: 425: 356: 182:were not the only practitioners of the art, as 140: 124: 2253:. Indiana University Press. pp. 337–366. 1918:. Indiana University Press. pp. 337–366. 1706:Japanese Architecture and Art Net Users System 1589:The Richard J. Wolfe marbled paper collection. 838: 832: 622: 612: 599: 287:. In recent years, a synthetic size made from 68:, and especially book covers and endpapers in 3295: 2500: 2285: 1851:Wolfe, Richard J.; Wolfe, Richard J. (1990). 1149: 1124: 1118: 1088: 1075: 1067:attribute another famous 18th-century master 997: 963: 892: 886: 876: 866: 856: 806: 788: 739:is thought to have emerged in the regions of 513: 461: 350: 215: 169: 96:There are several methods for making marbled 2351: 2323: 2161: 1877: 1648:: CS1 maint: multiple names: authors list ( 1535:by Joseph Cundall, Printed by Barclay, 1847. 1268:; however, those he accused exposed him for 1041:) by the poet Arifi (popularly known as the 206:, as well as essentialist references to all 1252:for several weeks until it discovered that 1208: 1194: 815:translated this term as 'clouded paper' in 306:In the size-based method, colors made from 3357: 3302: 3288: 2507: 2493: 2419: 1850: 1582:Frontispiece detail of The Life of the Bee 2288:Suminagashi: The Japanese Art of Marbling 2105: 2033: 1140:(1885–1976), first taught the art at the 881:first documented in the 19th century. In 751:, whose final capital was in the city of 1400: 703: 572:paper used as an element in traditional 561: 409: 214:, much as Europeans were referred to as 87: 18: 2146: 1623: 405: 295:, is often used as a size for floating 4119: 2356:. Manohar: Centre for Human Sciences. 2246: 2206: 2183: 1954: 1911: 1806: 1666:Flora: celebrating our botanical world 1624:McGrath, Lucy, (Paper artist) (2019). 1390: 3283: 2488: 1303: 1300:(Benson, "Curious Colors", 302–307). 1272:(Benson, "Curious Colors", 294–301). 1136:The premier student of Edhem Efendi, 930:, made from various plants including 458:Four Treasures of the Scholar's Study 4101: 2147:Valenti, Lauren (9 September 2016). 1857:. University of Pennsylvania Press. 1168: 1087:order based at what is known as the 1059: 1037: 839: 502:, which are collectively called the 2064: 964: 893: 807: 789: 13: 2451:The International Marbling Network 1280:$ 20 banknote in 1775, as well as 1248:employed partially marbled papers 1093:(Lodge of the Uzbeks), located in 885:, many now employ a variant term, 580:12th c. CE, currently kept in the 23:Endpaper from a book published in 14: 4148: 2439: 2162:Scott, Ellen (9 September 2016). 2122:"Die Vergangenheit von Budakeszi" 1754:Great Islamic Encyclopedia Center 1749:ابری.» دائرة المعارف بزرگ اسلامی» 1628:. London: Batsford. p. 142. 1490:Paper marbling in a 1718 copy of 1074:The current Turkish tradition of 291:, a common ingredient in instant 4100: 4091: 4090: 3089:Bronze and brass ornamental work 2403:University of Pennsylvania Press 1575: 1556: 1540: 1524: 1512: 1500: 1483: 1471: 1459: 1447: 1375: 1359: 1343: 1207:, published posthumously in his 476:) or edited by the 10th century 273:-rich alga known as Irish moss ( 168:marbling" in English and called 16:Method of aqueous surface design 2213:American Journal of Numismatics 2155: 2140: 2114: 2089: 2058: 2027: 2001: 1975: 1948: 1905: 1813:American Journal of Numismatics 865:, the art is commonly known as 554:and served as the chief of the 2460:magazine, Nov./Dec. 2005 issue 2424:. Shi dai wen yi chu ban she. 1884:. Metropolitan Museum of Art. 1871: 1844: 1800: 1781:روش ساخت کاغذ ابری یا ابرو باد 1772: 1740: 1719: 1691: 1656: 1617: 1296:, as well as his own personal 965:یاد داشت این ابریهای نادره است 787:historical accounts refer to ( 508: 472: 1: 3917:Environmental impact of paper 2177: 1350:Marbling tray and tools from 1217:published a Latin account in 1026:dynasty in the 17th century. 390:are used in conjunction with 341:Cobb paper or cloth is often 289:hydroxypropyl methylcellulose 2305:Grunebaum, Gabriele (2003). 1756:(in Persian). Archived from 1053: 1043: 1031: 855:texts refer to the paper as 700:History in the Islamic world 374:is still commonly used as a 83: 7: 1594: 1440: 1018:and especially the city of 801: 795: 692: 670: 664: 651: 631: 619:, located in Nishihonganji 593: 568: 504:four treasures of the study 438:"Thirty-Six Immortal Poets" 432: 426: 357: 141: 125: 10: 4153: 3864:Surface chemistry of paper 3367:(Zuo Bo/Tso Po/Tso Tzǔ-yi) 2397:Wolfe, Richard J. (1990). 2328:. Kodansha International. 1788:(in Persian). July 3, 2007 1567:'s The Life of the Bee by 1433:Another adaptation called 1394: 1286:American Revolutionary War 1210:Delicæ Physico-Mathematicæ 1022:in particular, during the 1010:masking methods to create 984:901/11 August 1496 of the 763:dynasty, in the cities of 550:Su Yijian was an Imperial 430:paper. From a copy of the 4086: 4025: 3970: 3882: 3839: 3798: 3443: 3413: 3383: 3334: 3317: 3309: 3102: 3039: 2991: 2938: 2870: 2694: 2539: 2526: 2343:Narita, Kiyofusa (1954). 2219:: 277–325, Plates 37–27. 2107:2027/spo.did2222.0001.236 1819:: 277–325, Plates 37–27. 1370:of Diderot and d'Alembert 1322:Crystal Palace Exhibition 623: 613: 600: 514: 462: 255:Trigonella foenum-graecum 116:In the 19th century, the 3396:Friedrich Gottlob Keller 2380:Harvard University Press 1780: 1748: 1700: 1611: 1493:Opere di Galileo Galilei 1292:notes issued during the 1220:Ars Magna Lucis et Umbræ 1051:on the art known as the 771:, in what is now modern 228:, which literally means 3912:Elemental chlorine free 3869:Units of paper quantity 3224:Painting in Hälsingland 2290:. Thames & Hudson. 1606:Water transfer printing 1366:Marblers at work, from 1233:Jean le Rond d'Alembert 1196:Verlichtery kunst-boeck 1054:Tertîb-i Risâle-'i Ebrî 833: 104:. Various additives or 30:Encyclopædia Britannica 3892:Bleaching of wood pulp 2307:How to Marbleize Paper 2286:Chambers, Ann (1991). 2259:10.2307/j.ctvz0hb4h.16 1924:10.2307/j.ctvz0hb4h.16 1565:Dodd, Mead and Company 1410: 1209: 1195: 1150: 1125: 1119: 1089: 1076: 998: 887: 877: 867: 857: 729: 588: 453: 351: 216: 170: 93: 34: 3811:Corrugated fiberboard 3568:Electrical insulation 3421:Thomas Francis Carter 2352:Porter, Yves (1994). 2345:Japanese Paper-making 2324:Miura, Einen (1991). 2207:Benson, Jake (2019). 1807:Benson, Jake (2019). 1404: 1395:Further information: 1173:In the 17th century, 799:, often shortened to 707: 565: 413: 91: 22: 3244:Pressed flower craft 2067:"Marbreur de papier" 2036:"Marbreur de papier" 1294:Copper Panic of 1789 1278:Continental Congress 1014:, attributed to the 406:History in East Asia 318:. Sometimes, oil or 2661:Spinning (textiles) 2579:Friendship bracelet 2420:Su, Yijian (2008). 2015:on 29 November 2007 1989:on 29 November 2007 1569:Maurice Maeterlinck 1391:In the 21st century 1318:The Art of Marbling 1069:Hatip Mehmed Efendi 1012:miniature paintings 972:, the ruler of the 908:then spread to the 245:spp.), gum karaya, 2472:Art of the Marbler 2465:2019-12-31 at the 2372:Tsien, Tsuen-hsuin 2347:. Hokuseido Press. 1549:Oriental Fragments 1411: 1304:Nineteenth century 1215:Athanasius Kircher 1105:and brought it to 813:Annemarie Schimmel 730: 645:(Muira 14) in the 635:papers are in the 589: 454: 433:Sanjurokunin Kashu 113:stir the colors. 94: 56:solution known as 48:or other kinds of 35: 4114: 4113: 3439: 3438: 3431:Tsien Tsuen-hsuin 3409: 3408: 3379: 3378: 3322:Paper engineering 3277: 3276: 3167:Hardstone carving 3115:Balloon modelling 2629:Ribbon embroidery 2431:978-7-5387-2380-9 2226:978-0-89722-364-5 2096:"Marbled paper". 1864:978-0-8122-8188-0 1826:978-0-89722-364-5 1676:978-1-9911509-1-2 1314:Charles Woolnough 1274:Benjamin Franklin 1177:travelers to the 1169:History in Europe 1142:Fine Arts Academy 1060:ترتیبِ رسالۀ ابری 1016:Deccan sultanates 958:), among others. 918:Deccan Sultanates 861:alone. Today in 608:Sanjuurokuninshuu 574:ink wash painting 450:Emperor Shirakawa 422:Ōshikōchi Mitsune 347:aluminium sulfate 310:are mixed with a 4144: 4104: 4103: 4094: 4093: 4078:Beverage cartons 4068:Watercolor paper 3927:Hollander beater 3411: 3410: 3381: 3380: 3355: 3354: 3304: 3297: 3290: 3281: 3280: 3249:Qing handicrafts 3054:Chemical milling 2509: 2502: 2495: 2486: 2485: 2435: 2416: 2393: 2367: 2348: 2339: 2320: 2301: 2280: 2241: 2239: 2238: 2229:. Archived from 2201: 2172: 2171: 2159: 2153: 2152: 2144: 2138: 2137: 2135: 2133: 2128:on 16 March 2012 2124:. Archived from 2118: 2112: 2111: 2109: 2093: 2087: 2086: 2084: 2082: 2065:Diderot, Denis. 2062: 2056: 2055: 2053: 2051: 2031: 2025: 2024: 2022: 2020: 2011:. Archived from 2005: 1999: 1998: 1996: 1994: 1985:. Archived from 1979: 1973: 1972: 1952: 1946: 1945: 1909: 1903: 1902: 1900: 1898: 1875: 1869: 1868: 1848: 1842: 1841: 1839: 1838: 1829:. Archived from 1804: 1798: 1797: 1795: 1793: 1776: 1770: 1769: 1767: 1765: 1744: 1738: 1737: 1735: 1733: 1723: 1717: 1716: 1714: 1712: 1695: 1689: 1688: 1660: 1654: 1653: 1647: 1639: 1621: 1579: 1563:1912 edition of 1560: 1544: 1528: 1516: 1504: 1487: 1475: 1463: 1451: 1379: 1363: 1347: 1335:Chondrus crispus 1282:promissory notes 1254:William Chaloner 1212: 1205:Daniel Schwenter 1198: 1153: 1128: 1122: 1115:cottage industry 1092: 1090:Özbekler Tekkesi 1079: 1062: 1061: 1056: 1046: 1040: 1039: 1034: 1001: 967: 966: 896: 895: 890: 880: 870: 860: 842: 841: 836: 810: 809: 804: 798: 792: 791: 695: 688:Fukui Prefecture 673: 667: 654: 634: 628: 626: 625: 618: 616: 615: 605: 603: 602: 596: 571: 552:scholar-official 517: 516: 510: 489: 478:scholar-official 474: 465: 464: 442:Hongan-ji Temple 435: 429: 386:, but synthetic 360: 354: 345:beforehand with 276:Chondrus crispus 219: 190:, and people of 173: 144: 128: 4152: 4151: 4147: 4146: 4145: 4143: 4142: 4141: 4117: 4116: 4115: 4110: 4082: 4021: 3966: 3962:Sulfite process 3947:Paper recycling 3902:Conical refiner 3884: 3878: 3835: 3821:Paper chemicals 3794: 3435: 3405: 3401:Charles Fenerty 3375: 3353: 3349:Missal of Silos 3344:Battle of Talas 3330: 3313: 3308: 3278: 3273: 3259:Straw marquetry 3098: 3035: 3011:Enamelled glass 2987: 2934: 2866: 2690: 2535: 2522: 2516:Decorative arts 2513: 2467:Wayback Machine 2442: 2432: 2413: 2390: 2364: 2336: 2317: 2298: 2269: 2236: 2234: 2227: 2198: 2180: 2175: 2160: 2156: 2151:. Marie Claire. 2145: 2141: 2131: 2129: 2120: 2119: 2115: 2095: 2094: 2090: 2080: 2078: 2063: 2059: 2049: 2047: 2046:on 13 July 2012 2032: 2028: 2018: 2016: 2007: 2006: 2002: 1992: 1990: 1981: 1980: 1976: 1969: 1953: 1949: 1934: 1910: 1906: 1896: 1894: 1892: 1876: 1872: 1865: 1849: 1845: 1836: 1834: 1827: 1805: 1801: 1791: 1789: 1782: 1778: 1777: 1773: 1763: 1761: 1750: 1746: 1745: 1741: 1731: 1729: 1725: 1724: 1720: 1710: 1708: 1702: 1697: 1696: 1692: 1677: 1661: 1657: 1641: 1640: 1636: 1622: 1618: 1614: 1597: 1583: 1580: 1571: 1561: 1552: 1545: 1536: 1529: 1520: 1517: 1508: 1505: 1496: 1488: 1479: 1476: 1467: 1464: 1455: 1452: 1443: 1399: 1393: 1386: 1380: 1371: 1364: 1355: 1348: 1306: 1284:to support the 1246:Bank of England 1171: 1138:Necmeddin Okyay 1002:technique with 974:Malwa Sultanate 823:claimed in his 749:Timurid dynasty 702: 680:Nara Prefecture 620: 610: 597: 522:(Su 4: 7a–8a). 498:, and paper in 483: 408: 293:wallpaper paste 285:sodium alginate 86: 40:is a method of 17: 12: 11: 5: 4150: 4140: 4139: 4134: 4129: 4112: 4111: 4109: 4108: 4098: 4087: 4084: 4083: 4081: 4080: 4075: 4070: 4065: 4060: 4055: 4050: 4045: 4040: 4035: 4029: 4027: 4023: 4022: 4020: 4019: 4018: 4017: 4007: 4006: 4005: 4000: 3995: 3990: 3985: 3978:Paper industry 3974: 3972: 3968: 3967: 3965: 3964: 3959: 3954: 3949: 3944: 3939: 3934: 3929: 3924: 3922:Handmade paper 3919: 3914: 3909: 3904: 3899: 3894: 3888: 3886: 3880: 3879: 3877: 3876: 3871: 3866: 3861: 3856: 3851: 3845: 3843: 3841:Specifications 3837: 3836: 3834: 3833: 3828: 3823: 3818: 3813: 3808: 3802: 3800: 3796: 3795: 3793: 3792: 3787: 3782: 3777: 3772: 3767: 3762: 3757: 3752: 3747: 3742: 3737: 3732: 3727: 3722: 3717: 3712: 3707: 3702: 3697: 3692: 3687: 3682: 3680:Plastic-coated 3677: 3672: 3667: 3662: 3657: 3652: 3647: 3642: 3637: 3632: 3627: 3626: 3625: 3615: 3610: 3605: 3600: 3595: 3590: 3585: 3580: 3575: 3570: 3565: 3560: 3555: 3550: 3545: 3540: 3539: 3538: 3528: 3523: 3518: 3513: 3508: 3503: 3498: 3493: 3488: 3483: 3478: 3473: 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1585: 1584: 1581: 1574: 1572: 1562: 1555: 1553: 1546: 1539: 1537: 1530: 1523: 1521: 1518: 1511: 1509: 1506: 1499: 1497: 1489: 1482: 1480: 1477: 1470: 1468: 1465: 1458: 1456: 1453: 1446: 1442: 1439: 1420:Ink & Gall 1392: 1389: 1388: 1387: 1384:l'Encyclopedie 1381: 1374: 1372: 1368:l'Encyclopedie 1365: 1358: 1356: 1352:School of Arts 1349: 1342: 1316:published his 1305: 1302: 1183:album amicorum 1170: 1167: 956:Orchis mascula 954:(the roots of 940:gum tragacanth 910:Ottoman Turkey 701: 698: 657:ink divination 566:An example of 556:Hanlin Academy 473:Wén Fáng Sì Pǔ 407: 404: 237:gum tragacanth 180:Turkic peoples 147:paper mulberry 85: 82: 38:Paper marbling 15: 9: 6: 4: 3: 2: 4149: 4138: 4135: 4133: 4130: 4128: 4125: 4124: 4122: 4107: 4099: 4097: 4089: 4088: 4085: 4079: 4076: 4074: 4071: 4069: 4066: 4064: 4061: 4059: 4056: 4054: 4051: 4049: 4046: 4044: 4041: 4039: 4036: 4034: 4031: 4030: 4028: 4024: 4016: 4013: 4012: 4011: 4008: 4004: 4003:United States 4001: 3999: 3996: 3994: 3991: 3989: 3986: 3984: 3981: 3980: 3979: 3976: 3975: 3973: 3969: 3963: 3960: 3958: 3955: 3953: 3950: 3948: 3945: 3943: 3942:Paper machine 3940: 3938: 3935: 3933: 3932:Kraft process 3930: 3928: 3925: 3923: 3920: 3918: 3915: 3913: 3910: 3908: 3905: 3903: 3900: 3898: 3895: 3893: 3890: 3889: 3887: 3881: 3875: 3872: 3870: 3867: 3865: 3862: 3860: 3857: 3855: 3852: 3850: 3847: 3846: 3844: 3842: 3838: 3832: 3829: 3827: 3824: 3822: 3819: 3817: 3814: 3812: 3809: 3807: 3804: 3803: 3801: 3797: 3791: 3788: 3786: 3783: 3781: 3778: 3776: 3773: 3771: 3768: 3766: 3763: 3761: 3758: 3756: 3753: 3751: 3748: 3746: 3743: 3741: 3738: 3736: 3733: 3731: 3728: 3726: 3723: 3721: 3718: 3716: 3713: 3711: 3708: 3706: 3703: 3701: 3698: 3696: 3693: 3691: 3688: 3686: 3683: 3681: 3678: 3676: 3673: 3671: 3668: 3666: 3663: 3661: 3658: 3656: 3653: 3651: 3648: 3646: 3643: 3641: 3638: 3636: 3633: 3631: 3628: 3624: 3621: 3620: 3619: 3616: 3614: 3611: 3609: 3606: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3586: 3584: 3581: 3579: 3576: 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3131: 3128: 3126: 3123: 3121: 3118: 3116: 3113: 3111: 3108: 3107: 3105: 3101: 3095: 3092: 3090: 3087: 3085: 3082: 3080: 3077: 3075: 3072: 3070: 3067: 3065: 3062: 3060: 3057: 3055: 3052: 3050: 3047: 3046: 3044: 3042: 3038: 3032: 3031:Stained glass 3029: 3027: 3024: 3022: 3019: 3017: 3016:Glass etching 3014: 3012: 3009: 3007: 3004: 3002: 2999: 2998: 2996: 2994: 2990: 2984: 2981: 2979: 2976: 2974: 2971: 2969: 2966: 2964: 2961: 2959: 2956: 2954: 2951: 2949: 2946: 2945: 2943: 2941: 2937: 2931: 2928: 2926: 2923: 2921: 2918: 2916: 2913: 2911: 2908: 2906: 2903: 2901: 2898: 2896: 2893: 2891: 2888: 2886: 2883: 2881: 2878: 2877: 2875: 2873: 2869: 2863: 2860: 2858: 2855: 2853: 2850: 2848: 2845: 2843: 2840: 2838: 2835: 2833: 2830: 2828: 2825: 2824: 2819: 2816: 2814: 2811: 2809: 2806: 2805: 2804: 2801: 2799: 2796: 2794: 2791: 2789: 2786: 2782: 2779: 2777: 2774: 2773: 2772: 2769: 2767: 2764: 2762: 2759: 2757: 2754: 2752: 2749: 2745: 2742: 2740: 2737: 2735: 2732: 2731: 2730: 2727: 2725: 2722: 2720: 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2251: 2245: 2244: 2233:on 2022-02-20 2232: 2228: 2222: 2218: 2214: 2210: 2205: 2204: 2199: 2197:9780253048943 2193: 2189: 2188: 2182: 2181: 2169: 2165: 2158: 2150: 2143: 2127: 2123: 2117: 2108: 2103: 2099: 2092: 2076: 2072: 2068: 2061: 2045: 2041: 2037: 2030: 2014: 2010: 2004: 1988: 1984: 1983:"Art of Ebrû" 1978: 1970: 1968:9780253048943 1964: 1960: 1959: 1951: 1943: 1939: 1935: 1933:9780253048943 1929: 1925: 1921: 1917: 1916: 1908: 1893: 1891:9780300211108 1887: 1883: 1882: 1874: 1866: 1860: 1856: 1855: 1847: 1833:on 2022-02-20 1832: 1828: 1822: 1818: 1814: 1810: 1803: 1787: 1783: 1775: 1759: 1755: 1751: 1743: 1728: 1722: 1707: 1703: 1694: 1686: 1682: 1678: 1672: 1668: 1667: 1659: 1651: 1645: 1637: 1631: 1627: 1620: 1616: 1607: 1604: 1602: 1599: 1598: 1592: 1590: 1578: 1573: 1570: 1566: 1559: 1554: 1550: 1543: 1538: 1534: 1527: 1522: 1515: 1510: 1503: 1498: 1495: 1494: 1486: 1481: 1474: 1469: 1462: 1457: 1450: 1445: 1444: 1438: 1436: 1435:body marbling 1431: 1429: 1425: 1421: 1417: 1408: 1403: 1398: 1397:Body marbling 1385: 1378: 1373: 1369: 1362: 1357: 1353: 1346: 1341: 1340: 1339: 1337: 1336: 1331: 1327: 1323: 1319: 1315: 1311: 1301: 1299: 1295: 1291: 1287: 1283: 1279: 1275: 1271: 1267: 1263: 1259: 1255: 1251: 1247: 1244:In 1695, the 1242: 1240: 1239: 1234: 1230: 1229:Denis Diderot 1226: 1222: 1221: 1216: 1211: 1206: 1202: 1197: 1191: 1188: 1184: 1180: 1176: 1166: 1164: 1160: 1156: 1152: 1147: 1143: 1139: 1134: 1132: 1127: 1121: 1116: 1112: 1108: 1104: 1100: 1096: 1091: 1086: 1083: 1078: 1072: 1070: 1066: 1055: 1050: 1045: 1033: 1027: 1025: 1021: 1017: 1013: 1009: 1005: 1000: 995: 989: 987: 983: 982:Dhu al-Hijjah 979: 975: 971: 959: 957: 953: 952: 947: 946: 941: 937: 933: 929: 928: 923: 919: 915: 912:, as well as 911: 907: 903: 898: 889: 884: 879: 874: 869: 864: 859: 854: 850: 846: 835: 830: 826: 825:Kamus-ı Türki 822: 821:Sami Frashëri 818: 814: 803: 797: 796:kāghaẕ-e abrī 786: 782: 778: 774: 770: 766: 762: 758: 755:, located in 754: 750: 746: 742: 738: 735: 727: 723: 719: 715: 711: 706: 697: 694: 689: 685: 681: 677: 676:Kasuga Shrine 672: 666: 660: 658: 653: 648: 647:Kokin Wakashū 644: 640: 639: 633: 609: 595: 591:In contrast, 587: 583: 579: 575: 570: 564: 560: 557: 553: 548: 546: 541: 537: 533: 529: 523: 521: 511: 505: 501: 497: 493: 487: 482: 479: 475: 469: 459: 451: 447: 443: 439: 434: 428: 423: 419: 418: 414:Two pages of 412: 403: 401: 397: 393: 389: 385: 381: 377: 373: 369: 363: 359: 355:and Japanese 353: 348: 344: 339: 337: 333: 329: 325: 321: 317: 313: 309: 304: 302: 298: 294: 290: 286: 283:is made from 282: 278: 277: 272: 268: 264: 260: 256: 252: 248: 244: 243: 238: 233: 231: 227: 223: 218: 213: 209: 205: 201: 197: 193: 189: 185: 181: 177: 172: 167: 163: 159: 154: 152: 148: 143: 138: 137: 132: 127: 123: 119: 114: 111: 107: 103: 99: 90: 81: 79: 75: 71: 67: 63: 59: 55: 51: 47: 43: 39: 33:, 7th edition 32: 31: 26: 21: 4043:Papier-mâché 4038:Paper towels 3957:Soda pulping 3874:Wet strength 3675:Photographic 3548:Cotton (rag) 3521:Construction 3207:Glass mosaic 3125:Bone carving 2925:Wood carving 2920:Wood burning 2895:Chip carving 2852:Scrapbooking 2837:Papier-mâché 2803:Papercutting 2792: 2756:Iris folding 2744:Photomontage 2739:Papier collé 2704:Altered book 2564:Cross-stitch 2457: 2421: 2398: 2375: 2353: 2344: 2325: 2306: 2287: 2249: 2235:. 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While 781:Japanese 643:Narihira 540:dandruff 492:inkstone 402:paints. 368:pipettes 314:such as 308:pigments 281:mucilage 267:psyllium 259:fleabane 247:guar gum 230:Frankish 204:Istanbul 122:Japanese 78:monotype 25:Scotland 4106:Commons 4058:Tissues 3849:Density 3826:Papyrus 3785:Writing 3735:Tracing 3725:Thermal 3700:Scritta 3695:Rolling 3660:Origami 3623:Butcher 3558:Display 3526:Contact 3491:Bristol 3466:Asphalt 3371:Damjing 3365:Cai Lun 3336:History 3214:Netsuke 3069:Etching 3049:Andiron 2968:Pottery 2948:Azulejo 2940:Ceramic 2808:Chinese 2771:Origami 2761:Jianzhi 2729:Collage 2686:Weaving 2681:Tie-dye 2676:Tatting 2599:Macrame 2574:Felting 2541:Textile 2531:History 1416:collage 1330:Hungary 1310:English 1298:cheques 1258:cheques 1103:Bukhara 1099:Üsküdar 1097:, near 1038:حالنامه 1032:Hâlnâma 1020:Bijapur 1004:stencil 994:Safavid 873:cognate 849:Turkish 845:Persian 817:English 785:Persian 777:Chinese 769:Bukhara 684:Echizen 520:Sichuan 392:acrylic 384:gouache 372:Ox gall 332:pigment 316:ox gall 297:acrylic 263:linseed 226:Persian 222:Turkish 217:Firengi 208:Muslims 196:Turkish 184:Persian 176:Turkish 166:Turkish 151:unsized 120:-based 54:viscous 42:aqueous 3988:Europe 3983:Canada 3730:Tissue 3640:Manila 3613:Korean 3608:Ingres 3603:Inkjet 3516:Coated 3496:Carbon 3471:Banana 3202:Mosaic 3059:Enamel 3026:Mirror 2818:Slavic 2813:Jewish 2651:Sewing 2634:Carpet 2428:  2409:  2386:  2360:  2332:  2313:  2294:  2275:  2265:  2223:  2194:  1965:  1940:  1930:  1888:  1861:  1823:  1683:  1673:  1632:  1354:(1750) 1308:After 1262:patent 1163:Turkey 1126:neftli 1065:Turkey 1008:resist 948:) and 934:seed, 914:Mughal 902:Persia 863:Turkey 851:, and 737:sizing 726:Turkey 724:, and 710:Qur'an 532:Ginger 470:: 468:pinyin 398:, and 265:, and 192:Indian 188:Tajiks 162:sizing 131:bamboo 98:papers 46:marble 4127:Paper 3998:Japan 3993:India 3760:Wasli 3755:Washi 3715:Stone 3645:Mummy 3635:Lokta 3618:Kraft 3598:India 3583:Graph 3553:Crêpe 3476:Bible 3461:Amate 3444:Types 3311:Paper 3103:Other 3041:Metal 2993:Glass 2751:Decal 2696:Paper 2594:Lucet 2273:S2CID 2168:Metro 1938:S2CID 1612:Notes 1120:tekke 1111:Sufis 951:salep 936:onion 922:India 831:word 753:Herat 722:India 614:三十六人集 586:Osaka 545:China 500:China 488:] 446:Kyoto 212:Turks 136:washi 118:Kyoto 62:paper 50:stone 4026:Uses 4015:List 3790:Xuan 3780:Wove 3710:Seed 3690:Rice 3630:Laid 3593:Hemp 3531:Copy 3486:Bond 3172:Inro 2983:Tile 2872:Wood 2518:and 2479:ebru 2426:ISBN 2407:ISBN 2384:ISBN 2358:ISBN 2330:ISBN 2311:ISBN 2292:ISBN 2263:ISBN 2221:ISBN 2192:ISBN 2134:2011 2083:2011 2052:2011 2021:2010 1995:2010 1963:ISBN 1928:ISBN 1899:2018 1886:ISBN 1859:ISBN 1821:ISBN 1794:2010 1766:2021 1734:2010 1713:2010 1681:OCLC 1671:ISBN 1650:link 1630:ISBN 1409:hand 1231:and 1225:Rome 1085:Sufi 1077:ebru 1006:and 999:abri 927:size 904:and 883:Iran 878:abrī 871:, a 868:ebru 858:abrī 853:Urdu 840:ابره 834:ebre 808:ابرى 802:abrī 743:and 718:Iran 638:waka 624:西本願寺 463:文房四譜 417:waka 382:and 378:for 352:ebru 299:and 224:and 171:ebru 158:size 142:kozo 72:and 58:size 3770:Wax 3720:Tar 2255:doi 2102:hdl 1920:doi 1701:墨流し 1223:in 1199:in 1144:in 920:in 837:" ( 811:). 779:or 767:or 678:in 601:墨流し 515:流沙箋 436:or 396:PVA 257:), 220:in 210:as 198:by 160:or 4123:: 3563:Dó 3324:/ 2405:. 2401:. 2382:. 2378:. 2271:. 2261:. 2217:31 2215:. 2211:. 2166:. 2100:. 2069:. 2038:. 1936:. 1926:. 1817:31 1815:. 1811:. 1752:. 1704:. 1679:. 1646:}} 1642:{{ 1426:, 1405:A 1328:, 1288:, 1241:. 992:a 988:. 980:1 938:, 847:, 793:) 720:, 716:, 686:, 494:, 486:zh 466:; 444:, 394:, 303:. 261:, 249:, 232:. 186:, 80:. 3303:e 3296:t 3289:v 2508:e 2501:t 2494:v 2434:. 2415:. 2392:. 2366:. 2338:. 2319:. 2300:. 2279:. 2257:: 2240:. 2200:. 2170:. 2136:. 2110:. 2104:: 2085:. 2054:. 2023:. 1997:. 1971:. 1944:. 1922:: 1901:. 1867:. 1840:. 1796:. 1768:. 1736:. 1715:. 1687:. 1652:) 1638:. 1155:, 1057:( 1035:( 962:( 942:( 891:( 805:( 728:. 627:) 621:( 617:) 611:( 604:) 598:( 512:( 460:( 253:( 239:( 145:(

Index


Scotland
Encyclopædia Britannica
aqueous
marble
stone
viscous
size
paper
calligraphy
bookbinding
stationery
monotype

papers
ink brush
surfactant
surfactant
Kyoto
Japanese
bamboo
washi
paper mulberry
unsized
Turkish
Turkish
Turkic peoples
Persian
Tajiks
Indian

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